Music List for cbass Last Update: May 13, 2025
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Allman Brothers Band --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
02/11/70	Fillmore East (Early Show)	New York	NY	Master Soundboard Reel > Cassette > DAT> CDR* > Remastered** > SHN EAC'ed / SHN'ed by Scott Clugston 7/4/01 Digitally remastered by Garrett Van Cleef*** (rev. 2) 12/12/01 Posted to gdlive.com by GVC FLAC conversion in 2006 from the original fileset	Source Detail
07/03/70	Middle Georgia Raceway	Byron	GA	Master Soundboard Reel > Cassette > DAT > CDR	Source Detail
07/26/70	S.U.N.Y. Gym	Stony Brook	NY	Source: Sbd->Reel->DAT->CDR->SHN	Source Detail
08/26/71	A&R Studios	New York	NY	FM via Leigh Orf	Source Detail
09/16/71	The Warehouse	New Orleans	LA	Aud: cdr>yamaha400t>eac>hd>mkw>shn	Source Detail
12/31/72	Warehouse	New Orleans	LA	Lineage: SBD>DAT>CASS>wAVELAB LITE>FRONTEND>FLAC	Source Detail	FLAC
06/09/73	RFK Stadium	Washington	DC	sbd>mr>production cassette>dat>cdr>shn>wav> sek'd red roaster for editing***(no eq, no compresion, no noise reduction or processing)>cdwav>mkw all shn files verified with shntool re-seeded to etree november 2001	Source Detail
07/28/73	Watkins Glen Grand Prix Circuit	Watkins Glen	NY	Various SBD/AUD (unk equipment)>CDR Circulating on Furthur, 12/2002	Source Detail
12/31/73	Cow Palace	Daly City	CA	source: master reel-> DAT-> CDR-> SHN	Source Detail	FLAC

Bob Dylan & Neil Young --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
03/23/75	Kezar Stadium	San Francisco	CA			FLAC

Bob Marley & The Wailers --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
06/18/75	Wollman Skating Rink - Central Park	New York	NY			FLAC
06/21/75	The Manhattan Center	New York	NY			FLAC
06/17/78	Madison Square Garden	New York	NY			FLAC
06/27/80	Stadio San Siro	Milan	Italy			FLAC

Bobby & the Midnites --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
11/07/80	Orpheum Theatre	Boston	MA	Unknown Mics > Cm > Cass > Cass > Sony CDR-W33 > CDR > EAC > CDWave (for tracking) > Flac	Source Detail	FLAC

Dickey Betts & Great Southern --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
04/19/77	The Bottom Line	New York	NY	Source: fm simulcast reel master 10.5"@7.5 ips on sony tc-755 w/teac an180 nr taped by Jerry Moore lineage: reel master on sony tc-765>teac an-180>sbm1>dat>cdr>eac>cd wave>flac transfers by Rob Berger	Source Detail	FLAC

Diga Rhythm Band --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
05/04/75	Studio Rehearsals at Mickey's Barn	Novato	CA	SBD > Rm > Cass > Cass > Reel > CD > EAC > Flac	Source Detail	FLAC
05/30/75	Golden Gate Park	San Francisco	CA	SBD > Rm > Cass > Reel > CD > WaveLab > Gems Edit Station > Flac	Source Detail	FLAC
05/30/75	Golden Gate Park	San Francisco	CA	SBD > Rm > Cass > Reel > CD > EAC > Flac	Source Detail

Garcia --- Approximate Hours: 2.5
Show Date	Venue	City	State	Comments	SHN Info	Media
??/??/39	Unknown	Unknown	Unknown	JGB; flac1644: sbd >> cassette >> ??	Source Detail	FLAC
07/??/61	Boar's Head Coffeehouse	San Carlos	CA	Garcia, Leicester & Hunter: MA? (Probably MAR taped by Rodney Albin, mics onstage) > ? > CD > EAC (secure) > Cool Edit > CDWAV > mkwact > SHN(seekable), EAC>SHN by Matt Vernon.	Source Detail
06/11/62	Jewish Community Center	San Carlos	CA	Sleepy Hollow Hog Stompers: AUD > R2R? > C? > CDR > SHN. Posted to abgd by Greenbaum.	Source Detail
06/11/62	Jewish Community Center	San Carlos	CA	Sleepy Hollow Hog Stompers: Master Audience (?) Reel (Scotch 150) > playback on Technics RS 1520 @ 7-1/2 ips no dolby > first gen reel (Scotch 207 recorded via Otari MX5050 @ 7-1/2 ips no dolby) > playback on Technics RS1506 > Tascam DA-40 DAT > Tascam CD-RW700 master CD > CDs > HP 9350i extraction using EAC > .shn encoding using mkwACT.	Source Detail
06/11/62	Jewish Community Center	San Carlos	CA	Sleepy Hollow Hog Stompers, flac16: MOTB Release: 0051 16/44.1; Master Audience Reel [Possibly from mics placed on stage, onto Scotch 150 1/4" tape] > Technics RS-1520 [No Dolby, 7.5 IPS] playback > Otari MX-5050 [No Dolby, 7.5 IPS, Scotch 207 1/4" tape] 1st gen reel > Technics RS-1506 playback > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 DSD-DDF 1-bit 5.6448 MHz Stereo > Audio Gate Dissemination > 24/96 WAV; no downsampling info.	Source Detail	FLAC
11/10/62	College of San Mateo	San Mateo	CA	CSM Folk Festival; flac16 Recording Info: Unknown stage mics -> unknown reel recorder. Transfer Info: Master reel -> Dennis McNally's cassettes (Nakamichi DR-1) -> Sound Devices 788T (24bit/96kHz) -> Peak Pro 5 /Izotope RX Advanced -> FLAC 16/44.1 (Xact).	Source Detail	FLAC
02/23/63	Top of the Tangent	Palo Alto	CA	Wildwood Boys: Garcia, David Nelson, Robert Hunter and Norm Van Mastricht. Aud (unknown Source) Master Reel > Reel > FM > Cass > Dat > CD > EAC > SHN. DAT > CD and EAC > SHN by Scott Mogol.	Source Detail
05/04/63	Top of the Tangent	Palo Alto	CA	Jerry & Sara Garcia: Possibly MAR > R > FM > Cass > DAT > CDR.	Source Detail
05/04/63	Top of the Tangent	Palo Alto	CA	Jerry & Sarah Garcia 1963-05-04 Top Of The Tangent Palo Alto, Ca MR > FM > CASS > CD * REMASTERED	Source Detail	FLAC
03/06/64	Top of the Tangent	Palo Alto	CA	Black Mountain Boys: SBD->Cassette->CDR->TAE->SHN via David Backus and Wagner	Source Detail
03/07/64	Top of the Tangent	Palo Alto	CA	Black Mountain Boys, partial set: SBD-> Cassette -> CDR -> TAE -> SHN.	Source Detail
03/07/64	Top of the Tangent	Palo Alto	CA	Black Mountain Boys; flac1644; Aud MR > ? > cass. Transferred at 24-bit, 96kHz and edited by Dan McDonald. Transferred using the flat transfer method, using my converted Nakamichi BX1. Correct curve applied through DC9 (alpha). No noise reduction. This recording is in dual-channel mono. Gain-normalized to -1.0 dB. Converted to 16/44.1 using triple precision and triangular dithering.	Source Detail	FLAC
04/14/64	Unknown	Unknown	CA	Banjo Lesson: ambient reel to reel recording by unknown student > ? > 7 1/2 ips reel > Matt Smith [Akai GX-625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring/mastering > Wavelab 5.0 (dithered to 20/44))] > CD; CD > EAC (tracking and mastering) > CD by Ihor Slabicky.	Source Detail	FLAC
??/??/64	Unknown	Palo Alto	CA	Wildwood Boys: MA? (Stage Mic?) > C > CDR > PCM > SHN. Note filenames are not per etree convention.	Source Detail
??/??/64	Boar's Head	Palo Alto	CA	Black Mountain Boys: SBD->Cassette->CDR->TAE->SHN (partial)	Source Detail	SHN
??/??/64	Unknown	Palo Alto	CA	Black Mountain Boys: flac/fix of shnid 24073 by Bob Loy.	Source Detail	FLAC
10/02/66	San Francisco State University	San Francisco	CA	recieved in a snail-mail trade from Ed Perlstein (in one large wav file) who recovered the Master Reel. MR>Remastered DAT>CDR>CDR1>EAC>FLAC	Source Detail	FLAC
03/??/67	710 Ashbury Street	San Francisco	CA	Jerry Garcia interview by Randy Groenke and Mike Cramer; master reel @ 3.75 ips speed > (?) > cassette > my TDK MA90 cassette > Nakamichi Dragon > Macintosh with Digidesign AudioMedia III sound card > Pro Tools (minor "nip and tuck" edits, normalization and many clicks and pops manually removed - no noise reduction or equalization) > AIFF > xACT (Flac level 8 files with sector boundaries verified).	Source Detail	FLAC
05/21/68	Carousel Ballroom (Tuesday Night Jam)	San Francisco	CA	Tuesday Night Jam: MSR > DAT > CD > EAC > WAV > SHN.	Source Detail
05/21/68	Carousel Ballroom (Tuesday Night Jam)	San Francisco	CA	"Tuesday Night Jam": Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v.20 -> SHN (2 Discs Audio / 1 Disc SHN) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net, 2/17/04.	Source Detail
07/28/68	Rancho Olompali	Marin County	CA	Garcia, Casady & Hart: MS?>?>CD>EAC>FLAC, via David Gans.	Source Detail
07/28/68	Rancho Olompali	Marin County	CA	Garcia, Casady, Hart; flac1644; SBD > Master Reel > Dat. Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC, Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
10/08/68	The Matrix	San Francisco	CA	Hartbeats; flac24, most likely lineage of these are MR>R @ 7.5 ips>R @ 7.5 ips>?>flac24. This is a mix down of the line feed left channel, and the more ambient miced right channel	Source Detail	FLAC
10/21/68	Jefferson Airplane House	San Francisco	CA	SBD > MR > Cass > DAT > CDR > WAV > CDR; via EAC/trade from Morgan Evans; EAC > minor wav editing> CDWAV > seeking SHN by Rick Lepley; Uploaded by Andy Lepley; note shn set is labelled as 10/28/69, but material typically circulates as 10/21/68	Source Detail
10/21/68	Jefferson Airplane House	San Francisco	CA	flac 2448: Recording Info: SBD > ?? > 2 Maxell UDXLII C90 Cassettes Transfer Info: GEMS Lossless Legs production knudsen.0002.jg_friends1968-10-21.flac2448 refer to the original info file (knudsen.0002.jg+friends.1968-10-21.txt) which is part of the fileset. Editing and Mastering: Mark Fulton (mdfunes) Goldwave audio editing software. 4/21/2019	Source Detail	FLAC
10/30/68	The Matrix	San Francisco	CA	flac2496; GEMS; MR (Abrams) > R @ 7.5 ips (Kafer) > R @ 7.5 ips (Will Boswell); playback on Akai GX636 - Direct tape head out >> custom built Bottlehead tube tape preamp with a pair of Tesla 6922 tubes >> Apogee Mini Me/Mini Dac 24/96 >> Lynx One soundcard >> FLAC by Matt Smith. Mixed and Mastered by Jamie Waddell.	Source Detail	FLAC
10/30/68	The Matrix	San Francisco	CA	flac24: sbd unknown gen reel, Jerry Moore's copy, transfer/seeded by Rob Berger	Source Detail	FLAC
12/16/68	The Matrix	San Francisco	CA	SBD> Rm> Reel> CD (May Be SBD> Rm> Reel> Reel> CD); DAE/shnv3/ftp via neo_levo, from Charlie Miller seed	Source Detail	CDR
12/16/68	The Matrix	San Francisco	CA	Hartbeats: MSR (Abrams) > R (Peter Kafer) > R @ 7 1/2 ips (Will Boswell); Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16.	Source Detail	FLAC
12/24/68	The Matrix	San Francisco	CA	Jerry Garcia, Harvey Mandel & Elvin Bishop: SBD > unknown generation cass > wav > shn. Posted to abgd 12/2002. Notes: d2t01 has a sector boundary error.	Source Detail
12/24/68	The Matrix	San Francisco	CA	Garcia, Harvey Mandel & Elvin Bishop: MSR > PCM > SHN. Uncertain how, if at all, this relates to existing .shn sets listed under Garcia (#15051) and Grateful Dead (#9475).	Source Detail	SHN
12/24/68	The Matrix	San Francisco	CA	"Harvey Mandel Band w/ Garcia": soundboard 4-track reel master > 2-track reel > CDR/0 > CDR/1 > CDR/2 > iMac > SHN. Editing (Sound Studio for Macintosh) and shn compression (Shorten for Macintosh) by Jeff Tiedrich on 24 and 28 April 2002.	Source Detail	SHN
02/19/69	Matrix	San Francisco	CA	sdb>Mreel>???>Dat>CD any info help send to usalai@nycap.rr.com and or jerrylives2000@aol.com ripped by Mike Lai and seeded to etree jan 28, 2001 via jerrylives2000.etree.org filler 2-94 garcia, grisman and rice: Shady groove studio sessions	Source Detail
02/19/69	Matrix	San Francisco	CA	Jerry Garcia (banjo), David Nelson, and Frank Wakefield: SBD > ? > PCM > WAV > CDR; transfer Sony PCM-601ESD (electrical) > SEK'D ProdifPro96 > Samplitude > Wav; some edits, see info file for details.	Source Detail
02/19/69	Matrix	San Francisco	CA	High Country w/ Garcia & Nelson: SBD (orAUD?) > Mreel > Reel > Dat > CD > EAC > wav > flac.	Source Detail
02/19/69	Matrix	San Francisco	CA	High County(Garcia & Nelson Sitting in):SBD> Mreel> Reel> Dat >Wav>Shn	Source Detail
02/19/69	Matrix	San Francisco	CA	High Country w/ Garcia & Nelson: MSR > ? > DAT > CD.	Source Detail	SHN
02/19/69	Matrix	San Francisco	CA	Garcia, Nelson et al; via Teddy GoodBear to alt.binaries.gdead	Source Detail	shn
02/19/69	Matrix	San Francisco	CA	MR(Bill Abrams)>R@7.5 ips.(Peter Kafer)>R@ 7.5 ips(Will Boswell)>CD Transfered and mastered by Matt Smith 5/11 Cd to Flac dbpoweramp, checksums TLH gballen 5/26/2011	Source Detail	FLAC
02/19/69	Matrix	San Francisco	CA	High Country: SBD > Master Reel > Reel > Dat; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > WAV 16/48; Transfer by Charlie Miller. Edited & Mastered (Adobe Audition) by Joe Noel October 02, 2020.	Source Detail	FLAC
08/07/69	Matrix	San Francisco	CA	NRPS; flac16; MR > R (Peter Kafer) > 7.5 ips reel (Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC. Mastered By Matt Smith.	Source Detail	FLAC
08/28/69	Family Dog at the Great Highway	San Francisco	CA	Hartbeats; flac1644; SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/06/69	Family Dog at the Great Highway	San Francisco	CA	JG sitting in w/ Jefferson Airplane: Sbd, A0D1, Cass M->Dat 1, 44k; Ampex C-90 Master Cass/no dolby->3700 x 0->3800 x 1; FOLLOWED BY: CD > EAC > FLAC, via Teddy Goodbear.	Source Detail	FLAC
10/28/69	2400 Fulton Street - Jefferson Airplane House	San Francisco	CA	Source: SBD > MR > Cass > DAT > CDR > WAV > CDR; via EAC/trade from Morgan Evans > EAC > CDWAV > SHN; via Rick Lepley Notes: Great disc! The sound quality is exceptional IMO, it almost sounds like it was recorded in a studio setup. The lineup is reportedly the following: Jerry Garcia - Guitar Jorma Kaukonen - Guitar Jack Cassady - Bass Mickey Hart - Percussion Spencer Dryden - Percussion Known Flaws: A high pitched tone which was present on my CDR copy at roughly 0:12 - 0:23 of track 01 was edited out using EAC's wave editing function. A 1-second pause at about 14:19-14:20 on the master dt06 was edited out also using EAC. Much thanks to Morgan Evans for putting this gem into my hands! Uploaded and distributed by Andy Lepley These shn files are seekable in your shnamp. Please forward any information/corrections to lepleyr@hotmail.com - Thanks!	Source Detail	SHN
09/??/70	CBS Studios	San Francisco	CA	flac16: Howard Wales & Jerry Garcia, Studio Outtakes from the "Hooteroll?" LP Sessions, Source: Maxell UDXL2 Cassette with Dolby B Lineage: Studio -> ? -> Cassette -> (Nakamich Dragon playback with Dolby B) -> Lexicon Lambda -> Logic @ 24/96 (tracking, speed correction & dithering) -> 16/44.1 wav -> xAct (sbe correction) -> wav -> flac Transfer and mastering by Alan Bershaw (April 25, 2018)	Source Detail	FLAC
10/21/70	Matrix	San Francisco	CA	Garcia & others: Supposed MSR > DAT > CD. This material travels under many different names, including "Hot Dead Messenger Service", though the info file's identification of this as a "Matrix Tuesday Night Jam Session" seems implausible, since 10/21/70 was a Wednesday.	Source Detail
10/21/70	Matrix	San Francisco	CA	Matrix Jam Session (Garcia and others): 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac.	Source Detail	FLAC
11/20/70	WBCN-FM Studios	Boston	MA	Garcia, Weir & Duane Allman: MFR > 2nd gen (?) reel > M-Audio Transit > Cool Edit > CD Wave Editor > FLAC, via Dave Tamarkin.	Source Detail
11/20/70	WBCN-FM Studios	Boston	MA	Garcia, Weir & Duane Allman: FM > ? > remastering > FLAC encoding, by Pink Robert.	Source Detail	FLAC
11/21/70	WBCN-FM Studios	Boston	MA	Garcia, Weir & Allman: FM MASTER REEL > 2ND GEN (?) REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC, via Dave Tamarkin.	Source Detail	FLAC
11/21/70	WBCN-FM Studios	Boston	MA	Garcia, Weir, and Duane Allman: MFC > 2C > SHN, via Chuck Kiefe, Jeff Cotsman.	Source Detail	shn
12/15/70	The Matrix	San Francisco	CA	David & the Dorks: sbd > mr > ? > dat > xa2 > cdr > shn > wav > flac, fixing and seeding by Sir Mick; see info file for more details.	Source Detail
12/15/70	The Matrix	San Francisco	CA	David & the Dorks: sbd > Reel(?) > ? > DAT(?) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav, via Todd Evans.	Source Detail	FLAC
12/15/70	The Matrix	San Francisco	CA	David & the Dorks: SBD>MR>?>DAT>ZA2>CD	Source Detail	shn
12/15/70	The Matrix	San Francisco	CA	David & The Dorks: SBD > Reel to Reel > Cassette > CD > Adobe Soundbooth > Flac > TLH; Recorded by Gary Medeiros; Mastered By Scott Medeiros	Source Detail	FLAC
12/15/70	The Matrix	San Francisco	CA	flac16; Recording info: Reel source (unknown gen) > Tim Dalton's PCM; Transferred by Charlie Miller; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
12/17/70	The Matrix	San Francisco	CA	David & the Dorks: SBD>MR>?>DAT>ZA2>CD	Source Detail	shn
12/20/70	The Matrix	San Francisco	CA	David and the Dorks: David Crosby, Jerry Garcia, Mickey Hart, Phil Lesh; mSR>Rn?>DAT>CD>EAC>SHN; via G. Tremblay	Source Detail	SHN
12/27/70	KPPC Studios	Pasadena	CA	"Sunday Quartet" (Garcia, Weir, Nelson, Dawson): pre-FM master reels > cassette > digital. See info text for extensive notes.	Source Detail
??/??/70	Studio Jam	Unknown	Unknown	Garcia and Friends: MSR? > ? > DAT > CD > Eac > cool edit > shntool > cdwav > shnv3.	Source Detail	SHN
??/??/70	Pacific High Recorders	San Francisco	CA	Garcia, Weir, Cipollina & Sears: 1st gen analog tape > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac. Seeded by '38f' to Dimeadozen as part of compilation "JOHN CIPOLLINA - ULTRA RARE TRACKS, HOME RECORDINGS AND DEMOS 1970/1985, volume two".	Source Detail	FLAC
??/??/70	Studio Jam	Unknown	Unknown	KSAN-FM BROADCAST > LINEAGE UNKNOWN > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC via davmar to Lossleggs	Source Detail	FLAC
??/??/70	Tarot Music	Unknown	CA	"Tarot" outtakes; flac1644; unkn cassette gen from late 70s trade > Pioneer CT-F1000 > sony pcm-r700 > sbm 44k > delta dio 2496 > cooledit200 > levels raised > shn > wav > flac	Source Detail	FLAC
??/??/70	Pacific High Recorders	San Francisco	CA	Garcia, Weir, Cipollina & Sears: 1st gen analog tape > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac. Seeded by '38f' to Dimeadozen as part of compilation "JOHN CIPOLLINA - ULTRA RARE TRACKS, HOME RECORDINGS AND DEMOS 1970/1985, volume two".	Source Detail	FLAC
01/02/71	Wally Heider's Studio	San Francisco	CA	PERRO Sessions: MSR> Dat > CD > EAC > mkw > Shn. Recorded by Stephen Barncard 1970-1971. Transferred at A&M Tape Copy 1/23/91	Source Detail
01/02/71	Wally Heider's Studio	San Francisco	CA	Planet Earth Rock & Roll Orchestra (PERRO): misc "rough cuts", 1/2/71 plus assorted dates; more info; via Darrin Sacks	Source Detail	SHN
01/02/71	Wally Heider's Studio	San Francisco	CA	PERRO: Master Soundboard Reels Recorded by Stephen Barncard 1970 - 1971 Transferred at A & M Tape Copy 01/23/1991 to DAT; Transfer: Panasonic SV-3700 M-Audio Audiophile 2496 at 48 khz 16 bit into Wavelab 5.0; Mastering with iZotope Ozone 3 dithered to 44.1 khz 16 bit > CDWAV1.9 > FLAC (level 8). Transferred and mastered by Bill Koucky September 30, 2007. Seeded by Green Mountain Brothers.	Source Detail	FLAC
01/02/71	Wally Heider's Studio	San Francisco	CA	PERRO: Source: Master Soundboard Reels Recorded by Stephen Barncard 1970 - 1971 Transferred at A & M Tape Copy 01/23/1991 to DAT jcannon dat copy > cd > eac - files renamed and tagged. Per Barncard's notes, this appears to be the complete copy in order. Circulated November 2011	Source Detail	FLAC
05/11/71	The Matrix	San Francisco	CA	Garcia & Saunders: Unknown source > reel > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v1.7.1 Etree edition).	Source Detail	FLAC
05/20/71	Keystone Korner	San Francisco	CA	JGMS; flac2496k; Most likely lineage MR@ 7 1/2 ips >> Reel(owned by Jerry Garcia) >> Reel(made and owned by Will Boswell) @ 7 1/2 ips >> 2496 PCM WAV [by Matt Smith]; Transfer info: Revox A77 > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
05/20/71	Keystone Korner	San Francisco	CA	JGMS; flac1644; Most likely lineage.. MR@ 7 1/2 ips >> Reel(owned by Jerry Garcia) >> Reel(made and owned by Will Boswell) @ 7 1/2 ips >> 2496 PCM WAV [by Matt Smith]; Transfer info: Revox A77 > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
05/20/71	Keystone Korner	San Francisco	CA	JGMS; flac1648 Recording Info: MR@ 7 1/2 ips > Reel (owned by Jerry Garcia) > Reel(made and owned by Will Boswell) @ 7 1/2 ips > 2496 PCM WAV [by Matt Smith] Mastering Info: Samplitude Pro X5 > Flac24 (fresh 2021 mastering included phase correction, hum removal, channel flip to match 1971-05-21 official release, etc.) > RX8 (Flac16) Mastering by Jim Blackwood Speed Correction by Jason Chastain Track, FLAC and Pack by Steve Gravel	Source Detail	FLAC
09/24/71	Lion's Share	San Anselmo	CA	Garcia & Saunders: early and late shows; MSR > 1C > D > Digi001 > SHN; d2 filler: 12/20/72 Keystone Berkeley; via R. Shriver and D. Metz. With Tom Fogerty	Source Detail
09/24/71	Lion's Share	San Anselmo	CA	JGMS; early and late; flac1644; sbd > reel master > Dat, edited and mastered SIRMick.	Source Detail	FLAC
09/24/71	Lion's Share	San Anselmo	CA	JGMS; flac2694; late show; MSR > HD, 2022 transfer of the master reels by Lou Judson	Source Detail	FLAC
09/25/71	Lion's Share	San Anselmo	CA	JGMS; flac2496; early and late shows; MSR > HD 2022 transfer by Lou Judson. This material historically identified as 9/24/71, actually 9/25/71.	Source Detail	FLAC
12/09/71	Scotty's Music	St. Louis	MO	Garcia, Cage, and others : 7" mono open reel > 24 bit transfer > resample > CD-R > SHN. Note that this often circulates with other dates/venues, including 5/14/70 Scotty's Music Store in St. Louis, MO.	Source Detail
12/09/71	Scotty's Music	St. Louis	MO	flac1648; "Scotty's Jam"; 7" mono open masater reel > 24 bit wav > resampled to16 bit wav > cdr > shn > tlhv28 > Flac > Audition 8CC > Isotope RX7 > cdwave splitter > Flac16	Source Detail	FLAC
12/31/71	Winterland Arena	San Francisco	CA	Yogi Phlegm with Garcia and Lesh	Source Detail	FLAC
??/??/71	The Matrix	San Francisco	CA	JGMS: MSR @ 7.5ips > reel @ 7.5ips > reel @ 7.5ips > Apogee Mini ME 24/96 > Apogee Mini DAC (monitoring) > Wavelab 5.0 (dithered to 20/44) > CD > EAC > FLAC. Transfer by Matt Smith, FLAC encoding by ecocats.	Source Detail	FLAC
01/15/72	Keystone Korner	San Francisco	CA	MAR > 2C > D > CDx1 > EAC > SHN	Source Detail
01/19/72	Lion's Share	San Anselmo	CA	Garcia & Saunders, set I only: MSR > C > D > CD > EAC > SHN > WAV > sector boundary fix using shntool > SHN. This set fixes sector boundary errors on the previous shn set.	Source Detail
01/19/72	Lion's Share	San Anselmo	CA	Garcia & Saunders: sdb> reel master> cassette> dat> cdr; seeded by mike lai, tracked by dan metz; [md5]	Source Detail
01/19/72	Lion's Share	San Anselmo	CA	JGMS; flac1644; sbd > reel master > Dat 44.1k provided by Paul Scotton. Transfer: Dat > Sony R500 > Sound Devices 744T > wav 16/44.1, transferred by Charlie Miller. Lineage: wav 16/44.1 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16, edited and mastered SIRMick.	Source Detail	FLAC
01/20/72	Lion's Share	San Anselmo	CA	Garcia & Saunders: 10" master SBD reels @ 7.5 ips > 1 cassette generation (Maxell XLIIS 100 Nakamichi CR-7A playback) > Lucid AD9624 24 bit A/D converter (44.1kHz) > Sony R500 DATx0 > DATs > CD > EAC > SHN.	Source Detail
01/20/72	Lion's Share	San Anselmo	CA	flac1644; Recording info: SBD > 10" master reels @ 7.5 ips > Dick Latvala's DAT > Rob Eaton's DAT > DAT (provided by Anon); 2023 DAT transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
01/26/72	Symphony Hall	Boston	MA	Howard Wales & Friends featuring Jerry Garcia: FMSBD>RR>CD>EAC>SHN	Source Detail
01/26/72	Symphony Hall	Boston	MA	FM > ?? > PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatach Pro > Tascam DA-3000 > Flac	Source Detail	FLAC
02/06/72	Pacific High Recording Studio	San Francisco	CA	Garcia & Saunders: Kahn, Kreutzmann, Vitt; FM Broadcast, KSAN	Source Detail
02/06/72	Pacific High Recording Studio	San Francisco	CA	Garcia & Saunders: Source: FM > ? > dat > da-20 playback > rme 96/8 pst > cd wave > mkw (shn). Transfer by Tim Rossi. Source information updated 11/5/2004, had been listed as pre-FM.	Source Detail
02/06/72	Pacific High Recording Studio	San Francisco	CA	JGMS; flac1644; KSAN FM broadcast; likely DAT from Pre-FM reels; Mastered by Jamie Waddell	Source Detail	FLAC
06/30/72	Keystone Korner	San Francisco	CA	Garcia & Saunders: With tom fogerty Mreel>Dat>Cdr>Eac>Pro tools> shn Seeded by Mike Lai	Source Detail
06/30/72	Keystone Korner	San Francisco	CA	Garcia & Saunders: MSR? > ? > mono reel > TEAC X-2000R playback > possible Nakamichi NR-200 Dolby Decoding (if the reel was a Dolby B reel) > Tascam DA-40 DAT > Tascam CDRW-700 CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
06/30/72	Keystone Korner	San Francisco	CA	Garcia & Saunders. MSR -> DAT -> CDRs -> EAC -> SHN -> ProTools 5.0.1 -> SHN -> mkwACT -> sector boundary errors fixed via shntool -> SHN via mkwACT. This set fixes sector boundary errors on previous shn set.	Source Detail	shn
06/30/72	Keystone Korner	San Francisco	CA	JGMS; flac 16; Barry Glassberg's Unknown SBD Reel [ shnid 18059 ] > Speed correction and tracking by Jason Chastain > Mixed and mastered by Jamie Waddell	Source Detail	FLAC
09/01/72	Keystone Korner	San Francisco	CA	JGMS: MSR > R (JG) @ 7 1/2ips > R (WB) @ 7 1/2ips; Transfer info: BASF reel (Baked) > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > FLAC.	Source Detail
09/01/72	Keystone Korner	San Francisco	CA	JGMS, flac2496; Master Reel > Reel from Jerry Garcia's Own Collection @ 7 1/2ips > Reel from Will BosweLL @ 7 1/2ips. A reel from the Debbie Stash. a **NEW** 24 bit transfer - BASF reel (Baked) > AKAI GX636 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 > FLAC24 by Matt Smith. Mastered by Jamie Waddell. MetaData with Tag and Rename TLH for FLAC Level8.	Source Detail	FLAC
11/23/72	Armadillo World Headquarters	Austin	TX	Garcia, Lesh, Kreutzmann, Leon Russell, Mary Egan, Doug Sahm, and others: MSC > 1 cassette > DAT > CD	Source Detail
11/23/72	Armadillo World Headquarters	Austin	TX	Dough Sahm & Friends: supposedly "Dick's version" Master (reel) - DAT - DAT (clone) - CDR - Flac, via seed to Dimeadozen, but there are strong doubts about this lineage.	Source Detail	FLAC
12/20/72	Keystone	Berkeley	CA	Garcia & Saunders: 166FM[WBAI]SBD.DAT(MSR>DAT>1c>DAT)>CDR>SHN. Incomplete, missing The System. The correct date of this performance is 12/28/72.	Source Detail
12/20/72	Keystone	Berkeley	CA	Garcia & Saunders: MSR>D>1C>D. The correct date of this performance is 12/28/72.	Source Detail
12/28/72	Lion's Share	San Anselmo	CA	Garcia & Saunders, incomplete: gives only standard Jerry Site lineage of 166FM [WBAI] SBD. DAT (MSR > DAT > 1c > DAT) > CDR > SHN.	Source Detail	shn
12/28/72	Lion's Share	San Anselmo	CA	JGMS; flac1648 Soundboard Recording. DAT provided and transferred by Stuccoholmes. Mastered by Jamie Waddell on Dec 20, 2016.	Source Detail	FLAC
01/15/73	Inn Of The Beginning	Cotati	CA	Garcia & Saunders: MSR>PCM>DAT>CD. Find A Rainbow has a substantial cut.Go Climb A Mountain has a 12 second splice presumably due to reel flips. The sound is greatly distorted for first 2 songs and partly distorted for songs 3 and 4 due to problems on the reels. This is one of the shows discovered in the Betty Cantor auction.	Source Detail
01/15/73	Inn Of The Beginning	Cotati	CA	Garcia & Saunders: MSR > PCM > DAT > CD > EAC > SHN. This set has an edited disc one from the existing .shn set, intended to improve upon the grievous problems (from the master reels) of this material. Disc two is identical. See info file for details.	Source Detail
01/16/73	The Boarding House	San Francisco	CA	Mislabel of 1/24/73, confirmed by a user. Do not circulate.Was said to be Jerry Garcia & Merl Saunders: Early Show - FM > reel > cassette (?) > PCM > flac	Source Detail	FLAC
01/24/73	Boarding House	San Francisco	CA	Garcia & Saunders: Early Show: MSR > P > D > Digi001 > SHN; d2 filler: Expressway from late show; via R. Shriver and D. Metz	Source Detail
01/24/73	Boarding House	San Francisco	CA	Garcia & Saunders, Late Show: MSR > PCM > DAT > CD > EAC > SHN	Source Detail
01/24/73	Boarding House	San Francisco	CA	Early & Late: MSR > ? > DAT; Transfer: DAT > Sony D10P > Coax SPDIF > Audiophile-2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644.	Source Detail	FLAC
01/25/73	Boarding House	San Francisco	CA	JGMS; early & late Shows: MSR>C>D>CD. Slightly re-tracked using WavMerge and CDWave, .shn encoding using mkwACT, and proper sector boundaries verified using shntool.	Source Detail
03/02/73	The Record Plant	Sausalito	CA	Old & In the Way: FM MSR>R>D>CD; appears to be identical to /shninfo_detail.php?shnid=11886 seed but with different md5s; obtained from tol.	Source Detail
03/02/73	The Record Plant	Sausalito	CA	OAITW: KSAN-FM BROADCAST > OFF THE AIR REEL MASTER > CD > EAC > WAVE > FLAC, via Dave Tamarkin.	Source Detail	FLAC
03/02/73	The Record Plant	Sausalito	CA	Old & In The Way: Probable MFR > R > D > CD > SHN.	Source Detail	shn
03/07/73	Keystone	Berkeley	CA	Garcia & Saunders, partial set II: MSR > DAT3x > Delta Dio 2496 > Soundforge > WAV > FLAC.	Source Detail	SHN
04/16/73	Boarding House	San Francisco	CA	Old & In The Way, set I: Unknown source FM-SBD (WBAI Morning Dew show) > ? > CD > EAC > SHN.	Source Detail
04/21/73	The Record Plant	Sausalito	CA	Old & In The Way: Possible MFR > D > CD > EAC > SHN.	Source Detail
05/04/73	Homer's Warehouse	Palo Alto	CA	Garcia & Saunders: MSR > DAT3x > Delta DIO 2496 > Soundforge > wav > flac.	Source Detail
05/04/73	Homer's Warehouse	Palo Alto	CA	JGMS; flac16: 10" reel @ 7.5 IPS 1/2 track master > DAT via Anon; Recorded by Betty Cantor-Jackson; 2024 DAT transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
05/05/73	Homer's Warehouse	Palo Alto	CA	Garcia & Saunders: MSR > DAT3x > Delta Dio 2496 soundcard > Soundforge > Flac.	Source Detail	SHN
05/05/73	Homer's Warehouse	Palo Alto	CA	Garcia & Saunders, "Dick's Gift": mSR> DAT> circulation; Jam through After Midnight portion of 5/5/73 Set 1 circulates as part of "Dick's Gift", rest is assorted from winter '73- spring '74 (material allegedly found unlabeled by Dick Latvala in the vault, supposedly came into circulation via a gift to some of Dick's "special friends"); see thejerrysite.com for updated info	Source Detail	SHN
05/05/73	Homer's Warehouse	Palo Alto	CA	JGMS flac1644; Recording info: 10" reel @ 7.5 IPS 1/2 track master > DAT via Anon; Transfer info: Tascam DA-302 > Sound Devices 722 (digital transfer); Recorded by Betty Cantor-Jackson; 2024 DAT transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
05/23/73	Ash Grove	Los Angeles	CA	JGMS, Late Show: MAR (The Night Crew's Sony ECM-22Ps > Sony 770) > 2R > CD > EAC > SHN.	Source Detail
06/05/73	Orpheum Theater	Boston	MA	Old & In The Way: MA? > ? > D > CD > SHN.	Source Detail
06/05/73	Orpheum Theater	Boston	MA	OAITW: allsoundz's mono master audience cassette (unknown mic > Sony deck) > Tascam 122MKIII playback > Numark 20 Band Equalizer > HHB CDR 830 Tracked and slight editing in CD Wave > cdr > eac (secure mode) > flac (level 6).	Source Detail	FLAC
06/05/73	Orpheum Theater	Boston	MA	flac1644; composite AUDs shnid-11889 and shnid-83303. Transfer: SHN & FLAC > TLH > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
06/06/73	Capitol Theater	Passaic	NJ	Old & In The Way: MA? > ? > D > CD > SHN.	Source Detail
06/06/73	Capitol Theater	Passaic	NJ	OAITW: 7" 1/2 track master soundboard reels @ 7.5ips > Sony TC-388 (4-track) playback > Revox A77 1st gen reel (no Dolby) > AKAI GX-625 playback > Apogee Mini Me @ 24 bit/48K > Apogee Mini DAC (for monitoring) > Lynx One soundcard > Wavelab 5.0 > CD > EAC > FLAC.	Source Detail	FLAC
06/06/73	Capitol Theater	Passaic	NJ	Old & In the Way: SBD master reel > 3rd gen cassette; playback on Nak CR7E; via Hanno Bunjes & Uli Teute	Source Detail	FLAC
06/06/73	Capitol Theater	Passaic	NJ	Old & In The Way: MATRIX> FLAC+SHN> WAV> Adobe Audition> FLAC-16T; Matrix Source: Legacy 1: SBRM>3rd Gen C>Nakamichi CR7E> DAT> CDR> FLAC,Legacy 2: AUDMA?> ?> DAT> CD> SHN and Legacy 3: AUDMA?> ?> DAT> CD> SHN Matrix Mastering by RJ 13-Apr-2005 Posting to a.b.gdead.hs	Source Detail
06/07/73	Graneray Park Hotel	New York	NY	interview; flac1644; Dennis McNally's recorder > cass >>> trade. Transfer: Dragon nr-out > zoomH4 16/44.1 > hcsd 8gb > Audacity > TLH > flac16.	Source Detail	FLAC
06/08/73	Lake Whippoorwill	Warrenton	VA	Old & In The Way: MAC (Taped by Jerry Moore, Sony 126 w/ built-in mic, right in front of stage) > ? > digital cleanup > CD. NB this originally circulated as "unknown aud" but has been confirmed to be from the Moore master.	Source Detail
07/05/73	Lion's Share	San Anselmo	CA	Garcia & Saunders: MSR > DAT4x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC.	Source Detail	FLAC
07/05/73	Lion's Share	San Anselmo	CA	JGMS; Soundboard > Master Reel (10" reel @ 7.5 ips ½ track) > Dat (48k)	Source Detail	FLAC
07/08/73	Record Plant	Sausalito	CA	JGMS; flac16: KSAN Pre-FM Master Reel > DAT source from Anon; DAT Transfer, restoration, and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel.	Source Detail	FLAC
07/08/73	Record Plant	Sausalito	CA	Source: KSAN FM > MR > DAT > CD	Source Detail
07/08/73	Record Plant	Sausalito	CA	Garcia & Saunders: Probable MSR (pre-FM) > 1C > D > CDs > EAC > SHN	Source Detail
07/08/73	Record Plant	Sausalito	CA	Recording Info: FM (KSAN-FM) > Master Reel (3.75ips 1/4trk) Transfer Info: Master Reel (Technics RS-1506) > Korg (DSF 1-bit/5.6MHz) > Korg Audio Gate (FLAC 24-bit/96k) Mastering Info: FLAC (24-bit/96k) > iZotope RX8 Advanced > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16	Source Detail	FLAC
07/10/73	Keystone	Berkeley	CA	JGMS: MSC > PCM > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0).	Source Detail
07/10/73	Keystone	Berkeley	CA	JGMS, partial: MSR > 2P > 3D > 1CD > EAC > SHN.	Source Detail
07/11/73	Keystone	Berkeley	CA	Garcia & Saunders: MSR > 2P > 3D > 1CD > EAC > SHN.	Source Detail
07/19/73	Great American Music Hall	San Francisco	CA	Saunders & Garcia (w/Martin Fierro). Source: MSR > PCM > C > C > DAT > WAV >SHN. Partial recording of second set.	Source Detail
07/21/73	Lion's Share	San Anselmo	CA	Old & in the Way, rehearsal: SBD (unknown lineage). Unclear how this might relate to other circulating .shn sets for this date.	Source Detail
07/21/73	Lion's Share	San Anselmo	CA	Old & In the Way: Pitch-corrected version of previous .shn set. AUD C/? > CoolEdit (hiss reduction) > CDR > EAC > 4% tape pitch correction > SHN. Pitch correction and EAC > SHN by Hanno Bunjes.	Source Detail
07/21/73	Lion's Share	San Anselmo	CA	Old & in the Way: This was a rehearsal session in a back room at The Lion Share. SBD> ???> Cass> cdr	Source Detail	shn
07/21/73	Lion's Share	San Anselmo	CA	Old & in the Way: SBD (unknown lineage) From Bluegrassbox ftp.	Source Detail	shn
07/23/73	Boarding House	San Francisco	CA	Old & In The Way: Possible MSR > ? > D > CD > SHN.	Source Detail
07/23/73	Boarding House	San Francisco	CA	Old and in the Way; MSR>D>CD; Wicked Path Of Sin, Blue Mule and Hobo Song are all cut and appear to be cut on the Master SBD Reel; Filler: O&ITW "Reunion" - AUD ??/??/9?; via T. MacLachlan	Source Detail	shn
07/23/73	Boarding House	San Francisco	CA	Source: sbd > master reel > pcm > dat (48k) provided by Rich Gastwirt Tranfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 Transfered by Charlie Miller Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick July 2017	Source Detail	FLAC
07/24/73	Homer's Warehouse	Palo Alto	CA	Old & In The Way: Possible MSR > D > CD > EAC > SHN.	Source Detail
09/05/73	S.S. Bay Belle (NYC Harbor)	New York	NY	JGMS, I/IIp: SBD > ? > Maxell XLII90 > Nak CR3A > HP Computer > Sound Forge > CDWav > Flac.	Source Detail	FLAC
09/06/73	Capitol Theater	Passaic	NJ	Garcia & Saunders: MAC (Taped by Jerry Moore, single AKG D-1000E [hand-held from left mezzanine, Row N, Seat 10A for first song, then on ledge from first row of mezzanine] > Sony TC-110 [TDK C-120SD]) > Tascam 112MK-II playback > Sony R500 {SBM} > Delta Dio 24/96 > wav > .shn (mkwACT) > wav (mkwACT) > tracking (CD Wave v1.6) > miniscule editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn (mkwACT).	Source Detail
09/06/73	Capitol Theater	Passaic	NJ	Garcia & Saunders: MAC (Jerry Moore, AKG D1000Es > Sony TC-110) > D > CD.	Source Detail	SHN
09/06/73	Capitol Theater	Passaic	NJ	JGMS; sbd > master-reel > dat(48k)	Source Detail	FLAC
09/30/73	Community Center	Stinson Beach	CA	Old & In The Way: Possible FOB MAR > D > CD > EAC > SHN.	Source Detail
09/30/73	Community Center	Stinson Beach	CA	OAITW; flac1648; Ambient recording > ? >Jeff Knudsen's cassette; Transfer by Tom Markson; Speed Correction by Jason Chastain; Critical Listening assistance from John Wenzel; Mastering by Jamie Waddell	Source Detail	FLAC
10/12/73	Keystone	Berkeley	CA	JGMS; flac1648; phase-shift fix of shnid-136779	Source Detail	FLAC
10/??/73	Unknown	Unknown	Unknown	Old & In The Way: MSR > 2R > DAT > CD [> SHN]	Source Detail	SHN
11/04/73	California State College Sonoma	Cotati	CA	Old & In The Way: MSR > ? > D > CD.	Source Detail
11/04/73	California State College Sonoma	Cotati	CA	OAITW: SB REEL MASTER > CD > EAC > WAVE > FLAC, via Dave Tamarkin.	Source Detail	FLAC
11/05/73	Keystone	Berkeley	CA	JGMS; flac1648: Source: sbd > master-reel > dat(48k)	Source Detail	FLAC
11/28/73	Palace of Fine Arts Theatre	San Francisco	CA	Garcia & Hart; flac1644; MOTB 0153; Robert Castelli's Sony ECM 270 >> Sony TC-110 (mono)  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [>> FLAC1644]. Transfer By: Bob Menke; Mastering By: David Minches.	Source Detail	FLAC
12/31/73	Cow Palace	Daly City	CA	Interview by Tom Donahue with Jerry Garcia. Unknown lineage from radio.	Source Detail	FLAC
??/??/73	Unknown-Rehearsal Session	Unknown	Unknown	Old & in the Way, rehearsal session: SBD->Cassette->CDR->Peak->SHN. NB that the actual date of this material is uncertain, probably from later in 1973. It is listed under this date to facilitate .shn listing.	Source Detail
??/??/73	The Record Plant	Sausalito	CA	Demos for 2nd Garcia LP, sourced from Bootleg CD "Unsurpassed Vol. 7".	Source Detail
??/??/73	The Record Plant	Sausalito	CA	Old And In The Way; Two discs containing two seperate rehearsal sessions on two unknown dates in 1973; Session One (disk 1) SBD M?>?>D>CD; Session Two (disk 2) M?>?>D>CD	Source Detail
??/??/73	Unknown	Unknown	CA	OAITW: MSR > ? > R @ 7.5 ips > AKAI GX 625 > Apogee Mini Me(24/96) > Apogee MiniDac (monitoring/mastering) > Wavelab 5.0 (dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH).	Source Detail	FLAC
??/??/73	Unknown-Rehearsal Session	Unknown	Unknown	Old & in the Way. Rehearsal Session, date unknow. This source is the seek tables appended version of shnid 21855. The date as "197x" but is listed as 01/01/1973 to facilitate listing the .shns. Information from other sources suggest that the actual date is sometime later in 1973.	Source Detail	shn
??/??/73	Unknown	Unknown	Unknown	OAITW: unknown sbd; MA-R 90 Cassette Transfer: Tascam mkII > Korg MR1000 at 1bit/5.6mHZ > Korg Audio Gate Software > 32 bit float/96kHz > GEMS Edit Station > Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz TLH for FLAC8 SBE FREE Transfers and Mastering by Jamie Waddell.	Source Detail	FLAC
??/??/73	unknown	unknown	unknown	OAITW: Unknown sbd > dat (48k), provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transferred by Charlie Miller Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017	Source Detail	FLAC
01/17/74	Keystone	Berkeley	CA	Garcia & Saunders: primary source MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110 from shnid 76399 with additional audience material added to complete show	Source Detail	FLAC
01/17/74	Keystone	Berkeley	CA	Garcia & Saunders; SBD=>MR =>DAT (44.1KHz) =>CDR	Source Detail
01/17/74	Keystone	Berkeley	CA	JGMS; flac16; Matrix 4 Source Mix - SBD1 & 2 (shn id 76474) Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid) with beginning of Harder They Come patched in; upgrade of 76398 + AUD1 & 2 (shn id 76471) primary source MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110 from shnid 76399 with additional audience material added to complete show - matrix mixing by Kevin Tobin	Source Detail	FLAC
01/17/74	Keystone	Berkeley	CA	Garcia & Saunders; Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid); fix by kevtobin	Source Detail
01/17/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110. This matches the sbd of 1/17/74 and portions of audience from shnid=10024; speed correction and patching by kevtobin	Source Detail	FLAC
01/17/74	Keystone	Berkeley	CA	Garcia & Saunders; DTS Audio 5.1 Mix; SBD: Compilation of SBD1 Dick's Gift (MSR>DATs>CDRs>EAC>SHN) & SBD2 (SBD=>MR =>DAT (44.1KHz) =>CDR); AUD: MAC > D > CD > EAC > SHN; mixed by kevtobin	Source Detail	FLAC
01/17/74	Keystone	Berkeley	CA	Garcia & Saunders; Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid) with beginning of Harder They Come patched in; fix of 76398	Source Detail	FLAC
01/17/74	Keystone	Berkeley	CA	JGMS; Soundboard > Master Reel > DAT (48k)	Source Detail	FLAC
01/18/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110.	Source Detail
01/19/74	Pauley Ballroom, U. of California	Berkeley	CA	Garcia & Saunders: MSR > P > D > CD > EAC > SHN.	Source Detail
01/19/74	Pauley Ballroom, U. of California	Berkeley	CA	JGMS; flac16; Recording info: Master SBD reel > PCM > DAT via Anon; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
02/05/74	Great American Music Hall	San Francisco	CA	Garcia & Saunders: Probable MSR > ?R > DATs > CDs > EAC > SHN	Source Detail
02/05/74	Great American Music Hall	San Francisco	CA	Garcia & Saunders: MSR (Sony TC-377, 7" reels @ 7.5ips by Ed Perlstein)> PCM > DAT > DAT (plyback on Sony PCM-R500) > S/PIDF coaxial > Audiophile 2496/P4 2 GHz > recorded as 24 bit/48 KHz WAV with Wavelab 5 > Waves L3 Multimaximizer using hi res CD rendering settings > 16 bit/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 5).	Source Detail
02/09/74	Rheem Theater	Moraga	CA	Garcia & Saunders: Source: MSR > D @ 48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > Downsampled to 44.1/Normalized to 98% > SHN (no extraction)	Source Detail
02/09/74	Rheem Theater	Moraga	CA	Garcia & Saunders: Master soundboard reels (7" 1/4 track @ 7.5ips recorded with Sony TC-377) > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). More complete than the previously circulating version.	Source Detail
02/09/74	Rheem Theater	Moraga	CA	Garcia & Saunders: SB Reel 15 IPS (baked & transfered to DAT about '93) / 48khz low-gen clone - Sony PCM-1 / 7 pin - Nightengale PCI / Optical (reverse format) - Ce Pro 2000 Record 48k - Ce Pro 2000 Downsample to 44k / highest quality, pre-post filter - CDWav / ShnTool / FLAC - seeded by kung@steve-behan.com 10/03	Source Detail	FLAC
02/09/74	Rheem Theater	Moraga	CA	JGMS; flac1644; Will Boswell's 7.5 ips reels "Do not know the exact lineage but they sound pristine and think they were recorded and never played" > Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC, via Matt Smith.	Source Detail	FLAC
02/09/74	Rheem Theater	Moraga	CA	JGMS; flac 1648; SBD > Master Reel > ? > DAT (48k); Transfer Info: DAT (Panasonic SV-3900) > Tascam DA-3000 (16-bit-48k) > Samplitude Pro X6 Suite > Flac16-48. All Transfers and Mastering by Charlie Miller. December 15, 2023	Source Detail	FLAC
02/16/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC (Louis Falanga's FOB Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN.	Source Detail
02/16/74	Keystone	Berkeley	CA	JGMS: MSR > DAT3x > Delta Dio 2496 soundcard > Soundforge > Flac.	Source Detail	FLAC
02/16/74	Keystone	Berkeley	CA	JGMS; Soundboard > Master Reel (10" reel @ 7.5 ips ½ track) > Dat (48k)	Source Detail	FLAC
02/??/74	Unknown	Unknown	Unknown	Garcia & Saunders, specific date and location unknown: MAC (Louis Falanga's Sony ECM-250 > Sony TC-110) > DATx1 > CDx1 > EAC > CDx1 > EAC > SHN	Source Detail
03/08/74	Unknown	Stinson Beach	CA	Grisman, Greene, Garcia, Thompson, Wolfe: partial rehearsal, M(?)SC > Sonic > CD > EAC > FLAC, via David Gans (2006 KPFA GD Marathon).	Source Detail
03/09/74	Keystone	Berkeley	CA	Garcia & Saunders: MSR > DAT3x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC.	Source Detail	FLAC
03/09/74	Keystone	Berkeley	CA	JGMS; Soundboard > Master Reel > DAT (48k)	Source Detail	FLAC
03/??/74	Fantasy Studios	Berkeley	CA	Compliments of Garcia Outtakes, Source: Soundboard Reels > ? > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab Mastering: In WaveLab with Nomad Factory Plug ins > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky.	Source Detail
04/20/74	Pilgrimage Theater	Los Angeles	CA	Great American String/Music Band: multi gen cass/soundboard > BBE362NR > DAT > Sek'd Prodif Plus > Soundforge > Cdwin > SHN	Source Detail
04/20/74	Pilgrimage Theater	Los Angeles	CA	Great American Music Band: SBD MR (House Source) > Will Boswell's reel (Akai GX625 @ 7.5 ips) > apogee mini me (24/96) > apogee mini dac (monitoring) > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH). A>D by Matt Smith.	Source Detail	FLAC
04/27/74	Golden State College	San Rafael	CA	incorrect dating and lineage"Old & In The Way: AUD - MA? > ? > D >CD". See admin note.	Source Detail
06/04/74	Lion's Share	San Anselmo	CA	Garcia & Saunders: MSR > PCM > DAT > CDR [> SHN]	Source Detail
06/04/74	Lion's Share	San Anselmo	CA	JGMS; flac 16; SBD > Recorded on two 10" 1/2trk 7.5ips reels Master Reels > PCM transfer at 16 bit / 44.056kHz; recording was gratefully supplied by PO and Stucco TINA Holmes	Source Detail	FLAC
06/05/74	Lion's Share	San Anselmo	CA	Garcia & Saunders: MSR? > ? > CD, set II only.	Source Detail
06/06/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail
06/12/74	Keystone	Berkeley	CA	Great American String Band: S:R>C>D>CDx1>EAC>SHN	Source Detail
06/12/74	Keystone	Berkeley	CA	GASB: Louis Falanga's MAC (Sony ECM 270 or 280 mics > Sony TC-110 [mono]) > 7" 1/4 track Scotch 203 Reel @ 7.5 ips w/Dolby nr (on a Sony TC-755 w/Teac an-180 nr: Jerry Moore's 1st gen copy), reel transfer 1/07 by Rob Berger: Sony TC-850 > Teac an-180 nr > sbm1 > cdr > eac > cd wave > flac.	Source Detail	FLAC
06/12/74	Keystone	Berkeley	CA	SBD > Rm > Dat > CD > EAC > Shn. Appears to be a re-shn of shnid 7331.	Source Detail	shn
06/13/74	Keystone	Berkeley	CA	Great American String Band: MS? > ? > CD > EAC > SHN.	Source Detail
07/02/74	Bottom Line	New York	NY	Garcia & Saunders: MAC (Taped by Jerry Moore, two AKG D1000Es [from table a few feet from stage, mics on an overturned ashtray and canted upward toward the PA] > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
07/03/74	Bottom Line	New York	NY	Garcia & Saunders: Probable AUDMC (Taper Jerry Moore, AKG D1000e mics > Sony TC-152) > DAT x 1 > CD. Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN	Source Detail
07/03/74	Bottom Line	New York	NY	Garcia & Saunders: MAC (Taped by Jerry Moore, two AKG D1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
07/12/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN.	Source Detail
07/13/74	Keystone	Berkeley	CA	Garcia & Saunders: Mislabel of 2/9/74. Source given as SBD > ? > C > DAT > WAV > SHN. This .shn set should not be traded.	Source Detail
07/21/74	Keystone	Berkeley	CA	JGMS; flac1644; MSR > PCM > DAT > ZA2 > CDR (xx) > EAC > flac1644. Uncertain date, uncertain venue.	Source Detail	FLAC
07/22/74	Keystone	Berkeley	CA	Garcia & Saunders: source unknown; Jerry Site lists circulating mSR>PCM>DAT.	Source Detail	SHN
07/22/74	Keystone	Berkeley	CA	Garcia & Saunders: MSR > C > DAT > CDRs > EAC > SHN	Source Detail
07/22/74	Keystone	Berkeley	CA	Garcia & Saunders: MSR > PCM > DAT Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with L3 Multimaximizer > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky.	Source Detail	FLAC
08/09/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail
08/11/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN, plus missing songs from Lou Tamboukas's MAR > R > DAT > CD; via Jack Warner.	Source Detail
08/15/74	Great American Music Hall	San Francisco	CA	JGMS; shnf; Menke MAC [had been listed as Louis Falanga's upfront Sony ECM-250 > Sony TC-110] > DATx1 > CD > EAC > CD > EAC > SHN. **Note that this originally circulated as 8/14/74, but is now believed to be 8/15/74**	Source Detail
08/15/74	Great American Music Hall	San Francisco	CA	JGMS; flac1644; Bob Menke's Sony F-995 => Sony TC-124 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [> flac1644]	Source Detail	FLAC
08/23/74	Berkeley Community Theater	Berkeley	CA	Garcia & Saunders: MAC > C > R > D > CD > EAC > SHN.	Source Detail
08/24/74	Great American Music Hall	San Francisco	CA	Garcia & Saunders: 10" MSR > C > DAT > CD > EAC > SHN.	Source Detail
08/24/74	Great American Music Hall	San Francisco	CA	JGMS; flac16; Recording info: Master SBD reel > cassette (likely) > DAT via Anon; DAT transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
08/30/74	Freeborn Hall (University of California Davis)	Davis	Ca	Garcia & Saunders: MSR > C > DAT > CDRs > EAC > SHN	Source Detail
08/31/74	Keystone	Berkeley	CA	MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN; via Jack Warner.	Source Detail
09/02/74	Marx Meadow (Golden Gate Park)	San Francisco	CA	Garcia & Saunders, complete: MSR > PCM > DAT > CDR > eac (secure mode/align on sector boundaries checked/no extraction errors) > flac frontend(level 6).	Source Detail	SHN
09/02/74	Marx Meadow (Golden Gate Park)	San Francisco	CA	Garcia & Saunders, partial show: MR > ? > CD > EAC > MKW > SHN.	Source Detail	SHN
09/02/74	Marx Meadow (Golden Gate Park)	San Francisco	CA	Garcia & Saunders, partial show: probable lineage MSR > P > D > CD, per The Jerry Site.	Source Detail	SHN
10/04/74	Keystone	Berkeley	CA	MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > SHN.	Source Detail
10/05/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail	SHN
10/06/74	Great American Music Hall	San Francisco	CA	partial 1st set: MSR > ? > D > CD > EAC > SHN	Source Detail
10/06/74	Great American Music Hall	San Francisco	CA	complete 1st set; SBD > master reel > DAT(48k)	Source Detail	FLAC
10/27/74	Golden Bear	Huntington Beach	CA	Garcia and Saunders. Late show. Source: MAC>C>C>DAT>WAV>SHN. Taper and mics unknown.	Source Detail
10/31/74	Memorial Gymnasium (University of San Francisco)	San Francisco	CA	Garcia & Saunders: MSR > R > C > DAT > WAV > SHN, C > SHN Conversion by Cousinit.	Source Detail
11/02/74	Keystone	Berkeley	CA	flac1644; MOTB 0158; Robert Castelli's 1 x Sony ECM 270 >> Sony TC 110 >> MA C; MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... FLAC1644. Transfer By: Bob Menke; Mastering By: Derek McCabe.	Source Detail	FLAC
11/05/74	Bottom Line	New York	NY	Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/05/74	Bottom Line	New York	NY	JGMS; flac1644; Late Show; Source: Audience Cassette> ? > CD > HD. Recorded by Mike Gold; Unknown cassette deck with a single mic	Source Detail	FLAC
11/06/74	Bottom Line	New York	NY	Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/07/74	Bottom Line	New York	NY	Garcia & Saunders: Early Show: MAC (Taped by Jerry Moore [front of the third tier of tables, dead center], AKG 1000Es > Sony TC-152) > Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track IDs) > SHNTOOL (SBE fix) > master CD > HP 9350i extraction (EAC v0.9 beta 4) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/08/74	The Dome - C.W. Post College	Brookville	NY	Garcia & Saunders: MAC (Taped by Jerry Moore, AKG D1000Es [front of orchestra about ten feet in front of PA, right side of stage] > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam CD-RW700 master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/08/74	The Dome - C.W. Post College	Brookville	NY	Garcia & Saunders: MAC > DAT > CD > EAC > SHN Recorded by Jerry Moore, AKG D1000Es > Sony TC-152.	Source Detail	SHN
11/08/74	The Dome - C.W. Post College	Brookville	NY	JGMS: Gerry Moskal's Sony Stereo ECM > SONY TCD126 MAC > 1 reel > 1 cassette > Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > EAC > MKW > shn. Transfer/SHN Conversion by Brian Mandel.	Source Detail	SHN
11/09/74	Capitol Theater	Passaic	NJ	Garcia & Saunders, Late Show: MAC (Ihor Slabicky, AKG d190e mics > Sony TC-152sd deck onto Ampex 90min High Frequency Master Cassette) > played on a Nak CR-3A > Lucid AD9624 24-bit A/D converter (44.1kHz) > DAT (Sony R500) > CD	Source Detail
11/10/74	Palace Theatre	Albany	NY	Garcia & Saunders/Legion of Mary: MSR > DAT 48k > PCM > CDR > PCM > SHN.	Source Detail
11/10/74	Palace Theatre	Albany	NY	JGMS: sbd 2nd generation reel (Jerry Moore's reel); Lineage: sbd reel master > reel > 10.5" reel @ 7.5 ips, dolby b; Transfer by Rob Berger: Technics RS-1506 playback > Sony NR-335 >Tascam HD-P2 24/48. Editing, downsampling and FLAC encoding by David Minches.	Source Detail	FLAC
11/13/74	Paul's Mall	Boston	MA	Garcia & Saunders: Early Show: Uher hand-held mic > Uher 4000 5" master reel > playback on a Teac 2300 reel to reel > MacIntosh pre-amp > Teac 2300 7" reel > CD > EAC > SHN. No DAT stage, 7" reel run directly to CDR in sound studio. EAC'ed and Shortened by Paul Lucente w/ Ultraplex 40max. "Picks From 1066" Volume 3. Personal vault release series, thanks to Jeff Siniawsky and Neil Merin. Show mastered by Jeff and Neil.	Source Detail
11/13/74	Paul's Mall	Boston	MA	JGMS; Late show; Unknown AUD cassette, kindly supplied by Seaweed1010; Transfer: XLIIS-100 > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. July 2012	Source Detail	FLAC
11/13/74	Paul's Mall	Boston	MA	JGMS; Late show; flac2448; Source: Unknown AUD cassette, marked "1st Gen", liberated from ebay. Transfer: XLII > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 03/2023	Source Detail	FLAC
11/13/74	Paul's Mall	Boston	MA	JGMS; Early Show; flac2448; Source: Unknown AUD cassette, marked "1st Gen", liberated from ebay. Transfer: XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 04/2023	Source Detail	FLAC
11/14/74	Paul's Mall	Boston	MA	Garcia & Saunders: Early Show: MAC (Taped by Jimmy Warburton, single Sony ECM-99 stereo mic [on a table, 8' from stage, left-of-center] > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback > Teac A2300SD 1st gen reel [Dolby B off] > Pioneer RT-701 playback > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > shn (mkwACT) > wav (mkwACT) > tracking (CD Wave) > .shn (mkwACT).	Source Detail
11/14/74	Paul's Mall	Boston	MA	Garcia & Saunders: Late Show: Uher hand-held mic-->Uher 4000 5" master reel--> playback on a Teac 2300 reel to reel-->MacIntosh pre-amp-->Teac 2300 7" reel-->CDR-->EAC-->SHN No DAT stage, 7" reel run directly to CDR in sound studio EAC'ed and Shortened by Paul Lucente w/ Ultraplex 40max	Source Detail
11/14/74	Paul's Mall	Boston	MA	JGMS; flac1644; early show: AUD marked "1st Gen" rescued from ebay for coupla bucks. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016	Source Detail	FLAC
11/15/74	Worcester Polytechnic Institute	Worcester	MA	Garcia & Saunders: Late Show. Sbd> Mreel> Cass> Dat> CDR. Seeded by Mike Lai. (Note: probable cassette master. See Comments and updated shn set for details.)	Source Detail
11/15/74	Worcester Polytechnic Institute	Worcester	MA	Garcia & Saunders: Late Show: MSC > 1C > 2D > CD (Sony PCM R500 > HHB 800) > EAC > SHN via Ryan Shriver and Andy Lemieux. This version is a slight quality upgrade of the previously circulating copy, is more complete, and has a documented lineage.	Source Detail
11/16/74	Tower Theatre	Upper Darby	PA	Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/16/74	Tower Theatre	Upper Darby	PA	Garcia & Saunders, Late Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/28/74	Great American Music Hall	San Francisco	CA	Garcia & Saunders: MSR>PCM>DAT	Source Detail
11/28/74	Great American Music Hall	San Francisco	CA	Source: MSR > PCM > DAT Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky and Seeded by Green Mountain Bros. June 2007	Source Detail	FLAC
12/15/74	EMU Ballroom (University of Oregon)	Eugene	OR	JGMS: MSR>P>D>CD>EAC>SHN	Source Detail
12/28/74	Golden Bear	Huntington Beach	CA	Garcia & Saunders. Source: MA (mics/taper unknown) > ? > C > DAT > WAV > SHN.	Source Detail
12/28/74	Golden Bear	Huntington Beach	CA	JGMS; flac1644; Shure Unidyne IV mics > Uher 4400 reel master @ 3.75 ips > 1st gen 7" reel @ 3.75 ips, no nr; Transfer: Technics RS-1506 > Tascam HD-P2 24/96 compact flash > PC > Adobe Audition 2.0 (levels) > CD Wave (tracking) > TLH FLAC level 8; Jimmy Warburton copy of Charlie DiSalvo master; Transfer and Organic Pitch Correction by Rob Berger	Source Detail	FLAC
12/29/74	Golden Bear	Huntington Beach	CA	Garcia & Saunders: MAR > DAT > CD > EAC > SHNv3. Recorded by Charlie Disalvo, spaced Shure Unidyne IVs [one in front of Garcia, one in front of Fierro an unknown distance away]. This seed seems to derive from audio discs related to the earlier .shn set, but introduces seekability and possibly small cosmetic changes.	Source Detail
12/29/74	Golden Bear	Huntington Beach	CA	Garcia & Saunders: Late Show: MAR (Charlie Disalvo, spaced Shure Unidyne IVs [one in front of Garcia, one in front of Fierro an unknown distance away] > Uher 4400 @ 3.75ips) > D > CD > EAC > SHN.	Source Detail
12/29/74	Golden Bear	Huntington Beach	CA	JGMS, early show: Charlie Disalvo's 2x Shure Unidyne IVs (spaced ca. 15') > Uher 4400 (3.75ips master reels) > taperpat's 3.75ips 1st gen reel > Akai GX 625 playback > Apogee Mini ME (@24/96) > Apogee Mini DAC (monitoring) > Wavelab 5.0 (dithered to 20/44) > CD > EAC > CD Wave > Sony Sound Forge Studio 7.0 > Trader's Little Helper (FLAC8 encoding).	Source Detail	FLAC
12/29/74	Golden Bear	Huntington Beach	CA	JGMS; flac16 Remaster and Packaging of shnid-8643 and shnid-93978 Speed Corrections by Jason Chastain, Mastering by Jamie Waddell, Track FLAC and Pack by Steve Gravel.	Source Detail	FLAC
01/05/75	WDAI-FM	Chicago	IL	interview; flac1644; taped in 1974 (d1t10). broadcast jan 5, 1975. WDAI in Chicago. Studio tracks replaced with live non-offical excerpts of songs (liberty with additional jams-tc3). FM edits were on tape copied (June 1986) from Rich Petlock (R.I.P.). Tape label was a copy of "cue-sheet" or listener's notes. Jerry Garcia interview on radio 1975-01-05 (pre-recorded 1974-xx-xx) Lineage: FM>?>Rich>nak>nak dolby B> XLII C90, from Rich Petlock in 1986. Transfer: Dragon dolby B>zoomH4 16/44.1>hcsd 8gb >Audacity>TLH>flac16. taperchuck3 dec, 2014	Source Detail	FLAC
02/01/75	Jim Rennie's 8 Track Studio Judah Street	San Francisco	CA	Cutler's Heroes with Jerry Garcia; flac16; Pre-FM DAT -> DAT (16/44.1) Lineage: DAT -> Lexicon Lambda -> LogicPro -> wav -> xAct -> flac	Source Detail	FLAC
02/02/75	Wally Hieder's Studio	San Francisco	CA	Cutler's Heroes with Jerry Garcia; flac16; Pre-FM DAT -> DAT (16/44.1) Lineage: DAT -> Lexicon Lambda -> LogicPro -> wav -> xAct -> flac	Source Detail	FLAC
02/14/75	The Generosity	San Francisco	CA	Rob Castelli's MAC > 1/4" Sony TC-377 7" reel > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
02/28/75	Great American Music Hall	San Francisco	CA	LOM: unknown source.	Source Detail
03/02/75	Keystone	Berkeley	CA	LOM, set II fragment: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille.	Source Detail	SHN
03/07/75	Pitschell Players Cabaret	Los Angeles	CA	LOM: AUD (mics and taper unknown) > ? > C > DAT > WAV > SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner.	Source Detail
03/07/75	Pitschell Players Cabaret	Los Angeles	CA	LOM; flac1648; Unknown Audience Cassette > FLAC	Source Detail	FLAC
03/08/75	Pitchell Players Cabaret	Los Angeles	CA	Legion of Mary, Late Show: MAC (Taped by Dave Philips) > ? > PCM > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
03/08/75	Pitchell Players Cabaret	Los Angeles	CA	Legion of Mary. Complete show. Source: Early show: SBD>?>C>D>WAV>SHN. Late show: AUD(unknown mic/taper)>?>C>D>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by Jim Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) via Chris Ladner.	Source Detail
03/08/75	Pitschel Player's Cabaret	Los Angeles	CA	LOM; flac24; Unknown AUD->FLAC24	Source Detail	FLAC
03/08/75	Pitschel Player's Cabaret	Los Angeles	CA	LOM; flac1648; 16 bit of 141893	Source Detail	FLAC
03/15/75	Keystone	Berkeley	CA	Legion of Mary: AUD + SBD compilation, see text file for details. Set includes alternatve versions of disc two, one pure aud, the other primarly sbd w/ aud patches.	Source Detail
03/16/75	Macky Auditorium, CU	Boulder	CO	Legion Of Mary; Early Show; Source: AUD > ? > CDR > WAV > SHN; Taper unknown	Source Detail
03/16/75	Macky Auditorium, CU	Boulder	CO	LOM; flac1644; Source 1 - Snnid# 24417: Aud > ? > Cdr > Wav > Shn; Taper Unknown; Source 2 - Taped By Greg Shaw And Bill Moran; Akg 200e Mics> Sony Tc-152, Master Cassette > Reel > Dat (48k). Dat Played On Tascam Da-30 > Digital Audio Labs Card Deluxe > Audio Audition (converted Tok) > Cdwave > Flac Level 8.	Source Detail	FLAC
03/17/75	Bob Weir's Studio ("Ace's")	Mill Valley?	CA	Ned Lagin's Birthday Jam (see info file for performers): MSC > Sonic Solutions > CD > SHN	Source Detail	SHN
04/04/75	Whitman Auditorium, Brooklyn College	Brooklyn	NY	Legion of Mary: MSR > 1R > 2D > 1C > DATs > CDs > HP 9350i extraction and normalization to 98% using EAC > tracking using CDWave > SHN using mkwACT. Could be from the WBAI broadcast (presumably from post-cassette DATs?) referred to at the Jerry Site. EAC > SHN by Joe Jupille.	Source Detail
04/04/75	Whitman Auditorium, Brooklyn College	Brooklyn	NY	LOM, set II flac16: LOM, set II flac24: Mike McGraph's MAC ( AKG D1000e + Sony ECM-220 > Sony TC-152SD) > Jerry Moore's 1st gen reel (7" @ 7.5 ips, dolby b) > technics rs-1506 > sony nr-335 > hd-p2 24/48 > cd wave > adobe 2.0 16/44 > flac. Transferred by Rob Berger.	Source Detail	FLAC
04/05/75	Capitol Theater	Passaic	NJ	Legion of Mary: partial early show: MSC > played back on Nak Dragon > Apogee A/D 1000 > Panasonic sv3800 (master DAT) > played back on Sony R500 > Sony CDR-W33 (master CD) > HP 9350i extraction using EAC > .shn encoding using mkwACT. EAC>SHN by Joe Jupille.	Source Detail
04/05/75	Capitol Theater	Passaic	NJ	LOM; flac2496; Late show: Unknown AUD > 7" Reel @ 3 3/4 ips; Transfer: Teac A-2300S playback > Tascam DA-3000 (96k 24bit) > Samplitude Pro X3 > Flac24 (@ 96k). EBay tape liberation by Tom Markson, Speed Correction by Jason Chastain, Transferred, Edited and Mastered by gsarchivist.	Source Detail	FLAC
04/05/75	Capitol Theater	Passaic	NJ	Legion Of Mary; flac16; late show; remaster of shnid-147646; Source: Unknown AUD > 7" Reel @ 3 3/4 ips. Original Transfer: Teac A-2300S playback > Tascam DA-3000 (96k/24bit) > Samplitude Pro X3 > Flac24 (@ 96k) > ID-147646. Remaster: ID-147646 > TLH > WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH FLAC 1644.	Source Detail	FLAC
04/06/75	Orpheum Theater	Boston	MA	Legion of Mary: Master Soundboard Cassette> DAT> CDR	Source Detail
04/06/75	Orpheum Theater	Boston	MA	LOM, early and late: Jimmy Warburton's MAC (Sony ECM-99As > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback > Teac A2300SD 1st gen reel [Dolby B off] > Pioneer 707 playback > DAT (A>D only) > Soundforge > SHN (By Noah) > SHN >Cool Edit 2000 > Feurio (by David Minches). Editing and Mastering on the GEMS Edit Station by Jamie Waddell.	Source Detail	FLAC
04/06/75	Orpheum Theater	Boston	MA	LOM; Early Show; Source: MAC>C>DAT>WAV>SHN; C>SHN Conversion by Cousinit	Source Detail	FLAC
04/06/75	Orpheum Theater	Boston	MA	Recording Info: SBD > Cassette Master (TDK-60) Cassette Transfer: Cassette Master (Nakamichi Dragon) > Apogee AD1000 (16-bit/48k) > DAT (Panasonic SV-3700) DAT Transfer: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/48k	Source Detail	FLAC
04/08/75	Bottom Line	New York	NY	Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
04/08/75	Bottom Line	New York	NY	LOM; MISLABEL of material from 4/9/75 and 4/12/75	Source Detail	FLAC
04/09/75	Bottom Line	New York	NY	Legion of Mary: early and late shows; SBD (DAT: MSR>1R>P>D>???>CD>SHN); this copy missing reels 3,5 of the Betty Boards; via T. Livingston	Source Detail
04/09/75	Bottom Line	New York	NY	Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
04/09/75	Bottom Line	New York	NY	Legion Of Mary early show; SBD/AUD matrix of 2 previously circulating sources: SBD - (shnid=30942) and AUD - (shnid=14606); edited, mixed and converted by Chris Chappell (Sick Bits vol. 19)	Source Detail
04/09/75	Bottom Line	New York	NY	LOM, partial late show: MAC (Taped by Ihor Slabicky, Sony ECM-99As > Sony TC-152) > Nak Dragon playback > ART DI/O > WAV > Cool Edit 2000 > sector boundary verification (shntool) > .shn encoding (mkwACT). Transfer by David Minches, documentation by Joe Jupille.	Source Detail	SHN
04/09/75	Bottom Line	New York	NY	Legion of Mary: Betty-Board [reels] > DAT > FLAC file (as reported by D. Oade) > Flac Frontend > CD Wave Editor(tracks) > Flac Frontend > FLAC16. Seeded to bt.etree.org by David Barfield on 9/13/2005.	Source Detail	FLAC
04/09/75	Bottom Line	New York	NY	LOM; flac1644; early and late material, more complete. Lineage: MSR > Cass. x 2 > DAT > CDR > EAC > WAV > TLH > FLAC.	Source Detail	FLAC
04/10/75	Bottom Line	New York	NY	Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
04/10/75	Bottom Line	New York	NY	Legion of Mary, Late Show: MAC (Taped by Ihor Slabicky, Sony ECM-99As > Sony TC-152) > Nak Dragon playback > ART DI/O > WAV > Cool Edit 2000 > sector boundary verification (shntool) > .shn encoding (mkwACT). Transfer by David Minches, documentation by Joe Jupille. Note: db links this .shn entry to the early show.	Source Detail
04/10/75	Bottom Line	New York	NY	LOM; late show; flac1644; AUD > Uher 4400 reel master > 1st gen 7" reel @ 3.75 ips, no nr; Transfer: Technics RS-1506 > Tascam HD-P2 24/96 compact flash > PC > Adobe Audition 2.0 (levels) > CD Wave (tracking) > TLH FLAC level 8; Jimmy Warburton copy of Charlie DiSalvo master; Transfer by Rob Berger	Source Detail	FLAC
04/11/75	The Tower Theatre	Upper Darby	PA	Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
04/11/75	The Tower Theatre	Upper Darby	PA	Legion of Mary: Late Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
04/12/75	Masonic Temple	Scranton	PA	LOM; flac1644; sbd > ? > cassette, unknown gen, Maxell XLII-90, Lot# I1990411; Transfer: Trade cassette > Harmon Kardon TD 302, Dolby off, Heads aligned to tape side > Zoom H2 @16/44.1 > SDHC card > PC > tracked & edited with wavepad > flac level 8 & checksums with traderslittlehelper.	Source Detail	FLAC
04/12/75	Masonic Temple	Scranton	PA	Legion of Mary: late show; SBD (DAT: MSR> 1R> P> D> ZA/2> SHN); d1t2, splice at 11:52; d2 has 1 track- could burn with 4/19/75 orphan; via T. Langston, T. Livingston; covers	Source Detail
04/12/75	Masonic Temple	Scranton	PA	Legion of Mary, Late Show: sbd > reel > dat > cdr > cdwave > flac > wav > flac.	Source Detail	FLAC
04/12/75	Masonic Temple	Scranton	PA	LOM; late show; flac1644; unknown sbd > ? > TDK DAT > Tascam DA20 playback > Lynx2 > Wavelab7; WeissSaracon for 16bit 44.1kHz FLAC8 SBE Free. DAT via Thrak, Mastering by Jamie Waddell.	Source Detail	FLAC
04/12/75	Masonic Temple	Scranton	PA	LOM; Early show; partial; Soundboard Reel > DAT > CDR > CDWave > Flac; Editing by miogi: flac > tlh > wav > wavmerge > audacity (snaps, crackles, pops) > cdwav > tlh > flac level 8. NB lineage probably incorrect, probable analog and possible PCM generation between master reels and DAT.	Source Detail	FLAC
04/12/75	Masonic Temple	Scranton	PA	LOM; flac2448; Source: Unknown AUD cassette (sounds low-gen) via Jon Pasternak & Marc Lee. Transfer: XLII > Nakamichi CR-5 > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 05/2023.	Source Detail	FLAC
04/12/75	Masonic Temple	Scranton	PA	LOM; flac1644; early show (partial); sbd composite of shnid-118788, shnid-118754 and shnid-117832, by Rob Darst.	Source Detail	FLAC
04/12/75	Masonic Temple	Scranton	PA	LOM; flac1644; MSR > PCM > DAT (44.1), provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1, transferred by Charlie Miller Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017.	Source Detail	FLAC
04/13/75	Kennedy Center	Washington	DC	Legion of Mary: late show partial; MSR -> 1R -> P -> DATs -> Digi001 -> SHN; via Ryan Shriver, Dan Metz	Source Detail
04/15/75	Great Southeast Music Hall	Atlanta	GA	LOM; this is a digital copy of a multigen cassette of a widely propagated mislabeled tape from the cassette days. The material it presents is actually from other April 1975 Legion shows. Lineage: SBD > Cassette(x5) > CD > .wav > Flac; Burned direct to CD from Cassette using a ~1989 TC-WE475 Stereo Cassette Deck to a 2001 Sony CD Burner. Converted raw wav files to 14Hkbps - 44khz using Roxio import Cd function of Roxio Music Creator suite (2009). Tracking, editing and volume adjustment using Roxio Sound Editor (2009). All Work done by Brian Flegel brianflegel@gmail.com 03-18-2024, 04-01-2024 & 08-12-2024	Source Detail	FLAC
04/18/75	Arie Crown Theater	Chicago	IL	Legion of Mary: Mreel> Reel> Pcm> Dat> Cd> Eac> Shn.Very Brief PCM pop before the begining of Mississippi Moon; [txt/md5s]	Source Detail
04/18/75	Arie Crown Theater	Chicago	IL	LOM; flac1644; s2p; MSR > DAT (48k), provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transfetred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017.	Source Detail	FLAC
04/19/75	Oriental Theater	Milwaukee	WI	Legion of Mary: MSR>1R>P>D>ZA/2>SHN; transfer by tsl; d1 t4 cut on master reel; note d2 has 1 track- could burn with 4/12/75 orphan; via langston, tsl	Source Detail
04/19/75	Oriental Theater	Milwaukee	WI	Legion of Mary: betty board > dat > one track flac (many thanks to doug oade) > flac frontend > cdwav (tracks) > flac.	Source Detail
04/19/75	Oriental Theater	Milwaukee	WI	LOM: Betty Board MSR > PCM > DAT x ?; Cloned: From Dr. Bruce Fried 06/03/1996 Casio DA-7 > Panasonic SV-3700; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a; Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky; Green Mountain Bros.	Source Detail	FLAC
04/19/75	Oriental Theater	Milwaukee	WI	LOM; flac1644; sbd master reel > pcm > dat (44k), provided by Rich Gastwirt; transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1, transferred by Charlie miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick August 2017.	Source Detail	FLAC
04/20/75	Capitol City Theater	Madison	WI	Legion of Mary: MSR > DAT > CDR > CDWAVE > Flac, seeded to Dimeadozen.	Source Detail	SHN
04/20/75	Capitol City Theater	Madison	WI	Legion of Mary: MSC > played back on Nak Dragon > Apogee A/D 1000 > Panasonic sv3800 (master DAT) > played back on Sony R500 > Sony CDR-W33 (master CD) > HP 9350i extraction using EAC > .shn encoding using mkwACT. EAC>SHN by Joe Jupille.	Source Detail	SHN
05/15/75	Great American Music Hall	San Francisco	CA	Legion of Mary: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [upfront but not onstage] > Sony TC-152) > DATx1 > CDx1 > EAC > CDx1 > EAC > SHN	Source Detail
05/21/75	Keystone	Berkeley	CA	Legion of Mary: SBD>15 ips reel>15ips reel> DAT> Sony R500> Genesis Digital Lens> Fostex CR200> CD> WAV(EAC)> SHN; How Sweet It Is cut on master reel; via Tom Livingston; different mastering from other shn set	Source Detail
05/21/75	Keystone	Berkeley	CA	LOM; flac1644; MSR > DAT (48k), provided by Rich Gastwirt; transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transferred by Charlie Miller; lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017.	Source Detail	FLAC
05/22/75	Keystone	Berkeley	CA	LOM, Ip/IIp: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail	SHN
05/30/75	Golden Gate Park	San Francisco	CA	Diga Rhythm Band: Master Soundboard Reel > Cassette > Reel > CD > Ultra Safe Mode in Wavelab 6.0 at 32bit float/44.1kHz for Montage Adjustments. Source from Steve Martin-Editing and Mastering on the GEMS Edit Station by Jamie Waddell.	Source Detail	FLAC
06/03/75	Keystone	Berkeley	CA	JGMS: Menke / Falanga Sony ECM-270 + sony ECM-250 (onstage) > Sony TC-152> Mcas> Dat> Cdr. It Take a lot to laugh cuts in. Major cut at 2:28 level fluctations at 2:56. 1st few notes of Dynamite may be missing [txt/md5s]	Source Detail
06/04/75	Keystone	Berkeley	CA	Legion of Mary: Sony ECM-270 + sony ECM-250(on Stage) > Sony TC-152> MReel> Dat> Cdr. Crackle during Think @ :32, L channel drop 10:25-10:42, mystery Train splice @8:13 and i'll take a Melody Fades In. [txt/md5s]	Source Detail
06/06/75	Dominican College	San Rafael	CA	Garcia, Hart, Lesh & Lagin: MS? > DAT > CDR > EAC > WAV > SHN.	Source Detail
06/08/75	El Camino Park	Palo Alto	CA	Legion of Mary: MAC > DAT > CD > EAC > SHN. Recorded by David Gans, Sony ECM-? > Sony TC-152.	Source Detail
06/08/75	El Camino Park	Palo Alto	CA	LOM: Bob Menke & Louis Falanga FOB MAC w/ Sony ECM-250 & Sony ECM-270 > Sony TC-152 > WAV > CD-R > EAC > WAV > FLAC.	Source Detail
06/08/75	El Camino Park	Palo Alto	CA	LOM, flac24 MOTB Release: 0061 24/96; Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = Maxell UD C90; Analog Lineage: 1 x Sony ECM-270 + 1 x Sony ECM-250 => Sony TC-152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Bob Menke and Louis Falanga; Transfer By: B. Menke; Mastering By: J. Wadell.	Source Detail	FLAC
06/08/75	El Camino Park	Palo Alto	CA	JGMS; flac24; David Gans's (FOB) 1 x Sony Condenser Mic > Cassette Master (Sony TC-152SD-Fuji Chrome Cassette); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC). All Transfers and Mastering by Charlie Miller. charliemiller87@earthlink.net. July 11, 2021.	Source Detail	FLAC
06/08/75	El Camino Park	Palo Alto	CA	JGMS; flac16/44; David Gans's (FOB) 1 x Sony Condenser Mic > Cassette Master (Sony TC-152SD-Fuji Chrome Cassette); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC). All Transfers and Mastering by Charlie Miller. charliemiller87@earthlink.net. July 11, 2021. - This is 152853 2496 > 1644	Source Detail	FLAC
06/18/75	Great American Music Hall	San Francisco	CA	LOM, partial: Gene Taback's MAC (Sony TC-124 w/ built-in mic [model number 46-99S]) > Nakamichi Dragon playback > Digital Audio Labs CardDeluxe (24/96) > Edited, dithered and downsampled to 16/44.1 in Adobe Audition 2.0) > Shntool > Flac. Transfer by David Minches.	Source Detail	FLAC
06/21/75	Keystone	Berkeley	CA	Legion of Mary: Sony ECM-270 + sony ECM-250 (on Stage) > Sony TC-152> MReel> Dat> Cdr.; [txt/md5s]	Source Detail
06/21/75	Keystone	Berkeley	CA	LOM, partial: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail	SHN
06/22/75	Keystone	Berkeley	CA	Legion of Mary: MAC (Bob Menke and Louis Falanga's onstage Sony ECM-270 + Sony ECM-250 > Sony TC-152) > DATx1 > CD/0 > EAC > CD/1 > EAC > SHN	Source Detail
06/22/75	Keystone	Berkeley	CA	Mislabeled as "Soundboard recording > ? > FLAC", but confirmed to be the Menke/Falanga recording.	Source Detail	FLAC
06/22/75	Keystone	Berkeley	CA	LOM, partial: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail	SHN
07/04/75	Great American Music Hall	San Francisco	CA	LOM; flac16; Matrix 2 Source Mix - SBD (shn id 6633) SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC + AUD (shn id 91465) MOTB Release: 0067 16/44.1; Reinhart Hohlwein FOB Master Cassette (MAC), 2 x Sony ECM-280 > Sony SD 152; Nakamichi DR-8 playback > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg MR-1000 > Korg AudioGate > WAV [24/96]; Transfer by: Bob Menke; Mastering by: Jamie Waddell - matrix mixing by Kevin Tobin	Source Detail	FLAC
07/04/75	Great American Music Hall	San Francisco	CA	Legion of Mary: SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC *** This version includes the missing 2 songs not include with the previously circulating copy	Source Detail
07/04/75	Great American Music Hall	San Francisco	CA	LOM; flac16; pitched/patched SBD (shn id 6633); SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC - patches and speed correction by Kevin Tobin.	Source Detail	FLAC
07/04/75	Great American Music Hall	San Francisco	CA	LOM flac16 MOTB Release: 0067 16/44.1; Reinhart Hohlwein FOB Master Cassette (MAC), 2 x Sony ECM-280 > Sony SD 152; Nakamichi DR-8 playback > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg MR-1000 > Korg AudioGate > WAV [24/96]; Transfer by: Bob Menke; Mastering by: Jamie Waddell; Special: Rhinotrocity#2.	Source Detail	FLAC
07/06/75	Keystone	Berkeley	CA	flac1644; MOTB 0146; Robert Castelli's Sony ECM 270's >> Sony TC 152sd >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [> flac1644]	Source Detail	FLAC
08/20/75	Great American Music Hall	San Francisco	CA	Keith & Donna Band, probably set I only: MSC>1 Reel > DAT > CDR > WAV > SHN; Shn converted with Mkw by Robert Goetz.	Source Detail
08/20/75	Great American Music Hall	San Francisco	CA	Keith & Donna Band; flac 1644; MOTB 0135; Reinhart Holwein's 2x Sony ECM280's > Sony TC 152SD MAC (2 x Maxell UD c90's) > Nakamichi CR7a playback => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > unknown downsample to 16/44.	Source Detail	FLAC
08/30/75	The Orphanage	San Francisco	CA	MSR (Sony deck) > 1 reel (Black Maxell UDXL35-90B @ 3.75ips) > AKAI GX-625 playback > Copperhead audio cables > Apogee Mini Me (24/96) > Apogee Mini DAC (Monitoring/Mastering) > Wavelab 5.0 (dithered to 20 bit/44K) > CD > EAC > CDWave > FLAC. Digital transfer by Matt Smith, CD > FLAC by jjoops.	Source Detail	FLAC
09/18/75	Sophie's	Palo Alto	CA	Jerry Garcia Band: MAC > 2 Reel > DAT > CDR > EAC (secure) > SHN	Source Detail	SHN
09/20/75	River City	Fairfax	CA	Source: MA>C3>DAT>WAV>SHN. Mics and taper unknown. Cassette > DAT by Jim Powell. DAT > WAV recording/editing > SHN by Chris Ladner.	Source Detail
09/??/75	Studio Rehearsals	Unknown	Unknown	JGB; flac1644; SB UNKNOWN LINEAGE > REEL > EDIROL USB UA-1EX AUDIO INTERFACE > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC, via Dave Tamarkin.	Source Detail	FLAC
10/08/75	Del Mar Theatre	Santa Cruz	CA	JGB, fragment: MSR (Baked reels "last run" transfer 44.k [about 1993] > DATx2 > M-1 > 7-pin > Co2 > SB Live > CDWav > FLAC. Had been included as filler on shnid 15849 (baked sbd reels source for 12/20/75), listed here separately without other changes.	Source Detail	FLAC
10/10/75	Flint Center, De Anza College	Cupertino	CA	flac1644; MOTB 0155; Robert Castelli's 2 x Sony ECM 270s >> Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [>> FLAC1644]. Transfer By: Bob Menke; Mastering By: Derek McCabe.	Source Detail	FLAC
10/11/75	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail
10/11/75	Keystone	Berkeley	CA	Jerry Garcia Band: MSR @ 15 ips > 1 reel @ 7.5 ips > Sony PCM 501 > unknown PCM/Beta gens > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC.	Source Detail	FLAC
10/11/75	Keystone	Berkeley	CA	JGB; flac1648; s1; SBD->REEL->DAT. DAT Archived and Transferred By Stuccoholmes 2018. Edited and Mastered by Jamie Waddell in Wavelab 7.2. Tracked, packed and flac'd by Jason Chastain, 16 bit 48 kHz Flac level8.	Source Detail	FLAC
10/12/75	Keystone	Berkeley	CA	JGB; shnf; MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 >CD > EAC > CD > EAC > SHN via Jack Warner	Source Detail
10/12/75	Keystone	Berkeley	CA	JGB; flac16; s1 only; MSR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
10/17/75	Concord Pavillion	Concord	CA	Jerry Garcia Band: MSR > PCM > D > CD (+ last two songs presumably from MSR > R > P > D > CD, per The Jerry Site). This .shn set bears uncertain relationship to the existing seed, except that it seems to postdate it and comes with different md5s, identical text, and the two songs missing from the other source.	Source Detail
10/17/75	Concord Pavillion	Concord	CA	Jerry Garcia Band: Sbd>Mreel>PCM>Dat	Source Detail	FLAC
10/17/75	Concord Pavillion	Concord	CA	JGB; flac1648: From the Gastwirt Collection; SBD: Master Reel > PCM > DAT. Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48. Joe Noel Edits: Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48.	Source Detail	FLAC
10/22/75	Wolsey Hall, Yale University	New Haven	CT	Unknown Audience Recording, Unknown Generation. Transfer: Tascam MKII >> Korg MR1000 at 1bit/5.6mHZ. Korg AudioGate Software for DSD >> PCM WAV at 32bit float/44.1kHz. Editing and Mastering by Jamie Waddell on the **GEMS** Edit Station. Weiss Saracon for Bit Rate Conversion and Pow-r3 Dither 16bit 44.1 kHz.	Source Detail	FLAC
10/23/75	Palace Theater	Providence	RI	JGB: FOB MAC (taped by Jimmy Warburton, ca. 23rd row center, Sony ECM-99 stereo mic on a cane > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on Akai GX-4000D > Teac AN-80 Dolby B decoding > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound card > master CD > HP 9350i extraction using EAC > .shn encoding using mkwACT.	Source Detail
10/23/75	Palace Theater	Providence	RI	JGB: Unknown equipment (likely Sony recorder) > Maxell UD-90 normal bias cassettes. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-8 (Dolby on) > Edirol FA-66 > WaveLab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. March 2009.	Source Detail	FLAC
10/24/75	Orpheum Theatre	Boston	MA	Jerry Garcia Band: Early & Late shows: FOB MAC (taped by Jimmy Warburton, Sony ECM-99 stereo mic > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on Akai GX-4000D > Teac AN-80 Dolby B decoding > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound card > master CD > HP 9350i extraction using EAC > .shn encoding using mkwACT. A>D by David Minches, EAC > SHN by Joe Jupille.	Source Detail
10/24/75	Orpheum Theatre	Boston	MA	JGB, early and late shows: Steve Rolfe's MAC (Sony ECM-99 Stereo mic > Sony TC-152 [Maxell UDs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.	Source Detail
10/24/75	Orpheum Theatre	Boston	MA	JGB, early show: probable MSC (TDK SD90) > 20-bit transfer via TC2000 > SBM2 CD dump > CD clone > extraction (EAC v0.95 beta 4) > FLAC encoding (FLAC Frontend v1.7.1 etree addition) > decode > tracking (CD Wave) > pitching and patching (see notes) > shn > decode (TLH v1.0.0 Beta-1 Build 72) > sector boundary alignment (shntool v2.0.3) > level 8 FLAC encoding (TLH v1.0.0 Beta-1 Build 72). Source CDs from David Gans, editing by BCP.	Source Detail
10/25/75	Auditorium Theater	Rochester	NY	JGB; flac 2448: set 2; Maxell UD 35-90 3.5ips Dolby B; Transferred on a Restored Tandberg 3600XD > Lynx Hilo at 32 bit float 192kHz > Audacity	Source Detail	FLAC
10/27/75	Bailey Hall, Cornell University	Ithaca	NY	JGB: MAC (Unknown Taper and Equipment) > 2C; Transfer and FLAC encoding by David Minches: 2nd Generation Cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.	Source Detail
10/28/75	Beacon Theater	New York	NY	Jerry Garcia Band: Late Show: MAC (Recorded by Jerry Moore, AKG 1000e's (floor center section, halfway back) > Sony TC-152 master cassette > DAT > CD > EAC > SHN.	Source Detail
10/28/75	Beacon Theater	New York	NY	JGB; late show; flac1644; 16 bit: aud cassette master, taped by Jim Cooper, transfer/seeded by Rob Berger.	Source Detail	FLAC
10/28/75	Beacon Theater	New York	NY	JGB; late show; flac2496; aud cassette master, taped by Jim Cooper, transfer/seeded by Rob Berger	Source Detail	FLAC
10/28/75	Beacon Theater	New York	NY	JGB; early show; flac2448; Source: AUD of unknown lineage, rescued from ebay for five bucks. Transfer: Maxell XLI (normal bias) > Nakamichi CR-5A (Dolby off) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2016, 2448 file-set 08/2022.	Source Detail	FLAC
10/28/75	Beacon Theater	New York	NY	JGB; early & late show; flac2448; Source: Unknown AUD cassettes (sounds low-gen) via Jon Pasternak & Marc Lee. Transfer: XLII's > Nakamichi CR-5 > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 06/2023.	Source Detail	FLAC
10/30/75	Queens College	New York	NY	JGB: Gerry Moskal's Sony Stereo ECM mics > SONY TCD126; Location: "A Sweet Spot"; Analog Lineage: Gerry Moskal Master Cassette Transfer > RR > Cassette; Transfer/SHN Conversion: Brian Mandel Cassette Transfer Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > EAC > MKW > shn.	Source Detail	SHN
10/30/75	Queens College	New York	NY	JGB; flac1644; aud cassette master, taped by Jim Cooper, transfer/seeded by Rob Berger	Source Detail	FLAC
10/30/75	Queens College	New York	NY	JGB; flac2496; aud cassette master, taped by Jim Cooper, transfer/seeded by Rob Berger	Source Detail	FLAC
10/31/75	The Tower Theatre	Upper Darby	PA	Jerry Garcia Band: Late Show: MAR > R?> DAT > CD > EAC > SHN. Recorded by Charlie Disalvo (about 20th row, center section, left side), Shure Unidyne 4s (above head-level on a spreader bar) > Uher 4400 (5", 1800' BASF reels @ 7.5 ips). There may be an additional reel after the master reel.	Source Detail
10/31/75	The Tower Theatre	Upper Darby	PA	Source: AUD > cassette(x) > CDR > WAV > SHN. CDR source via H.Angus. SHN encoding via C.Ladner.	Source Detail	SHN
10/31/75	The Tower Theatre	Upper Darby	PA	JGB, early show: AUD > ? > Maxell XL290(no Dolby) > Nak CR3A > HP computer > Sound Forge > CD Wave > Flac, transferred and seeded by John Moses.	Source Detail	FLAC
10/31/75	The Tower Theatre	Upper Darby	PA	JGB, late show: unknown audience tape > 1st gen cassette > Nakamichi Dragon playback > ART DI/O > Cool Edit 2000 > CD/0 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend etree edition v1.7.1). Transfer by David Minches, EAC >> FLAC by jjoops. Admin note: had been listed as taped by Bob Minkin, but this was incorrect.	Source Detail	FLAC
10/31/75	The Tower Theatre	Upper Darby	PA	JGB; flac1644; early and late; Sony TC-126(F99S mic)>Master cassette(TDK-D90)>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters	Source Detail	FLAC
11/01/75	Capitol Theater	Passaic	NJ	JGB, early & late shows: Ihor Slabicky's MAC (AKG d190e mics > Sony TC-152SD [Ampex 90m HF]) > Nakamichi CR-3A playback > Lucid AD9624 24 bit A/D converter (44.1 kHz) > DAT (Sony R500) > CD > FLAC via GEMS.	Source Detail	FLAC
11/02/75	Constitution Hall	Washington	DC	JGB, set I: MAC > 7" reel @ 7.5 ips (no nr) > Sony TC-850 playback > sbm1 > cdr > audobe audition 2.0 > cd wave > flac. Transfer of Don Grossinger's reel by Rob Berger 2005.	Source Detail
11/02/75	Constitution Hall	Washington	DC	JGB: MAC > CD > FLAC, via GEMS.	Source Detail	FLAC
11/08/75	Keystone	Berkeley	CA	Jerry Garcia Band, set II only: MA? > ? > CD > EAC > SHN. Note added 4/2005: Had been listed as a sbd, but is almost certainly an excellent audience recording.	Source Detail
11/17/75	Keystone	Berkeley	CA	JGB; flac1644: 2 x Sony ECM-270 > Sony TC-152 >> MAC >> Nakamichi CR7a > Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 > Korg AudioGate >> WAV [24/96] >> MOTB.0078. Taped By: Reinhart Hohlwein. Transfer By: Bob Menke. Mastering By: Jamie Waddell.	Source Detail	FLAC
11/18/75	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail
11/21/75	Auditorium Theatre	Chicago	IL	JGB, flac1644; Source: Mono AUD of unknown lineage > ? > Cassettes rescued from ebay. Transfer: Maxell-UD (tape 1) & Maxell-LN (tape 2) > Nakamichi CR-7A > ADC > WAV 2448 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
11/22/75	St. Paul Civic Center	St. Paul	MN	Jerry Garcia Band, partial 1st set: AUDMC > ? > WAV > SHN	Source Detail
11/22/75	St. Paul Civic Center	St. Paul	MN	JGB, flac1644; Compilation of three sources: ID-20552, plus two unknown AUD cassettes, kindly provided from the collection of DL. Recording lineage said to be: Shure 545's > Nakamichi 550, set-up very close to the stage. Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2017	Source Detail	FLAC
11/22/75	St. Paul Civic Center	St. Paul	MN	JGB; flac1648; Greg Overlid's Front Row Shure 545 Microphones > Nakamichi 550 Cassette Deck > ? cassette > FLAC1648.	Source Detail	FLAC
11/23/75	Macky Auditorium, CU	Boulder	CO	JGB: MAC > ? > CDR > EAC > SHN (unknown lineage) sounds like at least 1 cass gen. some loud audience chatter.	Source Detail
11/29/75	Keystone	Berkeley	CA	JGB: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail
12/17/75	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail	SHN
12/19/75	Winterland Arena	San Francisco	CA	Jerry Garcia Band: AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [mic placement unknown] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail
12/19/75	Winterland Arena	San Francisco	CA	JGB: MSR (Nagra 1/2 track @ 7 1/2ips) > 1st gen reel reel (Otari 1/2 Trac @ 7 1/2ips) > cassette (Nakamichi BX300 ‘no dolby’, MaxellXLIIS90) > Nakamichi CR3A ‘no dolby’ > Hp Computer > Sound Forge > CD Wave > Flac8, via John Moses.	Source Detail	FLAC
12/19/75	Winterland Arena	San Francisco	CA	Jerry Garcia Band: MSR > Reel > PCM > DAT > CD [> SHN].	Source Detail
12/19/75	Winterland Arena	San Francisco	CA	Matrix of MSR>R>C>CD source and Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 MAC>D>CD source.	Source Detail	FLAC
12/19/75	Winterland Arena	San Francisco	CA	Jerry Garcia Band: SBD >> MR >> REEL >> PCM >>> DAT >> CDA >> Wav(EAC) >> FLAC.	Source Detail	FLAC
12/19/75	Winterland Arena	San Francisco	CA	JGB, flac16: pitched & patched sbd; primary source: master soundboard reel > 1 Reel > PCM > DAT > CD > Dime A Dozen secondary source for splices between the songs: Bob Menke cassette master: Sony ECM-270 or ECM-250 mics > Sony TC-152 cassette deck > CD's received in trade; Approximately 3.3 % speed-up to the SBD source was done to match the audience recording which was at the correct speed. Edits with Pro Tools	Source Detail	FLAC
12/19/75	Winterland Arena	San Francisco	CA	JGB; flac1644; SBD > Reel > PCM > Analog > DAT; DAT > RME DIGI96/8 PST > Sound Forge > CDR > FLAC	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	Jerry Garcia Band:sdb>Mreel>1r>P>Dat>Cdr	Source Detail
12/20/75	Winterland Arena	San Francisco	CA	Keith & Donna Band: MAC > ? > CD > EAC > SHN.	Source Detail
12/20/75	Winterland Arena	San Francisco	CA	Jerry Garcia Band: Baked soundboard reels "last run" transfer 44.k (about 1993) > DAT x 2 > M-1 > 7-pin > Co2 > SB Live > CDWav > FLAC.	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	JGB: SBD > Rm > Reel > PCM > Dat > CD > EAC > Shn. Most likely a re-shn of 14929.	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	JGB; flac16; Matrix 2 Source Mix - SBD (shn id 15849) Baked soundboard reels "last run" transfer 44.k (about 1993) > DAT x 2 > M-1 > 7-pin > Co2 > SB Live > CDWav > FLAC + AUD (shn id 89578) 2 x Sony ECM-270 => Sony TC-152 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke and Louis Falanga Transfer By: B. Menke Mastering By: J. Wadell - matrix mixing by Kevin Tobin.	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	JGB, flac16 MOTB Release: 0060 16/44.1; Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = Maxell UDXL C90; Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Bob Menke and Louis Falanga. Transfer By: B. Menke. Mastering By: J. Wadell.	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [mic placement unknown] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail	SHN
12/20/75	Winterland Arena	San Francisco	CA	01-23-2013 Cool Edit EQ by Phil Matera Amplitudes balanced, and overall sound improved. For the two solo Nicky tunes, I centered the sound and added some ambience. This version based on Garcia1975-12-20.89589 89589 flac > wav > cool edit > wav > flac	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	Master Reels > DAT > CD > FLAC.	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	JGB; flac1648; MSR > Dat (48k), provided by Rich Gastwirt; transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transferred by Charlie Miller; lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick.	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	JGB, flac1644; pitched and patched Gastwirt sbd (shnid-138824).	Source Detail	FLAC
12/31/75	Keystone	Berkeley	CA	Jerry Garcia Band: Sbd> Mreel> Reel> Pcm> Dat> CDr	Source Detail
12/31/75	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail	FLAC
12/31/75	Keystone	Berkeley	CA	JGB: SBD > Analog > DAT > CD > ? > SHN; Remastering: SHN > WAV > CE2K > CDWAV > SHNTOOL > mkwACT. Remaster of < A HREF="/shninfo_detail.php?shnid=6646">shnid 6646.	Source Detail	SHN
12/31/75	Keystone	Berkeley	CA	Jerry Garcia Band: mSR>reel>PCM>DAT>CDR>EAC>shn; via Katy Miller; entire show with Mickey Hart, set 3 with Weir	Source Detail	SHN
12/31/75	Keystone	Berkeley	CA	Sick Bits #33 Matrixed (edited, mixed and converted) by Chris Chappell scarfireATliquidcityDOTcom 4/20/08 SBD: (SHNID=87686) MSR (Nagra 1/2track @ 7 1/2ips) > 1st gen reel (Otari 1/2track @ 7 1/2ips) > 1 cassette gen (Nak BX300, no Dolby, MaxellXLIIS90) > Nak CR3A playback (no Dolby) > HP Computer > Sound Forge > CD Wave> Flac8, via John Moses AUD: (SHNID=8664) MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail	FLAC
??/??/75	Reflections outtakes	Unknown	Unknown	flac1644; Reflections outtakes; unknown sbd, via Joe D'Amico.	Source Detail	FLAC
??/??/75	Reflections outtakes	Unknown	Unknown	shnid# 122575-> Wavelab 7.1 Phase Correction by Jamie Waddell tracking with Audacity-> flac level 8->tagged with Tag&Rename and checksums with TLH by Norm _________________________ Studio Soundboard Editing : Joe D'Amico ''AKA'' Joebeacon Nak Dragon > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper	Source Detail	FLAC
??/??/75	Rehearsal	Unknown	Unknown	JGB; flac1644; Recording Info: Part of the Debbie Stash dubbed in 1978. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC.	Source Detail	FLAC
??/??/75	Rehearsal	Unknown	Unknown	JGB; flac2496; Recording Info: Part of the Debbie Stash dubbed in 1978. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
01/07/76	Club Front	San Rafael	CA	Jerry Garcia Band: Rehearsals: SBD> Cass> ???> Dat> Cdr: This is different rehesals from what is listed at the jerry site for this date. Both tapes most likely taken from the same rehersals.	Source Detail
01/07/76	Club Front	San Rafael	CA	JGB w/ James Booker Rehearsals: ?>CD>EAC>FLAC	Source Detail
01/07/76	Club Front	San Rafael	CA	Jerry Garcia Band w/ James Booker, rehearsal: MSR > ? > 1C > 1D > 1CD > EAC > SHN. Slightly more complete than the previously circulating version, with slightly clearer lineage, via Ryan Shriver.	Source Detail	FLAC
01/09/76	Sophie's	Palo Alto	CA	Jerry Garcia Band, with James Booker: MSR > ? > 1C > 1D > 1CD > EAC > SHN. This version, via Ryan Shriver, is more complete than the previously circulating version.	Source Detail
01/09/76	Sophie's	Palo Alto	CA	JGB; flac2448; Source: SBD (mono) > MSC > 1st-Gen cassette. Transfer: Maxell UDXL's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2022	Source Detail	FLAC
01/10/76	Sophie's	Palo Alto	CA	A:C>?>CD. May have been recorded by David Cook with unknown mics into a Sony TC-110 deck.	Source Detail
01/10/76	Sophie's	Palo Alto	CA	JGB; flac1648; s2p; MSC (Supertape C-90 no Dolby) > Sony 3800 DAT (kingbee) > DAT (TJS) > unremembered transfer setup, pitch diagnosis (+2.5%) by JBJ, pitch fix by minches, TLH flac, Foobar tag.	Source Detail	FLAC
01/10/76	Sophie's	Palo Alto	CA	JGB; flac2448; Source: SBD (Set-1 mono, Set-2 stereo) > MSC > 1st-Gen cassette. Transfer: Maxell UDXL's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2022	Source Detail	FLAC
01/19/76	KPIX-TV Studios	San Francisco	CA	JG interview: MC > CD > EAC > FLAC1644	Source Detail	FLAC
01/25/76	Club Front	San Rafael	CA	Jerry Garcia Band: Studio Rehearsal: MSC > DATs > Sony PCM R500 > HHB 800 CD/0 > HHB 800 CD/1 > HP 9350i extraction using EAC > .shn encoding using mkwACT. The last two songs are MSR > 1R > 1C > DATs > Sony PCM R500 > HHB 800 master CD > HHB 800 first gen CD > HP 9350i extraction using EAC > .shn encoding using mkwACT.	Source Detail
01/27/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (2 track 7" reels @ 15ips) > cassette (TDK SA-X100) > NAK-CR-7a playback > Lucid AD9624 24-bit A/D > Fostex D5 master DAT > Sony CDR-W33 master CD > EAC > SHN (non-seekable) > patching using Sound Forge Studio 6.0 > sector boundary verification using shntool > .shn encoding (seekable) using mkwACT.	Source Detail
01/27/76	Keystone	Berkeley	CA	Jerry Garcia Band:Mreel> Cass> Dat> Cdr. Cassette played back on NAK-CR-7a>Lucid AD9624 24-bit A/D >Fostex D5 > Sony CDR-W33. From Ryan at the Jerry Site. EAC and SHN conversion by Kevin Tobin. The very end of How Sweet It Is is clipped and splice in Mystery Train due to MSR tape flip.	Source Detail	SHN
01/27/76	Keystone	Berkeley	CA	JGB; flac2448; Source: SBD > TDK Audua cassettes (see note). Transfer: TDK Audua 90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2022	Source Detail	FLAC
01/28/76	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM 250+270 [onstage] > Sony TC-152) > DAT > CD > Plextor Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
01/28/76	Keystone	Berkeley	CA	JGB; MSR > Cass. > DAT > CD-R > XLD > FLAC.	Source Detail	FLAC
01/28/76	Keystone	Berkeley	CA	JGB; flac2448; Source: SBD > Maxell UDXL & TDK Audua cassettes (see note). Transfer: Cassettes > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2022	Source Detail	FLAC
02/13/76	Keystone	Berkeley	CA	JGB: AUD of uncertain origin > DAT > CD > EAC > SHN.	Source Detail	shn
02/13/76	Keystone	Berkeley	CA	JGB; flac1644; master soundboard reel > reel > Technics RS1506 > Apogee Mini Me > Apogee Mini Dac > wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16. Transfer by Matt Smith, supplied via Charlie Miller, edited and mastered SIRMick.	Source Detail	FLAC
02/14/76	Keystone	Berkeley	CA	Jerry Garcia Band: SBD> MSReel> cass> DAT> CD> (EAC)WAV	Source Detail
02/14/76	Keystone	Berkeley	CA	Jerry Garcia Band: Bertha Remaster of the Master Reel > Cassette source (SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > FLAC > DAW(Bertha) > CDA/SHN).	Source Detail	SHN
02/14/76	Keystone	Berkeley	CA	JGB; flac2448; Source: SBD > TDK Audua cassettes (see note). Transfer: TDK Audua 90's (re-shelled) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2022	Source Detail	FLAC
02/15/76	Sophie's	Palo Alto	CA	Jerry Garcia Band, set I only: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
02/15/76	Sophie's	Palo Alto	CA	flac16; JGB; Sony cassette recorder with built-in mono mic, taped by Michael Parrish, MAC > Reel > DAT > CDR > WAV, via the jjoops tupperware collection. (Lineage as per the Jerrysite) Transfer: Wavelab > CD-Wave > TLH > FLAC 1644 tagged. June 2015	Source Detail	FLAC
02/15/76	Sophie's	Palo Alto	CA	JGB; flac1644; MR > R (Will Boswell's reel from the Debbie stash). Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC. Transfered By Matt Smith.	Source Detail	FLAC
02/21/76	La Paloma Theater	Encinitas	CA	Jerry Garcia Band: Via JGB Mega Vine #5 Early & Late Shows. SBD: MR > C > DAT > CD	Source Detail
02/21/76	La Paloma Theater	Encinitas	CA	JGB, Early Show; Source: SBD > MR > C > DAT > WAV > FLAC Transfer: Sony PCM-R500 > Audiophile 2496 > Wavelab 5.0 (recorded as 24/48 KHz WAV) Mastering: Wavelab (X-Noise and L3 Multimaximizer rendered to 16/44.1 using hi-res CD settings) > CDWAV 1.9 (tracking and FLAC'ing, level 5) Transfer, mastering and encoding by C.Ladner, 2/2006	Source Detail
02/21/76	La Paloma Theater	Encinitas	CA	Jerry Garcia Band: early show; mSR> cass> DAT> CD	Source Detail	SHN
02/21/76	La Paloma Theater	Encinitas	CA	JGB; flac2448; Early & Late Shows; Source: SBD > TDK-SA and Sony-UHF cassettes (see note). Transfer: TDK & Sony's (re-shelled) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2022	Source Detail	FLAC
02/22/76	La Paloma Theater	Encinitas	CA	Jerry Garcia Band: Early Show: MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille.	Source Detail
02/22/76	La Paloma Theater	Encinitas	CA	Jerry Garcia Band: Late Show: MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille.	Source Detail
02/24/76	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > DAT > 2 or 3 CD gens > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > normalization (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
02/26/76	Del Mar Theater	Santa Cruz	CA	Jerry Garcia Band: Early Show: MAC (Taped by Michael Parrish, condensor mic > Sony mono cassette deck) > reel > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille.	Source Detail
02/28/76	Crabshaw Corner	Sacramento	CA	Jerry Garcia Band: MAC (unknown mics, unknown deck) > Reel > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
03/03/76	Lane County Fairgrounds	Eugene	OR	Jerry Garcia Band, set II only: MAC > R > D > CD > EAC > SHN. Recorded by Don Wolfe, Sony ECN-18Ns > Sony TC-152.	Source Detail
03/06/76	Moore's Egyptian Theater	Seattle	WA	Jerry Garcia Band: MAC (Taped by Pat Lee, Sony ECM 18N mics > Sony TC-152 [Maxell UD C120s] from 4th or 5th row) > master CD > EAC > SHN. A > D by Pat Lee, CD > SHN and seeding to Furthur by David Hollister.	Source Detail
03/06/76	Moore's Egyptian Theater	Seattle	WA	Jerry Garcia Band: AUD > MAC > DAT > CD unknown taper and rig	Source Detail	SHN
03/12/76	Cahn Auditorium (Northwestern University)	Evanston	IL	Jerry Garcia Band, partial early & late shows: AUDMC > C > DAT > WAV > SHN Recorded 2nd row, center left; with unknown deck with built in mics. 1st gen source tape from Eric Coplen. Cass > DAT by Ryan Shriver. DAT > SHN by Noah Weiner. Added to etree by Noah Weiner	Source Detail
03/12/76	Cahn Auditorium (Northwestern University)	Evanston	IL	JGB, late show, flac1644; Unknown (mono) AUD MAC > ? > Cassette rescued from Ebay. Transfer: Maxell UDXL 90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017	Source Detail	FLAC
03/13/76	Finney Chapel, Oberlin College	Oberlin	OH	JGB, I/IIp: AUD (unk.mics/taper) > 1C > DAT > WAV > FLAC, via Ryan Shriver and Noah Weiner.	Source Detail
03/14/76	Ohio Theatre	Columbus	OH	Jerry Garcia Band. Source: AUD(unk.mics/taper):MAC>1C>DAT>WAV>FLAC. See info file for transfer details.	Source Detail
03/14/76	Ohio Theatre	Columbus	OH	JGB, flac1644; Source: AUD (unknown equipment) > MAC, recording by Doc West. Transfer: MAC > Nakamichi DR-3 > Roland Tri-Capture > Audacity > WAV 2496 single-channel mono > FLAC, via Doc West. Additional mastering: WAV > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 03/2018	Source Detail	FLAC
03/20/76	Armadillo World Headquarters	Austin	TX	Jerry Garcia Band, set II only: Unknown source > CD > EAC > FLAC.	Source Detail
03/26/76	Music Hall	Kansas City	MO	Jerry Garcia Band: MAC > 1C > 2D > CDx3 > EAC > SHN	Source Detail
03/27/76	Ambassador Theater	St. Louis	MO	JGB; flac 16; AUD > unknown > maybe 2nd gen Cassette Tape > Magnovox Stereo Boom Box > Tascam DR-07 Portable Recorder	Source Detail	FLAC
03/27/76	Ambassador Theater	St. Louis	MO	flac1644; Master audience cassette (stereo) -> 2 Maxell UDXL C90s -> Tascam 112 -> M-Audio 24/96 -> 24 bit, 48kHz . 24-bit, 48kHz -> 16-bit, 44.1kHz using Diamond Cut DC8 (no dither). Taper unknown. Transfer, editing, flac encoding and notes by Dan McDonald. Metadata added by B. Proctor.	Source Detail	FLAC
03/30/76	Calderone Theatre	Hempstead	NY	JGB, early and late shows: MAC (unk.mics/taper) > 1C > DAT > WAV > FLAC. See info file for transfer details.	Source Detail
04/01/76	The Palace Theater	Waterbury	CT	Jerry Garcia Band: AUD > DAT > CDR > WAV > SHN *tape splice near end of lonesome	Source Detail
04/01/76	The Palace Theater	Waterbury	CT	Jerry Garcia Band: MAC (Taped by Jerry Moore, Sony ECM-33p mics > Sony TC-153 [Maxell XL cassettes]) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam CDRW 700 master CD > maybe 1 CD > EAC > SHN.	Source Detail
04/01/76	The Palace Theater	Waterbury	CT	JGB: Steve Rolfe's MAC (2 Sony ECM 99s> Sony TC-152 [Maxell UD]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.	Source Detail
04/01/76	The Palace Theater	Waterbury	CT	JGB; flac2496: aud cassette master, taped by Jerry Moore, transferred & seeded by Rob Berger	Source Detail	FLAC
04/03/76	Lisner Auditorium (George Washington University)	Washington	DC	Jerry Garcia Band, Late Show: MAC (Taped by Scott Jones, Shure mics > Sony TC-158) > DAT > 3CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
04/03/76	Lisner Auditorium (George Washington University)	Washington	DC	JGB, Early Show: MAC > C? > CD > EAC > WAV > SHNv3 Transfer to CD by Slipnut	Source Detail
04/03/76	Lisner Auditorium (George Washington University)	Washington	DC	JGB; late show; sure mics, sony cassette, master cassette, cd, eac, wav, shn, recorded 13th row center, flaws, tape filp inbetween songs,busted during sugaree, recorded by jeff stevenson	Source Detail	FLAC
04/03/76	Lisner Auditorium (George Washington University)	Washington	DC	JGB; late show; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
04/03/76	Lisner Auditorium (George Washington University)	Washington	DC	JGB; flac1644; early show; Sony TC-126(F99S mic)>Master cassette(TDK-D90)>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters	Source Detail	FLAC
04/04/76	Page Auditorium, Duke U.	Durham	NC	JGB, early and late; flac16: unknown master audience tape > Alan Richman's 1st gen 7" 3.75ips reel recorded on a Teac deck. Reel played back on Sony RT-707 > Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 6.0 > FLAC encoding (by dminches).	Source Detail	FLAC
05/20/76	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > DAT > 2 or 3 CD gens > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
05/21/76	Orpheum Theatre	San Francisco	CA	JGB; Unknown audience recording > HK 302 > Zoom H2, transfer by John Wenzel.	Source Detail	FLAC
05/23/76	Santa Monica Civic Auditorium	Santa Monica	CA	JGB; flac1644; Tarzwell and Martin masters; unknown Sony Microphone > Sony TC-50 (mono, auto-leveling cassette recorder); Transfer: Nakamichi CR7A w/ Azimuth alignment, no Dolby & Bias @ 120 usec > Korg MR2000-s @ 1 bit 5.6 MHz DSDIFF; AudioGate (32-96) > iZotope RX6 advanced (prep & 24-96) > CD Wave > AudioGate Aqua (16-44) > TLH	Source Detail	FLAC
07/08/76	Keystone	Berkeley	CA	Jerry Garcia Band: MS? > ? > DAT > WAV (via analog cables) > SHN	Source Detail
07/08/76	Keystone	Berkeley	CA	Jerry Garcia Band. ource: MSC>Cx>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner.	Source Detail
07/08/76	Keystone	Berkeley	CA	JGB; flac1648 Bob Minkin's 3rd generation cassette Transfer Info: 3rd generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496	Source Detail	FLAC
07/09/76	Keystone	Berkeley	CA	Jerry Garcia Band: set II only: MSR > 1R > P > DAT > CDR > wav > shn3.	Source Detail
07/09/76	Keystone	Berkeley	CA	flac1644; set II; Unknown soundboard from the collection of Rich Gastwirt. Lineage: unknown dat > Sony DTC-2000ES > Delta 410 > Adobe Audition > wav 16/48 > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac16. Admin note added 1/22/2011: lineage used to mention a cassette, but this has been corrected	Source Detail	FLAC
07/09/76	Keystone	Berkeley	CA	JGB; flac1644; From the Gastwirt Collection; SBD: Master Reel > DAT. Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48. Joe Noel Edits: Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48.	Source Detail	FLAC
07/20/76	Keystone	Berkeley	CA	Jerry Garcia Band: SBD > Master Reel > PCM > DAT (44.1khz) > Conner CTD8000H/R-S DDS > Wavelab 4.0 > mkwACT by JJ Clifton.	Source Detail
07/20/76	Keystone	Berkeley	CA	JGB; flac1648; SBD > 7 inch reel at 7.5ips 1/2trk > pcm > dat (44k) - recorded by Betty Cantor-Jackson and provided by Jim Wise. Transfer: dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Jim Wise. Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac1648. edited and mastered SIRMick April 2019	Source Detail	FLAC
07/21/76	His Masters Wheels Studio	San Francisco	CA	JGB; flac16 Studio Recording-> ?-> Cassette-> Cassette Maxell UDXL2 C90 with Dolby B (playback on Nakamichi Dragon with Dolby B)-> Lexicon Lambda-> Logic-> wav 16/44.1 -> flac	Source Detail	FLAC
08/16/76	Keystone	Berkeley	CA	Jerry Garcia Band: SBD R/? > CDR > SHN, via Hanno Bunjes.	Source Detail
08/17/76	His Masters Wheels Studio	San Francisco	CA	JGB flac16Studio Recording-> ?-> Cassette-> Cassette Maxell UDXL2 C90 with Dolby B (playback on Nakamichi Dragon with Dolby B)-> Lexicon Lambda-> Logic-> wav 16/44.1 -> flac	Source Detail	FLAC
08/22/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN.	Source Detail
08/22/76	Keystone	Berkeley	CA	JGB: Unknown AUD > ? > CD > EAC > tracking (CD Wave v1.94.8) > editing (Sony Sound Forge Audio Studio 7.0) > sector boundary alignment (shntool) > level 8 FLAC encoding (FLAC Frontend v1.7.1 etree edition) > speed correction and patching. EAC>>FLAC by missingfinger, pitching and patching by Kevtobin.	Source Detail
08/22/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN (shnid 15672) patched with Unknown AUD > ? > CD (shnid 80165), patching/Flac by Kevin Tobin	Source Detail
08/22/76	Keystone	Berkeley	CA	JGB: flac16; Matrix 2 Source Mix; SBD (shnid 15672) MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD; Unknown AUD (shnid 80165) > ? > CD; mixed by Kevin Tobin.	Source Detail	FLAC
09/10/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN + patched with MA? > 1R > DAT > CD > EAC > SHN.	Source Detail
09/10/76	Keystone	Berkeley	CA	Jerry Garcia Band: AUD R/1 > DAT > CDR > SHN	Source Detail	SHN
09/11/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1 cassette > 2 DAT > Sony R500 playback > Sony CDR-W33 (master CD) > HP 9350i extraction ((EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). D>CD by Ryan Shriver, CD > SHN by Joe Jupille.	Source Detail
09/12/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C (TDK SA-X100) > played back on Nakamichi CR-7A cassette deck (Dolby off) > Lucid 9624 A-D converter @ 44.1kHz > Fostex D5 master DAT > unknown DAT and CD gens > EAC > SHN. A>D by Ryan Shriver, EAC>SHN by Joe Jupille.	Source Detail
09/12/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) -> Cass (TDK SA-X100 played back on Nakamichi CR-7A cassette deck Dolby off) -> Lucid 9624 A-D converter @ 44.1kHz -> Dat (Fostex D5 by Ryan Shriver 2/10/00) -> Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN.	Source Detail
09/12/76	Keystone	Berkeley	CA	Jerry Garcia Band: Bertha remaster: SBD >> MR >> CASS >> DAT >> SHN >> DAW(Bertha)>> CDA/SHN	Source Detail	SHN
09/15/76	S.S. Duchess "Pirates Ball"	New York Harbor	NY	JGB: unknown aud master > Ohr Weinberg's unknown gen cassette (Maxell UDXLII C90) Dolby b (d1 and d2t1-t2) and John Hance's unknown gen cassette (Fuji FX-II 90) Dolby b (d2t3-5) > Nakamichi Dragon (Dolby b) playback > HHB CDR 830 plus > EAC > Sound Forge 6.0 > CD Wave 1.94.5. Transfer and Editing by Anne Cohen 4-2006.	Source Detail	FLAC
09/15/76	S.S. Duchess "Pirates Ball"	New York Harbor	NY	JGB: apparent re-flac of shnid 86326; (taper unknown) Ohr Weinberg's cassette (Maxell UDXLII C90) dolby b (d1 and d2t1-t2), John Hance's cassette (Fuji FX-II 90) dolby b (d2t3-5); Cassette>Nakamichi Dragon (Dolby b)>HHB CDR 830 plus>EAC>Sound Forge 6.0 > CD Wave 1.94.5. Transfer and Editing by Anne Cohen.	Source Detail	FLAC
09/16/76	The Dome (C.W. Post College)	Greenvale	NY	Jerry Garcia Band: MAC (Recorded by Barry Glassberg, Sony ECM99 stereo single point mic > Sony TC-153D) > DAT > CDs > EAC > SHN.	Source Detail
09/16/76	The Dome (C.W. Post College)	Greenvale	NY	flac2496; Jerry Moore's aud cassette master; lineage: aud > sony ecm33p's > sony tc-152/b; nak dragon/b > hd-p2 24/96 > adobe audition 2.0 > cd wave > tlh flac 8; transfer/seeded by Rob Berger.	Source Detail	FLAC
09/17/76	Seton Hall University	South Orange	NJ	Jerry Garcia Band: MAC > 1C > dbx 163x Compression > Tascam M30 Board EQ > Echo Mia 24 Bit Sound Card > CDWave > Wav > SHN.	Source Detail
09/17/76	Seton Hall University	South Orange	NJ	JGB; set II; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
09/18/76	Ben Light Gymnasium, Ithaca College	Ithaca	NY	Jerry Garcia Band: FOB > Sony stereo mics > unknown deck* > D > CDX2 > eac > shn. * deck was originally given as 'D5?', but the D5 wasn't yet available at this point, as far as the admin knows.	Source Detail
09/20/76	Astor Theater	Reading	PA	Jerry Garcia Band, Early and Late Shows: MAC (Shure mics, unknown model, unknown deck) > C > Unknown DAT gens > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
09/20/76	Astor Theater	Reading	PA	JGB; flac1644; late show; Sony TC-126(F99S mic)>Master cassette(TDK-D90)>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters	Source Detail	FLAC
11/12/76	Freeborn Hall (U.C. Davis)	Davis	CA	Jerry Garcia Band, partial show: MSR > D > CD > EAC > SHN	Source Detail
11/12/76	Freeborn Hall (U.C. Davis)	Davis	CA	1648: partial set II; Recorded By Betty Cantor-Jackson 7 Inch Nagra Master(Serial # SL11183) 1/2 Track @ 7.5 IPS Reel #4 only (#1,2,& 3 MIA). Analog to Digital: Playback on Otari MX5050-Meyer VX-1 signal processor-Sony PCM R-700 DAT @ 48KHz (circa 1999). Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name). Digital Transfer,Editing & Processing By JW: February 2015.	Source Detail	FLAC
11/12/76	Freeborn Hall (U.C. Davis)	Davis	CA	JGB; flac1644; AUD > Cassette Master > DAT source from Anon; DAT transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain.	Source Detail	FLAC
11/13/76	Humbolt State College	Arcata	CA	Jerry Garcia Band, incomplete late show: MSR > DAT > CD > EAC > SHN.	Source Detail
11/13/76	Humbolt State College	Arcata	CA	flac1648; JGB; partial set II; Recorded By Betty Cantor-Jackson 7 Inch Nagra Master(Serial # SL11183) 1/2 Track @ 7.5 IPS Reel #4 only (#1,2,& 3 MIA). Analog to Digital: Playback on Otari MX5050-Meyer VX-1 signal processor-Sony PCM R-700 DAT @ 48KHz (circa 1999). 1648: Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz. Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name). Digital Transfer,Editing & Processing By JW: February 2015.	Source Detail	FLAC
11/15/76	Keystone	Berkeley	CA	Jerry Garcia Band, set I only: MSR > DAT > CD > SHN. Uploaded by Steve Barbella, discs provided by CozChuck.	Source Detail
11/15/76	Keystone	Berkeley	CA	flac1648: Recorded By Betty Cantor-Jackson; 7 Inch Nagra Master(Serial # SL11183) 1/2 Track @ 7.5 IPS, Reels # 1,2,& 4 (#3 MIA); Analog to Digital: Playback on Otari MX5050-Meyer VX-1 signal processor-Sony PCM R-700 DAT @ 48KHz (circa 1999); Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-16 bit 48KHz Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Digital Transfer,Editing & Processing By JW:January 2015.	Source Detail	FLAC
11/16/76	Sophie's	Palo Alto	CA	JGB: Michael Parrish's MAC > reel > plaback on Uher reel-to-reel machine > Marantz standalone CD recorder > Plextor CDR extraction using EAC (high, secure, offset-corrected) > .shn encoding using mkwACT. Reel > CD by Thomas Donhauser. EAC>SHN and etree seeding by Hanno.	Source Detail
11/19/76	Pismo Theater	Pismo Beach	CA	Jerry Garcia Band. Source: MSC>C3>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J.Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV(Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C.Ladner.	Source Detail
11/20/76	Pismo Theater	Pismo Beach	CA	Jerry Garcia Band. Source: MSC>C3>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner.	Source Detail
12/21/76	Keystone	Berkeley	CA	Jerry Garcia Band: MAC > R/1 > CD > EAC > SHN, via Hanno Bunjes	Source Detail
12/22/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Extraction and .shn encoding by Joe Jupille.	Source Detail
12/22/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (MD) > Cass (MD) > Cass (me) > Nero (EQ) > flac > sbe fixed.	Source Detail	FLAC
12/22/76	Keystone	Berkeley	CA	JGB; flac1644: SBD -> Master Reel -> CD -> Samplitude Professional v11.2.1 -> FLAC Recorded and Supplied by Mike Dolgushkin, Mastered By Charlie Miller	Source Detail	FLAC
??/??/76	Unknown Studio	San Francisco	CA	JGB; Recording Info: SBD > ? > CD > Samplitude Pro X6 Suite > flac16.	Source Detail	FLAC
01/29/77	Keystone	Berkeley	CA	Jerry Garcia Band: MAC > R/1 > CD > EAC > SHN, via Hanno Bunjes	Source Detail
01/29/77	Keystone	Berkeley	CA	Flac16: 2 x ECM280 => SONY TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] motb.0089	Source Detail	FLAC
01/30/77	Keystone	Berkeley	CA	Flac16: Reinhart Hohlwein's 2 x ECM280 => SONY TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] motb.0090.	Source Detail	FLAC
02/05/77	Campbell Hall	Goleta	CA	Jerry Garcia Band, Early & Late Shows: SBD > cassette? > CD > EAC > SHN v3. See info file for setlist notes and questions.	Source Detail
02/05/77	Campbell Hall	Goleta	CA	Jerry Garcia Band, Early and Late Shows: MSR > ? > Cx > CDR > WAV > SHN.	Source Detail
02/05/77	Campbell Hall	Goleta	CA	24 bit Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/48k) > Samplitude Pro X5 > Flac24	Source Detail	FLAC
04/09/77	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (unknown taper, equipment, location) > reel > playback on Uher reel-to-reel machine > Marantz standalone CD recorder master CD > Plextor CD extraction using EAC (high, secure, offset-corrected) > .shn encoding using mkwACT.	Source Detail
06/23/77	Santa Rosa High School	Santa Rosa	CA	JGB; shnf; set II only; Sony ECM -> Sony TC-152 MAC -> D -> CD (Ryan at thejerrysite.com indicates the taper was Bob Menke).	Source Detail
06/23/77	Santa Rosa High School	Santa Rosa	CA	JGB; flac1644; set 1; Dave McClary's MAC (Realistic stereo electret condenser mic > Aiwa portable recorder) > cdr > eac >wav 16/44.1, extracted by Charlie Miller, edited and mastered SIRMick.	Source Detail	FLAC
07/02/77	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC > Reel > CD [> SHN], via Hanno Bunjes.	Source Detail
07/03/77	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band, set II only: MSC > 1C > DAT > CD > EAC > SHN	Source Detail
07/03/77	Keystone Palo Alto	Palo Alto	CA	JGB, set II: SBD > CM > 1 Cassette > DAT > Sony D8(modified) > DAT(Clone)@48K > WAVELAB5.0 > WAV@44K > FLAC 16; Transfer, conversion and edits by Ben Dover 08/27/2006.	Source Detail
07/03/77	Keystone Palo Alto	Palo Alto	CA	JGB, set II: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. March 2007.	Source Detail	FLAC
07/08/77	Calderone Concert Hall	Hempstead	NY	Jerry Garcia Band: Late Show: MAC (Probably taped by Jerry Moore from the front of the balcony, spaced AKG D-200E's > Sony TC-153 [Maxell XLII]) > DAT > CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT.	Source Detail
07/08/77	Calderone Concert Hall	Hempstead	NY	Jerry Garcia Band, Early Show: MAC (Taped by Jerry Moore, spaced AKG D-200Es [front of the balcony] > Sony TC-153 [Maxell XLII]) > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
07/08/77	Calderone Concert Hall	Hempstead	NY	Jerry Garcia Band, Late Show: MAC (Taped by Jerry Moore, spaced AKG D-200Es [from the orchestra, hand held, fairly close] > Sony TC-153 [Maxell XLII]) > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
07/08/77	Calderone Concert Hall	Hempstead	NY	Early Show Source: A:C:CD Recorded by Jerry Moore; Sony ECM-33Ps> Sony TC-152 Master played backed on a Nak Dragon> ART DI/O> Waveterminal 2496> Hard Drive Tracking in Cool Edit 2000; Burned with Feurio Error checked with SHNTOOL; .wav>SHN with mkwACT A>D>SHN by David Minches	Source Detail
07/08/77	Calderone Concert Hall	Hempstead	NY	JGB; flac1644; late show; Ken & Judy Lee's 2x Sony F50 Mics > Sony TC124 > Master Cassette, from 1st row Balcony.	Source Detail	FLAC
07/09/77	Convention Hall	Asbury Park	NJ	Jerry Garcia Band, Early & Late shows: MAC (unknown equipment, taped by Mark Mattson) > DATx1 > CDx1 > EAC > SHN	Source Detail
07/09/77	Convention Hall	Asbury Park	NJ	JGB, early and late shows: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear.	Source Detail
07/09/77	Convention Hall	Asbury Park	NJ	JGB; flac1644; late show; Steve Strange's hand-held recorder (built-in mics) > cassette master; transfer by Charlie Miller. According to nfagdtrfb, some of this material is from the night before.	Source Detail	FLAC
07/09/77	Convention Hall	Asbury Park	NJ	JGB; flac1644; partial early and complete late; Mono SBD > ? > FLAC; "I won't go into details about the transfer, but I used proper tools with quality settings maxed." Transferred and prepared for circulation by Mr. Completely in November 2014	Source Detail	FLAC
07/09/77	Convention Hall	Asbury Park	NJ	JGB; flac2496; early and late shows; Master Audience Cassette To HD; Recorded by: Mark Mattson, unknown equipment; Transfer and mastering by David Minches. February 2022; Transfer: Master played back on Nakamichi Dragon > Tascam DA-3000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24-96]; Mastering: Adobe Audition 2022 - Ozone 9 Advanced. Pitch correction by Joe B. Jones.	Source Detail	FLAC
07/23/77	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: SBD -> Cassette Master -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 2 Disc FLAC). Transferred and Edited By Charlie Miller.	Source Detail
07/23/77	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: "Bertha" remaster of Charlie Miller seed #30662.	Source Detail
07/29/77	Theatre 1839	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Bob Menke, setup not yet established at this time) > CDs > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (Sound Forge Studio 6.0) > sector boundary fixing (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
07/30/77	Theatre 1839	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Bob Menke, setup not yet established at this time) > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (Sound Forge Studio 6.0) > sector boundary fixing (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
07/30/77	Theatre 1839	San Francisco	CA	flac1644; mixed unlineaged sbd cassette tape sources; Nak Dragon dolby out > usb DAD > Audacity 1.3.13 beta, DC offset, 96/24 > 44k/16 flac level 8 > TLH cksum, verify, torrent.	Source Detail	FLAC
08/06/77	Keystone	Berkeley	CA	Jerry Garcia Band:set 2 partial; MSC -> DAT -> Digi001 -> SHN; via Ryan Shriver, Dan Metz	Source Detail
08/06/77	Keystone	Berkeley	CA	JGB, set II partial: MSC > DAT > Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8).	Source Detail
08/07/77	Keystone	Berkeley	CA	Jerry Garcia Band: Master Cassette SB > DAT > CD	Source Detail
08/07/77	Keystone	Berkeley	CA	JGB, Ip/II: MSC > DAT > Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) - Green Mountain Bros.	Source Detail	FLAC
10/02/77	Paramount Theater	Portland	OR	Jerry Garcia Interview: Unknown source. See info file for some details.	Source Detail
10/02/77	Paramount Theater	Portland	OR	Jerry Garcia Interview: Unknown source, recorded backstage prior to the Grateful Dead's performance on this date. Possible re-.shn of earlier seed.	Source Detail
11/20/77	West Gym	Binghamton	NY	JGB; flac1644; s2; sbd, unknown gen cassette transferred & seeded by Rob Berger	Source Detail	FLAC
11/20/77	West Gym	Binghamton	NY	JGB; flac1644; mono sbd composite for complete show	Source Detail	FLAC
11/21/77	The Playhouse (Hofstra University)	West Hempstead	NY	Jerry Garcia Band, Late Show: MAC (Taped by Mark Mattson, unknown equipment) > 1 DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/21/77	The Playhouse (Hofstra University)	West Hempstead	NY	JGB, early & late shows: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear.	Source Detail
11/21/77	The Playhouse (Hofstra University)	West Hempstead	NY	JGB; flac2496; early and late; Recorded by: Mark Mattson, unknown equipment; Transfer and mastering by David Minches. February 2022; Transfer: Master played back on Nakamichi Dragon> Tascam DA-3000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24-96]; Mastering: Adobe Audition 2022 - Ozone 9 Advanced; Pitch correction by Joe B. Jones.	Source Detail	FLAC
11/21/77	The Playhouse (Hofstra University)	West Hempstead	NY	JGB; early show; flac1648: Master Soundboard Cassette > Cassette; Joel Pollack's DAT (16-48); Transfer Info: DAT (16-48)(Sony TCD-D100) > Tascam DA-3000 > DDi Codec (Dolby B) > Adobe Audition 2025 > TLH flac1648. Mastered by Scott Clugston. January 2025.	Source Detail	FLAC
11/21/77	The Playhouse (Hofstra University)	West Hempstead	NY	JGB; flac1648; fix of shnid-169702 with an additional patch (Stir It Up), as well as restoring the final 0:06 of "Mission In The Rain"	Source Detail	FLAC
11/23/77	The Palace Theater	Waterbury	CT	Jerry Garcia Band: MAC (Taped by Jerry Moore, Sony ECM-33Ps [ledge of the opera box, right side facing stage] > Sony TC-158) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > HD > Cool Edit 2000 > .shn. A > D by Mark Cohen, D > SHN by David Minches.	Source Detail
11/23/77	The Palace Theater	Waterbury	CT	Jerry Garcia Band: AUD--CASS--TASCAM Portastudio 424Mk II--DAT--CD, via vamarty.	Source Detail
11/23/77	The Palace Theater	Waterbury	CT	flac1644; "The Commander"'s aud cassette master, transfer by Rob Berger.	Source Detail	FLAC
11/23/77	The Palace Theater	Waterbury	CT	JGB; flac2496; Jerry Moore's aud cassette master, updated transfer by Rob Berger.	Source Detail	FLAC
11/25/77	The Tower Theatre	Upper Darby	PA	Jerry Garcia Band, Early Show: Unknown AUD > Cassette? > CD > EAC > SHN v3.	Source Detail
11/25/77	The Tower Theatre	Upper Darby	PA	Late Show: Unknown low-end mics (2) > Cassette Master (Panasonic stereo cass recorder (unknown model)/Memorex MRX2 Oxide C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Section L/C, Row DD, Seat 110 by Bob Morris (note: 2 versions included: without & with equalization)	Source Detail	FLAC
11/25/77	The Tower Theatre	Upper Darby	PA	JGB; flac16; late show; Unknown mono AUD recording > Cx? > CDR > WAV, via the jjoops tupperware collection. Transfer: Wavelab > CD-Wave > TLH > FLAC 1644 tagged. June 2015.	Source Detail	FLAC
11/25/77	The Tower Theatre	Upper Darby	PA	JGB; flac1644; early show; Sony TC-126(F99S mic)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taper : Dave Peters	Source Detail	FLAC
11/26/77	Capitol Theater	Passaic	NJ	JGB, early & late shows: MAC > CASS > DAT > CDR > EAC > SHN (seekable) Taper and equipment unknown.	Source Detail
11/26/77	Capitol Theater	Passaic	NJ	JGB, Late Show: Jim Anderson's AKG D200e > Cm > 1st gen cass > SBM1 > CD > EAC > CDWav > Flac, transferred by Rob Berger.	Source Detail	FLAC
11/27/77	The Palladium	New York	NY	Jerry Garcia Band:Early & Late Show: AUD (DAT: MAC>D>CDR>EAC>SHN)	Source Detail
11/27/77	The Palladium	New York	NY	Jerry Garcia Band, Early Show: MAC (Taped by Barry Glassberg, Sony ECM 270s [1st row loge, 30' separation] > Sony TC-153SD [Maxell UDXLII, Dolby]) > Tascam 122 MK III playback > Tascam DA-40 master DAT (44.1) > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT).	Source Detail
11/27/77	The Palladium	New York	NY	Jerry Garcia Band, Late Show: MAC (Taped by Barry Glassberg, Sony ECM 270s [1st row loge, 30' separation] > Sony TC-153SD [Maxell UDXLII, Dolby]) > Tascam 122 MK III playback > Tascam DA-40 master DAT (44.1) > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT).	Source Detail
11/29/77	S.U.N.Y.	New Paltz	NY	JGB; flac1644; Jim Cooper's MAC (2x Sony ECM22P > Hitachi TRQ-232, Maxell UDXLII-C90 and Maxell UD-C90, Dolby B); transfer by Rob Berger: Nakamichi Dragon (Dolby B) > Benchmark ADC1 24/96 > PC > Adobe Audition 2.0 > CD Wave > flac, March 2013.	Source Detail	FLAC
11/29/77	S.U.N.Y.	New Paltz	NY	JGB; flac2448; 2nd Set; Source: AUD of unknown lineage > ? > cassette via Richie & Rip. Transfer: XLII-S > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2019	Source Detail	FLAC
11/30/77	Gymnasium, Buffalo State College SUNY	Buffalo	NY	Jerry Garcia Band: MAC > Reel > DAT > CDx1 > EAC > SHN. Taper, equipment, and location currently uncertain, but probably recorded by Steve Spitalny, Sony ECM-99A > Nak 550.	Source Detail
11/30/77	Gymnasium, Buffalo State College SUNY	Buffalo	NY	JGB; flac1644; aud 1st gen reel, sony ecm-99a > nak 550, taped by Steve Spitalny, transfer - Rob Berger	Source Detail	FLAC
12/02/77	Orpheum Theater	Boston	MA	Jerry Garcia Band: Early & Late. Sony ECM 99a> Sony152> MAC> D >EAC >MKWact >SHN	Source Detail
12/02/77	Orpheum Theater	Boston	MA	JGB, Early & Late Shows: Steve Hopkins MAC (Sony ECM-99a > Sony TC-158SD; Maxell UD-XLI; some patches from Steve Rolfe MAC, Sony ECM-99a > Sony TC-158SD) > Nakamichi Dragon playback > ART DI/O (96Mhz/24 bit)> Digital Audio Labs Card Deluxe soundcard > HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded. Transfer by David Minches.	Source Detail
12/02/77	Orpheum Theater	Boston	MA	JGB, early and late shows: Steve Rolfe's MAC (Sony ECM-99 Stereo mic> Sony TC-152 [Maxell UDs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.	Source Detail
12/02/77	Orpheum Theater	Boston	MA	JGB; late show; flac1648; Steve Hopkins Master Audience Cassette; Sony ECM 99a mics > Sony TC-158 (Maxell UD-XLI); Joel Pollack's DAT (16-48); Transfer Info: DAT (16-48)(Sony TCD-D100) > Tascam DA-3000 > .wav 16-48 > Adobe Audition 2025 > TLH flac1648	Source Detail	FLAC
12/02/77	Orpheum Theater	Boston	MA	JGB; early show; flac1648: Steve Hopkins Master Audience Cassette; Sony ECM 99a mics > Sony TC-158 (Maxell UD-XLI); Joel Pollack's DAT (16-48); Transfer Info: DAT (16-48)(Sony TCD-D100) > Tascam DA-3000 > .wav 16-48 > Adobe Audition 2025 > TLH flac1648	Source Detail	FLAC
12/03/77	Binder Gymnasium, Hartwick College	Oneonta	NY	JGB; flac2444.1; Partial unknown audience recording > unknown transfer > flac 24 Bit 44.1 kHz,	Source Detail	FLAC
12/03/77	Binder Gymnasium, Hartwick College	Oneonta	NY	JGB; flac2496; Composite of Slow Recording (source 1) and Russell transfer of unknown recording (source 2); Source 1: Recorded by Evan Slow: Unknown microphones and tape deck; Transfer, mastering and editing by David Minches; July 2023: Master cassette played on Nakamichi Dragon > Tascam DA-3000 (24 bit; 96 kHz) > Adobe Audition 2023; Source 2: unknown audience cassette transferred by Scott Russell. EAC (extraction) > CD Wave (tracking) > Wavelab (editing) > TLH (fix & strip, flac8 encoding) > foobar2000 (tagging) by JGMF. Source 2 was upsampled to 24-96 so the entire file set would be at the same bit depth and sample rate.	Source Detail	FLAC
12/04/77	The Barn (Rutgers U.)	New Brunswick	NJ	Jerry Garcia Band: Set I + one song from set II: MSC > DAT > CD > EAC > SHN.	Source Detail
12/04/77	The Barn (Rutgers U.)	New Brunswick	NJ	flac1648 Recording info: Soundboard master cassette > DAT source from Anon Mastering by Jim Blackwood Additional mastering assistance by Jamie Waddell Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
12/06/77	The Dome, C.W. Post College	Greenvale	NY	Jerry Garcia Band: MSR > C > D > CD > EAC > shntool > SHNv3. This seed corrects sector boundary errors on the original .shn set.	Source Detail
12/06/77	The Dome, C.W. Post College	Greenvale	NY	Jerry Garcia Band: MSR > Cass > Dat > Cdr. Seeded by Mike Lai.	Source Detail
12/06/77	The Dome, C.W. Post College	Greenvale	NY	JGB: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear.	Source Detail
12/06/77	The Dome, C.W. Post College	Greenvale	NY	JGB, flac1648; Recording info: Soundboard master cassette > DAT source from Anon Mastering by Jim Blackwood Speed/pitch adjusted by Jason Chastain Listening assistance, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
12/08/77	Palace Theatre	Albany	NY	Jerry Garcia Band: Unknown AUD > Cassette? > CD > EAC > SHN v3	Source Detail
12/08/77	Palace Theatre	Albany	NY	Jerry Garcia Band: SBD -> Cm -> Apogee AD1000 -> Dat (Panasonic SV3800); transferred by Charlie Miller	Source Detail
12/08/77	Palace Theatre	Albany	NY	JGB, flac1648; Recording info: Soundboard master cassette > DAT source from Anon; Mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Listening assistance, track, FLAC, and pack by Steve Gravel.	Source Detail	FLAC
12/08/77	Palace Theatre	Albany	NY	Jerry Garcia Band: mSC>DAT; DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > downsampled to 44.1k/de-hissed > SHN (no extraction); via Jon Seff	Source Detail	FLAC
12/09/77	Gym, S.U.N.Y.	Stony Brook	NY	JGB; flac1644; s2; Master cassette > DAT; Transferred and seeded by Michael Buzzeo	Source Detail	FLAC
12/09/77	Gym, S.U.N.Y.	Stony Brook	NY	JGB, set II only: Unknown AUD > ? > CD > EAC > SHN v3. This is an apparently redundant re-shn of < A HREF="/shninfo_detail.php?shnid=4444">shnid 4444.	Source Detail
12/09/77	Gym, S.U.N.Y.	Stony Brook	NY	JGB; shnf; s2; FOB Nakamichi CM-300 Mics; MAC -> DAT -> Digi001 -> SHN; via Ryan Shriver, Dan Metz	Source Detail
12/09/77	Gym, S.U.N.Y.	Stony Brook	NY	JGB, set II: pitch-corrected version of shnid 4444 (Nak 300s MAC > DAT > CD).	Source Detail
12/09/77	Gym, S.U.N.Y.	Stony Brook	NY	JGB; flac1644; Phil Matera's Mc-> Reel 1st gen Reel (Maxell-UD135) 1/4trk@3-3/4 Teac X2000R-> Korg MR1000 DSD DFF@ 5.6MHz->AudioGate-> 24/88.2 Wave-> Wavelab6-> OzoneRx4a-> Ozone6A > CD Wave > r8brainpro > 16/44.1 > TLH > Flac16.	Source Detail	FLAC
12/09/77	Gym, S.U.N.Y.	Stony Brook	NY	JGB; flac 1644; (fix of shnid-137721) Phil Matera's Mc-> Reel 1st gen Reel (Maxell-UD135) 1/4trk@3-3/4 Teac X2000R-> Korg MR1000 DSD DFF@ 5.6MHz->AudioGate-> 24/88.2 Wave-> Wavelab6-> OzoneRx4a-> Ozone6A > CD Wave > r8brainpro > 16/44.1 > TLH > Flac16	Source Detail	FLAC
12/09/77	Gym, S.U.N.Y.	Stony Brook	NY	JGB; set II; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
12/10/77	Warner Theater, Early show	Washington	DC	Jerry Garcia Band: (FOB) Electra Voice Omni Mics > Cass/0 > DAT > CDR > EAC > WAV > Wavelab (Mastering) > FLAC	Source Detail
12/10/77	Warner Theater, Late show	Washington	DC	Jerry Garcia Band Unknown Aud> Mreel> Dat> Cdr. Seeded by Mike Lai	Source Detail
12/11/77	Rec Hall, Penn State U	State College	PA	Jerry Garcia Band:sdb>>master reel>>cassette>>pcm>>dat>>cdr There is a brief "Close Encounters of the Third Kind" tease in Lonesome And A Long Way From Home . The SBD tape contains splices in Sitting In Limbo, Mission In The Rain and Lonesome And A Long Way From Home.	Source Detail
12/11/77	Rec Hall, Penn State U	State College	PA	Jerry Garcia Band: MSR > C > P > D > CD > EAC > shntool > SHNv3. This set, via Chris Ladner, fixes sector boundary errors on the original .shn set.	Source Detail
12/11/77	Rec Hall, Penn State U	State College	PA	Jerry Garcia Band: MSR > PCM > unknown analog gens > DAT > CD > SSSB processing.	Source Detail
12/11/77	Rec Hall, Penn State U	State College	PA	JGB: MSR > C > PCM > DAT > CD, remaster of shnid6622 via sirmick.	Source Detail
12/11/77	Rec Hall, Penn State U	State College	PA	JGB, flac1648; Soundboard master cassette > DAT source from Anon; Mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel.	Source Detail	FLAC
12/23/77	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: FM > ?? > R > CD > EAC > SHN, via Hanno Bunjes	Source Detail
02/15/78	Keystone	Berkeley	CA	JGB; flac1644; Partial Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
02/18/78	Marin County Veterans Auditorium	San Rafael	CA	Jerry Garcia Band: MSC > ? > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
02/19/78	Santa Cruz Civic Auditorium	Santa Cruz	CA	Jerry Garcia Band: Currently optimal composite from multiple audience sources. Composite and SHN encoding by Jack Warner.	Source Detail
02/19/78	Santa Cruz Civic Auditorium	Santa Cruz	CA	JGB; flac1648 Fixed version of Source ID 155925. Set 2 only. Source: Master Cassette from ANON 24 bit 96kHz, Mystery Train patch from Source ID 21460, taped by Eldon Porray. Speed Correction by Jason Chastain; Mastering by Jamie Waddell; Track, FLAC, and Pack by Steve Gravel.	Source Detail	FLAC
02/19/78	Santa Cruz Civic Auditorium	Santa Cruz	CA	FLAC 1644 Audience cassette master recorded from the house right balcony over the first doorway. Two Electrovoice RE10 mics > Nakamichi 350 > two Dolby B encoded Maxell UD C90 cassettes. Recorded, transferred and mastered by grner1.	Source Detail	FLAC
03/09/78	Cleveland Music Hall	Cleveland	OH	Jerry Garcia Band: MSC > ? > DAT > CD > EAC > SHN. The ? probably represents a cassette gen.	Source Detail
03/09/78	Cleveland Music Hall	Cleveland	OH	JGB; flac1648; Master Soundboard Cassette > ? (most Likely 1st Generation Cassettes) > Joel Pollack's Dat (16/48); Transfer Info: DAT (16/48)(Sony TCD-D100) > Tascam DA-3000 > DDi Codec (Dolby B) > Adobe Audition 2025 > TLH flac1648; Scott Clugston January 2025	Source Detail	FLAC
03/10/78	Auditorium Theater	Rochester	NY	JGB, incomplete: Unknown Taper and Equipment, Unknown Lineage cassette > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac, transfer by David Minches.	Source Detail
03/10/78	Auditorium Theater	Rochester	NY	JGB: Alan Zimmerman's MAC (Sony 54P or Sony ECM 99s > Teac PC-10 [1st Set on Sony FeCr-90; 2nd Set on Maxell UD XLII-90]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding; transfer by David Minches.	Source Detail
03/10/78	Auditorium Theater	Rochester	NY	Garcia, Kahn & Donna Godchaux interview: Alan Zimmerman's MFC > Nakamichi Dragon playback > Digital Audio Labs Card Deluxe soundcard > Adobe Audition > flac encoding > FLAC. Transfer by David Minches.	Source Detail
03/11/78	Leroy Theater	Pawtucket	RI	Jerry Garcia Band: MAC (Taped by Tom Dalti, Sony ECM-99a mics > Technics 646ds cassette deck > DAT > CDR > EAC (v0.9 beta 4, offset corrected, high/secure) > editing Soundforge 5) > tracking (CD Wave) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C. Ladner/ candyman FTP.	Source Detail
03/11/78	Leroy Theater	Pawtucket	RI	JGB: pre-show interview: unknown FM-SBD > SHN, via Andy Gefen and Teddy Goodbear; show: unknown AUD > SHN, via Teddy Goodbear.	Source Detail	SHN
03/11/78	WBRU-FM Studios	Pawtucket	RI	JGB: Tim Friend's 1x AKG D200E (mono recording) > Sony TC-153SD > Maxell UD-XLII 90's, with no Dolby. Fifth row orchestra, left center section; Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 by Andrew F.	Source Detail	FLAC
03/11/78	Leroy Theater	Pawtucket	RI	JGB; flac1644; set II; MSC > DAT > CDR > XLD > FLAC.	Source Detail	FLAC
03/12/78	Suffolk Forum	Commack	NY	FOB Shure Audience > CassMaster> Dat> Cdr Transfer Da-P1> Zafiro ZA-2> NT4.0/Soundforge xp 4.0 > Cdrwin **May Contain Additional Analog Generations	Source Detail
03/12/78	Suffolk Forum	Commack	NY	JGB: Unknown MAC > CD, discs provided by Jim Wise. Transfer: CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC.	Source Detail
03/12/78	Suffolk Forum	Commack	NY	JGB; flac1648 Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
03/14/78	Music Hall	Boston	MA	Jerry Garcia Band: MAC (Taped by Tom Dalti [NOT Steve Rolfe as previously listed], Sony ECM-99a mics > Technics 646ds cassette deck) DAT > CDR > EAC (version 0.9 beta 4, offset corrected, high/secure) > editing (soundforge 5) > tracking (cdwav) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP.	Source Detail
03/14/78	Music Hall	Boston	MA	JGB: Claudette Gardel's AKG 501E mics > Sony TC-153SD MAC; Nakamichi unknown deck playback > Powerbook G4 > Sound Edit version 2 > CD; Edited and Mastered by Jamie Waddell on the GEMS Edit Station; Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither; Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8; Tag & Rename for FLAC Meta-Tagging.	Source Detail	FLAC
03/14/78	Music Hall	Boston	MA	JGB; flac1644: Taped by Claudette Gardel, AKG 501E mics > Sony TC-153SD; Nakamichi ??deck?? playback > Powerbook G4 > Sound Edit version 2 > CD, Edited and Mastered by Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.	Source Detail	FLAC
03/14/78	Music Hall	Boston	MA	JGB; flac1648: Dauby Rolfe (Steve's wife) & friend's Master Audience Cassettes; Sony ECM99 mics > Teac PC-10 cassette deck > Joel Pollack's DAT (16-48); Transfer Info: DAT (16-48)(Sony TCD-D100) > Tascam DA-3000 > DDi Codec (Dolby B) > Adobe Audition 2024 > TLH flac1648.	Source Detail	FLAC
03/16/78	Spectrum Theatre	Philadelphia	PA	Jerry Garcia Band. Source: Unknown mics/taper>Cx>DAT>CDR>WAV>FLAC.	Source Detail
03/16/78	Spectrum Theatre	Philadelphia	PA	JGB; 1644; Rich Petrunis Audience Cassette master (Sony hand-held recorder > Lafayette low bias tape, no NR); transfer/seed by Rob Berger: Nak Dragon > Tascam HD-P2 24/96 > PC > Adobe Audition 2.0 > CD Wave > TLH, March 2013.	Source Detail	FLAC
03/16/78	Spectrum Theatre	Philadelphia	PA	JGB; flac1644; Dave Peters's Sony F99s mic > Sony TC-126 > Master cassette > JVC TD-R462 > Audacity > TLH Flac8. NB t02 currently flawed, awaiting replacement as of 5/2017.	Source Detail	FLAC
03/17/78	Capitol Theater	Passaic	NJ	Jerry Garcia Band: Early Show: Barry Glassberg's master FM reel > TEAC X2000R playback > Nakamichi NR200 Dolby Unit > Tascam DA-40 (master DAT) > Tascam CDRW700 master CD > 1 CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, EAC > SHN by Joe Jupille.	Source Detail
03/17/78	Capitol Theater	Passaic	NJ	JGB, early show, flac16: Jerry Moore's FM simulcast 10/5" reel master @ 7.5 ips (Ampex tape, baked) > technics rs-1506 playback > sony nr-335 > hd-p2 24/48 > flac. Baking & transfer by Rob Berger.	Source Detail	FLAC
03/17/78	Capitol Theater	Passaic	NJ	JGB; late show; flac1644; sbd audio from vhs video, via Rob Berger.	Source Detail	FLAC
03/17/78	Capitol Theater	Passaic	NJ	JGB, early show: FM > ? > Maxell C90 > Nak CR3A > HP computer > Sound Forge > CD Wave > Flac.	Source Detail	FLAC
03/17/78	Capitol Theater	Passaic	NJ	JGB; early show; flac1644; aud 1st gen, akg d200e's>sony tc-152, taped by Jim Anderson, transfer by Rob Berger	Source Detail	FLAC
03/17/78	Capitol Theater	Passaic	NJ	interview; flac1644; Susan Klein for Creem; tape is labeled backstage after JGB Capitol Theater, Passaic NY; lineage: interviewer's recorder > cass >> ? > trade > flac. Transfer: Dragon nr-out > zoomH4 16/44.1 > hcsd 8gb > Audacity > TLH > flac16.	Source Detail	FLAC
03/18/78	Warner Theater	Washington	DC	Jerry Garcia Band, Late Show: July 2003 Oade seed (shnid 18733) patched with FMSBD > 2C >(C?) > CDR by gcsadoti. See info file for extensive editing notes.	Source Detail	SHN
03/18/78	Warner Theater	Washington	DC	Jerry Garcia Band: Lineage: SBD > PRE-FM RTR > CASS (Dolby B encoded) > SSSB (Dolby B decoded) serifin station seed	Source Detail
03/18/78	Warner Theater	Washington	DC	Jerry Gracia Band: Early Show. Master Audience Cassette (Nak CM700s>cassette deck)>DAT>CDRs>EAC>SHN (seekable). Thanks to Andy for the source disks. EAC>Shn by darrin (dnsacks@usa.net) 3/2002	Source Detail
03/18/78	Warner Theater	Washington	DC	Jerry Garcia Band, Late Show: ?? > DATC > HD > DSP* > DataCDR > CDWave1.6 > mkwACTb0.97.	Source Detail
03/18/78	Warner Theater	Washington	DC	Jerry Garcia Band: late show; SBD> FM> A> D> CdR> shn; via "JTFC"	Source Detail	FLAC
03/19/78	Stanley Theater	Pittsburgh	PA	Jerry Garcia Band: Sndbd->Cassette->Cassette->DAT->CDR->Audio Grabber->TC Native Spectralizer->TC Native Multiband Compressor->SoundForge->TC Native Loudness Maximizer->CDR .	Source Detail
03/19/78	Stanley Theater	Pittsburgh	PA	JGB; flac1648; Master Soundboard Cassette > ? (most likely 1st generation cassettes) > Joel Pollack's DAT (16/48) Transfer Info: DAT (16/48)(Sony TCD-D100) > Tascam DA-3000 > DDi Codec (Dolby B) > Adobe Audition 2025 > TLH flac1648	Source Detail	FLAC
03/22/78	Veteran's Hall	Sebastopol	CA	Source: SBD > CM(x) > CDR > WAV > SHN.	Source Detail
06/11/78	Keystone	Berkeley	CA	Jerry Garcia Band, missing last two songs: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
06/11/78	Keystone	Berkeley	CA	JGB,Partial Soundboard; Recording Info: SBD -> Cassette Master -> CD; Transfer Info:CD -> Samplitude Professional v10.2 -> CD; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/18/78	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC > CD > EAC > SHN. Taped by John Angus and Scott Hart, Sony ECM99 (first tier, center) > Sony TC-158 (Maxell UD-XLIIs) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted up by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT. Proper sector boundaries verified using shntool.	Source Detail
08/12/78	Keystone	Berkeley	CA	Jerry Garcia Band. Source: MAC(mics unknown, possibly Sony) > HD > CD>WAV>SHN. Taper: Mike Riley	Source Detail
10/03/78	Shady Grove	San Francisco	CA	Merl Saunders Band, with special guest Jerry Garcia. Master audience tape (unknown mics, unknown deck, taped by A. Tsukada) > unknown analog generations > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
10/03/78	Shady Grove	San Francisco	CA	Merl Saunders Band, with special guest Jerry Garcia, MAC>C>C>WAV>FLAC; C>FLAC Encoding by Cousinit	Source Detail
10/07/78	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
10/07/78	Keystone Palo Alto	Palo Alto	CA	flac1644: Recorded by John Angus and Scott Hart; Sony ECM-99> Sony TC-158; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 (dither/downsample)> FLAC encoding.	Source Detail	FLAC
10/08/78	Keystone Palo Alto	Palo Alto	CA	Source: MAC(Sony mics?)>D>CD>WAV>SHN Taper: Mike Riley	Source Detail
10/10/78	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
10/10/78	Keystone	Berkeley	CA	Jerry Garcia Band: MSC > DAT > CDR > EAC > WAV > SHN. Almost certainly has another cassette generation.	Source Detail	shn
10/10/78	Keystone	Berkeley	CA	JGB: aud-sbd combination of shnid 14113 (Angus/Hart Sony ECM 99 aud) and shnid 14005 (sbd). See info file for details.	Source Detail	SHN
10/24/78	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > very slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
10/26/78	Paramount Theatre	Portland	OR	Jerry Garcia Band: Partial set II only: MSC > Cassette > DAT > CD > EAC > SHN.	Source Detail
10/26/78	Paramount Theatre	Portland	OR	Jerry Garcia Band: MAC > CD > EAC > WAV > CE2k (retracking, glitch removal) > SHN.	Source Detail
10/26/78	Paramount Theatre	Portland	OR	JGB: Pat Lee's Sony ECM 18n's (Front row balcony w/ mics on railing) > Sony 152SD MAC; Master played back on Nak Dragon> ART DI/O> Egosys Waverterminal 2496; Edited and tracked in Cool Edit 2000; boundary verification with Shntool; shn encoding; shn > flac in shntool, using shntool conv -o flac *.shn.	Source Detail	FLAC
10/26/78	Paramount Theatre	Portland	OR	flac1648 Source Info: Mark Severson's Master Audience Cassettes; Sony ECM 270 mics > Sony TC-158 Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
10/26/78	Paramount Theatre	Portland	OR	8 microphone re-amplification treatment using the acoustics of the Historic Rialto Theatre in Tucson Az on March 25, 2011 MSC > Cassette > DAT > CD > EAC > SHN	Source Detail	FLAC
10/27/78	Pavillion East (Eastern Washington University)	Cheney	WA	Jerry Garcia Band, I/IIp: MA? > ? > CD > EAC > SHN	Source Detail
10/27/78	Pavillion East (Eastern Washington University)	Cheney	WA	JGB: MAC > ? > CD > EAC > FLAC.	Source Detail	FLAC
10/27/78	Pavillion East (Eastern Washington University)	Cheney	WA	JGB; flac1644; Recording info: SBD > Cassette Master (with possible extra cassette gen) > CD > DAT from Anon; Transfer info: Tascam DA45HR DAT > Sound Devices 744T > Samplitude Pro X6 > 24 bit 44.1 kHz FLAC; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
10/28/78	Paramount Northwest Theater	Seattle	WA	Jerry Garcia Band: MAC (Taped by Mike McCaw, Nak 700s > Sony TC-158) > 1 reel > DATs > CDs > EAC > SHN	Source Detail
10/28/78	Paramount Northwest Theater	Seattle	WA	JGB, early & late: Mark Severson's 2 Sony ECM-270s> Sony TC-158D (2 Maxell UD XL-IIs) MAC (Recorded from front row, center balcony; Mics on railing); Nak Dragon playback > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 2.0 > (dither/downsample) > FLAC encoding. Transfer and FLAC encoding by dminches.	Source Detail	FLAC
10/28/78	Paramount Northwest Theater	Seattle	WA	JGB; flac1648 Early & Late Shows; Mark Severson's Master Audience Cassette; Sony ECM 270 mics > Sony TC-158; Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496, 24-bit > 16-bit via dBpoweramp.	Source Detail	FLAC
11/03/78	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: complete show, aud + sbd composite. MAC (Mike Riley, unknown gear) > R > CDx2 > EAC > SHN (I & IIp) + MC > 2C > CD > EAC > SHN (end of set II).	Source Detail
01/30/79	Keystone	Berkeley	CA	Reconstruction: MAC > CD > EAC > SHN. Recorded by Steve Spitalny and John Angus, Sony ECM-990 (balcony rail, stage left) > Nak 550 > patched out to Sony TC-158 master cassette (UD XLII) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted down by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT.	Source Detail
02/27/79	Keystone	Berkeley	CA	Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN.	Source Detail
02/27/79	Keystone	Berkeley	CA	flac1644: MOTB 0124: Eldon Porray's 2 x Sony ECM 280 >> Sony TC 153SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] ... ; transfered by Bob Menke, mastered by Bill Koucky and Derek McCabe.	Source Detail	FLAC
03/07/79	Rancho Nicasio	San Rafael	CA	Reconstruction: MSR -> PCM -> DAT -> Digi001 -> SHN	Source Detail
03/07/79	Rancho Nicasio	San Rafael	CA	Reconstruction; flac16xx; MSR > PCM > DAT (48k), provided by Rich Gastwirt; transfer: DAT > Sony PCM-R500 > Sound Devices 744T > wav 16/48, by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017	Source Detail	FLAC
03/07/79	Rancho Nicasio	San Rafael	CA	Reconstruction; flac1644; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11. Mastering and editing by acetboy on Pro Tools LE. Track, FLAC and Pack by Copperdomebodhi. 16 bit 44.1kHz. a project **GEMS** Betamania Release February 4, 2017	Source Detail	FLAC
03/08/79	Cabaret Cotati	Cotati	CA	mislabel of 3/9/79; SBD > master reel > DAT(s), with some lineage uncertainty. Tascam DA-20 @ 48.0 kHz > ZA-2 resample to 44.1kHz on the fly > HD using Cool Edit > CDWave > track waves > CD-R master using CDRWin. Extraction: CD-R master > EAC > HD > MKW shorten > .shn, via Uncle John.	Source Detail
03/08/79	Cabaret Cotati	Cotati	CA	MSR > PCM (VHS) > Sony 501? PCM (Beta) > Sony 501? playback > Panasonic 3800 master DAT > backup DAT > Sony R500 playback > Sony CDR-W33 master CD > HP 9350i extraction and normalization (98%) using EAC > tracking using CD Wave > sector boundary verification using shntool > .shn encoding using mkwACT. Note that this is the actual show played on this date, and not a mislable of the 3/9/79 as is the existing .shn set.	Source Detail
03/09/79	Cabaret Cotati	Cotati	CA	Reconstruction: MSR > DAT > CD. DAT > CD by David Hollister, seeded by Justin Walther.	Source Detail
03/30/79	The Catalyst	Santa Cruz	CA	Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, FOB Nakamichi CM-700 mics > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN	Source Detail
03/30/79	The Catalyst	Santa Cruz	CA	flac1644; MOTB 0128: Eldon Porray's 2 x Sony ECM 280s >> Sony TC 153SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] ... flac.	Source Detail	FLAC
04/08/79	Cabaret Cotati	Cotati	CA	Reconstruction: MSR > PCM > DAT > CD > EAC > SHN.	Source Detail
04/11/79	Rainbow Music Hall	Denver	CO	Reconstruction: Early & Late Shows: MAC > CD > EAC > SHN. Likely misdated performance from April 12 Rough quality, probably lossy sourced, for completists only.	Source Detail
04/12/79	Rainbow Music Hall	Denver	CO	Reconstruction; flac1644; Late Show; AUD compilation. Source 1, tracks 01 & 02: Mono AUD Reel > ? > DAT(?) > SHN, with thanks to JGMF. Source 2, tracks 04 thru 08: Mono AUD > ? > Cassette, liberated from ebay. Transfer Source 1: Unknown transfer to SHN > TLH > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Transfer Source 2: Maxell XLII > Nakamichi CR-5 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
04/12/79	Rainbow Music Hall	Denver	CO	Reconstruction; flac1644; Early Show; Source 1, tracks 01 thru 08: Mono AUD Reel > ? > DAT(?) > SHN, with thanks to JGMF. Source 2, tracks 09 thru 12: Mono AUD > ? > Cassette, liberated from ebay. Transfer Source 1: Unknown transfer to SHN > TLH > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Transfer Source 2: Maxell XLII > Nakamichi CR-5 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
04/13/79	Rainbow Music Hall	Denver	CO	Reconstruction; flac2448; MSC (TDK SA) > 1st gen cassette (TDK AD) recorded on Sony 158SD deck. This is a misdated copy of the previous night's late show.	Source Detail	FLAC
04/23/79	Old Waldorf	San Francisco	CA	Reconstruction: Early & Late shows: MAC (Taped by Eldon Porray, Nak CM-700s > Sony TC-D5) > DATs > CDs > EAC > SHN.	Source Detail
04/28/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction, set I only: MAC > DAT > CD > EAC > SHN. Recording details unknown. Master cassette played back on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT).	Source Detail
04/28/79	Keystone Palo Alto	Palo Alto	CA	Master Audience Cassette (Sony ECM 990F> Nakamichi 550) > Sony D5 (Maxell UDXLII C90 No Dolby) Nakamichi 582Z > Korg MR2000S DFF@5.6 > Audiogate > 24/96 Wave > Wavelab 6 > Ozone RX7A > Ozone 5A > Ozone Rx7A > CDWave > Flac24	Source Detail	FLAC
05/18/79	Old Waldorf	San Francisco	CA	Reconstruction: Master audience cassette > ? > cassette > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0)	Source Detail
05/18/79	Old Waldorf	San Francisco	CA	Reconstruction; flac 2496; early + partial late; Source: Unknown equipment and taper > snail mail trade on a single Maxell UD90 with Dolby. Transfer (November 2020): Nakamichi CR7A with Dolby (azimuth aligned, bias @ 120usec) > Korg MR2000-S @ 1 bit 5.6 MHz dsdiff. AudioGate (24-96) > Har-Bal 3.7 & iZotope RX8 advanced > Goody* > CD Wave > TLH Flying -M-	Source Detail	FLAC
05/18/79	Old Waldorf	San Francisco	CA	Reconstruction; flac1644, early and partial late shows; MAC (Unknown equipment and taper) > 1979 snail mail trade on a single Maxell UD90 with Dolby (1st gen cassette from the collection of John Musgrave); Transfer (November 2020): Nakamichi CR7A with Dolby (azimuth aligned, bias @ 120usec) > Korg MR2000-S @ 1 bit 5.6 MHz dsdiff; AudioGate (24-96) > Har-Bal 3.7 & iZotope RX8 advanced > Goody (Capstan & Audition-Pitch adjustments, various amounts; Align & center channels) > CD Wave > TLH. Likely the same recording as SHNID 27919.	Source Detail	FLAC
05/19/79	Old Waldorf	San Francisco	CA	MA? > unknown cassette generations > NAK MR-1 w/ balanced lines > MOT4 828 286/48k > Cassette to CD via Cakewalk Sonar > normalization & downsampling via Cooledit 2000K > tracking via CDWAV > CD clone > EAC using plextor 241040A secure mode with c2> SHN via mkwWACT. Extraction & encoding by Ron Sinko.	Source Detail
05/30/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: SOUNDBOARD > ?? > CD > GEMS edit station > FLAC.	Source Detail	FLAC
06/08/79	Rio Theater	Rodeo	CA	MSR > PCM > 2C > DAT > WAV > SHN, via Jim Powell and Chris Ladner.	Source Detail
06/13/79	Early show, Late show, River Theater	Guerneville	CA	Garcia; Reconstruction; partial early show; flac 16: Nakamichi mics w/CP3 caps -> Nakamichi 550 master cassette (played back on a Nakamichi 582 back in the early 1980s) -> 1st Gen Reel@7.5ips -> 2nd Gen Reel @3.75ips Transfer: 2nd Gen Reel @3.75ips (played back on TEAC A-4010SL: same deck it was originally recorded on) -> Lexicon Lambda -> LogicPro (tracking only) -> wav 16/44.1 -> xAct (sbe correction) -> wav -> flac16 (transferred by Alan Bershaw on January 21, 2010)	Source Detail	FLAC
06/13/79	Early show, Late show, River Theater	Guerneville	CA	Garcia; Reconstruction; late show; flac 16:Nakamichi mics w/CP3 caps -> Nakamichi 550 master cassette (played back on a Nakamichi 582 back in the early 1980s) -> 1st Gen Reel@7.5ips -> 2nd Gen Reel @3.75ips; Transfer: 2nd Gen Reel @3.75ips (played back on TEAC A-4010SL: same deck it was originally recorded on) -> Lexicon Lambda -> LogicPro (tracking only) -> wav 16/44.1 -> xAct (sbe correction) -> wav -> flac16 (transferred by Alan Bershaw on January 21, 2010)	Source Detail	FLAC
06/16/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: MSR -> PCM -> DATs -> Digi001 -> SHN DAT@48 -> Optical S/PDIF -> HD (24 bit @48) -> ProTools LE 5.0.1 (tracking, 16 bit/44.1) -> WAVE -> SHN	Source Detail
06/16/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: Set 2 Partial, SBD > ?? > CDR > EAC(secure mode, c2, filled up leading & trailing silent blocks w/silence) > TLH > Flac Level 8.	Source Detail	FLAC
06/17/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: Master soundboard reel > PCM > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0)	Source Detail
06/17/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: MSC > C > WAV > CE2k (11db NR, tracking) > SHN	Source Detail
06/22/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: SBD > Master reel > PCM > DAT > CD > SHN.	Source Detail
06/22/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: SBD> Master Reel> PCM> DAT> ZA2> Soundforge 4.0> CDWAV> SHNv3 (no DAE); via J. Lutch	Source Detail
07/06/79	Keystone	Berkeley	CA	Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 Master DAT) > DATs > CDs > EAC > SHN	Source Detail
07/07/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: MAC > D > CD > EAC > SHN. Taped by Eldon Porray (patched out of Bob Menke's deck), Nakamichi CM-700 mics > Sony TC-D5 > Maxell XL-II cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit A/D converter @ 44.1 kHz > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT)	Source Detail
07/07/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction, set I: matrix of MSC source (shnid 83723) and Eldon Porray MAC source (shnid 10142), via sirmick.	Source Detail	FLAC
07/07/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction, set I: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. March 2007.	Source Detail	FLAC
07/07/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction:Recording Info:SBD -> Cassette Master (Nakamichi 350/Maxell UDXLI90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/08/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: Master Soundboard Reels (7" @ 7.5ips) > 2 PCM > DAT > CD; from the Jerry Site's "Release One"; via imgoinmad@home.com	Source Detail
07/08/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction; flac1648; SBD > Reels (7" @15 ips) > 48 kHz DAT from Tom Rumland (aka THRAK at LL); Recorded by Betty Cantor-Jackson; DAT tape transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
07/20/79	Rio Theater	Rodeo	CA	Reconstruction; partial; flac1644; unknown very good audience recording to CD, Restored by Jamie Waddell in Walebab 7.1 June 2016.	Source Detail	FLAC
07/22/79	Civic Auditorium	Santa Monica	CA	Reconstruction: hodgepodge of 6/16 and 6/22 material; MS?> ? > CD > EAC > SHN	Source Detail
07/22/79	Civic Auditorium	Santa Monica	CA	Reconstruction: hodgepodge of 6/16 and 6/22 material; MSC > PCM > DAT > CDR > EAC > WAV > MKW > SHNv3, by Dan Carr. Note: textfile incorrectly suggests that this is less complete than the previously circulating .shn set. This looks to be the same material, but without the actual song names, tracked differently, and with a clearer lineage.	Source Detail	shn
07/22/79	Civic Auditorium	Santa Monica	CA	Reconstruction; flac16; Recorded by The Los Angeles tape eXchange (LAX); Source: 2 Sennheiser MKH-404 tu mics (handheld, about 4 ft. separation) > Teac PC-10 w Dolby B using (2) TDK SA-90 cassettes and sitting in the center section, 7th row near the isle on the left; Transfer (August 24, 2022): Nakamichi CR7A (w Dolby B, azimuth alignment and 70usec Bias) > Korg MR2000s @ 5.6 MHz DSDIFF AudioGate (24-96) > iZotope RX8 advanced & Har-Bal 3.7 (clean-up & prep) > Adobe Audition 3.0 (pitch bender) > CD Wave > TLH	Source Detail	FLAC
07/22/79	Civic Auditorium	Santa Monica	CA	Reconstruction; flac2496; SBD Master Cass ? > ? > MZ cassette dubbed 9/25/79 > Nakamichi Dragon playback > Tascam DA-3000 (WAV (24/96) > Adobe Audition 2022. Transfer, mastering and editing by David Minches, June 2022. Pitch diagnosis by AF.	Source Detail	FLAC
08/10/79	Temple Beautiful	San Francisco	CA	Reconstruction: MAC (Taped by Phil Jarret, JVC stereo mic > TEAC PC 10) > 3CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT.	Source Detail
08/10/79	Temple Beautiful	San Francisco	CA	Reconstruction: Bob Menke's FOB MAC w/ Nak 700s > Sony TC-D5 > WAV > CD-R > EAC > WAV > FLAC.	Source Detail
09/15/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction. Source: MAC(Nakamichi CM-700 mics > Sony TC-D5)>CDR>WAV>SHN. Taper: Bob Menke.	Source Detail
09/22/79	Keystone	Berkeley	CA	Reconstruction: MAC > D > CD > EAC > SHN. Taped by Eldon Porray (front row balcony, left of soundboard), Nakamichi CM-700 mics > Sony TC-D5 > Maxell XL-II cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit A/D converter @ 44.1 kHz > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT)	Source Detail
10/07/79	Keystone	Berkeley	CA	JGB: MAC (Taped by John Angus & Scott Hart, Sony mics > Technics deck) > Sony TCD5 playback > Roland UA-30 interface > Mac Powerbook via Peak 4.1 > CD (Toast v5.2) > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v.1.7.1 etree edition). Analog > CD transfer by slip, EAC > FLAC by jjoops.	Source Detail
10/14/79	Keystone Palo Alto	Palo Alto	CA	JGB; flac; aud 2nd gen cassette, Jerry Moore's copy, Rob Berger transfer/seed	Source Detail	FLAC
10/21/79	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (recorded by Steve Spitalny, unknown mics > Sony D-5M) > 1 cassette > DAT > CD > HP 9350i extraction using EAC > re-tracking using CD Wave > .shn encoding using mkwACT.	Source Detail
11/07/79	WMMR-FM Radio Station Studio	Philadelphia	PA	interview; flac1644; Jerry Garcia WMMR-FM Radio interview with Lyn Kratz & Michael Tearson at 2:30AM; TDK D90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644 Transferred and tagged by Andrew Faintych.	Source Detail	FLAC
11/16/79	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: AUD (SONY ECM99's) > Sony TCD5 > Master Cassette > Roland UA-30 USB A/D > MAC G3 Powerbook > WAV > CDR > WAV > SHNv3. Taper: John Angus.	Source Detail
11/16/79	Keystone Palo Alto	Palo Alto	CA	flac1644: Recorded by John Angus and Scott Hart; 2 AKG D224Es> Sony TCD-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 (dither/downsample)> FLAC encoding.	Source Detail	FLAC
11/18/79	Keystone	Berkeley	CA	Jerry Garcia Band: AUD(SONY ECM 99) > SONY TCD5 > DAT > CDR > WAV > SHNv3, taped by John Angus and Scott Hart.	Source Detail
12/17/79	Keystone	Berkeley	CA	flac1644; Recording Info:Unknown Mics -> ? -> Cassette (Maxell UDXLII); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
12/20/79	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band. Source: SBD>?>C>D>WAV>SHN. Cassette>DAT transfer by J.Powell. DAT>WAV editing>SHN encoding by C.Ladner.	Source Detail
12/20/79	Keystone Palo Alto	Palo Alto	CA	JGB: SBD > ? > Cassette; Transfer: Maxell XL-II > Nakamichi DR-8 (Dolby off) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, by Andrew F. (May 2008)	Source Detail	FLAC
12/20/79	Keystone Palo Alto	Palo Alto	CA	flac1648Source: Master > Reel > DAT at 16/48 from ANON Speed Correction by Jason Chastain 2022 DAT Transfer and Mastering by Jim Blackwood Listening Assistance, Track, FLAC, and Pack by Steve Gravel	Source Detail	FLAC
12/21/79	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: SBD:MR> DAT> CD	Source Detail
12/21/79	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN	Source Detail
12/21/79	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MSR > DAT > CD > SHN	Source Detail	shn
12/21/79	Keystone Palo Alto	Palo Alto	CA	JGB; flac1648; sbd > master reel > dat (48k), provided by Rich Gastwirt; transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017.	Source Detail	FLAC
01/20/80	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MSC > 1C > DAT > CDR > WAV > SHN.	Source Detail
01/24/80	Rio Theater	Rodeo	CA	Jerry Garcia Band: MSC -> DAT -> Digi001 -> SHN; via Ryan Shriver, Dan Metz; Filler is Club Front Rehearsal 9/18/81, MSR>P> D	Source Detail
01/24/80	Rio Theater	Rodeo	CA	JGB; flac2448; Source: SBD > ? > Cassette, liberated from ebay. Transfer: Maxell XLIIS-100 > Nakamichi CR-5 (Dolby out) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 03/2024	Source Detail	FLAC
02/01/80	The Stone	San Francisco	CA	Jerry Garcia Band: MAC > CD > EAC > SHN. Recorded by John and Harry Angus, mics uncertain (on the rail, directly in front of Jerry) > Sony TC-D5 (Maxell UD-XLIIs) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > EAC > tracking using CD Wave > mkwACT > shn	Source Detail
02/02/80	The Stone	San Francisco	CA	JGB, IIp: SBD > ? > Maxell XL2S > Nak CR3A > HP Computer > Sound Forge (Vol@5.6DB) > CD Wave > Flac.	Source Detail	FLAC
02/02/80	The Stone	San Francisco	CA	Jerry Garcai Band: Unknown Aud, re-tracked complete show SHN'ed with seeling enabled.	Source Detail
02/02/80	The Stone	San Francisco	CA	JGB: John Angus and Scott Hart's uncertain mics > Sony TC-D5 (Maxell UD-XLIIs) MAC; Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > CD/0 > EAC > CDWave > FLAC level 8. Cassette transfer by slipnut.	Source Detail	FLAC
02/02/80	The Stone	San Francisco	CA	JGB: 6th Gen AUD(TDK SA90) > NAK DR-3 > SB X-Fi Xtreme music SC > NERO 8 > 24/96 > WavePad > TLH > flac 8 via smole.	Source Detail	FLAC
02/07/80	The Catalyst	Santa Cruz	CA	Jerry Garcia Band: MAC (Taped by Lee Bittner, Audio Technica 801 mics > Sony TC-D5) > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille.	Source Detail
02/07/80	The Catalyst	Santa Cruz	CA	Jerry Garcia Band. Source: MSC>DAT>CDR>WAV>SHN, all of first set except very beggining of Sugaree and the first two songs of the second set. Remainder of the source is from MAC (Taped by Lee Bittner, Audio Technica 801 mics > Sony TC-D5) > DAT > CD > WAV > SHN.	Source Detail
02/12/80	Lisner Auditorium (George Washington University)	Washington	DC	Jerry Garcia Band: Early and Late Shows: MAC > D > CD > SHN. Taped by Scott Jones, FOB Shure mics > Sony TC-158 > master cassettes > DAT. DAT > CD by Andy L, EAC > wav > shn by Don Chase.	Source Detail
02/12/80	Lisner Auditorium (George Washington University)	Washington	DC	Jerry Garcia Band, apparent mislabel, see comments below. Early show. Source: MSC > C > CDR > WAV > SHN except for encore from previously circulated FOB Shure recording.	Source Detail
02/12/80	Lisner Auditorium (George Washington University)	Washington	DC	JGB, flac1644, Late Show; Source: AUD of unknown lineage > MAC > ? > CDR, kindly provided from the collection of of Jeffrey Knudsen. Transfer: CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
02/12/80	Lisner Auditorium (George Washington University)	Washington	DC	JGB; early show; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
02/12/80	Lisner Auditorium (George Washington University)	Washington	DC	Cassetter->TASCAM Portastudio 424 mkII->DAT->SHN>CDR>EAC>SHN	Source Detail	FLAC
02/13/80	Palace Theatre	Albany	NY	JGB: AUD > ? > Cass > CD > EAC > Sound Forge > CD Wave Audio Editor > CD > EAC > TLH > Flac.	Source Detail
02/13/80	Palace Theatre	Albany	NY	JGB; flac1644; Steven Rosenfeld's Beyer 201s (ca. 20th Row, Roc) > Jvc (unknown Model) Master Cassette; Transfer: 1st Gen Cassette (normal Bias Tdk Tape) > Tascam Standalone Cd, By Scott Russell. Lossless Encoding: Eac > Cdwave > Flac.	Source Detail	FLAC
02/15/80	Orpheum Theater	Boston	MA	Jerry Garcia Band: Early and Late. Aud (unkown Source) Mcass> Dat> Cdr. Late show Missing Harder They come and They Love Each Other	Source Detail
02/15/80	Orpheum Theater	Boston	MA	Jerry Garcia Band, Early Show: MAC > DAT > WAV > FLAC16. Mics/taper most likely Nak 700s w/ D-5 Recorder by Steve Rolfe.	Source Detail
02/15/80	Orpheum Theater	Boston	MA	JGB, Early & Late: Steve Rolfe's MAC (2 Nak 700s> Sony TC-D5 [Maxell UD-XLIIs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC. Transfer by David Minches.	Source Detail
02/15/80	Orpheum Theater	Boston	MA	JGB; early & late; flac1644; Bob Morris's 2x Sony unknown model mics > Marantz Superscope CD320 cassette master (Maxell UDXLII); Nakamichi DR-1 playback > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris.	Source Detail	FLAC
02/16/80	Gymnasium (University of New Haven)	West Haven	CT	Jerry Garcia Band: MAC > ? > DAT > CD > SHN (seeking enabled). Taper and taping equipment unknown. DAE > CDWav > shntools > SHN via cbass.	Source Detail
02/16/80	Gymnasium (University of New Haven)	West Haven	CT	Jerry Garcia Band: MAC (Taped by Scott Vid, FOB Akai mic > Superscope deck) > Tascam 122 mkII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Audio Studio 7.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). Cassette transfer by John Hance.	Source Detail
02/16/80	Gymnasium (University of New Haven)	West Haven	CT	JGB; flac1644; unlineaged cassette > Sony TD-We405 > MacBook Pro > Adobe Audition > Flac > xACT, via Scott Medeiros.	Source Detail	FLAC
02/17/80	Laker Hall (SUNY)	Oswego	NY	Jerry Garcia Band: MAC(taped by Keith Gatto Nak 300s>Sony TC-D5)>DAT>CD>WAV>SHN. Updated source info.	Source Detail
02/17/80	Laker Hall (SUNY)	Oswego	NY	JGB; flac1644; Recording info: Tracks 1-4 are Source ID 9017 (Gatto); Tracks 5-15 are Master Audience Cassette > ? > CDR (Alex Hamilton, Caleb Miller); Mastering by Jim Blackwood; Pitch adjustment, patching, and tracking by Jason Chastain; File preparation and registration by Steve Gravel	Source Detail	FLAC
02/19/80	Landmark Theater	Syracuse	NY	Source: Binaural headphone mics > Nakamichi cassette deck > CDR > WAV > SHN. Taper and transfer to CDR by B.Raskin. WAV editing and SHN encoding by C.Ladner	Source Detail	SHN
02/19/80	Landmark Theater	Syracuse	NY	JGB: MAC (Taped by Lee Cohen & Doug Mow, unknown condenser mics [on spreader bar pointed at stacks, balcony, midway back] > Sony 158 > JVC cassette deck > Maxell II 90) > Sony TC-D5M playback > UA-5 Oade Custom Mod > IBM R40 > WinXP Pro > Sound Forge 5.0 > CDR > EAC (no errors) > WinXP Pro > Flac Frontend > FLAC16. Transfer by Doug Mow, FLAC encoding by Alex Ford.	Source Detail
02/20/80	Fine Arts Center, University of Massachusetts	Amherst	MA	Jerry Garcia Band: MAC (sounds like a handheld mic) > DAT > CDR > WAV > FLAC16(level 8); Taper: unknown.	Source Detail
02/20/80	Fine Arts Center, University of Massachusetts	Amherst	MA	JGB; early and late shows: early: MAC > Cx > standalone CDR > WAV > FLAC; late: MAC (2x Sony ECM 23f > Nakamichi 550) > C1 (Maxell type I), playback on Sony TC-KE400S (no NR) > audiophile 2496 analog in > Soundforge 7 (recorded as 24 bit / 48 KHz WAV) > Wavelab (processing & 16 bit rendering - see below) > CDWave 1.9 (tracking) > FLAC. Taper: unknown [see notes]	Source Detail	FLAC
02/20/80	Fine Arts Center, University of Massachusetts	Amherst	MA	flac2448; late show; Naks - model and deck unknown. Set II: MAC > C1 (Maxell type I), playback on Sony TC-KE400S (no NR) > audiophile 2496 analog in > Soundforge 7 > recorded as 24 bit / 48 KHz WAV > CDWave (tracking) > FLAC.	Source Detail	FLAC
02/22/80	The Barn, Rutgers University	New Brunswick	NJ	Jerry Garcia Band: MAC (Taped by Barry Glassberg, FOB Nak CM-700s > Sony TC-D5) > Tascam 112 MKII playback > Sony PCM-R500A > HHB 800 master CD > 2 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
02/22/80	The Barn, Rutgers University	New Brunswick	NJ	Jerry Garcia Band:Nak 700's > Sony TC-158 > Cassette Master. Playback on Nak Dragon, signal passed through Sony PCM R-700 directly to hard disc via ZA-2 > CDR > EAC > SHN. Transfer by Jime Wise. This recording is usually attributed to Mark Cohen ("Mark C."), but it is not his.	Source Detail
02/22/80	The Barn, Rutgers University	New Brunswick	NJ	JGB, Flac16: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]MOTB0083	Source Detail	FLAC
02/22/80	The Barn, Rutgers University	New Brunswick	NJ	JGB, Flac24: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]MOTB0083	Source Detail	FLAC
02/22/80	The Barn, Rutgers University	New Brunswick	NJ	JGB; partial; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
02/23/80	The Tower Theatre	Upper Darby	PA	Jerry Garcia Band: Early & Late Shows: MAC > DAT > CD, taper and rig unknown	Source Detail
02/23/80	The Tower Theatre	Upper Darby	PA	JGB, Late Show: Charlie Connor's FOB Sony-ECM990 (Stereo Mic) > JVC 1636-MKII (TDK SA-C90) MAC; Transfer: Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac16. Transferred by Charlie Connor.	Source Detail
02/23/80	The Tower Theatre	Upper Darby	PA	early and late shows; Unknown mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII). Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris.	Source Detail	FLAC
02/23/80	The Tower Theatre	Upper Darby	PA	JGB, early show: aud > old maxell cassette > sb audigy > audacity > cd wav > flac	Source Detail	FLAC
02/23/80	The Tower Theatre	Upper Darby	PA	JGB, flac1644, Late Show; Source: AUD of unknown lineage > ? > Cassette rescued from Ebay. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2018	Source Detail	FLAC
02/24/80	Gym (SUNY)	Stony Brook	NY	Jerry Gracia Band: AUD : MC > DAT > CDR Unknow taper or rig	Source Detail
02/24/80	Gym (SUNY)	Stony Brook	NY	Jerry Garcia Band: MAC (Taped by Mark Cohen, 3 Nakamichi CM-700 shotguns [in front of and slightly left of sbd] > Nakamichi 550) > Tascam 122mkIII playback > Tascame DA-40 DAT > Tascam CDRW-700 master CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). May be the same source material as other seeds, but has certified lineage.	Source Detail
02/24/80	Gym (SUNY)	Stony Brook	NY	JGB: Charlie Connor's FOB MAC (Sony-ECM990 [Stereo Mic] > JVC 1636-MKII [Maxell UDXLII])> Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta 1.57 (tracking only) > flac16. Taped and transferred by Charlie Connor.	Source Detail
02/24/80	Gym (SUNY)	Stony Brook	NY	Jerry Garcia Band: There is some ambiguity about the lineage of this seed. It has circulated with this lineage: Nak 700's > Sony TC-158 > Nak Dragon > Sony PCM R-700 directly to hard disc via > ZA-2 (Jim Wise Transfer). Recorded by "Mark C." However, it has recently been suggested that this is instead the correct lineage: MAC (Taped by Mark Cohen, three Nakamichi CM-700 shotguns > Nak 550 master cassette [slightly in front of and to the side of the soundboard]) > Tascam 122MKIII playback > Tascam DA-40 master DAT >Tascam CDRW 700 master CD > CDs > EAC > SHN, A>D transfer by Mark Cohen	Source Detail	shn
02/24/80	Gym (SUNY)	Stony Brook	NY	16 bit: AUD: 2x AKG D222E > Nakamichi 550, FOB "in the sweet spot". Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013	Source Detail	FLAC
02/24/80	Gym (SUNY)	Stony Brook	NY	[b]JGB; flac1644[/b]; Mark Cohen's patch out of Barry Glassberg, 3x Nakamichi CM-700 shotguns > Sony TC-D5) > Nakamichi 550 > Cassette Master, from in front of and slightly left of sbd; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick November 2018	Source Detail	FLAC
02/26/80	Ocean State Theater	Providence	RI	JGB; shnf; Steve Rolfe's Nak 700s (Front Row, Balcony) > SonyTC-D5 (XLII-s Cassette Master)> DAT > (Jim Wise Transfer) Sony PCM R-700 > ZA-2 > SoundForge > CDR [ > ... shn]	Source Detail
02/26/80	Ocean State Theater	Providence	RI	JGB; shnf; SBD > CMx > CDR > WAV > SHN. CDR source via H.Angus. Extraction, edits (see info file), and SHN encoding via C.Ladner.	Source Detail
02/26/80	Ocean State Theater	Providence	RI	JGB; flac1644; Steve Rolfe's MAC 2 Nak 700s> Sony TC-D5 [Maxell UD-XLIIs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.	Source Detail	FLAC
02/26/80	Ocean State Theater	Providence	RI	JGB; flac2496: Tim Friend's AKG-D200E (left mic) + Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII's, 10th row orchestra, six seats left of center. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. Source includes Robert Hunter set.	Source Detail	FLAC
02/26/80	Ocean State Theater	Providence	RI	JGB; flac1644: Tim Friend's AKG-D200E (left mic) + Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII's, 10th row orchestra, six seats left of center. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. Source includes Robert Hunter set.	Source Detail	FLAC
02/28/80	Wilkins Theatre (Kean College)	Union	NJ	Jerry Garcia Band: Early & Late Shows: MAC > DAT > CDR, Recorded by Eddie Claridge w/ Sony ECM-280s > Sony TC-D5	Source Detail
02/28/80	Wilkins Theatre (Kean College)	Union	NJ	JGB; flac1644; aud 1st gen, nak 300's>D5, taped by Fredo, transfer/seed by Rob Berger	Source Detail	FLAC
02/28/80	Wilkins Theatre (Kean College)	Union	NJ	JGB; flac24; aud 1st gen, nak 300's>D5, taped by Fredo, transfer/seeded by Rob Berger	Source Detail	FLAC
02/29/80	Calderone Theatre	Hempstead	NY	Jerry Garcia Band: Late Show: pre-FM sdb>>cassette master>>cdr	Source Detail
02/29/80	Calderone Theatre	Hempstead	NY	Jerry Garcia Band, Late Show: Bertha Remaster of the PreFM soundboard; SBD(PreFM) >> MC >> CDA >> DAW (Bertha) >> CDA/SHN.	Source Detail
02/29/80	Calderone Theatre	Hempstead	NY	Jerry Garcia Band, Early Show: MAC (Taped by John Jay Hance, AKG 222s [spread, 1st row balcony] > Technics 686 [Dolby B]) > Tascam 122 mkII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition).	Source Detail
02/29/80	Calderone Theatre	Hempstead	NY	JGB, Early Show: Charlie Connor's FOB (Ctr Orch,Row R, Seat 101) Sony-ECM990 (Stereo Mic) > JVC 1636-MKII MAC (Maxell UDXLII); Transfer: Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac. Transferred by Charlie Connor.	Source Detail
02/29/80	Calderone Theatre	Hempstead	NY	JGB, Late Show: Charlie Connor's FOB Sony-ECM990 (Stereo Mic) > JVC 1636-MKII MAC (Maxell UDXLII)> Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac. Transferred by Charlie Connor.	Source Detail
03/01/80	Capitol Theater	Passaic	NJ	Jerry Garcia Band, Early Show: MSC > DAT > CDRs; early show; 1-2 sec. clipping due to fade ins on both Sugaree and How Sweet It Is Slight 2-3 sec. flutter during beginning of Sugaree; via Dan Metz, Mike Lai.	Source Detail
03/01/80	Capitol Theater	Passaic	NJ	Jerry Garcia Band, Late Show: MAC > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Extraction and .shn encoding by Joe Jupille.	Source Detail
03/01/80	Capitol Theater	Passaic	NJ	Jerry Garcia Band, Early Show: MFR (Taped by Barry Glassberg from WNEW-FM, New York) > TEAC X-2000R playback @ 7.5 ips (no Dolby) > Tascam DA-40 DAT > Tascam CDRW-700 master CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
03/07/80	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM 99 [right at Jerry's feet] > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Harry Angus, CD > SHN by Joe Jupille.	Source Detail
03/07/80	The Stone	San Francisco	CA	JGB; flac2448; Partial; Source: SBD (Mono) > unknown deck (likely Sony TC-D5) > Maxell UDXLII. Transfer: MSC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2022	Source Detail	FLAC
03/08/80	The Stone	San Francisco	CA	Jerry Garcia Band: Possibly a SBD-AUD matrix mix, but uncertain (could be FOB). AUD (DAT: MAC>D). De-noised in CoolEdit 96 > CDWav. Some digi-noise in d2t1; mastered by Evan Levy from Mike Lai seed	Source Detail
03/08/80	The Stone	San Francisco	CA	JGB: Unknown Mics > ? > CD > EAC > Shn.	Source Detail	SHN
03/08/80	The Stone	San Francisco	CA	JGB: Audience Recording > ? > FLAC	Source Detail	FLAC
03/26/80	Keystone	Berkeley	CA	Jerry Garcia Band: AUD (SONY ECM99's) > Sony TCD5 > Cassette Master > Roland UA-30 USB A/D > MAC G3 Powerbook > CDR > WAV > SHNv3. Taper: John Angus.	Source Detail
07/18/80	The Stone	San Francisco	CA	JGB; flac1644; 2nd Set AUD (marked 3rd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
07/19/80	The Stone	San Francisco	CA	JGB; flac; aud 2nd gen cassette, Jerry Moore's copy, Rob Berger transfer/seed	Source Detail	FLAC
07/24/80	Bushnell Auditorium	Hartford	CT	JGB, shnf; Jim Wise's MAC (Sony ECM280 > D5, 10th row center) > DAT > CDR > EAC > SHN (sector boundary errors fixed)	Source Detail
07/24/80	Bushnell Auditorium	Hartford	CT	JGB, shnf: unlineaged copy of Jim Wise's MAC (Sony ECM280 > D5, 10th row center)	Source Detail	shn
07/25/80	Orpheum Theater	Boston	MA	Jerry Garcia Band, Late Show: MAC > ? > CD > EAC > SHNv3	Source Detail	SHN
07/25/80	Orpheum Theater	Boston	MA	Jerry Garcia Band, Early Show: MAC > DAT? > CD > EAC > SHNv3	Source Detail	SHN
07/25/80	Orpheum Theater	Boston	MA	Jerry Garcia Band, Late Show: MAC (Taped by Bob Wagner, 2 Nak 700s/bass eq [center balcony ledge] > Sony TC-D5M) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > .shn encoding (non-seekable) > wav > FLAC (seekable). Transfer by David Minches, FLAC encoding and info by Joe Jupille.	Source Detail	FLAC
07/25/80	Orpheum Theater	Boston	MA	Jerry Garcia Band, Early Show: MAC (Taped by Bob Wagner, 2 Nak 700s/bass eq [center balcony ledge] > Sony TC-D5M) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > .shn encoding (non-seekable) > wav > .shn encoding (seekable).	Source Detail
07/26/80	Convention Hall	Asbury Park	NJ	Jerry Garcia Band, Late Show: MAC (Taped by Fredo Johnson, Nak 300s > Sony D5) > Nak Dragon playback > Egosys Waveterminal 2496 > CD Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
07/26/80	Convention Hall	Asbury Park	NJ	Jerry Garcia Band, Early Show: MAC (Taped by Peter Jaeger, Nak 300s [rear of floor, center] > Sony D5) > Tascam 122 mkIII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > FLAC encoding (Flac Frontend v.1.7.1 etree edition, level 6).	Source Detail	FLAC
07/26/80	Convention Hall	Asbury Park	NJ	early and late shows; Unknown mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris.	Source Detail	FLAC
07/26/80	Convention Hall	Asbury Park	NJ	JGB; flac1644; Late Show; Sources: Matrix of SBD ID-139465 & AUD ID-102003. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 02/2018	Source Detail	FLAC
07/26/80	Convention Hall	Asbury Park	NJ	JGB; early show; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496.	Source Detail	FLAC
07/26/80	Convention Hall	Asbury Park	NJ	JGB; flac1644; late show; Bob Gurman's 1st Generation 3/4" Unmatic videotape with soundboard line feed Lineage: Closed Circuit In-House Videotape Master -> 3/4" Umatic videotape Transfer: 1st Generation 3/4" Umatic videotape-> transfered by Alan Bershaw on a Sony VO-2600-> Lexicon Lambda -> Logic (track indexing) -> wav 16/44.1-> xAct (sbe correction)-> FLAC.	Source Detail	FLAC
07/27/80	Palace Theatre	Albany	NY	MAC > DAT > CDR > WAV > SHNv3. SHN encoding/FTP via C.Ladner / Candyman FTP. Source update: this is from Mark Cohen's master. A better transfer is found at shnid 109247.	Source Detail
07/27/80	Palace Theatre	Albany	NY	JGB; flac1644; David Dyche's Nak 700's > Superscope cd-320 > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac.	Source Detail	FLAC
07/27/80	Palace Theatre	Albany	NY	JGB, Source: Nak CM-700s (shotgun) > Sony TC-D > Cassette Master - Recorded by Mark Cohen (towards back of the floor with mics high on a pole) Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) - Transferred by Charlie Miller Lineage: Wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24	Source Detail	FLAC
07/27/80	Palace Theatre	Albany	NY	[b]JGB, flac1644[/b]: Mark Cohen's Nakamichi CM-700s (shotgun) > Sony TC-D > Cassette Master, recorded towards back of the floor with mics high on a pole; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) - Transferred by Charlie Miller Lineage: Wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24. This file set is 16 bit @ 44.1	Source Detail	FLAC
08/07/80	Keystone	Berkeley	CA	JGB, end set I, flac1644; MS? > ? > CD > EAC > WAV > normalization and tracking (Adobe Audition 2022) > flac.	Source Detail	FLAC
08/09/80	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band, partial show: MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition).	Source Detail	FLAC
11/16/80	Warfield Theater	San Francisco	CA	Bob Dylan with Jerry Garcia; SBD>?>Bootleg CD>CDR>SHN	Source Detail
11/16/80	Warfield Theater	San Francisco	CA	This is the complete Warfield Theatre show (including gospel openers) from 11-16-80 compiled from the recently circulating incomplete PA tape and the best quality audience tape. Audience sourced tracks are marked with an *. Jerry Garcia's playing on "To Ramona" is only one of the many treats to be found here. Conversion: CDR>EAC(secure)>MKW Audio Compression Tool>shn Conversion by: tbuick6 Sound Quality: Excellent	Source Detail	FLAC
01/22/81	Keystone Palo Alto	Palo Alto	CA	JGB, partial: Dick Latvala's MAC > cassette 1 (J Knudsen) > Manley SLAM! > Anagram ADC (16/44.1) > HHB CDR 850 > CD > EAC > WAV > FLAC (level 8).	Source Detail	FLAC
01/23/81	Keystone Palo Alto	Palo Alto	CA	JGB: Dick Latvala's MAC > cassette 1 (J Knudsen) > Manley SLAM! > Anagram ADC (16/44.1) > HHB CDR 850 > CD > EAC > WAV > FLAC (level 8).	Source Detail	FLAC
01/27/81	Old Waldorf	San Francisco	CA	Jerry Garcia Band, incomplete: MAC? > ? > cassette > CD > EAC > CD Wave > FLAC.	Source Detail
01/29/81	The Catalyst	Santa Cruz	CA	Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > unknown CD gens > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
01/29/81	The Catalyst	Santa Cruz	CA	Source: Set 1: MAC (Nakamichi CM-700s>Sony TC-D5, taper Steve Martin)>Nak Dragon playback>CDR>WAV>SHN (from previously circulated shn set shnid=17145). Set 2: MSC>DAT>CDR>WAV>SHN. Second set SBD recording is complete and does not cut after TWLWMYD (as listed on thejerrysite.com).	Source Detail	SHN
01/29/81	The Catalyst	Santa Cruz	CA	flac1644; Recorded, transferred, edited and mastered by JS; 2x Electrovoice RE-10 microphones > Sony TC-D5m; Transfer: Nakamichi Dragon (Dolby B decoded) > Macintosh with Digidesign AudioMedia III sound card(A/D 44.1/16) > Pro Tools (minor "nip and tuck" edits, normalization and tracking - no EQ or digital noise reduction) > AIFF > CD > Toast > xACT (FLAC level 8 files with sector boundaries verified). This originally listed as shnid 17145 with incorrect attribution and lineage.	Source Detail	FLAC
01/29/81	The Catalyst	Santa Cruz	CA	FLAC 1644 Audience cassette master recorded from the front table on the house left balcony. 2 x Electrovoice RE10 mics > Sony TC-D5 > two Dolby B encoded Maxell UD XLI C90 cassettes. Recorded, transferred and mastered by grner1.	Source Detail	FLAC
01/29/81	The Catalyst	Santa Cruz	CA	JGB; flac2448; 2nd Set: Source: SBD > Low-gen cassette, with thanks to Seaweed1010. Transfer: Maxell XLII-100 > Nakamichi CR-5 (Dolby out) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 03/2024	Source Detail	FLAC
01/31/81	Keystone	Berkeley	CA	Source: SBD > Cassette(x) > CDR >WAV >SHN. A>D transfer via Harry A. DAE + SHN encoding via neo_levo.	Source Detail
01/31/81	Keystone	Berkeley	CA	Jerry Garcia Band, set II only: MSC > DAT(x) 48khz; Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac; transfer by jbraveman@hotmail.com.	Source Detail	FLAC
01/31/81	Keystone	Berkeley	CA	JGB; flac1648; s2; Master Soundboard Cassette > Joel Pollack's Dat (1648); Transfer Info: Dat (1648)(sony Tcd-d100) > Tascam Da-3000 > Ddi Codec (dolby B) > Adobe Audition 2025 > Tlh Flac1648.	Source Detail	FLAC
02/01/81	Keystone	Berkeley	CA	JGB; flac1644; Sdb > ? > ? > cassetes > Harmon Kardon TD 302 > Zoom H2 at 16/44.1.	Source Detail	FLAC
02/04/81	Warner Theater	Washington	DC	JGB: Jim Vita's MAC (undetermined gear [TDK SA-90s]) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches.	Source Detail
02/04/81	Warner Theater	Washington	DC	Jerry Garcia Band: Dave Redman's Nak 300s > Sony TC-D5M cassette master > DAT > CD > EAC > FLAC.	Source Detail
02/04/81	Warner Theater	Washington	DC	JGB; flac1648; Jim Vita's Master Audience Cassettes; most likely Nakamichi DM-500 mics > Sony D5M (TDK-SA90). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. April 2021.	Source Detail	FLAC
02/04/81	Warner Theater	Washington	DC	JGB; flac1648; pitch fix of Vita shnid-152387	Source Detail	FLAC
02/05/81	Stabler Arena (Lehigh University)	Bethlehem	PA	Jerry Garcia Band: MAC > CDRx1 > EAC > SHN. Recorded by Ted Eng (Nak 300s > Sony D5M, just behind SBD). A>D transfer by Jim Wise, Nakamichi Dragon > HHB 800 CDRx0 > CDx? > EAC > SHN.	Source Detail
02/05/81	Stabler Arena (Lehigh University)	Bethlehem	PA	JGB: Jim Vita's Nakamichi DM-500s (BOB, on a riser at the rear end of hall, straight back center) > Sony TC-D5M master cassette (Maxell UDXLII-S) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches.	Source Detail	FLAC
02/05/81	Stabler Arena (Lehigh University)	Bethlehem	PA	JGB; flac1644; AUD (likely 1st-Gen) from the Brian Schley tape collection. Transfer: Hitachi UDEX (Chrome) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2016	Source Detail	FLAC
02/05/81	Stabler Arena (Lehigh University)	Bethlehem	PA	JGB; flac1644; Sony D6C(NAK mics)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters	Source Detail	FLAC
02/05/81	Stabler Arena (Lehigh University)	Bethlehem	PA	JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp (24-96) > Adobe Audition CC 2020 > TLH flac2496 Mastered by Scott Clugston April 2021. 24-bit > 16-bit via dBpoweramp.	Source Detail	FLAC
02/06/81	The Tower Theatre	Upper Darby	PA	Jerry Garcia Band: Jim Vita's MAC w/ Nak DM-500's > Sony TC-D5M > CDR > DAT > CDR; Missing Heaven's Door; via Andy Lemieux. Seeded to etree by Willy.	Source Detail
02/06/81	The Tower Theatre	Upper Darby	PA	JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp (24-96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021.	Source Detail	FLAC
02/06/81	The Tower Theatre	Upper Darby	PA	JGB;16-48 File Set. 24-bit > 16-bit via dBpoweramp; Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston, April 2021	Source Detail	FLAC
02/07/81	Orpheum Theater	Boston	MA	Early & Late: Steve Rolfe's 2x Nakamichi 700s (Front Row Balcony) > Sony TC-D5); Nakamichi BX-300 playback > Sony PCM-R500 master DAT; Sony PCM-R500 > HHB-800-81 CD; ? > shn.	Source Detail
02/07/81	Orpheum Theater	Boston	MA	JGB, late show: Jim Vita's Nakamichi DM-500s> Sony TC-D5M; TDK SA-90s > Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches.	Source Detail	FLAC
02/07/81	Orpheum Theater	Boston	MA	JGB, early & late shows: John Levene's Nak 300 > Marantz CD330 (center balcony row 1 "DFC") > Maxell XLII C-90 MAC; Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > Creative Play Center (copying) > Soundforge v6e (prep) > CDWav (tracking, level 8 compression).	Source Detail	FLAC
02/07/81	Orpheum Theater	Boston	MA	JGB; Early and Late Shows; flac1644; Recording Info: Frank Streeter's AKG D330BT -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
02/07/81	Orpheum Theater	Boston	MA	JGB; flac1648; late show; Jim Vita's Master Audience Cassette; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021.	Source Detail	FLAC
02/09/81	Ocean State Theater	Providence	RI	Jerry Garcia Band: MAC (Taped by Steve Rolfe, Nakamichi CM-700 mics [front row of balcony] > Sony TC-D5M) > Nakamichi BX300 playback > Sony PCM-R500 DAT > CD > EAC > SHN (seekable). A>D by Glenn Gardner and Walter Keenan, EAC and conversion to SHN by cbass.	Source Detail
02/09/81	Ocean State Theater	Providence	RI	JGB: Jim Vita's FOB Nakamichi DM-500s (25th row center) > Sony TC-D5M master cassette (Maxell UDXLII-S w/ Dolby) > Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches.	Source Detail	FLAC
02/09/81	Ocean State Theater	Providence	RI	JGB flac16: 2x Nakamichi CM-300's (CP-1 cardioids) plus 1x AKG D200E blend mic > Nakamichi 550 > Maxell UDXL-II 90's, from 18th row, right center section. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
02/09/81	Ocean State Theater	Providence	RI	JGB; flac1644; Frank Streeter's AKG D330BT -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
02/09/81	Ocean State Theater	Providence	RI	JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021.	Source Detail	FLAC
02/10/81	Bushnell Auditorium	Hartford	CT	Source: MAC(Senn 421's>Sony D-5 >D>CDR>WAV>SHN. Taper: Jim Wise. SHN encoding and FTP via C.Ladner/candyman FTP.	Source Detail
02/10/81	Bushnell Auditorium	Hartford	CT	JGB: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 at SB; Maxell UDXLII; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding.	Source Detail
02/10/81	Bushnell Auditorium	Hartford	CT	JGB: Jim Vita's Nakamichi DM-500s (center balcony) > Sony TC-D5M master cassette (Maxell UDXLII-S w/ Dolby) > Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches.	Source Detail	FLAC
02/10/81	Bushnell Auditorium	Hartford	CT	JGB; flac1648; George Sterry's Master Audience Cassettes; Unknown mics (possibly Jim Wise's Sennheiser 421's)> Sony TC-158(Maxell UDXL-II) > Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k). 24-bit > 16-bit via dBpoweramp.	Source Detail	FLAC
02/10/81	Bushnell Auditorium	Hartford	CT	JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021.	Source Detail	FLAC
02/11/81	The Palladium	New York	NY	JGB; shnf; Jim Wise's MAC (Beyer M 160's, center loge on stand > D5) > D > CDR > WAV > SHN. SHN encoding and FTP via C.Ladner/candyman FTP.	Source Detail
02/11/81	The Palladium	New York	NY	JGB; flac1644; Jim Vita's MAC (2 Nakamichi 500s > Sony D5) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe > Cool Edit > Flac. Transfer by David Minches.	Source Detail
02/11/81	The Palladium	New York	NY	JGB: flac1644; Jim Wise Master Audience Cassette; Beyer M160s> Sony D-5; 1st Balcony; direct center; Maxell UDXLII; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding.	Source Detail	FLAC
02/11/81	The Palladium	New York	NY	JGB; flac1644; David Dyche's Nak 300s > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16.	Source Detail	FLAC
02/11/81	The Palladium	New York	NY	JGB; flac2496; Ohr Weinberg's 2x Sony ECM-23F Microphones -> Nakamichi 550 Cassette Recorder (2 TDK SA-X C90 Cassettes w/ Dolby B); Transfer by Ohr Weinberg : Master Cassettes -> Nakamichi Dragon -> SONY PCM-D50 -> (24/96)WAV -> flac	Source Detail	FLAC
02/11/81	The Palladium	New York	NY	JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021	Source Detail	FLAC
02/13/81	Capitol Theater	Passaic	NJ	Jerry Garcia Band: Early & Late Shows: MAC (Taped by Ohr Weinberg, two Sony ECM-23Fs with Nak DM-500 blend > Nak 550) > Nak Dragon playback > HHb CDR-800 master CD > TAE (overlap) > shn. A>D by Jim Wise, CD>SHN by Andy Gustin.	Source Detail
02/13/81	Capitol Theater	Passaic	NJ	JGB; flac1648; early-late; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021.	Source Detail	FLAC
02/14/81	Calderone Theatre	Hempstead	NY	Jerry Garcia Band: MAC (Taped by Ohr Weinberg, two Sony ECM-23Fs with Nak DM- 500 blend [first two songs were Nak CM-300 blend] > Nak 550). Nak Dragon playback > HHb CDR-800 master CD > CDs > EAC > SHN.	Source Detail
02/14/81	Calderone Theatre	Hempstead	NY	Jerry Garcai Band: Recorded Sony D5 Sennheiser 421 mikes from balconey front row	Source Detail
02/14/81	Calderone Theatre	Hempstead	NY	JGB; flac2496; Recorded by John Jay Hance, Sennheiser 421 mics (6 Ft Spread balcony Rail) > Sony D5M (no dolby) (2)Maxell UDXLII C90; Transfer: Nakamichi 582Z > Korg MR2000S (DFF@5.6) Audiogate > 24-96 Wave > Wavelab6 > Ozone Rx7A > Ozone 5 Advance > Ozone Rx7A > CDwave > Flac24.	Source Detail	FLAC
02/15/81	Esby Gymnasium (Glassboro State College)	Glassboro	NJ	Jerry Garcia Band: Nak DM500 > master cassette > DAT > CDR > shn. Originally recorded by Jim Vita.	Source Detail
02/15/81	Esby Gymnasium (Glassboro State College)	Glassboro	NJ	JGB; flac16; Source: AUD (1st or 2nd gen) from the Craig L. tape collection. Transfer: Maxell XLI (normal) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016	Source Detail	FLAC
02/15/81	Esby Gymnasium (Glassboro State College)	Glassboro	NJ	JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021.	Source Detail	FLAC
02/22/81	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Technics stereo mic > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
02/22/81	The Stone	San Francisco	CA	flac1644: Recorded by John Angus and Scott Hart; Technics Stereo mic> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 (dither/downsample)> FLAC encoding. Pitch Correction by Joe B. Jones. Thanks to Harry Angus for providing the master tapes.	Source Detail	FLAC
02/22/81	The Stone	San Francisco	CA	flac2496: Recorded by John Angus and Scott Hart; Technics Stereo mic> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 > FLAC encoding. Pitch Correction by Joe B. Jones. Thanks to Harry Angus for providing the master tapes.	Source Detail	FLAC
02/23/81	The Stone	San Francisco	CA	JGB, flac1644; Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017	Source Detail	FLAC
03/20/81	A Kensington Hotel	London	England	Interview; flac16; Source: Cassette (unknown gens) from the collection of Tim McKenzie Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > flac 16 edited and mastered	Source Detail	FLAC
03/28/81	Unknown Hotel Room	Essen	Germany	Jerry Garcia Conversation/Interview with Ayatolla H?bsch: master cassette > Sound Forge de-noising > ? > SHN.	Source Detail
04/18/81	Phoenix Theater	Petaluma	CA	JGB: Phil Jaret's JVC M-201 Electret condenser stereo microphone (center floor) > Sony TC-D5 (TDK-SA 90 Dolby B on record and playback); Playback on a Sony TC-K615S cassette deck directly to HHB CDR-800 burner. Note that the initial seed was flawed, with a cut in TUIB. This was quickly fixed, but not before numerous completed downloads. Hence we have listed both FLAWED and FIXED fingerprints under this shnid.	Source Detail	FLAC
04/18/81	Phoenix Theater	Petaluma	CA	flac1644; Phil Jaret's JVC M-201 Stereo Microphone> Teac PC-10; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0> Ozone 4.0> FLAC encoding. Pitch Correction by Joe B. Jones.	Source Detail	FLAC
04/21/81	The Catalyst	Santa Cruz	CA	Source: MAC(Nakamichi CM-700 mics > Sony TC-D5)>CDR>WAV>SHN. Taper: Steven Martin	Source Detail
04/21/81	The Catalyst	Santa Cruz	CA	FLAC 1644 Audience cassette master recorded from the front table on the house left balcony. 2 x Electrovoice RE10 mics > Sony TC-D5 > one Dolby B encoded Maxell UD XLII C90 cassette and one Dolby B encoded TDK SA C90 cassette (from track 7 to the end). Recorded, transferred and mastered by grner1.	Source Detail	FLAC
04/23/81	Keystone	Berkeley	CA	JGB: Steven Martin's modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). shn > flac in shntool, using shntool conv -o flac *.shn.	Source Detail	FLAC
04/24/81	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
04/25/81	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
04/25/81	The Stone	San Francisco	CA	Garcia, Weir, Kruetzman, Hart, J. Kahn; matrix recording master cass > cass Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz. tape ran a hair fast, adjusted in Cubase4 Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE	Source Detail	FLAC
05/22/81	Warfield Theater	San Francisco	CA	Jerry Garcia & Friends: MAC (Taped by John Angus & Scott Hart, unknown mics > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition).	Source Detail
05/22/81	Warfield Theater	San Francisco	CA	Jerry Garcia & Friends: remaster of shnid 26437 (see text file).	Source Detail
05/28/81	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band, partial show: MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition).	Source Detail
05/30/81	Phoenix Theater	Petaluma	CA	Jerry Garcia Band, IIp: MSC > ? > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition).	Source Detail
05/30/81	Phoenix Theater	Petaluma	CA	JGB; flac1644: Anon's 2x Nak 300 > Sony TC-152SD > MAC; MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.8 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [16/44].	Source Detail	FLAC
05/31/81	The Stone	San Francisco	CA	JGB, flac1644; Unknown AUD (1st Gen) kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017	Source Detail	FLAC
06/25/81	Civic Auditorium	Santa Cruz	CA	Jerry Garcia Band, with Phil Lesh on bass: aud(unknown mics) > ? > cdr > eac(secure) > mkwact(seekable).	Source Detail
06/25/81	Civic Auditorium	Santa Cruz	CA	JGB: Recorded by Richard Senicola and Jaime Poris using Mark Severson's equipment; 2 Nak 300s + 1 Nak 700> (Nak 550)> Sony TC-D5M (2 Maxell MX cassettes) (Recorded from 35 feet back from right center of stage); Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
06/25/81	Civic Auditorium	Santa Cruz	CA	JGB; flac1648 Richard Senicola and Jaime Poris' Master (FOB) Audience Cassettes (Mark Severson's equipment, 35' back from right center of stage); (2) Nakamichi 300 mics + (1) Nakamichi 700 mic> Nakamichi 550 > Sony TC-D5M (Maxell MX 90); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac[1648]	Source Detail	FLAC
06/26/81	Warfield Theater	San Francisco	CA	JGB (Phil Lesh on bass): MS? > ? > CDs > EAC (secure) > Cool Edit (cleanup/pitch correction) > CDWAV > mkwact(seekable) > shn. EAC > SHN by Matt Vernon.	Source Detail
06/26/81	Warfield Theater	San Francisco	CA	JGB; flac1648; Richard Senicola and Jaime Poris' Master Audience Cassettes (front row, left center balcony using Mark Severson's equipment); (3) Nakamichi 700 mics > Nakamichi 550 > Sony TC-D5M (Maxell MX 90). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. April 2020. 24-bit > 16-bit via dBpoweramp.	Source Detail	FLAC
07/10/81	Raddison Hotel, Room 1503	St. Paul	MN	JG Interview: Source: MC>Cx3>AIFF>WAV>SHN	Source Detail	SHN
07/24/81	Keystone Palo Alto	Palo Alto	CA	FLAC16 aud, unknown lineage, transferred & seeded by Rob Berger 2014	Source Detail	FLAC
07/26/81	Keystone	Berkeley	CA	JGB: MSC > DAT > CD > FLAC.	Source Detail	FLAC
08/06/81	Sherwood Hall	Salinas	CA	Unknown low gen FOB audience cassette>Nak CR-3A>AudigySE>Audacity>CDWave>TLH	Source Detail	FLAC
08/07/81	Freeborn Hall, U. of California	Davis	CA	JGB; flac1644; Source: Unknown gen AUD cassette, via the JGMF "Closet Call" Project. Original A>D Transfer: Maxell XLII-90 > Nakamichi BX-300 playback (no Dolby) > Pyle Pro cables > WaveTerminal 2496 > Samplitude 10.1 Download Version (record @ 24 bits/48kHz) > CDWave 1.9.8 (tracking) > Wavelab 5.0.1a (cross-fades, etc.) > shntool (stripped non-canonical headers) > Traders Little Helper 2.4.1 (FLAC encoding, level 8) > Foobar (tagging). September 2016, 16bit/44.1kHz file-set mastering: FLAC 2448 > TLH > WAV > Wavelab > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
08/08/81	Fox Theater	Stockton	CA	JGB; flac1644; partial: Recorded by Gene Taback, "Main floor, right center, ten rows back. Unknown recorder". Transferred properly on a NakCr7a.	Source Detail	FLAC
08/20/81	Keystone	Berkeley	CA	Jerry Garcia Band: MAC > CD > EAC > SHN. Taped by Jim Vita, front row balcony, Nak CM-300s w/ CP-4 capsules > Sony TC-D5M master cassette > HHb 800 CDRx0 > CDx? > EAC > SHN.	Source Detail
08/20/81	Keystone	Berkeley	CA	JGB: Jim Vita's MAC (2 Nak 300s) > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Flac, transfer by David Minches.	Source Detail
08/20/81	Keystone	Berkeley	CA	16-48 Source Info: Jim Vita's Master Audience Cassettes: Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. May 2021.	Source Detail	FLAC
08/21/81	Keystone	Berkeley	CA	Jerr Garcia Band: MSC > 2C > DAT >CDR > WAV > SHN (lineage via The Jerry Site)	Source Detail
08/21/81	Keystone	Berkeley	CA	JGB, I/IIp: Jim Vita's MAC (2 Nak 300s > Sony D5 [Maxell UD-XLIIS]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Flac, transfer by David Minches.	Source Detail
08/21/81	Keystone	Berkeley	CA	JGB; flac 1644; Source: SBD > C (x1 or 2) > Lo-gen Cassette, kindly provided by Craig L. Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 08/2017	Source Detail	FLAC
08/21/81	Keystone	Berkeley	CA	JGB; flac1648; s1s2p; Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. May 2021.	Source Detail	FLAC
08/22/81	Fairfax Pavilion	Fairfax	CA	Jim Vita's MAC (2 Nak 300s > Sony D5) > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Flac, transfer by David Minches. Show with Phil Lesh.	Source Detail	FLAC
08/22/81	Fairfax Pavilion	Fairfax	CA	Jerry Garcia Band, w/ Phil Lesh on bass: MAC > CD > DAT > CD > EAC > SHN. Taped by Jim Vita at the soundboard, Nak CM-300s w/ CP-4 caps > Sony TC-D5m master cassette > HHb 800 CDRx0 > CDx? > EAC > re-tracking using CD Wave > SHN using mkwACT.	Source Detail
08/22/81	Fairfax Pavilion	Fairfax	CA	16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 caps > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
08/23/81	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band. MAC(unknown mics/taper)>?>CDR>WAV>SHN. Partial recording with several missing tracks (see info file).	Source Detail
08/23/81	Keystone Palo Alto	Palo Alto	CA	JGB: Jim Vita's MAC (2 Nakamichi 300s > Sony D-5 [Maxell UD-XLII-S]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.	Source Detail
08/23/81	Keystone Palo Alto	Palo Alto	CA	16/48 Source Info:Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
09/07/81	Concord Pavilion	Concord	CA	FLAC 1644 Audience cassette master recorded from the front table on the house left balcony. Two ElectroVoice RE10 microphones > Sony TC-D5 > two Dolby B encoded Maxell UD XLI C90 cassettes. Recorded, transferred and mastered by grner1.	Source Detail	FLAC
09/18/81	Keystone	Berkeley	CA	Jerry Garcia Band: MAC > DAT > CD > EAC > SHN. Taped by Jim Wise. Recorded upstairs, stereo mic > Sony TC-D5 set on floor.	Source Detail
09/18/81	Club Front	San Rafael	CA	JGB rehearsals, shnf; MSR -> P -> D [presumably > ? > SHN].	Source Detail
09/18/81	Keystone	Berkeley	CA	JGB: Jim Wise Master Audience Cassette; Recorded upstairs, stereo mic > Sony D5 (Maxell UDXLI-S); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding.	Source Detail	FLAC
09/19/81	The Stone	San Francisco	CA	JGB; flac1644; Partial, Unknown AUD (marked 1st Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
10/11/81	Melk Weg	Amsterdam	Netherlands	flac16/48; Source: AUD, unknown mics: CM > 1C > DAT DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 7.0 (build 214) (record only) > CDWav 1.93 > FLAC Frontend (no DAE, 48kHz)	Source Detail	FLAC
10/11/81	Melk Weg	Amsterdam	Netherlands	Jerry Garcia & Bob Weir: Source: AUD, unknown mics: CM > 1C > DAT DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Tool	Source Detail
10/31/81	The Tower Theatre	Upper Darby	PA	JGB, early & late: John Levene's Nak 300 + cp4 (shotguns) > Marantz CD330; Yamaha K-1020 playback > Sony SBM-1 > Nomad JB3 > Creative Play Center > Soundforge v6e > CDWav; Creative Play Center software used to copy to laptop. Soundforge used to prep file for tracking. CDWave used to track and flac at level 8 compression.	Source Detail	FLAC
10/31/81	The Tower Theatre	Upper Darby	PA	JGB; early; flac16; Stankiewicz & Schley, Beyers mics > patched thru Sony D5 > Sony TC-D5 > Maxell MX-90, front of balcony(?). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016	Source Detail	FLAC
11/01/81	Tuttle North Gym, SUNY Brockport	Brockport	NY	JGB, flac1644; Partial; Source: Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2017	Source Detail	FLAC
11/01/81	Tuttle North Gym, SUNY Brockport	Brockport	NY	JGB; Recorded by Bob Gates; Nak 100 (with either a CP-4 shotgun or a CP-1 Omni)> Superscope 320; Lineage: Master cassette audience> cassette> CD> EAC> HD Transfer and FLAC encoding by David Minches: Extracted tracks processed in Adobe Audition 2.0> FLAC encoding.	Source Detail	FLAC
11/03/81	Painter's Mill	Owings Mills	MD	JGB, set II: MSC > 2C > Aiwa F810 playback > Tascam DA30-mkII > Zoltrix Nightengale 6.0 @ 44.1 > SF 6.0 > CD Wave > .shn.	Source Detail	SHN
11/03/81	Painter's Mill	Owings Mills	MD	JGB, flac1644; Set One: AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Set Two: AUD (unknown lineage) kindly provided from the collection of DL. Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017	Source Detail	FLAC
11/03/81	Painter's Mill	Owings Mills	MD	JGB, flac1644; 2nd Set, Sources: Matrix of SBD ID-15099 & AUD ID-138117. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 04/2017	Source Detail	FLAC
11/04/81	Palace Theater	Albany	NY	Jerry Garcia Band. Source: MAC(Nak 300s> Sony TC-D5M)>CDR>WAV>SHN. Taper: Jim Vita. Simple Twist of fate is missing.	Source Detail
11/04/81	Palace Theater	Albany	NY	JGB: Jim Vita's MAC (Unknown mics> Sony D5 [UD-XLIIs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, xfer by David Minches.	Source Detail
11/04/81	Palace Theater	Albany	NY	16/48 Source Info:Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (1st set Maxell UDXLII-S, 2nd set TDK MA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
11/06/81	Capitol Theater	Passaic	NJ	Jerry Garcia Band, early show: MAC (Recorded by Ohr Weinberg, Sony ECM 23f's [front floor] > Sony TC-D5M Dolby B) > Nakamichi Dragon playback > HHB CDR830plus > EAC > Sound Forge 5.0 > CD Wave Editor > SHNv3 (seek tables embedded). A>CD by Anne Cohen, EAC>SHN by cbass.	Source Detail
11/06/81	Capitol Theater	Passaic	NJ	JGB, partial Late Show: Nakamichi CM-300's > Sony TC-D5, recorded FOB, by unknown taper. Lineage: Unknown MAC > CDR transfer. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC	Source Detail	FLAC
11/06/81	Capitol Theater	Passaic	NJ	JGB; flac1648; early/late; Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. May 2021.	Source Detail	FLAC
11/07/81	McDonough Arena (Georgetown U.)	Washington	DC	JGB: Taped by Tim S., Nak300 (Handheld/Stealth) > Cm > Cass > CD > EAC > Izotope Ozone > Flac. Remastered by SIRMick.	Source Detail	FLAC
11/07/81	McDonough Arena (Georgetown U.)	Washington	DC	Jerry Garcia Band: MA? > 1 cassette > Tascam 322 > Marantz CD500 > EAC > SHN	Source Detail	SHN
11/07/81	McDonough Arena (Georgetown U.)	Washington	DC	Jerry Garcia Band, set II only: probable MSC > DAT, subsequent pitch-correction & patching prior to shn encoding.	Source Detail	SHN
11/08/81	Alumni Gymnasium	Lawrenceville	NJ	Jerry Garcia Band: MAC (recorded by John Hance, Beyer M160s > Sony TCD-5M) > Nak Dragon playback > HHb 800 master CD > CDs > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Jim Wise, CD > SHN by Joe Jupille.	Source Detail
11/10/81	The Palladium	New York	NY	Jerry Garcia Band: Late Show: MAC > CD, two Beyer M160s (1 st Row Loge Center) > Sony TCD5M > Cassette Master Tape> Sound Forge 5 to break into tracks > Sound Stream to normalize > MKW to convert to SHN.	Source Detail
11/10/81	The Palladium	New York	NY	Jerry Garcia Band, Early Show: MAC (Taped by Ohr Weinberg, Sony ECM-23f mics > Sony TC-D5M) > Nakamichi Dragon playback > HHb CDR-800 CD > EAC > SHN v3.	Source Detail
11/10/81	The Palladium	New York	NY	JGB, Late Show: MAC (Nakamichi CM-300s > Sony TC-D5M) > 1C > Sony TC-D5M (Dolby On) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and FLAC compression) > FLAC, by Andrew F (September 2006).	Source Detail
11/10/81	The Palladium	New York	NY	Jerry Garcia Band, Early Show: MAC (Taped by Mark Cohen, Nak CM-700s > Sony TC-D5) > Tascam 122mkIII playback > Tascam DA-40 DAT > Tascam CDRW-700 master CD > unknown CD gens (probably one) > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition).	Source Detail	FLAC
11/10/81	The Palladium	New York	NY	JGB; flac2496; Recorded by Richie Stankiewicz, Sony TCD-5m > Beyer M-160 1st Row Balcony Transfer MAC>Sony TCKA3ES>USBPre 2; transferred by Richie Stankiewicz	Source Detail	FLAC
11/10/81	The Palladium	New York	NY	JGB; flac1644; early show AUD: Stankiewicz & Schley's Beyers mics > patched thru Sony D5 > Sony TC-D5 > Hitachi ME-90, front of balcony(?). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017.	Source Detail	FLAC
11/12/81	Symphony Hall	Springfield	MA	Jerry Garcia Band. AUD:C (Jim Stone, front row balcony, Nak 300s > Sony D5) > DAT > CD > EAC > SHN.	Source Detail
11/13/81	Orpheum Theater	Boston	MA	Jerry Garcia Band: Early & Late Shows: Nak 700s > Sony D5 > MAC > D > CD> EAC > MKWact > SHN	Source Detail
11/13/81	Orpheum Theater	Boston	MA	JGB, Late Show: master: John Levene's Nak 300 (center balcony row 1) > Marantz CD330 > Maxell XLII C-90 MAC; Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > Creative Play Center > Soundforge v6e > CDWav Creative Play Center software used to copy to laptop. Soundforge used to prep file for tracking. CDWave used to track and flac at level 8 compression.	Source Detail	FLAC
11/13/81	Orpheum Theater	Boston	MA	JGB: flac1644; Early and Late Shows; Frank Streeter's Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/14/81	Patrick Gymnasium, UVM	Burlington	VT	Jerry Garcia Band: Two audience tapes of unknown source and lineage. Source "A" provides Set One and Roadrunner. Source "B" provides I'll Take A Melody thru Tangled Up In Blue. See info file for additional information.	Source Detail
11/14/81	Patrick Gymnasium, UVM	Burlington	VT	JGB; flac1648; s1s2p; Jeff Silberman FOB Recording: Nakamichi 300's (w/shotguns) > Sony D5 (Dolby B) > Master Cassette > DAT; John Ammons Transfer: Cassette Master > Nakamichi Dragon (Dolby B) > Sony 75ES > DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV. Edited & Mastered by Joe Noel: WAV > Audacity > Flac 16/48, July 23, 2018.	Source Detail	FLAC
11/14/81	Patrick Gymnasium, UVM	Burlington	VT	JGB; flac1648; s1s2p; Jeff Silberman FOB Recording: Nakamichi 300's (w/shotguns) > Sony D5 (Dolby B) > Master Cassette > DAT; John Ammons Transfer: Cassette Master > Nakamichi Dragon (Dolby B) > Sony 75ES > DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV. Edited & Mastered by Joe Noel: WAV > Audacity > Flac 16/48, July 23, 2018.	Source Detail	FLAC
11/15/81	Performing Arts Center	Providence	RI	Jerry Garcia Band: MAC (Taped by Steve Rolfe, Nakamichi CM-700 mics [front row of balcony] > Sony TC-D5M) > CD > EAC > SHN (seekable). EAC and conversion to SHN by cbass.	Source Detail
11/15/81	Performing Arts Center	Providence	RI	JGB, flac16: Tim Friend's 3x Nakamichi CM-300's (CP-1 cardioids) > Nakamichi 550 > Maxell UDXL-II. Mics hand held, 20th row right side orchestra. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail
11/15/81	Performing Arts Center	Providence	RI	JGB, flac24: Tim Friend's 3x Nakamichi CM-300's (CP-1 cardioids) > Nakamichi 550 > Maxell UDXL-II. Mics hand held, 20th row right side orchestra. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F.	Source Detail	FLAC
11/15/81	Performing Arts Center	Providence	RI	flac2496; Richie Stankiewicz taped and transferred; Recorded on Sony TCD-5M two Beyer M-88 1st Row Balcony; Transfer MAC > Sony TCKA-3es (parts 1st gen > Sony TCKA-3es).	Source Detail	FLAC
11/15/81	Performing Arts Center	Providence	RI	flac1644; Richie Stankiewicz taped and transferred; Recorded on Sony TCD-5M two Beyer M-88 1st Row Balcony; Transfer MAC > Sony TCKA-3es (some songs 1st gen > Sony TCKA-3es) > 24/96 > r8brain (16/44).	Source Detail	FLAC
11/17/81	Uptown Theater	Chicago	IL	JGB: 2nd gen aud, maybe 1st ("my friend made more than one copy off Gary's Master Cass") > NakCR3A > Hard Drive > Flac16.	Source Detail
11/17/81	Uptown Theater	Chicago	IL	JGB, Early & Late Shows: MAC (unknown taper and gear ) > 1 cassette gen > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC, transfer by David Minches.	Source Detail
11/17/81	Uptown Theater	Chicago	IL	JGB; flac1644; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones	Source Detail	FLAC
11/19/81	Rainbow Music Hall	Denver	CO	Jerry Garcia Band: Unknown Audience Recording	Source Detail
12/07/81	Club Front	San Rafael	CA	Jerry Garcia Band, Rehearsals: MSC > C1 > CD > WAV > FLAC. NB date reflects date on which John Kahn mixed the material, not the date on which it was performed.	Source Detail
12/17/81	Keystone Palo Alto	Palo Alto	CA	JGB; flac1644; Partial, Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
12/18/81	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
12/19/81	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
01/11/82	Old Waldorf	San Francisco	CA	Jerry Garcia Band: MSC>DAT >CDR>WAV>SHNv3. Multiple track cuts - see info file for details.	Source Detail
01/11/82	Old Waldorf	San Francisco	CA	JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8).	Source Detail	FLAC
01/13/82	Old Waldorf	San Francisco	CA	JGB, I/IIp: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac.	Source Detail	FLAC
01/13/82	Old Waldorf	San Francisco	CA	JGB: unknown MAC > 1st gen cassette > Apogee Mini ME (24/96 > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith; Edits and Mastering: Jamie Waddell on the GEMS workstation.	Source Detail	FLAC
02/02/82	The Catalyst	Santa Cruz	CA	MAC* > CDR > WAV > SHN. * admin noted 12/20/2010: the taper and gear were originally listed as unknown, then attributed to Steven Martin, but the tape was actually mastered by N Hoey, 2x Nakamichi CM 300s > Sony TC-D5m (Dolby B); Nakamichi Dragon (Dolby B decoded) > Panasonic 3700 DAT (tracking) > HHB CD.	Source Detail
02/02/82	The Catalyst	Santa Cruz	CA	JGB; flac2496; Recorded and Mastered by N Hoey: 2 Nakamichi CM 300s > Sony TC-D5m (Dolby B)(Maxell XL IIS 90) Nakamichi Dragon (Dolby B decoded) > A/D - Apogee Mini Me (96/24) > Peak 7 OSX (editing) > xACT (flac-tagging).	Source Detail	FLAC
02/03/82	The Catalyst	Santa Cruz	CA	MAC* > CDR > WAV > SHN. * admin note added 12/20/2010: this was recorded by N Hoey. It was listed as unknown, and then attributed to Steven Martin, but Hoey confirms that it is his master. 2x Nakamichi CM 300s > Sony TC-D5m (Dolby B); Nakamichi Dragon (Dolby B decoded) > Panasonic 3700 DAT (tracking) > HHB CD.	Source Detail
02/03/82	The Catalyst	Santa Cruz	CA	JGB; flac2496; Recorded and Mastered by N Hoey with: 2 Nakamichi CM 300s > Sony TC-D5m (Dolby B)(Maxell XLIIS 90) Nakamichi Dragon (Dolby B decoded) > A/D - Apogee Mini Me (96/24) > Peak 7 OSX (editing) > xACT (flac-tagging).	Source Detail	FLAC
02/04/82	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band :mSC> DAT> CDR> TAE> WAV> SHN; via Dan Metz, Mike Lai	Source Detail
02/04/82	Keystone Palo Alto	Palo Alto	CA	JGB, flac1644; AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 01/2018	Source Detail	FLAC
02/04/82	Keystone Palo Alto	Palo Alto	CA	JGB: MSC > Dat > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transfered, Remastered and Seeded by Green Mountain Bros.	Source Detail	FLAC
02/05/82	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band, partial set II: MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
02/05/82	Keystone Palo Alto	Palo Alto	CA	JGB, set I: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac.	Source Detail	FLAC
02/05/82	Keystone Palo Alto	Palo Alto	CA	JGB; flac2448; Taped by Jeff Knudsen, gear used lost to the fog of history; Nakamichi CR-7A (Rebuilt by ESL August 2019) -> Sound Devices MixPre-3M; Transfers by Jay Haines April 2020 at 24bit 48kHz; Shared at LL in the Raw Tape Project; Speed Correction by Jason Chastain; Audio Mastering by Jamie Waddell; Additional audio mastering by Joe Noel, using Adobe Audition 2020.	Source Detail	FLAC
02/26/82	Keystone	Berkeley	CA	Jerry Garcia Band: MSC -> DAT -> CDRs -> Track Thief -> SHN; Transfer by: D. Metz	Source Detail
02/26/82	Keystone	Berkeley	CA	JGB: Recorded by Ohr Weinberg: 2 Sony ECM-23F microphones -> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B. Transfer by Ohr Weinberg: Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC.	Source Detail	FLAC
02/26/82	Keystone	Berkeley	CA	Jerry Garcia Band:SBD:MCass>DATx3>ZA2>CD	Source Detail	FLAC
02/26/82	Keystone	Berkeley	CA	JGB; flac1648; Master Soundboard Cassettes > Joel Pollack's DAT (16/48); Transfer Info: DAT (16/48)(Sony TCD-D100) > Tascam DA-3000 > .wav 16/48 > DDi Codec (Dolby B) > Adobe Audition 2025 > TLH flac1648	Source Detail	FLAC
02/27/82	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MSC > DAT > CDR; via M.Perini; seeded to etree by eD	Source Detail
02/27/82	Keystone Palo Alto	Palo Alto	CA	JGB; flac1648; Master Soundboard Cassettes > Joel Pollack's DAT (16-48); Transfer Info: DAT (16-48)(Sony TCD-D100) > Tascam DA-3000 > .wav 16-48 > DDi Codec (Dolby B) > Adobe Audition 2025 > TLH flac1648. Mastered by Scott Clugston. February 2025.	Source Detail	FLAC
02/28/82	The Stone	San Francisco	CA	JGB; shnf; MSC > Dat> Cdr> Protools> shn. Missing How sweet it is which does circulate. Missing begining of They love each other and Sugaree	Source Detail
02/28/82	The Stone	San Francisco	CA	JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. April 2007.	Source Detail	FLAC
03/03/82	Barbary Coast Room (San Francisco State)	San Francisco	CA	Source: AUD (microphone and taper unknown) > CM > CD > WAV > SHN. Partial - see info file for details.	Source Detail
03/07/82	The Saddlerack	San Jose	CA	Jerry Garcia Band: SBD : FM > DAT > CDR. Originaly broadcast on KFAT. Set 2 with Dave Torbert. This version is missing Sugaree but it does circulate.	Source Detail
03/07/82	The Saddlerack	San Jose	CA	Jerry Garcia Band, complete: MFC > Tascam 322 playback > Marantz CDR500 > CDR [> SHN].	Source Detail
03/07/82	The Saddlerack	San Jose	CA	JGB: KFAT FM MCass > DAT > CD; Encoded from CD > shn via EAC and mkwACT by khensu (David Hollister).	Source Detail	SHN
03/07/82	The Saddlerack	San Jose	CA	JGB: MFC (KFAT over-air broadcast) > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. March 2007.	Source Detail	FLAC
03/07/82	The Saddlerack	San Jose	CA	JGB; flac1644; Pre-FM > Master Reel > Dat, Dat > Samplitude Pro X3 Suite > FLAC (2 Discs Audio / 1 Disc FLAC), All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
03/17/82	Acker Gym, Chico State University	Chico	CA	Jerry Garcia Band: MSC > DAT > CDR > EAC > SHN, originally seeded to furthur by David Hollister.	Source Detail
03/18/82	Mojo's	Arcata	CA	Jerry Garcia Band: MAC (Taped by Tim Vallee) > cassette > NAD 6050C playback > SBM > PCM-R500 @44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale.	Source Detail
03/19/82	Mojo's	Arcata	CA	Jerry Garcia Band: MAC (Taped by Tim Vallee) > cassette > NAD 6050C playback > SBM > PCM-R500 @44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale.	Source Detail
03/19/82	Mojo's	Arcata	CA	Jerry Garcia Band, Sir Mick remaster of shnid 15194, see info file for remastering notes.	Source Detail	FLAC
03/20/82	Fireman's Hall	Garberville	CA	Jerry Garcia Band: SB > FM > C > ? > WAV > SHN.	Source Detail
03/27/82	Keystone	Berkeley	CA	Jerry Garcia Band: probably MSC>dat , excellent sound, a little hiss on quiet parts,some level change weirdness on set2 which may be splices, cuts or weaker splicing attempts most obvious at cd1t5 6:40 cd2t3 1:36, 2:20 cd2t5 0:27; (these do not look like digital anomalies)	Source Detail
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	Jerry Garcia Solo:SBD > ? > DAT > CDR > WAV > SHNv3. Posted to abgd 11/01	Source Detail
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	Jerry Garcia Solo Acoustic: Late Show: MAC > SoundForge bass boost > CD > EAC > SHN (seekable). Recorded by Glenn Gardner (row MM, seat 15, left side), Realistic Stereo Mic > Sony TCM-16 TDK SA-C90 (dolby off). A > D by Noah Weiner. Extraction (EAC), .shn encoding (mkwACT), and seeding by Stephen Kinsch.	Source Detail
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	Jerry Garcia Solo Acoustic: Early Show: SBD > ? > DAT > CDR > WAV > SHNv3, with patching, smoothing, pitch shift, & other fixing by Patrick Murphy.	Source Detail
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	Jerry Garcia Solo Acoustic: Late Show: SBD > ? > DAT > CD > WAV > SHN, with various fixing by Patrick Murphy.	Source Detail
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	Jerry Garcia Solo Acoustic: Early Show: MAC > CD > EAC > SHN (seekable). Recorded by Ohr Weinberg, Sony ECM 23-F's > Sony TC-D5m (Dobly B). A > D by Jim Wise, Nakamichi Dragon (Dolby B) > HHB CDR-800. Extraction (EAC), .shn encoding (mkwACT), and seeding by Stephen Kinsch.	Source Detail
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	flac1644; early show. Nak 700s w/ unknown deck; Lineage: MAC > C > WAV > FLAC; C > FLAC Encoding by Cousinit.	Source Detail	FLAC
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	JG solo acoustic, Late Show: matrix; 1) (shnid 15848) SBD > ? > DAT > CD > WAV > SHN and 2) (shnid 11281) AUDMC > DAT > WAV > CD > EAC > SHN (seekable) Realistic Stereo Mic > Sony TCM-16 TDK SA-C90 (dolby off) recorded by Glenn Gardner, row MM, seat 15, left side.	Source Detail	FLAC
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	Garcia solo, late show: MSC > 2 track reel > DAT > CD > EAC > FLAC level 8.	Source Detail	FLAC
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	flac1644; Richie Stankiewicz recorded and transferred; Recorded 2nd row center Sony D-5M Beyer M-88 (ribbon microphones); Transfered MAC > Sony TCKA3es > sound device usbpre2 > 24/96 > r8brain > 16/44.1. Special thanks to Andrew F	Source Detail	FLAC
04/10/82	Capitol Theatre (Late Show)	Passaic	NJ	Garcia solo; flac1644; Mason B. Taylor's Senn421 > Sony D5 recorded on maxell xlII chrome tapes dolby on	Source Detail	FLAC
04/10/82	Capitol Theatre (Late Show)	Passaic	NJ	flac1644; late show; John Hance's Sennheiser 421 -> D5M Dolby B Maxell XLIIS; Tascam 112 MKII -> MR2000S DFF 5.6 Audiogate-> 24/88.2-> Rx4A-> Wavelab6-> Ozone 6A > CD Wave > r8brainpro > 16/44.1 > TLH (level 8) > Flac16. Taped & Transferred by: John Hance.	Source Detail	FLAC
04/21/82	Beacon Theatre	New York	NY	Garcia & Kahn, Late Show: MSC > PCM > DAT > CDs > HP 9350i extraction (EAC v0.9 beta 4) > patching (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille.	Source Detail
04/21/82	Beacon Theatre	New York	NY	Garcia & Kahn, Early Show: MAC > DAT > CD. 2 Sennheiser MD421's > Sony TC-D5M dolby b, 3rd row center. Maxell UDXLII C90 cassettes. master audience cassette recorded by Bill Nolan. MAC > DAT and DAT > CD transfers by Anne Cohen: MC > DAT 6/1991: JVC TD-V711 > Technics SV-DA10. DAT > CD 6/2004: Sony PCM-R500 > HHB CDR-830plus. EAC > Sound Forge 5.0 (4/21/05) > CDWave 1.71 > WAV > SHN.	Source Detail
04/21/82	Beacon Theatre	New York	NY	Garcia & Kahn, Late Show: MAC > DAT > CD. 2 Sennheiser MD421's > Sony TC-D5M Dolby B, 4th row center. Maxell UDXLII C90 cassettes. Master audience cassette recorded by Bill Nolan. MAC > DAT and DAT > CD transfers by Anne Cohen: MAC > DAT 6/1991: JVC TD-V711 > Technics SV-DA10. DAT > CD 6/2004: Sony PCM-R500 > HHB CDR-830plus. EAC > Sound Forge 5.0 (4/21/05) > CDWave 1.71 > WAV > SHN.	Source Detail
04/21/82	Beacon Theatre	New York	NY	JGJK, late show: Sennheiser MD421s FOB (within the first 8 rows) Taper: Tom G; Generation: 2nd Gen off his Masters Transfer: Sony TCW-21(analog out)>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>Media Join(join tape flips)>FlacFrontend (level-8)>flac-16	Source Detail	FLAC
04/21/82	Beacon Theatre	New York	NY	JGJK; late show; flac1644; Frank Streeter's Beyer M160 > Sony TC-D5M/Dolby B > Cassette Master, recorded Fob 2nd row center, patched out of Richie Stankiewicz. Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG Audiogate 4 > flac 24/96 (dolby decoded), transferred by Charlie Miller. Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 CD Wave > TLH > Flac16, edited and mastered SIRMick.	Source Detail	FLAC
04/25/82	The Stone	San Francisco	CA	JGB: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac.	Source Detail	FLAC
04/26/82	The Stone	San Francisco	CA	"Unknown low gen aud (possibly andy/jeff)"; Transfer Info: nakdr-1 cass > tascam5000 > cdr > wav > flac, uploaded by brad tenner. Admin note: this is a multigen tape from Jeff Knudsen's master. Note2: the ffp and md5 included here are for files renamed to etree standards.	Source Detail	FLAC
04/26/82	The Stone	San Francisco	CA	JGB; flac1644; Taped By Jeff Knudsen using Marantz SuperScope Mics > Aiwa HS1 Deck, from the center front row of tables overlooking the dance floor. Transfer: MAC > 1 cassette >Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 > DVD > Audacity 2.0.0 to 16 bit torrent.	Source Detail	FLAC
04/30/82	Keystone	Berkeley	CA	16 bit source: sbd William Keats' unknown gen cassette nakamichi dragon > benchmark adc1 a/d converter 24/96 > adobe audition > xACT flac transferred by Rob Berger August 2023 24/96 > 16/44 and sbe fix by mgoldey 8/09/2023 NOTE: THIS ORIGINALLY CIRCULATED MISDATED 04/30/82. The audio files are the same, but the names and metadata have been corrected, and this SHNID re-assigned to the correct date.	Source Detail	FLAC
05/01/82	Keystone	Berkeley	CA	Jerry Garcia Band. Source: MSC > Cx > D > CDR > WAV > SHN. Missing Tangled Up In Blue.	Source Detail
05/01/82	Keystone	Berkeley	CA	JGB: Jeff Knudsen's MAC > 1 cassette; Transfer: MAC(1) > Apogee Mini ME (24/96 > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith > Eac > wav > Gems Edit Station > flac.	Source Detail	FLAC
05/01/82	Keystone	Berkeley	CA	JGB; 24 bit. Source: sbd William Keats' 2nd gen cassette; Nakamichi dragon > benchmark adc1 a-d converter 24-96 > adobe audition > xACT flac; transferred by Rob Berger August 2023. Patched and pitched adjusted by David Minches. August 2023. Patch source: SHNID# 97549	Source Detail	FLAC
05/05/82	Oregon State Prison	Salem	OR	Garcia & Kahn: "SBD> dat> cd> wav> shn", too early for a master DAT. Supposedly lacks the overload distortion characteristic of most circulating copies of this show.	Source Detail
05/05/82	Oregon State Prison	Salem	OR	Garcia & Kahn: No source information given.	Source Detail	shn
05/08/82	Keystone	Berkeley	CA	Jerry Garcia Band: MSC > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
05/08/82	Keystone	Berkeley	CA	JGB, set II: Ohr Weinberg's MAC (2 Sennheiser MD421's > Sony TC-D5M [Maxell UD XLII C90 with Dolby B]) Transferred by Ohr Weinberg (7/3/2004): Master Cassette > Nakamichi Dragon (Modified by Stephen Sank) > HHB CDR830plus > CD > EAC > Soundforge 5.0 (tape flip spliced) > CDWave > WAV > SHN/FLAC.	Source Detail
05/08/82	Keystone	Berkeley	CA	JGB; Flac1644; Source: Sony TCS-310 (stereo Walkman) > Maxell UD-XLII's (no NR). Recording by John Anzaldo, three feet from the stage in the center. Transfer: MAC > Nakamichi CR-7A > Creative SB Audigy 2 > Creative WaveStudio > CDR by John Anzaldo, EAC > WAV 1644 via JGMF. Editing: WAV 1644 > Wavelab > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
05/14/82	Keystone Palo Alto	Palo Alto	CA	JGB; flac1644; patched version of shnid-102403 with shnid-106663.	Source Detail	FLAC
05/14/82	Keystone Palo Alto	Palo Alto	CA	JGB: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac.	Source Detail	FLAC
05/14/82	Keystone Palo Alto	Palo Alto	CA	JGB; flac1644; Jeff Knudsen's Marantz SuperScope Mics > borrowed unknown model Aiwa Deck from front row of tables; Transfer: MAC > 1 cassette >Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith. Edits and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for POWR-3 Dither.	Source Detail	FLAC
05/15/82	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (recorded by Steve Aprea, Senn MKH421 > Uher CR-240) > Nak Dragon playback > HHb 800 master CD > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Jim Wise, CD > SHN by Joe Jupille.	Source Detail
05/15/82	Keystone Palo Alto	Palo Alto	CA	Taped By Jeff Knudsen Marantz SuperScope Mics > borrowed unknown model Aiwa Deck front row of tables Transfer: MAC > 1 cassette >Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0(dithered via 'UV22HR' to 16/44) > CD by Matt Smith Edits and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for POWR-3 Dither	Source Detail	FLAC
05/31/82	River Theater	Guerneville	CA	JGB: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac.	Source Detail	FLAC
06/04/82	Neighbors Of Woodcraft	Portland	OR	Source: SBD>CM>DAT>CDR>WAV>SHNv3. Minor flaws - see info file.	Source Detail
06/04/82	Neighbors Of Woodcraft	Portland	OR	Early and late shows. Fix and remaster of 20578.	Source Detail	FLAC
06/05/82	Auditorium, South Eugene High School	Eugene	OR	Garcia and Kahn. Source: AUD>CM>Cx>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner.	Source Detail
06/05/82	Auditorium, South Eugene High School	Eugene	OR	JGJK: Recorded by Don Eggiman and Tom Navarre using Mark Severson's equipment; 2 Nak 700s w/ 6 DB eq> Sony TC-D5M (2 Maxell MX cassettes); Recorded from 50' from stage with mics on railing; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
06/05/82	Auditorium, South Eugene High School	Eugene	OR	JGJK: MAC (Taped by Otto Rice, Sony stereo mic > Aiwa deck); Lineage: Marantz PMD 510 playback > HHb 850 > CD > Wavelab 6.0 > CDWave > FLAC8.	Source Detail	FLAC
06/05/82	Auditorium, South Eugene High School	Eugene	OR	JGJK; flac1648 Source Info: Don Eggiman and Tom Navarre's Master Audience Cassettes; Mark Severson's Nakamichi 700 mics (with 6DB EQ)(50' from stage , mics on railing) > Sony TC-D5M (2 x Maxell MX cassettes) Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
06/05/82	Auditorium, South Eugene High School	Eugene	OR	JGJK; correct date of prison show; unknown soundboard > dat (48k) provided by Rich Gastwirt; Transfer: Dat > Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48, transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick July 2017.	Source Detail	FLAC
06/06/82	Auditorium, South Eugene High School	Eugene	OR	Garcia & Kahn: MSC > C > D > CD > EAC > SHN	Source Detail	shn
06/06/82	Auditorium, South Eugene High School	Eugene	OR	JGJK; flac1648 Source Info: Don Eggiman and Tom Navarre's Master Audience Cassettes; Mark Severson's Nakamichi 700 mics (with 6DB EQ)(50' from stage , mics on railing) > Sony TC-D5M (2 x Maxell MX cassettes) Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
06/12/82	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
06/12/82	Keystone Palo Alto	Palo Alto	CA	JGB, missing 2 songs: Jeff Knudsen, MAC (Marantz Superscope mics > AIWA-HS1) > 1 cassette > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR'to 16/44) > CD by Matt Smith; Eac > wav > Gems Edit Station (balanced levels and tape pauses smoothed) > flac > tracking (Cdwave) > Flac8 (TLH) by Jamie Waddell.	Source Detail
06/16/82	Music Mountain	South Fallsburg	NY	Jerry Garcia Band: (Updated source info) Sennheiser 441s (FOB) > Nak 550 > cass. XLII-S > SV3700@48khz. Recorded by Jeff Silberman. Transfer: D8 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHN v3.	Source Detail
06/16/82	Music Mountain	South Fallsburg	NY	Jerry Garcia Band: FOB MAC (Sennheiser 421s w/ PZM blend > NAK550 [Rob Eaton] > patched Sony D5 [Jim Wise]) > CD/0 > EAC > SHN via mkwACT. This is a fresh transcription of the master cassettes, without the digital processing on earlier transfers. A>D by Jim Wise, EAC>SHN by flipp.	Source Detail
06/16/82	Music Mountain	South Fallsburg	NY	JGB: Jim Wise Master Audience Cassette; 2 Senn 421s/PZM Blend> Nak 550> Sony D-5 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding.	Source Detail
06/16/82	Music Mountain	South Fallsburg	NY	Jerry Garcia Band: Sennheiser 441's> MCassette > DAT > CD> (EAC)WAV	Source Detail
06/16/82	Music Mountain	South Fallsburg	NY	JGB, set I: SBD > ? > Dat > ? > Flac.	Source Detail	FLAC
06/16/82	Music Mountain	South Fallsburg	NY	JGB, flac16 MOTB Release: 0057 16/44.1; John Steinthal's FOB MAC (2 x Nakamichi CM-300 > Sony TC-D5M > Sony TC-D5M (??) playback > TEAC AN-300 [Dolby Encode] > Technics RS-1506US [3.75 IPS] 1st gen reel > Technics RS-1506 playback > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg MR-1000 > Korg AudioGate > WAV [24/96]. Edited, mastered and downsampled to 16/44.1 on the GEMS Edit Station.	Source Detail	FLAC
06/16/82	Music Mountain	South Fallsburg	NY	Jerry Garcia Band: MAC (Taped by Jim Holvey, AT815a > Sony D5 [3/4 of the way up the hill]) > Cool Edit Pro > wav > shn, transfer by Michael J. Joyce.	Source Detail	shn
06/16/82	Music Mountain	South Fallsburg	NY	JGB; flac1644; David Dyche's Nak 300's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac.	Source Detail	FLAC
06/16/82	Music Mountain	South Fallsburg	NY	JGB; flac1648; Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R90). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. May 2021.	Source Detail	FLAC
06/17/82	Veterans Memorial Coliseum	New Haven	CT	JGB: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 (10th Row; Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.	Source Detail	FLAC
06/17/82	Veterans Memorial Coliseum	New Haven	CT	Jerry Garcia Band: MAC (Taped by Jim Wise, Senn 421's [hand held, 10th row center] > Sony D5) > playback on Nak Dragon > Sony PCM R-700 > ZA2 > WAV > CD via Sound Forge & CD Architect > EAC > shn via MKW. Fresh and unadulterated transcription from the masters by Jim Wise.	Source Detail
06/17/82	Veterans Memorial Coliseum	New Haven	CT	Jerry Garcia Band: Senn 421s (hand-held, 10th row center) > D5 > CD > EAC > SHN. Recorded by Jim Wise.	Source Detail	FLAC
06/18/82	Cape Cod Coliseum	South Yarmouth	MA	Jerry Garcia Band: MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > joined wavs (WavMerge v2.1) > normalization and minor editing (SF Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
06/18/82	Cape Cod Coliseum	South Yarmouth	MA	JGB: MAC (Nakamichi CM-300's [in the stands, side of the stage] > Sony TC-D5) > 1st gen cassette (Dolby B) > Sony TC-D5M (Dolby on) playback > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and FLAC compression) > FLAC, by Andrew F (August 2006).	Source Detail
06/18/82	Cape Cod Coliseum	South Yarmouth	MA	JGB: SBD > DAT > CD > ... appears to be a variant of shnid 18065.	Source Detail	shn
06/18/82	Cape Cod Coliseum	South Yarmouth	MA	flac1644; JGB; AUD Source: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Nakamichi ZX-90s, set up in center riser straight back, about ten rows off the floor, taped by Joe Morrone and Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.	Source Detail	FLAC
06/20/82	Cumberland County Civic Center	Portland	ME	Jerry Garcia Band: Steve Rolfe's FOB MAC w/ Nak 700's>Sony TC-D5m>DAT>CDR>WAV>SHNv3. With Bob Weir and Bobby Cochran on the encore.	Source Detail
06/20/82	Cumberland County Civic Center	Portland	ME	flac1644; Steve Rolfe's Nakamichi 700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) > Sound Devices 744T (24bit/48k) > Adobe Audition v3.0 > Samplitude Professional v11.1 > FLAC/16; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
06/20/82	Cumberland County Civic Center	Portland	ME	JGB; Doug Lamarre: Sennheisser 441s > Sony D5 > DAT > PC > flac. Cassette masters and dat transfers by Rob Berger, seeded July 2012.	Source Detail	FLAC
06/20/82	Cumberland County Civic Center	Portland	ME	JGB; flac16; aud cassette master, nak 300's>sony d5, taped by Doug Lamarre, transferred & seeded by Rob Berger	Source Detail	FLAC
06/23/82	Stanley Theater	Pittsburgh	PA	JGB: Unknown Aud -> Cassette Master -> ? -> Cassette (Maxell UDXL I); Transfer Info:Cassette (Maxell UDXL I) -> Ion Tape2PC -> Audacity -> wav -> FLAC.	Source Detail	FLAC
06/23/82	Stanley Theater	Pittsburgh	PA	JGB, flac1644; Sources: AUD composite of two recordings; Set One, JGMF's closet-call tape, and Set Two, uncle-duke ID-90876. Transfer: Both AUD FLACs > Wavelab > R8Brain (Set One material) > CD-Wave > TLH > FLAC 1644 tagged. Project assembly & edited by Andrew F. Dec 2019.	Source Detail	FLAC
06/24/82	Capitol Theater	Passaic	NJ	Jerry Garcia Band, Late show: Jim Wise's Senn 421s > Sony TC-D5 > Cassette Master Playback on Nak Dragon & ran the signal right through Sony PCM R-700 directly to hard disc via ZA-2 (Jim Wise master/transfer). Encoded to wave>tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) as seekable V3 shn.	Source Detail
06/24/82	Capitol Theater	Passaic	NJ	JGB, early and late shows. Early show: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 (10th Row; Maxell UDXLII); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Late Show: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 (Row Q Center; Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.	Source Detail
06/24/82	Capitol Theater	Passaic	NJ	JGB, late show: SBD > CM > DAT > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, via Andrew F.	Source Detail
06/24/82	Capitol Theater	Passaic	NJ	Jerry Garcia Band, Early Show: Jim Wise's Senn 421s > D5 at SBD > Sony PMCR-700 DAT for (A>D only)> ZA2 > CD(x1) > EAC > SHN (A>D by Jim Wise)	Source Detail	FLAC
06/25/82	Palladium	New York	NY	Garcia & Kahn: Jim Wise Master Audience Cassette; Senn 421s (Center, 1st Loge) > Sony D5 master cassette (Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.	Source Detail
06/26/82	Warner Theater	Washington	DC	Garcia & Kahn: Early Show: MSC > CD > EAC > SHN > Pro Tools > SHN. Seeded by Mike Lai, retracked by Dan Metz.	Source Detail
06/27/82	The Tower Theatre	Upper Darby	PA	Late show: David Weidner's Senn mics (Center 1st row of balcony) > Nakamichi deck; transfer: 1st Gen Cass -> Nak CD2 -> Phillips CDR -> CD WavEditor for Tracking -> flac. Transfer by: Dan Brown.	Source Detail	FLAC
06/27/82	The Tower Theatre	Upper Darby	PA	JGJK; late show; flac2448; Source: Nakamichi CM-300's > Sony TC-D5 > MAC > 1st-Gen cassette very kindly provided by Doug Lamarre. Transfer: UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2021	Source Detail	FLAC
06/28/82	Opera House	Boston	MA	Garcia & Kahn: MAC (Nak 700s > Sony TC-D5M, taped FOB by Steve Rolfe) > CD > EAC > SHN	Source Detail
06/28/82	Opera House	Boston	MA	Garcia & Kahn: aud> senn 441> D-5 cassette master> cdr;	Source Detail	shn
06/28/82	Opera House	Boston	MA	jgjk; flac1644: aud cassette master taped by Doug Lamarre, transfer/seeded by Rob Berger	Source Detail	FLAC
06/28/82	Opera House	Boston	MA	JGJK; flac1644; Senn 441's > cassette (1st gen); Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz. Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > iZotope RX 6 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16. edited and mastered SIRMick August 2017	Source Detail	FLAC
06/30/82	Auditorium Theater	Rochester	NY	Garcia & Kahn: Jamie Herbst MAC > Cassette > Cassette (2nd Gen); Transfer and FLAC encoding by David Minches: 2nd gen cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC.	Source Detail
06/30/82	Auditorium Theater	Rochester	NY	JGJK, early and late shows: Unknown audience recording > cassette/1st gen; Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > firewire > SF v6 > Cdwave.	Source Detail	FLAC
07/01/82	Auditorium Theatre	Chicago	IL	Garcia & Kahn: Sony Walkman (condenser mic)> Cass > DAT > CDR > SHN	Source Detail
07/01/82	Auditorium Theatre	Chicago	IL	JGJK; flac1644; unknown audience recording>Harmon Kardon TD 302>Zoom H2, transfer by John Wenzel; different recording than shnid 013424.	Source Detail	FLAC
07/01/82	Auditorium Theatre	Chicago	IL	JGJK, flac1644; Unknown condenser mics > Sony WM-D6, taped by Tony Albano	Source Detail	FLAC
07/01/82	Auditorium Theatre	Chicago	IL	JGJK, flac1648; Cassette of unknown origin>PC>Soundforge for editing	Source Detail	FLAC
07/02/82	Macky Aud., U. of Colorado	Boulder	CO	Garcia & Kahn: Early Show: Unknown MAC > 2 cassette gens > CD > EAC > SHN. A>D by Paul Gibian, EAC>SHN by Joe Jupille.	Source Detail
07/02/82	Macky Aud., U. of Colorado	Boulder	CO	Garcia & Kahn: Late Show: Unknown MAC > 2 cassette gens > CD > EAC > SHN. A>D by Paul Gibian, EAC>SHN by Joe Jupille.	Source Detail	shn
07/02/82	Macky Aud., U. of Colorado	Boulder	CO	JGJK; flac1648; Early and Late Shows; Recording info: Unknown mics > Sony TC-D5 > master audience cassette (TDK SA-C90); Transfer info: Nakamichi CR-7A > Tascam DA-3000 at 24 bit 96 kHz; Recorded by Bill Swan; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
08/23/82	Kabuki Theater	San Francisco	CA	Garcia & Kahn, early and late shows: Source: FOB (25' from stage DFC) > Nak 700's > Sony D5M (Dolby B, Maxell metal cassette), recorded by Bob Menke; transfer: cassette master > Echo Event Gina A/D > Sound Forge 4.5 > CDR > EAC (secure mode) > CDWave (retracked on sb's) > SHN (MKWACT). A>D by Bob Menke, EAC/Shn'ed by Charlie Connor.	Source Detail
08/23/82	Kabuki Theater	San Francisco	CA	flac1644; early show; Recorded by Phil Jaret; Unknown Equipment (MAC). Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 3.0 > FLAC encoding. Pitch Correction by Joe B. Jones.	Source Detail	FLAC
09/06/82	The Stone	San Francisco	CA	JGJK; s1; flac1644; taped By Jeff Knudsen using Marantz SuperScope Mics > Aiwa HS1 Deck, from the (stage left) table on the Dance floor; Transfer: MAC > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 > DVD > Audacity 2.0.0 to 16bit	Source Detail	FLAC
09/07/82	The Stone	San Francisco	CA	unknown low gen aud; Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac via brad tenner	Source Detail	FLAC
09/07/82	The Stone	San Francisco	CA	JGJK; flac1648 Source: SBD Cass > DAT at 16 bit 48 kHz from ANON. Patches from Source ID 121115, taped by Jeff Knudsen. Speed Correction by Jason Chastain; Mastering by Jamie Waddell; Track, FLAC, and Pack by Steve Gravel.	Source Detail	FLAC
10/13/82	The Catalyst	Santa Cruz	CA	Jerry Garcia Band: MAC (Taped by N Hoey*) > CD > WAV > SHN. * admin note 12/20/2010: this recording used to be attributed to Steven Martin, but Hoey confirms that it is his master.	Source Detail
10/21/82	The Stone	San Francisco	CA	flac1644; Jeff Knudsen's MAC (AIWA HS-1 > Superscope mics, Maxell XLIIS cassettes) > 1st gen cassettes; Transfer: cass (1) > Apogee Mini ME 24/96 > Apogee Mini DAC > Wavelab 6.0 by Matt Smith; Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station at 24 bit 96kHz; Weiss-Saracon for conversion to 16 bit 44.1kHz.	Source Detail	FLAC
10/22/82	Keystone Palo Alto	Palo Alto	CA	flac1644; Jeff Knudsen's MAC (AIWA HS-1 > Superscope mics, Maxell XSII-S cassettes) > 1st gen cassettes; Transfer: cass (1) > Apogee Mini ME 24/96 > Apogee Mini DAC > Wavelab 6.0 by Matt Smith; Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station at 24 bit 96kHz Weiss-Saracon for conversion to 16 bit 44.1kHz.	Source Detail	FLAC
10/23/82	Keystone Palo Alto	Palo Alto	CA	flac1644; Jeff Knudsen's MAC (AIWA HS-1 > Superscope mics, Maxell XSII-S cassettes) > 1st gen cassettes; Transfer: cass (1) > Apogee Mini ME 24/96 > Apogee Mini DAC > Wavelab 6.0 by Matt Smith; Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station at 24 bit 96kHz Weiss-Saracon for conversion to 16 bit 44.1kHz.	Source Detail	FLAC
10/24/82	River Theater	Guerneville	CA	JGB: unknown aud > ? > flac.	Source Detail
10/27/82	Rissmiller's Country Club	Reseda	CA	JGB, flac1644; Unknown AUD (marked 4th Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017	Source Detail	FLAC
10/28/82	Rissmiller's	Reseda	CA	Jerry Garcia Band, Early & Partial Late Shows: MAC > WAV > SHN. Recorded by Rango Keshavan, front of the balcony, Sony ECM220T mics > SonyTCD5M metal cassette masters (no dolby) > playback on a Nak DR1 > Sony PCMR500 (SBM on) > Turtle Beach Montego II sound card > WAV > SHN.	Source Detail
10/30/82	Mesa Ampitheater	Mesa	AZ	JGB: AUD (unknown lineage) > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH (checksums, SBE-fix, FLAC compression)	Source Detail
10/30/82	Mesa Ampitheater	Mesa	AZ	JGB; flac1644; Recorded by Kaj Maurins; Aiwa cassette recorder and unknown mics; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding. Speed/pitch Correction by Joe B. Jones.	Source Detail	FLAC
11/01/82	Opry House	Austin	TX	JGB: MAC > ? > Maxell XL2S90 (Dolby C) > Nak CR3A(Dolby C EQ Out) > HP computer > Sound Forge (vol@5.6DB) > CD Wave > Flac.	Source Detail	FLAC
11/01/82	Opry House	Austin	TX	JGB: s1s2p; Unlineaged multianalog generation audience recording	Source Detail
11/03/82	Riverboat President	New Orleans	LA	Jerry Garcia Band, S:C>C>D>CD>EAC>SHN	Source Detail
11/03/82	Riverboat President	New Orleans	LA	JGB; flac1644; SBD > MSC > 3rd-Gen Cassettes. Transfer: Maxell XLII-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017.	Source Detail	FLAC
11/05/82	Chrysler Auditorium	Norfolk	VA	JGB: Brent Z.'s MAC (hand-held stereo recorder, likely an early Walkman) > first generation cassettes (Maxell XL-II's) > Sony TC-D5M playback > Soundblaster > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and lossless compression) > FLAC, by Andrew F. May 2006.	Source Detail
11/05/82	Chrysler Auditorium	Norfolk	VA	JGB: AUD, reportedly recorded by Dave Allen in the balcony. Unknown equipment and lineage.	Source Detail
11/06/82	Ritchie Coliseum (U. MD)	College Park	MD	Unknown Audience Recording > ? > FLAC, via GEMS.	Source Detail	FLAC
11/06/82	Ritchie Coliseum (U. MD)	College Park	MD	flac1644: Tracks 1-9: unlineaged aud recording > CD, via John Herrold; Transfer: Eac (secure Mode) > Wav; Tracks 10-13: shnid 100364. Assembly: AA3 For edits, fades; TLH For Flac7, Foobar For Tags. Transferred and assembled by Mike Schuncke.	Source Detail	FLAC
11/06/82	Ritchie Coliseum (U. MD)	College Park	MD	JGB; flac2448; Source: Nakamichi CM100/CP4 shotguns > unknown deck > MAC > 1st Gen copy, cassettes liberated from ebay. Transfer: Sony FR-II's > Nakamichi CR-5 (Dolby out) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 04/2023	Source Detail	FLAC
11/07/82	The Tower Theatre	Upper Darby	PA	Jerry Garcia Band. Late show. Source: AUD(taper&mics unknown)>?>CDR>WAV>SHN.	Source Detail
11/07/82	The Tower Theatre	Upper Darby	PA	JGB, early & late shows: Brent Z.'s MAC (hand-held stereo recorder, likely an early Walkman) > 1st gen cassettes > Sony TC-D5M playback > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and lossless compression) > FLAC > bt.etree, by Andrew F.	Source Detail
11/07/82	The Tower Theatre	Upper Darby	PA	JGB; flac1644; early and late shows; Sony D6C(NAK mics)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	JGB, early show: Doug Lamarre's Sennheiser 441's> D-5 MAC > CDR > EAC > Wav [>shn].	Source Detail
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	Jerry Garcia Band: Early and Late shows: MAC (Taped by Steve Rolfe, front row balcony w/Nak 700s > Sony TC-D5) > DAT > CD > WAV > SHN. Extracted, shn'd and posted to abgd by weatherbee.	Source Detail
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	JGB, early and late shows: SBD(x) > unknown gen TDKSA90 cassette Played on a Nak CR3A > hp computer > Sound Forge (vol@5.5db) > CD wave > Flac.	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	JGB, early & late: John Levene's Senn 421 > Sony TCM-D5 MAC; Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > firewire > SF v6 > Cdwave Soundforge used to prepare wave file for tracking and resample to 44.1k CDwave used to track and flac @ compression level 8.	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	JGB; flac; early and late shows; sbd, Jerry Moore's low gen cassette, transfer/seed by Rob Berger	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	JGB, early show: Doug Lamarre's Senn 441s > Sony D-5) > CD > EAC > SHN > shntool > SHN. Fixes sector boundary errors on previous .shn set, fixed and seeded by Chris L.	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	JGB; flac2448; Early Show; Source: Sennheiser MD-441's > Sony TC-D5 > Maxell XLII-90, set up front row balcony, recording by Doug Lamarre. Transfer: MAC > Nakamichi CR-5A (Dolby B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2021	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	JGB, flac1644; early and late shows; Matrix of SBD ID-123034 & AUD ID-89126. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 12/2021	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	flac1648 Source: 24 bit 96kHz files most likely from first generation soundboard cassette via Anon, patched with audience source ID 110490 to make both early and late shows complete. Mastered by Jim Blackwood; Speed Correction by Jason Chastain; Track, FLAC, and Pack by Steve Gravel	Source Detail	FLAC
11/10/82	Livingston Gym (Livingston College - Rutgers U.)	Piscataway	NJ	Source: MAC>D>CDR>WAV>SHNv3. Microphone and taper unknown at this time. CDR source via J.Darr. SHN encoding/FTP via C.Ladner/candyman FTP.	Source Detail
11/10/82	Livingston Gym (Livingston College - Rutgers U.)	Piscataway	NJ	JGB: Steve Adelman's MAC (Nak100s > D5) > 1st gen cassette > playback on cleaned/demagged Nakamichi DR-2 tape deck > Presonus Firebox (pre-amp and A-D conversion) > firewire/PC/XP > Wavelab 5, recorded as 24 bit/96 KHz WAV > digital subtraction NR using Waves XNoise, mastering with L3 Multimaxmizer and rendered to 16 bit/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). 1st gen cassette provided by Bill Koucky.	Source Detail
11/10/82	Livingston Gym (Livingston College - Rutgers U.)	Piscataway	NJ	JGB; flac1644; David Dyche's Nak 700's (FOB) > Bass Box > Sony TCD-5m > PDA Audio Card 24/48 > Sound Forge Audio Studio 10 16/44.1 > CD Wave > flac.	Source Detail	FLAC
11/10/82	Livingston Gym (Livingston College - Rutgers U.)	Piscataway	NJ	JGB; flac1648; Master Audience Cassettes (unknown taper): Nakamichi 300 mics + CP4 caps > Jim Vita's 1st generation cassettes. Transfer Info: 1st generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit Via DBpoweramp. Mastered by Scott Clugston. May 2021.	Source Detail	FLAC
11/11/82	Felt Forum (Madison Square Garden)	New York	NY	Jerry Garcia Band: Early & Late Shows: MAC > ? > CD > SHN. Taped by Jim Wise, extracted, .shn'd, and posted to abgd by weatherbee.	Source Detail
11/11/82	Felt Forum (Madison Square Garden)	New York	NY	JGB, Early & Late Shows: Jim Wise MAC (Early Show: Beyer M160s w/ Senn 421 blend at SB [Maxell XLIIS] > Uher cassette deck; Late Show: Senn 421s at SB > Uher cassette deck [Maxell XLIIS]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC, transfer by David Minches.	Source Detail
11/11/82	Felt Forum (Madison Square Garden)	New York	NY	Jerry Garcia Band, Early Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Nak Dragon playback > ART DI/O > HD > WAV (Cool Edit 2000) > shntool > SHN (mkwACT). Cassette > SHN by David Minches.	Source Detail
11/11/82	Felt Forum (Madison Square Garden)	New York	NY	JGB; flac1644; early show; David Dyche's Nak 700's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac.	Source Detail	FLAC
11/11/82	Felt Forum (Madison Square Garden)	New York	NY	JGB; flac1644; late show; David Dyche's 2x Sennheiser 421 & 1x Beyer M160 > Nak Blend Box > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac.	Source Detail	FLAC
11/11/82	Felt Forum (Madison Square Garden)	New York	NY	JGB; flac1648; late show; Master Audience Cassettes (unknown taper); Nakamichi 300 mics + CP4 caps > Jim Vita's 1st generation cassettes. Transfer Info: 1st generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. May 2021.	Source Detail	FLAC
11/11/82	Felt Forum (Madison Square Garden)	New York	NY	JGB; flac2496; Late Show. Recorded by Matthew Caffrey, UrbanSurfer. AudioTechnica mics > Sony D5; Transfer, mastering and editing by David Minches, June 2023. Master cassette played on Nakamichi Dragon> Tascam DA-3000 (24 bit; 96 kHz)> Adobe Audition 2023.	Source Detail	FLAC
11/13/82	Bushnell Auditorium	Hartford	CT	Jerry Garcia Band, I/IIp: MAC > ?? > C > CD > EAC > SHN, possibly as many as three cassette gens between the master and the digitized copy.	Source Detail
11/13/82	Bushnell Auditorium	Hartford	CT	Jerry Garcia Band, set II only: MAC (Taped by Jim Wise, Sennheiser 421's > Sony D5 [7th row center, hand held]) > CD > EAC > SHN. A>D by Jim Wise, EAC>SHN by flipp. The set I tape was "marred" and not transferred. As of this submission (9/2003), no md5s were available. If you have these .shns, please submit the md5s.	Source Detail	SHN
11/13/82	Bushnell Auditorium	Hartford	CT	JGB: Jim Wise Master Audience Cassette; Senn 421s (7th row center, hand-held) > Sony D5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.	Source Detail
11/13/82	Bushnell Auditorium	Hartford	CT	JGB; flac1644; aud casette master, senn 441's>d5, taped by Doug Lamarre, transfer/seeded by Rob Berger	Source Detail	FLAC
11/13/82	Bushnell Auditorium	Hartford	CT	[b]JGB; flac1644[/b]; Ted Mattes's Beyer M600 > Sony TCD-5 (No Dolby encoding) Nkakmichi Dragon > Thomas Mayer 10Y Preamp > QES Labs Pad II LE (A/D 96/24) > Bias Peak 7 OSX (edits, tracking) > xACT (flac, tagging). 30 second patch taken from Jim Wise source (shnid 33422) for the beginning of The Night They Drove Ol;d Dixie Down. This file set is 16 bit @ 44.1	Source Detail	FLAC
11/14/82	Shapiro Gym, Brandeis University	Waltham	MA	JGB: unknown aud, unknown gens > Cassette (Nak playback) -> RME DIGI -> Samplitude 6.0 -> CD-Wav -> Mkwact -> SHN, transferred by Patrick H.	Source Detail
11/15/82	Wilkins Theatre (Kean College)	Union	NJ	Jerry Garcia Band. Late show. Source: MSC>C>DAT>WAV>CDR>SHN.	Source Detail
11/15/82	Wilkins Theatre (Kean College)	Union	NJ	JGB, late show: Jim Vita's MAC (2 Sennheiser 421s [16th row center] > Sony D5) > Nakamichi Dragon playbac > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.	Source Detail
01/13/83	Keystone	Berkeley	CA	Jerry Garcia Band: MSC > ? > DAT > Marantz 631 w/ 110 ohm AES cord(resampled 48 > 44.1 & tracked) > CD > EAC > MKW > SHN	Source Detail
01/13/83	Keystone	Berkeley	CA	JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > Flac (8). Transferred, Remastered and Seeded by Green Mountain Brothers.	Source Detail	FLAC
01/15/83	The Stone	San Francisco	CA	unknown low gen aud via brad tenner Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac	Source Detail	FLAC
01/18/83	The Catalyst	Santa Cruz	CA	JGB; flac1644; missing last song; unknown low gen aud via brad tenner; Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac	Source Detail	FLAC
01/18/83	The Catalyst	Santa Cruz	CA	JGB; flac 2448, Partial Show; Source: Unknown mic & deck > TDK SA-X cassette master recording by Gene Taback. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2020	Source Detail	FLAC
01/21/83	KVRE-FM 101.7 Radio Station	Santa Rosa	CA	Jerry Garcia telephone interview; KVRE-FM 101.7; Santa Rosa, CA; 01-21-1983 09:45 a.m.; FM>C>CD>EAC>SHN.	Source Detail
01/22/83	Phoenix Theater	Petaluma	CA	Jerry Garcia Band: MSC (TDK SA-90) > DAT > CDR > EAC > SHN	Source Detail	SHN
01/22/83	Phoenix Theater	Petaluma	CA	JGB: MSC (unknown deck) > cassette copy (unknown deck, Dolby off) transfer: Sony TC-K71 (Dolby off) > Sek'd Prodif Plus > Sound Forge 8 (24 bit, normalize, track, bit depth conversion, export to .wav files) > FLAC level 8 encoding align on sector boundaries.	Source Detail	FLAC
01/22/83	Phoenix Theater	Petaluma	CA	JGB; flac1648; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT	Source Detail	FLAC
01/23/83	Keystone	Berkeley	CA	Source: SBD>MC>PCM>DAT>WAV>SHN, set 1 only.	Source Detail
01/23/83	Keystone	Berkeley	CA	Jerry Garcia Band, set II only: MAC > CD > EAC > SHN. Taped by Andrew Jones (Nak 100s > Sony TC-D5M), transferred from the master cassettes via Nak DR380 > DA-P1 > ZA-2 > Sound Forge 4.5 > WAV (no DAE) > CD x 1 > EAC > SHN.	Source Detail	SHN
01/24/83	Keystone	Berkeley	CA	Source: SBD>MC>PCM>DAT>WAV>SHN.	Source Detail
01/24/83	Keystone	Berkeley	CA	JGB, flac1644; Matrix of SBD ID-19966 & AUD ID-23943. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 04/2018	Source Detail	FLAC
01/24/83	Keystone	Berkeley	CA	Jerry Garcia Band: Master audience cassette (Taped by Steven Martin, 2 modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding	Source Detail	FLAC
02/26/83	Keystone Palo Alto	Palo Alto	CA	JGB; shn; s2: MAC>1C>CD>WAV>SHNv3 CDR source provided by Jim Powell. DAE (EAC) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact) by Chris Ladner.	Source Detail	SHN
02/26/83	Keystone Palo Alto	Palo Alto	CA	unknown low gen aud via brad tenner Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac	Source Detail	FLAC
02/27/83	Keystone Palo Alto	Palo Alto	CA	Source: SBD>MC>DAT>CDR>WAV>SHN. Partial -missing the middle of the second set. See info file.	Source Detail
02/27/83	Keystone Palo Alto	Palo Alto	CA	unknown low gen aud via by brad tenner Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac	Source Detail	FLAC
02/27/83	Keystone Palo Alto	Palo Alto	CA	JGB; flac1648; s1s2p; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT	Source Detail	FLAC
02/28/83	Keystone	Berkeley	CA	Source: MAC(Nak 700s>Sony D-6)>DAT>CDR>WAV>SHN. Taper: John Corley	Source Detail
02/28/83	Keystone	Berkeley	CA	JGB; flac1648; s2; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT	Source Detail	FLAC
03/02/83	San Francisco Civic Auditorium	San Francisco	CA	Garcia & Weir: Walter Keenan's master FM cassette > Nakamichi Dragon playback > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD; Editing and downsampling performed in Adobe Audition; Flac Encoded. Transfer by David Minches.	Source Detail	FLAC
03/02/83	San Francisco Civic Auditorium	San Francisco	CA	flac1644; BAMmies; KFOG-FM broadcast > master cassette, by Phil Jaret; Transfer and FLAC encoding by David Minches: 1st generation cassette played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding. Speed/pitch correction by Joe B. Jones.	Source Detail	FLAC
03/05/83	Civic Auditorium	Santa Cruz	CA	Jerry Garcia Band: MSC > DAT > CDR; seeded by eD	Source Detail
03/05/83	Civic Auditorium	Santa Cruz	CA	Jerry Garcia Band: MSC > DAT > CD [> SHN], extraction, conversion, and seeding by Todd Sanders.	Source Detail	SHN
03/05/83	Civic Auditorium	Santa Cruz	CA	JGB: MSC > DAT; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0; Mastering with: iZotope Ozone 3 > r8brain dithered to [16/44.1] > CD Wave > TLH > FLAC; Transferred and Mastered by Bill Koucky March 18, 2008, Green Mountain Bros.	Source Detail	FLAC
03/05/83	Civic Auditorium	Santa Cruz	CA	JGB; flac1648; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT	Source Detail	FLAC
03/07/83	The Stone	San Francisco	CA	unknown low gen aud via brad tenner Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac	Source Detail	FLAC
03/07/83	The Stone	San Francisco	CA	JGB; flac1644; SBD > ? > CDR > WAV, via the jjoops tupperware collection. Transfer: Wavelab > CD-Wave > TLH > FLAC 1644 tagged. June 2016.	Source Detail	FLAC
03/11/83	Arlington Theater	Santa Barbara	CA	Source: SBD>MC>?>CDR>WAV>SHN. Missing tracks - see info file for details.	Source Detail
03/12/83	Beverly Theatre	Beverly Hills	CA	Jerry Garcia Band, Late Show: MAC ("Tapers from Hell", Nakamichi CM-300 mics (hand-held in X-Y pattern, 15th row left of center] > Sony D5 [Dolby B, Maxell XLIIS "chrome"]) > Sony TC-D5M playback > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > Tascam DA-20mkII DAT playback > Marigo Audio Lab Apparition Reference Coaxial / RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO, 1x) > CD clone (no details) > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
03/12/83	Beverly Theatre	Beverly Hills	CA	Jerry Garcia Band. Complete Early show. MAC>?>CDR>WAV>SHN.	Source Detail
05/06/83	The Stone	San Francisco	CA	JGB; flac1644; AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017	Source Detail	FLAC
05/07/83	The Stone	San Francisco	CA	JGB; flac; aud 2nd gen cassette, Jerry Moore's copy, Rob Berger transfer/seed	Source Detail	FLAC
05/07/83	The Stone	San Francisco	CA	JGB, flac1644; 2nd Set Unknown AUD (mono) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017	Source Detail	FLAC
05/20/83	Rainbow Theater	Denver	CO	Jerry Garcia Band: MAC (Sennheiser K-403 > D5) > CDR > SHN. Taper: unknown. (Admin note: David White taped this show with these mics, but whether this is from his master remains TBD.)	Source Detail
05/20/83	Rainbow Theater	Denver	CO	JGB: Recorded by David White; Sennheiser K-403 mics> Sony TC-D5M (back of the hall); Nakamichi BX-300 playback > HHB 830 CD recorder > EAC > HD; Minor editing and tracking in Adobe Audition 2.0> FLAC encoding; Transfer and FLAC encoding by David Minches.	Source Detail	FLAC
05/21/83	Rainbow Theater	Denver	CO	JGB: Recorded by Craig Johnson with a Panasonic 610 (cassette deck with a built-in stereo mic); Lineage: Master cassette audience> cassette; Transfer and FLAC encoding by David Minches: 1st generation cassette played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
05/21/83	Rainbow Theater	Denver	CO	JGB: Bill Moran's Marcsound mics> Sony D-5; Original Transfer: Master > CD > EAC > SoundForge > CD; Additional mastering: CD > EAC > Adobe Audition 2.0 > FLAC encoding.	Source Detail
05/21/83	Rainbow Theater	Denver	CO	2 Sennheiser 421 FOB >Sony TCD5M Master Cassette>SHN	Source Detail	FLAC
05/21/83	Rainbow Theater	Denver	CO	JGB; flac1644; Recorded by an unknown man in wheelchair with unknown mics in his hat brim who copied his original masters for the seeder. Unknown stereo mics & deck > MC > TDK > CD > EAC > TLH	Source Detail	FLAC
05/23/83	Stages	Granite City	IL	Jerry Garcia Band. Source: MAC(Sony D-6 hand-held cassette recorder with internal microphones recorded by Steven Shayman)>C>CDR>WAV>SHN.	Source Detail
05/25/83	Shea's Auditorium	Buffalo	NY	JGB; flac2448; 3rd gen aud (Maxell XLII90, no Dolby) > Nakamichi BX-300 playback (no Dolby) > Pyle Pro cables > WaveTerminal 2496 > Samplitude 10.1 Download Version (record @ 24 bits/48kHz) > CDWave 1.9.8 (tracking) > Adobe Audition 3.0 (cross-fades, etc.) > Traders Little Helper 2.4.1 (FLAC encoding, level 8) (flac2448).	Source Detail	FLAC
05/26/83	Auditorium Theater	Rochester	NY	JGB: Recording by Don Crandel, equipment unknown. Unknown MAC > CDR transfer; CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC.	Source Detail	FLAC
05/26/83	Auditorium Theater	Rochester	NY	JGB, flac1644; unknown AUD (lo-gen) kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 06/2017	Source Detail	FLAC
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	Jerry Garcia Band. Source: MAC(Jim Vita FOB Sennheiser 421 > Sony TC-D5M cassette deck)>D>CDR>WAV>SHN.	Source Detail
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	JGB: Mark Horvath's 3 Audio Technica ATM 11s > Sony TCM D-5 > Master Cass; Sony TC-we 435 playback > analog Coax Cables > analog inputs > Philips CDR 870 > CD-R > EAC > Cool Edit (rejoin tracks and fades)# > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN. Cass > CD by Mark Horvath, CD > SHN by Jan Welch .	Source Detail	SHN
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	JGB: Jim Vita's MAC (2 Sennheiser 421s with Beyer mic blend, recorded on right-hand side in front of the SB > unknown deck [Maxell XLIIS]); Transfer and FLAC encoding by David Minches: Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.	Source Detail	FLAC
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	flac24; JGB: lineage: chasingwilma's 3x audio technica atm 11 fob > optimus > tcm-d-5 > mc > sony tc we435 > sony pcm m-10 96khz/24bit > soundforge > cdwave > traders little helper encoding option 8.	Source Detail	FLAC
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	JGB; flac24; Rudy Huston's Beyer M160 > Nakamichi 550 > Cassette Master (Maxell UDXL-II); Transfer: Cassette Master > Nakamichi CR-7A > > wav 24/96, by Charlie Miller. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24, edited and mastered SIRMick May 2018.	Source Detail	FLAC
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	JGB; flac1644; Rudy Huston's Beyer M160 > Nakamichi 550 > Cassette Master (Maxell UDXL-II); Transfer: Cassette Master > Nakamichi CR-7A > > wav 24/96, by Charlie Miller. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24, edited and mastered SIRMick May 2018, This file set is 16 bit @ 44.1	Source Detail	FLAC
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	JGB; flac1644; Jeff Silberman (FOB) Recording: Nak 300 Shotguns > Nak 550 deck > Master Cassette; Bryan Bowen transfer: Cassette master > Apogee Ensemble > Dat > AIFF (44Hz/16bits). Edited & Mastered by Joe Noel: AIFF > Audacity > Flac 16/44, August 27, 2018.	Source Detail	FLAC
05/29/83	Bushnell Auditorium	Hartford	CT	Jerry Garcia Band: MAC (Taped by Jim Vita, Sennheiser 421s [at the board] > Sony TCD-5M) > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
05/29/83	Bushnell Auditorium	Hartford	CT	JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches.	Source Detail	FLAC
05/29/83	Bushnell Auditorium	Hartford	CT	JGB; flac24; Rudy Huston's Beyer M160 > Uher deck > Nakamichi 550 > Cassette Master (Maxell UDXL-II) (patched out of Marc Erdheims); Transfer: Cassette Master > Nakamichi CR-7A > > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24, edited and mastered SIRMick May 2018.	Source Detail	FLAC
05/29/83	Bushnell Auditorium	Hartford	CT	JGB; flac1644; Rudy Huston's Beyer M160 > Uher deck > Nakamichi 550 > Cassette Master (Maxell UDXL-II) (patched out of Marc Erdheims); Transfer: Cassette Master > Nakamichi CR-7A > > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24, edited and mastered SIRMick May 2018. This file set is 16 bit @ 44.1	Source Detail	FLAC
05/29/83	Bushnell Auditorium	Hartford	CT	JGB; flac1648; Jeff Silberman FOB Recording: Sennheiser 441's w/421 blend > Nakamichi 550 deck > Master Cassette (Row 17)Transfer: Cassette Master > Nakamichi Dragon (Dolby B) > Sony 75ES > DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV.	Source Detail	FLAC
05/30/83	Bushnell Auditorium	Hartford	CT	JGB; flac2448; AUD: AKG mics (unknown model) > patched thru one deck > Marantz PMD-340 > TDK SA-90s, mics placed on ledge of center mezzanine. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit) > TLH > FLAC 2448 tagged. June 2013, Andrew F. Upgrade to shnid-18181.	Source Detail	FLAC
05/30/83	Bushnell Auditorium	Hartford	CT	Jerry Garcia Band: MAC (Taped by Andrew Faintych using a Marantz 340 cassette deck and AKG mics resting on the rail of the balcony) > CD > EAC > SHN v3. EAC and SHN by cbass@usa.net.	Source Detail
05/30/83	Bushnell Auditorium	Hartford	CT	Jerry Garcia Band. Source: MAC(Sennheiser 441, 17th row center) > D > D. Taper: unknown @ this time, probably Jim Vita. DAT>WAV transfer: Sony PCM-R500>S/PIDF>Audiophile 2496>P4 2.0 GHz/Soundforge6.0>WAV>SHN via C.Ladner & J.Powell.	Source Detail
05/30/83	Bushnell Auditorium	Hartford	CT	JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches.	Source Detail
05/30/83	Bushnell Auditorium	Hartford	CT	JGB; flac1644; Joe Morrone's AUD: 2x Nakamichi CM300/CP4 shotguns, 1x Nakamichi CM300/CP1 cardioid blend mic > Nakamichi 550 > Maxell UDXL-II's, set up in the balcony. Taped by Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F.	Source Detail	FLAC
05/30/83	Bushnell Auditorium	Hartford	CT	JGB; flac2448; AUD: AKG mics (unknown model) > patched thru one deck > Marantz PMD-340 > TDK SA-90s, mics placed on ledge of center mezzanine. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit) > TLH > FLAC 2448 tagged. June 2013, Andrew F. Upgrade to shnid-18181.	Source Detail	FLAC
05/30/83	Bushnell Auditorium	Hartford	CT	JGB; flac1648; Jeff Silberman FOB Recording: Sennheiser 441 > Nakamichi 550 deck > Master Cassette (Row 17); Transfer: Cassette Master > Nakamichi Dragon (Dolby B) > Sony 75ES > DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV.	Source Detail	FLAC
05/31/83	Roseland Ballroom	New York	NY	JGB: Sennheiser 441's > ?? >DAT; Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN.	Source Detail
05/31/83	Roseland Ballroom	New York	NY	Jerry Garcia Band: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
05/31/83	Roseland Ballroom	New York	NY	Jerry Garcia Band: mAC> DAT> CDR> TAE> WAV> SHN; mics unknown; via Dan Metz, Mike Lai	Source Detail	SHN
05/31/83	Roseland Ballroom	New York	NY	JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII)]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, xfer by David Minches.	Source Detail	FLAC
06/01/83	Roseland Ballroom	New York	NY	Jerry Garcia Band: MAC > DAT > SHN. Recorded by Chris Beach, 3 Nak 701s > Mx-100 pre-amp (modified) > Sony D-5 cassette master > D10 > SHN	Source Detail
06/01/83	Roseland Ballroom	New York	NY	Jerry Garcia Band: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
06/01/83	Roseland Ballroom	New York	NY	JGB, I/IIp: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches.	Source Detail	FLAC
06/03/83	Capitol Theater	Passaic	NJ	JGB, early and late shows: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches.	Source Detail	FLAC
06/04/83	The Chance	Poughkeepsie	NY	Jerry Garcia Band: Early Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
06/04/83	The Chance	Poughkeepsie	NY	Jerry Garcia Band: Late Show: This is a composite of two different sources. The majority (set I and the encore) derives from Mark Cohen's FOB Nak 700s > Sony TC-D5. The rest (set II) derives from Jim Vita's FOB Senn 421s > Sony TC-D5M. I don't know details on the Vita transfer, but Cohen's was transferred as follows: master played back on Nak Dragon > ART DI/O > Cool Edit 2000 (including patching in of the Vita material) > master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor editing using SF Studio 6.0 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
06/04/83	The Chance	Poughkeepsie	NY	JGB, late show: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches.	Source Detail
06/04/83	The Chance	Poughkeepsie	NY	JGB: Late Show: not really a soundboard, despite given lineage of MS? > ? > SHN, seeded by Mike Lai.	Source Detail	FLAC
06/04/83	The Chance	Poughkeepsie	NY	JGB; flac2496; Late Show. Recorded by Matthew Caffrey-UrbanSurfer Sennheiser 421s> Sony D5; Transfer, mastering and editing by David Minches, June 2023: Master cassette played on Nakamichi Dragon> Tascam DA-3000 (24 bit; 96 kHz)> Adobe Audition 2023 Patch Information, Source: SHNID# 15620; Tracks 1-4, 9: Recorded by Mark Cohen FOB Nak 700s> Sony TC-D5; Tracks 5-8; Recorded by Jim Vita FOB Senn 421s> Sony TC-D5M.	Source Detail	FLAC
06/04/83	The Chance	Poughkeepsie	NY	JGB; flac2496; Early Show. Recorded by Matthew Caffrey,UrbanSurfer, AudioTechnica mics > Sony D5. Transfer, mastering and editing by David Minches, June 2023. Master cassette played on Nakamichi Dragon> Tascam DA-3000 (24 bit; 96 kHz)> Adobe Audition 2023.	Source Detail	FLAC
06/05/83	The Tower Theatre	Upper Darby	PA	JGB, early & late shows: 2 Nakamichi 300s > Sony D-5 MAC > 1 cassette > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.	Source Detail
06/05/83	The Tower Theatre	Upper Darby	PA	JGB; flac1644; early and late; Sony D6C(NAK mics)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taped by: Dave Peters	Source Detail	FLAC
07/20/83	Keystone Palo Alto	Palo Alto	CA	JGB; flac1644; AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017.	Source Detail	FLAC
07/21/83	The Stone	San Francisco	CA	FLAC16: aud, unknown gen, transferred & seeded by Rob Berger 2014	Source Detail	FLAC
07/24/83	Nevada County Fairgrounds	Grass Valley	CA	Source: Nak700s>MAC > C > CD>WAV>SHN. Taper: Bob Menke	Source Detail
07/24/83	Nevada County Fairgrounds	Grass Valley	CA	JGB; flac1644; aud: Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11, Editing and Mastering by Jamie Waddell in Wavelab 7.1.	Source Detail	FLAC
09/30/83	The Country Club	Reseda	CA	Jerry Garcia Band: MAC (unknown details) > 1 cassette > VHS HiFi > Sony SLV626 playback > Harman Kardon CDR2 master CD > 1 CD > EAC > FLAC. VHS > CD transfer by vertiklman.	Source Detail	FLAC
10/01/83	Beverly Theatre	Beverly Hills	CA	Jerry Garcia Band: Taped by Joe Pinedo, Sony 939 > Sony D6 > 1st Gen Cassette (Maxell XLII 90 with Dolby B) > Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > eac > mkw > shntools. Transfer & CD mastering/shn conversion by Brian Mandel.	Source Detail
10/01/83	Beverly Theatre	Beverly Hills	CA	Jerry Garcia Band, set I: MAC (unknown details) > 1 cassette > VHS HiFi > Sony SLV626 playback > Harman Kardon CDR2 master CD > 1 CD > EAC > FLAC. VHS > CD transfer by vertiklman.	Source Detail	FLAC
10/03/83	Palamino Station	Riverside	CA	JGB; flac2448; Source: AUD (unknown gear) > MAC > 1st-Gen cassette, with a big thanks to Jon Bernstein for providing this recording. Transfer: TDK SA-X 90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2019.	Source Detail	FLAC
11/12/83	Keystone Palo Alto	Palo Alto	CA	Source: MSC>C4>DAT>WAV>SHN, except for d1t01 and brief splice in d2t01 which are from John Corley's Nakamichi source. Cassette > DAT via J.Powell. DAT>WAV>SHN via C.Ladner.	Source Detail
11/12/83	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: SBD > CM > DAT Transfer: DAT (60ES) > Waveterminal U2A (48 > 44.1) > CDWAV > Goldwave used to normalize to 100% > CDWAV used for tracking and conversion to Flac.	Source Detail	FLAC
11/12/83	Keystone Palo Alto	Palo Alto	CA	JGB, flac1644; Source: Unknown AUD > ? > CDR. Transfer: EAC > WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 03/2018	Source Detail	FLAC
11/12/83	Keystone Palo Alto	Palo Alto	CA	JGB, flac1644; Matrix of SBD ID-25629 & AUD ID-141450. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 03/2018	Source Detail	FLAC
11/12/83	Keystone Palo Alto	Palo Alto	CA	JGB, flac1644; John Corley's Nakamichi CM-700's > Sony WM-D6 > MAC > Cassette (marked 4th-gen), kindly provided from the collection of DL. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2018	Source Detail	FLAC
11/12/83	Keystone Palo Alto	Palo Alto	CA	JGB; flac1648; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT	Source Detail	FLAC
11/14/83	The Stone	San Francisco	CA	MSC>DAT>CDR>WAV>SHN. The beginning/first notes of several tracks are clipped by in-between song tape pauses including: d1t01, d1t02, d2t01.	Source Detail
11/15/83	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by John Corley, gear not certain at this time) > DAT? > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/23/83	Arie Crown Theater	Chicago	IL	Jerry Garcia Band, early and late shows: Dave Cohen's Senn 421s > Sony D5 > unknown playback deck to Panasonic 3700 > Tascam DA-30 playback > Digial Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail
11/23/83	Arie Crown Theater	Chicago	IL	JGB: Nakamichi 300 w/ CP4 & WMD5, recorded from 1st row balcony.	Source Detail	SHN
11/25/83	Cleveland Music Hall	Cleveland	OH	Jerry Garcia Band: Probable MSC > DAT > CD > EAC > slight modifications > SHN. This is a retracked and slightly processed upgrade, via Jake Mercatoris, of the previously circulating .shn set.	Source Detail
11/25/83	Cleveland Music Hall	Cleveland	OH	Jerry Garcia Band: MAC (FOB, unknown taper & gear) > 2 cassette gens > Sony TC-WE475 playback > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude Professional v8.01 -> FLAC/16. Transferred and edited by Charlie Miller.	Source Detail
11/25/83	Cleveland Music Hall	Cleveland	OH	JGB: Matrix (SBD/AUD mix). See info file for details.	Source Detail
11/25/83	Cleveland Music Hall	Cleveland	OH	JGB; flac1644; sbd > d-5sony > mc > tc we435 > soundcard > cdwave 44100/stereo/16 bit > traders little helper encoding option 8; taper: chasingwilma; conversion: chasingwilma.	Source Detail	FLAC
11/25/83	Cleveland Music Hall	Cleveland	OH	JGB; flac 1648: Master Soundboard Cassettes, Provided by ANON. Transfer - Nak BX-300 > Sony 75ES > DAT. Speed Correction by Jason Chastain. Mastering by Jamie Waddell. FLAC8 in TLH 16bit 48kHz	Source Detail	FLAC
11/26/83	Forum Theater	Binghamton	NY	Jerry Garcia Band: Early Show. Sbd> Mcas> ??> Dat> Cdr. Seeded by Mike Lai	Source Detail
11/26/83	Forum Theater	Binghamton	NY	Source: SBD>MC>DAT>CDR>WAV>SHNv3. Complete show.	Source Detail
11/26/83	Forum Theater	Binghamton	NY	Jerry Garcia Band, Early and Late Shows: Taped by Ray Ackerman, Shure Mics > Sony TC-D6 from front row balcony; MAC > CD transfer by Ray Ackerman, equipment unknown. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend, by Andrew F.	Source Detail
11/26/83	Forum	Binghamton	NY	JGB; flac1644; sbd > d-5sony > mc > tc we435 > soundcard > cdwave 44100/stereo/16 bit > traders little helper encoding option 8; taper: chasingwilma; conversion: chasingwilma.	Source Detail	FLAC
11/26/83	Forum Theater	Binghamton	NY	JGB; flac1644; Shure PE9's (Front row balcony, dfc) > Sony TC-D6; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering); Master wave file > pc > cd wave > traders little helper (flac level 8). Crystal Resampler (high), & dither w/ iZotope Ozone 5 done in wavelab 6.1. Taped, transferred and mastered by Ray Ackerman; tracked, flaced, resample & dither by Gordon Wilson.	Source Detail	FLAC
11/26/83	Forum Theater	Binghamton	NY	flac2496:FOB (row F), 2x Nakamichi 100 > Sony TC-D5M; Playback master on Sony TC-D5m to Sony PCM-M10 96kHz/24bit	Source Detail	FLAC
11/26/83	Forum	Binghamton	NY	flac2496: flac2496:Row P, 2x Nakamichi 100 > Sony TC-D5M; Playback master on Sony TC-D5m to Sony PCM-M10 96kHz/24bit	Source Detail	FLAC
11/26/83	Forum Theater	Binghamton	NY	JGB; flac2496; early and late; Ray Ackerman's Shure PE9 Mics > Sony D6.. This appears to be the same root source as shnid-126144 and shnid-126145 except that there is no resampling or dither by Gordon Wilson. This is "Tracking, flac, tagging by MattMan."	Source Detail	FLAC
11/27/83	Constitution Hall	Washington	DC	Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN. DAT transfer to CDR via D.Minches. SHN encoding/initial FTP transmission via C.Ladner/candyman FTP.	Source Detail
11/27/83	Constitution Hall	Washington	DC	JGB, flac1644; Set One Partial, Unknown AUD (1st or low-gen) kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017	Source Detail	FLAC
11/29/83	Veterans Memorial Auditorium	Providence	RI	JGB; shnf; MSC > DAT > CDR > WAV > SHNv3.	Source Detail
11/29/83	Veterans Memorial Auditorium	Providence	RI	JGB; flac1644, Joe Morrone and Tim Friend's Nakamichi CM300/CP1 cardioids > Sony TC-D5M > TDK SA-X 90s, set up in Orchestra Row N, taped by Joe Morrone & Tim Friend. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. Feb 2013.	Source Detail	FLAC
11/29/83	Veterans Memorial Auditorium	Providence	RI	JGB; flac2496; chasingwilma's 3x audio technica atm 11 fob > optimus > tcm-d-5 > mc > sony tc we435 > sony pcm m-10 96khz/24bit > soundforge > cdwave > traders little helper encoding option 8.	Source Detail	FLAC
11/29/83	Veterans Memorial Auditorium	Providence	RI	JGB; flac16; SBD > Cassette Master (Dolby B) > DAT (48k); Transfer Info: DAT (Sony TCD-D100) > Tascam DA-3000 > DDi Codec (Dolby B) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC-16 All Transfers and Mastering by Charlie Miller. November 25, 2024	Source Detail	FLAC
11/30/83	Hartford Agora	Hartford	CT	Jerry Garcia Band: MAC (Taped by Michael Laurentus, Stereo Aiwa mics [hidden in wrist splint @ cheek level] > unknown deck) > DAT > WAV > SHN.	Source Detail
11/30/83	Hartford Agora	Hartford	CT	JGB; flac16; Commander's Nak 300s > Sony D5 Maxell udxl-II90 master cassettes; transferred & seeded by Rob Berger & Taperchuck.	Source Detail	FLAC
12/02/83	Tower Theater	Upper Darby	PA	Jerry Garcia Band: MSC -> DAT -> Digi001 -> SHN. This set, via Chris Ladner, fixes sector boundary errors on the existing .shn set.	Source Detail
12/02/83	Tower Theater	Upper Darby	PA	JGB: MAC (2 Sennheiser 441s > Sony D-5) > 1st gen cassette > Nakamichi Dragon playyback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, xfer by David Minches.	Source Detail
12/02/83	Tower Theater	Upper Darby	PA	JGB; flac 1644; Sources: Matrix of SBD ID-13730 & AUD ID-138201. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 05/2020	Source Detail	FLAC
12/03/83	Orpheum Theater	Boston	MA	Jerry Garcia Band: early and late; Master Soundboard Cassette > DAT > CDR, Seeded by Scott Clugston	Source Detail
12/03/83	Orpheum Theater	Boston	MA	JGB, early and late shows: MAC (2 Sennheiser 421s > Sony D-5 [Maxell MX-90s]) > 1 cassette > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches.	Source Detail
12/03/83	Orpheum Theater	Boston	MA	flac1644; early and late shows; Bob Morris's Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits).	Source Detail	FLAC
12/03/83	Orpheum Theater	Boston	MA	JGB; early show and late show set I; flac1644: sbd. No Source or Lineage info available. Transfer by Buzzeo.	Source Detail	FLAC
12/04/83	Gymnasium (SUNY)	Stony Brook	NY	Jerry Garcia Band: MAC (Sennheiser MD-421 mics > D-5 > D-5 [patch] > Nakamichi DR-3 (playback) > Sony Super Bit Mapping > EGOSYS 2496 (soundcard) > SF 4.5 > CD Wave > MKWACT (original .shn set) > sector boundary error fix using .shntool > re-.shn (seekable). Taped, transferred, and originally .shn'd by Dean, fixed and re-.shn'd by Chris L.	Source Detail
12/04/83	Gymnasium (SUNY)	Stony Brook	NY	JGB: Mixed sources; set I: MSC>DAT>CDR>WAV>SHN; set II from previously circulating Senn 421 SHN set.	Source Detail
12/04/83	Gymnasium (SUNY)	Stony Brook	NY	Jerry Garcia Band: 2 Beyer M160s FOB > Sony TCD5M Cassette Master > SHN; Recorded, digitally mastered and seeded to abgd via Walstib.	Source Detail
12/04/83	Gymnasium (SUNY)	Stony Brook	NY	flac1644; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott. Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.	Source Detail	FLAC
12/06/83	Flynn Theater, Early Show	Burlington	VT	Source: AUD* > CM > DAT > CDR > WAV > SHN *Microphone and taper unknown. Thanks to David Minches for CDR source; CDR > SHN via C.Ladner	Source Detail
12/06/83	Flynn Theater, Early Show	Burlington	VT	JGB; early and late; flac1644; mixed 1st gen auds; First Generation Tapes From JB\'s Collection, Transfer By Keo. Early Show: Sennheiser 441\'s>Sony D5,Recorded Orchestra Left Row D. Late Show: Nakamichi CM300/CP1\'s>Sony D5,Recorded Orchestra Left Row Q. Tapes: Maxell XLII\'s 90 Minute. Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz. Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz Wave. Dithered/Flacked With Korg Aqua To 16/44. SBE\'s Checked/Fixed With Trader\'s Litlle Helper. Metadata Tagging With Tag&Rename.	Source Detail	FLAC
12/06/83	Flynn Theater, Late Show	Burlington	VT	JGB; late show; flac2496; 2x Sennheiser 441 > Sony TC-D5m, Row Q; Transfer: Playback master on Sony TC-D5m to Sony PCM-M10 96kHz/24bit.	Source Detail	FLAC
12/06/83	Flynn Theater, Late Show	Burlington	VT	JGB; late show; flac1644; unknown aud	Source Detail	FLAC
12/07/83	Calvin Coolidge Cage, Amherst College	Amherst	MA	Jerry Garcia Band: Set I only: MAC (Taped by Mark Horvath, 3 Audio Technica ATM 11s > Sony TCM D-5) > Sony TC-we 435 playback > analog Coax Cables > analog inputs > Philips CDR 870 > master CD > EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades)# > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN > SHN conversion by Jan Welch.	Source Detail
12/07/83	Calvin Coolidge Cage, Amherst College	Amherst	MA	Jerry Garcia Band: MAC > PCM > DAT > CD > WAV > SHN. This is the complete show.	Source Detail
12/07/83	Calvin Coolidge Cage, Amherst College	Amherst	MA	JGB; flac2496; 3x audio technica atm 11 fob > optimus > tcm-d-5 > mc > sony tc we435 > sony pcm m-10 96khz/24bit > soundforge > cdwave > traders little helper encoding option 8; taper: chasingwilma	Source Detail	FLAC
12/09/83	Beacon Theater	New York	NY	Jerry Garcia Band: Late Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > WAV > .shn > sector boundary fix (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, CD > SHN by Joe Jupille.	Source Detail
12/09/83	Beacon Theater	New York	NY	Jerry Garcia Band: Early Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > WAV > .shn > sector boundary fix (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, CD > SHN by Joe Jupille.	Source Detail
12/09/83	Beacon Theater	New York	NY	JGB, flac1644; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLIIS 90, front of balcony(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2017	Source Detail	FLAC
12/10/83	Capitol Theatre	Passaic	NJ	Jerry Garcia Band, Early and Late Shows: Senn 421s @ the sbd > Sony D5 (unknown taper) > DAT(x) > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail
12/11/83	Laker Hall- SUNY	Oswego	NY	Jerry Garcia Band: Taped by Ray Ackerman, handheld Shure mics (10th row center) > Sony TC-D6 > unknown transfer details > CD > EAC > FLAC. Transfer by Ray Ackerman.	Source Detail
12/11/83	Laker Hall- SUNY	Oswego	NY	JGB; flac2496; Ray Ackerman's Shure PE9's (10th row handheld, dfc) > Sony TC-D6; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering); Master wave file > pc > cd wave > traders little helper (flac level 8). Taped, transferred and mastered by Ray Ackerman; tracked & flaced by Gordon Wilson.	Source Detail	FLAC
12/11/83	Laker Hall- SUNY	Oswego	NY	JGB; flac1644; Ray Ackerman's Shure PE9's (10th row handheld, dfc) > Sony TC-D6; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering); Master wave file > pc > cd wave > traders little helper (flac level 8); Crystal Resampler (high), & dither w/ iZotope Ozone 5 done in wavelab 6.1. Taped, transferred and mastered by Ray Ackerman; tracked, flaced, resample & dither by Gordon Wilson.	Source Detail	FLAC
12/11/83	Laker Hall- SUNY	Oswego	NY	flac24962x Beyer M201 (XY Pattern) > Sony TC-D5M; Playback master on Sony TC-D5m to Sony PCM-M10 96kHz/24bit.	Source Detail	FLAC
12/11/83	Laker Hall- SUNY	Oswego	NY	JGB; flac1644; Audience Recording. Taper And Equipment Unknown. Transfer: Playback Master On Sony TC-D5m To Sony PCM-M10, 96kHz-24bit. Patch Source: 2 Beyer M201s (XY Pattern) And Sony TC-D5m. Mastering And Patching By David Minches. March 2022	Source Detail	FLAC
12/13/83	Kean College	Union	NJ	Jerry Garcia Band, early and late shows: MAC (unknown taper & gear) > Nakamichia CR7A playback > Panasonic 3700 DAT > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC.	Source Detail
12/13/83	Kean College	Union	NJ	JGB, early and late: John Newberger's MAC (Nak 300s > Sony D6) > GoodBear Cassettes > GoodBear Computer (perhaps minor editing) > GoodBear CD's > EAC > FLAC.	Source Detail
12/13/83	Kean College	Union	NJ	JGB; flac16; Early Show. AUD: *Nakamichi CM300s > lead decks(?) > Sony WM-D6 > MAC recording by John Newberger > Low-gen copy kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, by Andrew F. 06/2015	Source Detail	FLAC
12/13/83	Kean College	Union	NJ	JGB; flac1644; late show; unknown taper, Nak 300 Mics > Sony D5; Sony UX Pro 90 Cassette > Nak Dragon > Korg MR1000 DFF @5.6mhz > Audiogate @ 24-88.2 Wave > Wavelab 6 > Ozone Rx7A > 24 Bit Files > Adobe Audition > Traders Little Helper. Editing : John Jay Hance and Joe D'Amico ''AKA'' Joebeacon.	Source Detail	FLAC
01/08/84	The Stone	San Francisco	CA	JGB; flac1644; Unknown AUD > 1st-gen cassette, via the JGMF "Closet Call" Project. Original A>D Transfer: Maxell XLII-90 > Nakamichi BX-300 playback (no Dolby) > Pyle Pro cables > WaveTerminal 2496 > Samplitude 10.1 Download Version (record @ 24 bits/48kHz) normalization (98%, set II only) > CD Wave 1.98 (tracking) > Trader's Little Helper v2.4.1 (FLAC encoding) > foobar2000 (tagging). September 2016, 16bit/44.1kHz file-set mastering: FLAC 2448 > TLH > WAV > Wavelab > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
01/13/84	Paramount Northwest Theater	Seattle	WA	Jerry Garcia Band: MAC (Taped by Pat Lee, Sony ECM 270s > Sony D5M) > Nakamichi Dragon playback > Egosys Waveterminal 2496 > Cool Edit 2000 > shntool > .shn (mkwACT) > wav (mkwACT v0.97 beta 1) > slight editing (Sony SoundForge Audio Studio 7.0) > shntool > level 8 flac encoding (FLAC Frontend).	Source Detail
01/13/84	Paramount Northwest Theater	Seattle	WA	JGB; flac1648; Mark Severson's Master Audience Cassettes: Nakamichi 700 mics on railing of center balcony > Sony D5. Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 > Adobe Audition CC 2020 > TLH flac2496. This is a 16-48 fileset. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. July 2020.	Source Detail	FLAC
01/14/84	Civic Auditorium	Portland	OR	Jerry Garcia Band: AUD>?>CDR>EAC>CoolEdit 2000 (Tracking, Equalization)>WAV>SHN (seekable)	Source Detail
01/14/84	Civic Auditorium	Portland	OR	Jerry Garcia Band: Taped by Andrew F., Sony ECM-99A stereo mic (resting on the balcony rail just to stage-left of center, in "Center Box 9") > Marantz PMD-340 (Maxell XL-II 90s) > Sony TC-D5M playback > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (SBE-OK, Flac compression, checksums), transfer by Andrew F.	Source Detail
01/14/84	Civic Auditorium	Portland	OR	Jerry Garcia Band: MAC (Taped by Otto Rice, Senn 441s > Sony D5M) > Marantz PMD 510 playback > HHB 850 CDR/0 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v1.7.1 Etree edition).	Source Detail	FLAC
01/14/84	Civic Auditorium	Portland	OR	JGB; fac1648; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5. Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 > Adobe Audition CC 2020 > TLH flac2496. This is a 16-48 fileset. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. July 2020.	Source Detail	FLAC
01/14/84	Civic Auditorium	Portland	OR	JGB; flac2448; Source: Sony ECM-99A stereo mic > Marantz PMD-340 > Maxell XLII's w/no Dolby. Mic placed on the balcony ledge in "Center Box 9". Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Recorded and transferred by Andrew F. 12/2021	Source Detail	FLAC
01/16/84	Silva Hall, Hult Center	Eugene	OR	Jerry Garcia Band: AUD>?>CD>EAC>WAV>CE2k (tracking, equalization)>SHN	Source Detail
01/16/84	Silva Hall, Hult Center	Eugene	OR	Jerry Garcia Band: MC > C > CD > WAV > SHN* Sennheiser MD441's > Sony TC-D5(M?)no Dolby center orchestra, taper unknown. Sony TC-D5M > Marantz PMD340, no Dolby Maxell UDXLII90 (XLII90 Tangled & Midnight Moonlight)1st gen by Andrew Faintych 1/84. *[Cats Under The Stars separate source, shn txt provides: "AUD>?>CD>EAC>WAV>Cool Edit 2000(eq, reduce overall volume, boost bass)>SHN. Thanks Chuck Gannon for the discs, EAC/SHN by jim@juddcreek.com 4/03"] A-D transfer: 1st gen cassette > Nakamichi Dragon > HHB CDR830plus > WAV (EAC) > Sound Forge 5.0 > CD Wave Audio Editor 1.71 > WAV > SHN. Cats SHN > (mkwACT)WAV > Sound Forge 5.0 > CD Wave 1.71 > SHN Transfer 9/04, editing, tracking > CD > SHN(seekable)10/04 by Anne Cohen (taper@optonline.net)	Source Detail	SHN
01/16/84	Silva Hall, Hult Center	Eugene	OR	Jerry Garcia Band, IIp: Sbd > Analog Master > 4th Gen Cassette (Sony UX-PRO 90) Transfer: 4th Gen Cassette (NAD 6050C) > SBM > PCM R500 (pass through for A/D only @44.1kHz) > VXPocket v2 > Sound Forge (v. 6.0) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC	Source Detail	FLAC
01/16/84	Silva Hall, Hult Center	Eugene	OR	JGB; flac1644; Set 2 end only. Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell XL-II) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. This file set is 16 bit @ 44.1	Source Detail	FLAC
01/16/84	Silva Hall, Hult Center	Eugene	OR	flac24 96khz Set 2 end only. Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell XL-II) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/02/84	Keystone Palo Alto	Palo Alto	CA	JGB: SBD > Cm > Dat > Panasonic SV-3700 > Audiophile 2496 > WaveLab > iZotope Ozone > CDWav > Flac.	Source Detail	FLAC
03/02/84	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band:Source:SB Master Reel > Cassette > DAT > CD Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN	Source Detail
03/02/84	Keystone Palo Alto	Palo Alto	CA	JGB; flac1648; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 > Adobe Audition CC 2020 > TLH flac2496. This is a 16-48 fileset. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. July 2020.	Source Detail	FLAC
03/02/84	Keystone Palo Alto	Palo Alto	CA	JGB; flac 1648; Master Soundboard Cassette; Joel Pollack's DAT (16-48); Transfer Info: DAT (16/48)(Sony TCD-D100) > Tascam DA-3000 > DDi Codec (Dolby B) > Adobe Audition 2025 > TLH flac1648. Mastered by Scott Clugston. January 2025.	Source Detail	FLAC
03/04/84	The Stone	San Francisco	CA	Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN.	Source Detail
03/04/84	The Stone	San Francisco	CA	JGB: SBD > Cm > Dat > Panasonic SV-3700 > Audiophile 2496 > WaveLab > iZotope Ozone > CDWav > Flac	Source Detail	FLAC
03/09/84	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM939LT [from tables just behind dance floor] > Sony TCS-350) > NAD 6050C playback > SBM > DAT @44.1k (PCM-R500) > VXPocket v2 > Sound Forge (v.4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN, transfer by Dan Gale.	Source Detail
03/09/84	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s > Sony TC-D5M) > D > CD > WAV > SHN.	Source Detail
03/10/84	Keystone	Berkeley	CA	Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN	Source Detail
03/10/84	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM939LT [front of balcony] > Sony TCS-350) > NAD 6050C playback > SBM > DAT @ 44.1k (PCM-R500) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale.	Source Detail	SHN
03/21/84	Keystone	Berkeley	CA	Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3.	Source Detail
03/21/84	Keystone	Berkeley	CA	Primary source: SBD > cassette master > DAT > CDR > DAE (EAC 0.9 beta 4) > tracking (cdwav) > SHN (shorten3.4) > FTP via neo_levo/candyman FTP. Patch source (first 5 seconds plus all of The Harder They Come and When I Paint My Masterpiece): SBD > cassette master.	Source Detail	FLAC
03/21/84	Keystone	Berkeley	CA	JGB; flac1648; Recording info: Soundboard mono cassette master (Sony TC-D5M / TEAC MDX 90 / Maxell XLII-S 90); Transfer info: Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC; Recorded by Charlie Kaiser; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
03/22/84	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by John Corley, Nak700) > D > CD > WAV >SHN.	Source Detail
05/12/84	The Stone	San Francisco	CA	Jerry Garcia Band: Realistic 'Pzm' mics > D-6 > Eq > Cas > Jb3 > Goldwave > Cdwav > Flac Transferred And Flac Encoded By Jason Flair. See comments for end of set II patch from John Corley's master.	Source Detail
05/12/84	The Stone	San Francisco	CA	JGB: Don Dearth's MAC (Sony D6C w/Sony Stereo Microphone [TDKSA90]) > Nakamichi CR3A (No Dolby) > HP computer > Sound Forge (Vol@5.6db) > CD Wave > Flac.	Source Detail	FLAC
05/17/84	Beverly Theater	Beverly Hills	CA	JGB; flac2448; Source: AUD of unknown lineage liberated from ebay. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2023	Source Detail	FLAC
05/18/84	Irvine Meadows Ampitheater	Irvine	CA	Jerry Garcia Band: Senn md421's 90* just past xy (early n.c. pattern) hand held 9th row dfc > Sony TC-D5 udxlII 90min cass. "B"n.r; Transfer: Master cass. playback via sony tc-d5m "B"n.r. (not master deck)> Tas DA-20mkII 48k, > Tascam cdrw700 for cdr master; Marantz cdr 500 dual well -> CD-r (copy of master CDR); Up to this point all taping and transfer was done by Mike French; Additional transfer: CDR-> EAC -> FLAC Frontend (16/44.1); (Transfer done by Brian Costigan -BCostigan@taperssection.com). A .shn version of this master also circulates.	Source Detail	FLAC
05/18/84	Irvine Meadows Ampitheater	Irvine	CA	Jerry Garcia Band: FM-SBD > MC > Cx > CD > EAC > WAV > FLAC (level 5).	Source Detail
05/18/84	Irvine Meadows Ampitheater	Irvine	CA	JGB: Mike French's Sennheiser MD-421's (modified XY90, hand-held @ 6', 9th row center orchestra) > Sony TC-D5 no n.r., Maxell UD-XLII 90 master cassette; unknown transfer > CD, via Mike French. NB: Robert Hunter set also included.	Source Detail
05/18/84	Irvine Meadows Ampitheater	Irvine	CA	Jerry Garcia Band: MAC (Taped by Mike French, hand-held Sennheiser 421 mics [90 degrees X-Y, 9th row center] > Sony TC-D5) > CD > WAV > SHN.	Source Detail	SHN
05/18/84	Irvine Meadows Ampitheater	Irvine	CA	JGB; flac1648; Doug Schnetlage's Nakamichi 300s w/ CP-4 shotgun capsules > Sony D5 (Maxell XLII-S 90s) 10 rows in front of FOH - DFC; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496. Flac 24Bit 96kHz to 16Bit 48kHz by dBpoweramp. Transferred and Mastered by Jim Blackwood. Speed Correction by Jason Chastain. Track, FLAC and pack by John Wenzel	Source Detail	FLAC
05/19/84	Arlington Theater	Santa Barbara	CA	JGB; flac1644; 1st Gen; Nakamichi 300 > Sony D5 > Master Cassette (taped by Adam Rossi); Master Cassette > Sony D6 > unknown Akai home deck > TDK SA90; Transfer/Lineage: 1st Gen Audience Cassette (TDK SA90)> Nakamichi Dragon > Lunatec V3 (24/88.1)> Lynx AES 16AES(e)> WaveLab 7.2.1 (UAD-2)> .wav @24/88.2 > Apogee UV22HR/Crystal Resampler> .wav @16/44.1> xAct(conversion and tagging)> flac16. Transferred, edited and mastered by Alex Ford - June 2013.	Source Detail	FLAC
05/19/84	Arlington Theater	Santa Barbara	CA	Complete show. Updated version of shnid 124791. Source: 1st Gen; Nakamichi 300 > Sony D5 > Master Cassette **Newly located Master Cassette supplies long lost "Tangled Up In Blue"**. Master Cassette > Sony D6 > unknown Akai home deck > TDK SA90. Transfer/Lineage: 1st Gen Audience Cassette (TDK SA90)> Nakamichi Dragon> Lunatec V3 (24/88.1)> Lynx AES 16AES(e)> WaveLab 7.2.1 (UAD-2)> .wav @24/88.2> Apogee UV22HR/Crystal Resampler> .wav @16/44.1> xAct(conversion and tagging)> flac16. Taped by Adam Rossi. Transferred and mastered by Alex Ford.	Source Detail	FLAC
05/20/84	The Country Club	Reseda	CA	JGB: 2 Nak CM 300s w/CP-1 caps (no guns) > Sony D-5 > DAT > HHB 830 CD Recorder (Stand Alone) > ? > FLAC.	Source Detail
06/03/84	Kabuki Theater	San Francisco	CA	Garcia&Kahn: SBD : MC > DAT > CDR	Source Detail
06/03/84	Kabuki Theater	San Francisco	CA	Garcia & Kahn: MSC > Dat > CD > EAC > mkw > Shn.	Source Detail	SHN
06/03/84	Kabuki Theater	San Francisco	CA	Garcia & Kahn: MSC > DAT > CD > EAC > SHN, extracted and shortened by Katy Miller.	Source Detail	SHN
07/28/84	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MSC > PCM > Cass > DAT > ZA2 > CDR > WAV > SHNv3. CDR seeds via JR Wolk, SHN/FTP via C.Ladner/candyman FTP.	Source Detail
07/28/84	Keystone Palo Alto	Palo Alto	CA	JGB; flac1644; missing last two songs; TB's 2x Sennheiser MK 441 Microphones - Sony WM-D06 analog master cassettes.	Source Detail	FLAC
07/28/84	Keystone Palo Alto	Palo Alto	CA	JGB; flac1648; Recording info: Soundboard > Sony TC-D5M > Maxell XLII-S Cassette Master; Transfer info: Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC; Recorded by Charlie Kaiser; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
07/29/84	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] >Sony TCD5M > CDR > EAC > CDWave (retracked) > Shn. A>D transfer by Dan Ward, EAC'ed / retracked / Shn'ed by Charlie Connor.	Source Detail
07/29/84	Keystone Palo Alto	Palo Alto	CA	JGB; flac1648; Recording info: Soundboard > Sony TC-D5M > Maxell XLII-S Cassette Master; Transfer info: Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC; Recorded by Charlie Kaiser; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
07/31/84	The Stone	San Francisco	CA	Jerry Garcia Band: MSC > PCM > Cass > DAT > ZA2 > CDR > WAV > SHNv3, seeded via neo_levo/candyman FTP.	Source Detail
07/31/84	The Stone	San Francisco	CA	JGB; flac1644; 2x Sennheiser MK 441 Microphones - Sony WM-D06 analog master cassettes, recorded by TB.	Source Detail	FLAC
07/31/84	The Stone	San Francisco	CA	JGB; flac1648; Recording info: Soundboard post fader aux buss > Sony TC-D5M > Maxell XLII-S Cassette Master; Transfer info: Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC; Recorded and mixed by Charlie Kaiser; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
08/01/84	The Stone	San Francisco	CA	Jerry Garcia Band: MAC > DAT > CD > EAC > SHN. Taped by Craig and Kenny [Mance] at the "lip of the stage," AKG CE-1 > Uher CR-240. A>D by aoxoa, Uher CR-240 > Sony PCM R-500.	Source Detail
08/01/84	The Stone	San Francisco	CA	JGB; flac1644; 2x Sennheiser MK 441 Microphones - Sony WM-D06 analog master cassettes, recorded by TB.	Source Detail	FLAC
08/01/84	The Stone	San Francisco	CA	JGB; flac1648; Recording info: Soundboard post fader aux buss > Sony TC-D5M > Maxell XLII-S Cassette Master; Transfer info: Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC; Recorded and mixed by Charlie Kaiser; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
08/07/84	Mann Music Center	Philadelphia	PA	Jerry Garcia Band: FOB 10th row center, 2 Beyer Dynamic 160s > Sony TCD5M > Sony CDR-W66 > EAC > CDWave > SHN. Taped and Transferred by John Ficca.	Source Detail
08/07/84	Mann Music Center	Philadelphia	PA	JGB; flac1644; Analog Low Gen > Nakamichi CR7A > Korg MR-1> 1 bit/ 2.8 mhz DSD > Audiogate 2.2.1 > 24/96 wav > adobe audition 7 > xACT 2.36 > flac 16; taper :unknown (from the Tom The Taper Collection); transferred & uploaded: edtyre; everything else : nicky c.	Source Detail	FLAC
08/08/84	D.A.R. Constitution Hall	Washington	DC	Jerry Garcia Band: Senn441's on stand FOB -> Cassette Master (Sony TCD5M/UDXL-II) -> 1st gen UDXLII -> Yamaha KX800u cassette deck -> Apogee AD500e rev02 -> SonyR500 DAT -> HHB850 CDR -> EAC Secure Mode -> FLAC7.	Source Detail
08/10/84	Rocky Glen Amusement Park	Moosic	PA	Jerry Garcia Band: MAC (Nak CM-300s > Sony D5 [Dolby]) > Cool EditPro > CD > WAV > SHN	Source Detail
08/10/84	Rocky Glen Amusement Park	Moosic	PA	Jerry Garcia Band: Taper: Bill Reutelhuber; Recording Info: (FOB) Nakamichi CM300/CP4 -> Cassette Master (Sony D5/Maxell Metal Tape) Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k). Process Info: Processed through Nuendo using Waves Q10 and Waves L2 and rendered down to a 16 bit wave file. Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller.	Source Detail
08/10/84	Rocky Glen Amusement Park	Moosic	PA	JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches.	Source Detail	FLAC
08/11/84	Caldwell College	Caldwell	NJ	JGB: Steve Ziemba's MAC (Nak 300s> Sony D5) > CD; CD -> EAC -> SHN -> ProTools 5.0.1 -> SHN; Via Mike Lai and Dan Metz; [md5s]	Source Detail
08/11/84	Caldwell College	Caldwell	NJ	Source: Most probably re-eac of FOB Stealth Mics (see notes)	Source Detail
08/11/84	Caldwell College	Caldwell	NJ	JGB: Jim Vita mac (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC, transfer by David Minches.	Source Detail
08/11/84	Caldwell College	Caldwell	NJ	JGB: Joe D'Amico's Nak 300s (DFC, FOB) > Sony D5 MAC > Nakamichi Dragon playback > Sony SBM1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend.	Source Detail	FLAC
08/11/84	Caldwell College	Caldwell	NJ	Jerry Garcia Band: MAC > DATx2 > CDx? > EAC > SHN. Recorded by Jeff Silberman, Sennheiser 441s > unknown deck.	Source Detail	SHN
08/11/84	Caldwell College	Caldwell	NJ	JGB; flac2448; Nakamichi 100 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On); Transfer: Master Cassette > Nakamichi CR7a playback with no dolby > Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec. Recorded, Transferred & Mastered by Anon. Edited & add'l Mastered in Adobe Audition by Joe Noel. February 18, 2021.	Source Detail	FLAC
08/12/84	Club Casino Ballroom	Hampton Beach	NH	JGB; shnf; S. Ziemba MAC (Nakamichi 300 > Sony D5) > ?? > cdr > EAC > SHN, via Mike Lai.	Source Detail
08/12/84	Club Casino Ballroom	Hampton Beach	NH	JGB: shnf; Jeff Silberman MAC (Senn 441s > unknown deck) > DAT > CD > EAC > SHN.	Source Detail	SHN
08/12/84	Club Casino Ballroom	Hampton Beach	NH	JGB; unknown FOB Sennheiser 441 MAC > C1 > DAT > CD-R > EAC > WaveLab 4.0 > CD Wave Editor > FLAC.	Source Detail	FLAC
08/12/84	Club Casino Ballroom	Hampton Beach	NH	JGB; flac 2448: Doug Lamarre MAC; Sennheiser 421 mics next to soundboard > Sony D5 > D5 - Maxell UDXLII Cassette Masters. Transfer info: Nakamichi CR-7A (Rebuilt by ESL August 2019) -> Sound Devices MixPre-3M. Transfer by: Jay Haines on April 13, 2020. Speed Correction by Jason Chastain.Audio Mastering by Jamie Waddell.	Source Detail	FLAC
08/13/84	Club Casino Ballroom	Hampton Beach	NH	JGB; aud>>nak300>>D5>>cdr	Source Detail
08/13/84	Club Casino Ballroom	Hampton Beach	NH	JGB; Lineage: AUD > ??? > DATc (@48kHz); Transfer: Panasonic SV-3700 > S/PDIF > M-Audio 410 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.1 (tracking & 48k > 44.1k resample) > WAV > xACT > flac 8	Source Detail
08/13/84	Club Casino Ballroom	Hampton Beach	NH	JGB: Bill Reutelhuber's FOB 7 Feet High - 18" Spread Nakamichi CM300/CP4 Sony TCD5M Dolby B ; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a @ [16/48] Mastering with: iZotope Ozone 3 > dithered to [16/44.1] > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky, Green Mountain Bros.	Source Detail	FLAC
08/13/84	Club Casino Ballroom	Hampton Beach	NH	JGB; flac 2448; Doug Lamarre's Sennheiser 441 mics "30 foot front of Jerry" > Sony D5 - Maxell UDXLII Cassette Masters; Transfer info: Nakamichi CR-7A (Rebuilt by ESL August 2019) > Sound Devices MixPre-3M. Transfer by: Jay Haines on April 13, 2020. Speed Correction by Jason Chastain; Audio Mastering by Jamie Waddell.	Source Detail	FLAC
08/15/84	Orange County Community College	Middletown	NY	Jerry Garcia Band: MAC (Luke R.'s Senn MD-441's > Sony TC-D5M, no Dolby) > Sony TC-D5M playback > Marantz PMD-340 (no Dolby) first gen cassette > Nakamichi Dragon playback > HHB CDR830plus > EAC > Sound Forge 6.0 > CDWave 1.94.5 > wav > shn. First gen cassettes from Andrew F., transfer by Anne Cohen.	Source Detail
08/15/84	Orange County Community College	Middletown	NY	Jerry Garcia Band: Rick Pauline & Rob Berger, Senn 421s (20 feet in front of the board) > Sony D5 master cassette > Nakamichi Dragon playback > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > shntool > flac encoding > wav > slight modifications (see notes) > flac encoding.	Source Detail	FLAC
08/15/84	Orange County Community College	Middletown	NY	JGB; flac1644; Urban Surfer's Audio Technica > Sony D5 (FOB DFC) > MAC > Nakamichi CR-4A > HHb 850 > CD > EAC > FLAC	Source Detail	FLAC
08/15/84	Orange County Community College	Middletown	NY	JGB; flac2448; Source: (fob, Center) Nakamichi Cm100 Shotguns > Sony Tc-d5m > 1st Gen Cassette (set I All, Set Ii T01 - T03), Master Cassette (set Ii T04 & T05)* (maxell Mx90s, Dolby B On); Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby > Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq And Software Dolby B Decode Using Nuendo And Ddicodec. Recorded, Transferred By Anon. Edited & Mastered In Adobe Audition By Joe Noel.	Source Detail	FLAC
08/16/84	Port Haven/Good Skates	East Setauket	NY	Jerry Garcia Band: MAC (Taped by Joe D'Amico, Nakamichi CM-300 mics > Sony D5) > Ultracurve Pro-Digital 24 bit DSP mainframe > HHb master CD > CDs > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
08/16/84	Port Haven/Good Skates	East Setauket	NY	JGB: Joe D'Amico's Nak 300s > Sony D-5 > Nakamichi Dragon playback > Sony SBM1 > creative extigy soundcard> cool edit pro> flac frontend	Source Detail	FLAC
08/18/84	UIC Pavilion	Chicago	IL	Jerry Garcia Band: Sennheiser 421 > D5 > DAT; Transfer: D8 > MAudio DiO 2448 > Soundforge 5.0 > CDWave 1.62 >cdr>eac>shn	Source Detail
08/18/84	UIC Pavilion	Chicago	IL	Jerry Garcia Band: AUDMC (Taped by Brian O'Connell: 10th row center, Nak 100's w/ shotgun caps > D5) > DAT > CDR > EAC > SHN	Source Detail	SHN
08/18/84	UIC Pavilion	Chicago	IL	JGB; flac1648; Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5 ; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496.	Source Detail	FLAC
08/24/84	The Stone	San Francisco	CA	JGB; flac1644; set 1 only; unlineaged aud via gems.	Source Detail	FLAC
08/24/84	The Stone	San Francisco	CA	JGB, flac1644; Unknown AUD (low-gen) kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017	Source Detail	FLAC
08/26/84	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band. Source: MAC(Nak 700s > Sony TC-D5M) > D > CD > WAV > FLAC(level 8). Taper: John Corley. DAE and FLAC encoding via C.Ladner.	Source Detail
08/26/84	Keystone Palo Alto	Palo Alto	CA	JGB: Don Dearth's Sony stereo mic > Sony D6C MAC > Nakamichi CR3A playback > Hp Computer (no dolby) > Sound Forge Vol@ 5.5DB and normalized > Flac7, transferred by John Moses.	Source Detail	FLAC
08/27/84	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > CDWave (retracked) > SHN. EAC'ed / retracked / Shn'ed by Charlie Connor, via Bob Menke.	Source Detail
08/28/84	Wolfgang's	San Francisco	CA	JGJK: aud > dat > wav > flac > wav > flac.	Source Detail	FLAC
08/28/84	Wolfgang's	San Francisco	CA	JGJK; flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 31801) JGJK: aud > dat > wav > flac > wav > flac. - pitch correction and patches by Kevin Tobin	Source Detail	FLAC
09/15/84	The Stone	San Francisco	CA	Jerry Garcia Band: Master soundboard cassette > cassette x 2 > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0)	Source Detail
09/16/84	The Stone	San Francisco	CA	JGB: MA? > ? > CD > Eac > Wav > Gems Edit Station > flac. Edited and mastered by Jamie Waddell.	Source Detail
09/28/84	River Theater	Guerneville	CA	JGJK: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth > Sony TCD5M > CD > EAC> Flac. New flac from audio CDs, since previous source (shnid 19149) apparently never circulated.	Source Detail	FLAC
11/16/84	Eisenhower Auditorium (Penn. State U.)	University Park	PA	Garcia & Kahn: AUD (unknown mics and taper) > ? > CDR > WAV >SHN.	Source Detail
11/17/84	Orpheum Theatre	Boston	MA	Garcia & Kahn: MAC (Taper = Mark ___; unknown mics, dfc 1st row); Transfer 1: MC > C(1) (Scotch XSM-90 Metal tape via G. Reynolds (mako21)); Transfer 2: C(1) > Aiwa AD-F180 > THC cables > Edirol UA-5 > PC (USB) > Wavelab 5.01 @ 24/96. Mastering: Wavelab 5.01a (X-noise to reduce hiss; L3 Multimaximizer to increase gain & dither to 16 bits) > resample to 44.1 khZ > FLAC.	Source Detail	FLAC
11/17/84	Orpheum Theatre	Boston	MA	Garcia & Kahn: speed correction of shnid 30874.	Source Detail	FLAC
11/17/84	Orpheum Theatre	Boston	MA	flac1644; aud > ? > ? > low gen tape, Two Maxell XLII90 minute tapes (mid-80's vintage) source tape > Harmon Kardon TD 302 cassette deck, heads aligned to each tape segment > Zoom H2 (16/44.1) > edited and tracked with wavepad > FLAC (level 8 ) & checksums via traderslittlehelper. Analog>digital transfer and all other mastering by arfarf.	Source Detail	FLAC
11/17/84	Orpheum Theatre	Boston	MA	JGJK; flac1644; aud cassette master, senn 441's>d5, taped by Doug Lamarre, transfer/seed by Rob Berger	Source Detail	FLAC
11/18/84	Avery Fisher Hall	New York	NY	Garcia & Kahn: MAC > DAT > CDx1 > EAC > SHN Taped by Kenny Mance: 4th row center, AKG CE-1 mics > Uher Cr-240 onto TDK SA-X 90 cassettes (no Dolby). A>D conversion by Jim Wise: Playback on Uher Cr-240 > Sony PCM p-700 DAT @ 44.1k > HHB CDR-800 > CD. shn conversion by Todd Norman norma023@tc.umn.edu. Proper sector boundaries verified using shntool.	Source Detail
11/18/84	Avery Fisher Hall	New York	NY	Garcia & Kahn: 2 Beyer M160 FOB > Sony TCD5M Master Cassette > FLAC.	Source Detail	FLAC
11/18/84	Avery Fisher Hall	New York	NY	JGJK; flac1644; Kenny Mance's MAC (AKG CE-1 mics > Uher Cr-240, 4th row center) > TDK SA-X 90 cassettes (no Dolby); Transfer: Master cassette > Uher Cr-240 > Sony PCM p-700 DAT @ 44.1k > Digital Audio Labs Card Deluxe > wav 16/44.1 by Jim Wise.	Source Detail	FLAC
11/20/84	Constitution Hall	Washington	DC	Garcia & Kahn: Taped by One Drop Productions; FOB (up front) Audio Technica (pin point stereo mic) > D6 > MC; Transfer by ggjskl@yahoo.com 9/20/05: 1st gen cass > Sony TC-WE305 > Rotel 1090 > Raine ME60 analog processor > Tascam CD-RW 750 > CD > Eac (secure) > cdwav > CE pro 2.1(fades) > flac 16(level 8).	Source Detail
11/21/84	The Tower Theatre	Upper Darby	PA	Garcia & Kahn: MAC (Unknown taper, Nakamichi CM100 shotguns > unknown deck) > 1st gen cassette (Eric) > Sony TCD5 playback > Roland UA-30 interface via Peak > Mac G3 > tracking (Pro Tools) > CD (Toast) > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v1.7.1 Etree edition).	Source Detail	FLAC
11/21/84	The Tower Theatre	Upper Darby	PA	Source: Cassette Master/Soundboard -> Nakamichi DR-1 Cassette Deck -> Tascam DA-P1 DAT Transferred in 2003 by Dan McGonagle (Darkstar Dan) + Azimuth adjust by Betty Cantor-Jackson Transferred in 2023 by Dan McGonagle (Darkstar Dan) - DAT/SBD 16bit/44.1Khz	Source Detail	FLAC
11/21/84	The Tower Theatre	Upper Darby	PA	JGJK; flac1644; Sbd-Aud MTX; Peak Pro 5/Izotope RX Advanced > Final Cut Pro (16/44.1) > Peak Pro 5 > xAct > FLAC/16. Created by Brian Miksis January 2, 2024	Source Detail	FLAC
11/23/84	Chrysler Hall	Norfolk	VA	Garcia & Kahn. Source: MAC (mics and taper unknown)>CDR>WAV>SHN.	Source Detail
11/23/84	Chrysler Hall	Norfolk	VA	JGJK; flac1644; Michael Hessberg's Sennheiser ME80s > Sony TC-D5M > Master Cassette - Taped from Row 15 DFC, Mics 15' in air; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Wav 24/96 - Transferred by Charlie Miller. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16, edited and mastered SIRMick April 2019.	Source Detail	FLAC
11/24/84	Capitol Theater	Passaic	NJ	Garcia & Kahn. MAC(Stealth Handheld Audio Technica 835 mics recorded right paracentral 10th row > Sony TC-D6 cassette deck with Dolby B noise reduction)>CD>WAV>SHN. Taper: Ray Ackerman. DAE/Encoding by C.Ladner.	Source Detail
11/26/84	Bushnell Aud., Bushnell U.	Hartford	CT	Garcia & Kahn: MAC (FOB Nak 300 cardioids > Sony D5) > Sound Forge 4.5 > Dell Dim 4100 > EZCD > CD EAC > Sound Forge XP > SHN. A > D transfer by Bryan Tartus, EAC > SHN by TimOC.	Source Detail
11/26/84	Bushnell Aud., Bushnell U.	Hartford	CT	Garcia & Kahn: Blend of circulating FOB Nak 300s and MSC>C sources, via RJ Hythloday.	Source Detail
11/27/84	Auditorium Theater	Rochester	NY	Garcia & Kahn: MAC (mics and taper unknown) > DAT > CD > WAV > SHN	Source Detail
11/27/84	Auditorium Theater	Rochester	NY	Source: Cassette Master/Soundboard -> Nakamichi DR-1 Cassette Deck -> Tascam DA-P1 DAT Transferred in 2003 by Dan McGonagle (Darkstar Dan) + Azimuth adjust by Betty Cantor-Jackson Transfered in 2023 by Dan McGonagle (Darkstar Dan) - DAT/SBD 16bit/44.1Khz	Source Detail	FLAC
12/02/84	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > Shn. A>D Transfer via Dan Ward, EAC'ed / Shn'ed by Charlie Connor.	Source Detail
12/02/84	The Stone	San Francisco	CA	JGB: Tazuo Yamaguchi's Sennheiser Binaural 2002 > Sony TC-D5M MAC; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
12/05/84	Silva Concert Hall	Eugene	OR	JGB, Set II: AUD > ? > C > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC.	Source Detail
12/05/84	Silva Concert Hall	Eugene	OR	JGB; flac2448; Source: AUD of unknown lineage > ? > Cassette rescued from ebay. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2020	Source Detail	FLAC
12/06/84	Starry Night	Portland	OR	Jerry Garcia Band: SBD > CMx > CDR > WAV > SHN. Tangled Up in Blue missing. Midnight Moonlight is truncated.	Source Detail
12/06/84	Starry Night	Portland	OR	JGB; s1s2p; flac1644; MAC (Taped by Otto Rice, Senn 441s [front row balcony] > Sony D5M) > Marantz PMD 510 > HHB 850 CD/0 > extraction, mastering, encoding, sharing by GEMS.	Source Detail	FLAC
12/06/84	Starry Night	Portland	OR	JGB; flac1644; Recording by Bruce Young: Master Audience Cassette; 2 Sony or Nakamichi Mics> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding	Source Detail	FLAC
12/06/84	Starry Night	Portland	OR	JGB; flac2496; Recording by Bruce Young: Master Audience Cassette; 2 Sony or Nakamichi Mics> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding	Source Detail	FLAC
12/07/84	Starry Night	Portland	OR	JGB: AUD > ? > C > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, October 2006 by Andrew F.	Source Detail
12/07/84	Starry Night	Portland	OR	Jerry Garcia Band: Nak CM 100's shotguns > CM > CDR > WAV > SHN. Taper: unknown. Ending of Midnight Moonlight clipped.	Source Detail	SHN
12/08/84	Paramount Theater	Seattle	WA	JGB: Pat Lee's Sony ECM-270s> Sony D-5; Master played back on Nak Dragon> Art DI/O> Waveterminal 2496> Cool Edit 2000> Feurio. Transfer, editing and shn encoding by David Minches.	Source Detail	SHN
12/08/84	Paramount Theater	Seattle	WA	JGB: Mark Severson's 2 Nakamichi mini 700s cardioids> 2 mic pre-amp> DBX NX-40> Sony TC-D5M (2 Maxell MX-90s); Mics in 5" tube, 10' apart on front row center balcony center railing. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
12/08/84	Paramount Theater	Seattle	WA	Jerry Garcia Band: SBD > MC > C > CDR > WAV > SHN.	Source Detail	SHN
??/??/84	Unknown Radio Station	Portland	OR	Jerry Garcia Radio Interview. FM -> Cass. (x?) -> Denon DRW840 -> SoundBlaster -> CD Wav -> SHN. CD Wav'd, SHN'd and seeded by Jim Bennett.	Source Detail
03/02/85	The Stone	San Francisco	CA	JGB, shn: MAC(Nak 700's>Sony TC-D5M)>D>CD>WAV>SHN. Taper: John Corley.	Source Detail
03/02/85	The Stone	San Francisco	CA	handheld stereo mic > portable Aiwa cassette deck > master cassette > Yamaha tape deck > Yama 10 band graphic equalizer > wav (Audacity - 24 bit/48 khz) > CDWav > TLH (16/44.1 conversion, SBE's fixed) > flac.	Source Detail	FLAC
03/03/85	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Nakamichi 700?s) > Sony TC-D5m > CDR > EAC > SHNv3.	Source Detail
05/23/85	Rainbow Theater	Denver	CO	JGJK, flac1644; Late show(?) Unknown AUD kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017	Source Detail	FLAC
05/31/85	Beverly Theatre	Beverly Hills	CA	early show; Joe Pinedo's MAC (Sony 939 > Sony D5) > 1st gen cassette (Maxell XLII 90, Dolby B) > Nakamichi BX300 playback > Macintosh > Peak Bias > JAM > cdr > eac > mkw > shntool.	Source Detail
05/31/85	Beverly Theatre	Beverly Hills	CA	JGJK; flac2448; s1+s2p; Source: AUD (unknown gear) > MAC > 2nd-Gen copy via the Doug Lamarre tape collection. Transfer: Maxell XLIIS-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2023	Source Detail	FLAC
06/01/85	The Stone	San Francisco	CA	Source: MAC(Nak 700's>Sony TC-D5M)>D>CD>WAV>SHN. Taper: John Corley	Source Detail
06/03/85	Keystone Palo Alto	Palo Alto	CA	Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley.	Source Detail
06/03/85	Keystone Palo Alto	Palo Alto	CA	JGB: Tazuo Yamaguchi's 2 Uher mics> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
06/03/85	Keystone Palo Alto	Palo Alto	CA	JGB: Hat-Mounted realistic pzm's with Sony WMD6-C Maxell UDS-II 90 No nr 10 feet away, left of center 5 feet Master > D6 > HD > Audacity > CDWave > TLH.	Source Detail	FLAC
08/04/85	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor.	Source Detail
08/05/85	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor.	Source Detail
08/09/85	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor.	Source Detail
08/10/85	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor.	Source Detail
08/17/85	River Theater	Guerneville	CA	Source: MAC (Nak 700s >Sony TC-D5M>CD>WAV>SHN. Taper: John Corley.	Source Detail
08/18/85	Dunsmuir House And Gardens	Oakland	CA	Garcia & Kahn: Taped by Bob Menke, Nak 700s (15' from stage slightly off-center > Sony D5M master cassette (Dolby B, Maxell Metal) > Echo Event Gina A/D > Sound Forge 4.5 > CDR > EAC (secure mode) > SHN (MKWACT). A>D by Bob Menke, EAC>SHN by Charlie Connor.	Source Detail
08/18/85	Dunsmuir House And Gardens	Oakland	CA	JGJK 16/44.1: Recorded by Greg Holtz using 2 Nakamichi CM100 mics with CP-4 Shotgun capsules > Sony D-5 cassette tape deck. All transfers and mastering by Jamie Waddell on the GEMS Edit Station	Source Detail	FLAC
08/18/85	Dunsmuir House And Gardens	Oakland	CA	JGJK; flac16; Jonathan Mow's Nak 700s > Sony TC-D5M > Master Cassette - recorded from right in front of the speakers; Transfer: Master Cassette > Nakamichi CR-7A > Tascam DA-3000 > DSF 1-bit/5.6MHz; Lineage: DSF 1-bit/5.6MHz > dBpoweramp > wav 24/96 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16. edited and mastered SIRMick May 2020	Source Detail	FLAC
08/18/85	Dunsmuir House And Gardens	Oakland	CA	JGJK; flac1648 trade dat described as "Sandy Troy audience RxR>dat HHB PDR1000" transfer 6/2/17 by rumrunners - 48k dat> tascam da-20> m-audio audiophile 2496 > cooledit > 48k wav editting in cooledit to fix flaws - digipops corrected by re-drawing samples at 45:28, 48:39, 56:36, 65:04 (48k) 74 minutes	Source Detail	FLAC
09/27/85	The Stone	San Francisco	CA	JGJK: Don Dearth's MAC (Sony D6C w/Sony Stereo Mic [MaxellXL2S90]) > Nakamichi CR3A playback (no Dolby) > HP Computer > Sound Forge Vol@ 5.5DB and normalized > CD Wave to make tracks->Flac7. Transferred by John Moses.	Source Detail	FLAC
09/28/85	Keystone Palo Alto	Palo Alto	CA	flac1644: Beyer M88's > Sony TC-D5 > Maxell XLIIS 90. Mics on stand at head height. Taped by Jim Quirk. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
10/11/85	River Theater	Guerneville	CA	Garcia & Kahn, set I: MSC(?) > ? > cassette > CD > EAC > FLAC. Cassette transfer by slip, EAC > FLAC by jjoops.	Source Detail
10/11/85	River Theater	Guerneville	CA	JGJK: Source: 1st Gen Soundboard Cassette TDK MA-X 90 Transfer: Playback on azimuth adjusted Nakamichi CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to hard drive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves X-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8), via Green Mountain Brothers.	Source Detail	FLAC
10/11/85	River Theater	Guerneville	CA	JGJK; flac2496; Taped By Keith Prior; From The Collection Of Jay Abrams. Source Sony TCD-5M Nakamichi 700's TDK Metal Master; Transfer 1st Gen Maxell IIs Cassette > Nakamichi Dr3 > Presonus Studio 24C > Logic Pro 2496 > CD Wav - xAct 2496. Transferred by Jay Abrams 02-22-2023	Source Detail	FLAC
10/13/85	The Stone	San Francisco	CA	Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley.	Source Detail	SHN
10/14/85	The Stone	San Francisco	CA	JGB, flac1644; Unknown AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017	Source Detail	FLAC
10/16/85	The Catalyst	Santa Cruz	CA	Garcia & Kahn: early and late shows?;	Source Detail
10/16/85	The Catalyst	Santa Cruz	CA	Garcia & Kahn: SBD > DAT > Cas > CD > EAC > SHN	Source Detail
10/16/85	The Catalyst	Santa Cruz	CA	Garcia & Kahn: MSC > DAT > CDR > SHN	Source Detail	SHN
10/16/85	The Catalyst	Santa Cruz	CA	Garcia & Kahn, early and late shows: Digital mix from 4 channel cassette master - Soundboard plus Microphones over stage. See info file for details.	Source Detail
10/16/85	The Catalyst	Santa Cruz	CA	JGJK; flac1648; early and late; Source: SBD; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Taper Unknown; Transferred from DAT by Bill Graves	Source Detail	FLAC
12/14/85	The Stone	San Francisco	CA	JGB; flac1644; AUD (marked 3rd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
12/15/85	The Stone	San Francisco	CA	JGB; flac1644; AUD (marked 3rd Gen) kindly provided by wk & http://jgmf.blogspot.com/; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
12/21/85	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM-939LT [center of the dance floor] > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale.	Source Detail
12/22/85	Keystone Palo Alto	Palo Alto	CA	JGB: MAC (Taped by Dan Gale, Sony ECM-939LT [center of the dance floor] > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale.	Source Detail
01/16/86	Keystone Palo Alto	Palo Alto	CA	16bit/44.1kHz file set. Second Set only. Source: SBD > 2nd Gen cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2011	Source Detail	FLAC
01/18/86	The Stone	San Francisco	CA	JGJK, flac1644; Unknown AUD (mono) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017	Source Detail	FLAC
01/24/86	Constitution Hall	Washington	DC	JGJK, flac1644; AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: TDK SA90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017	Source Detail	FLAC
01/25/86	The Tower Theatre	Upper Darby	PA	Garcia & Kahn: MAC > CD > EAC > SHN. Taped by Ray Ackerman, 2 rows BOB (Orchestra Row E, Sec. L/C, Seat 108), Audio Technica 835b w/ low roll off + AKG D12e on mic stand @ 6' > Sony TC-D5 master cassette (Maxell metal tape, dolby off) > SBM 2600 processor (Rega Planet-Canare LV61S/Neutric RCA's) > Marantz CDR630 CDRx0 > CDx? > EAC > retracking (WavMerge & CD Wave) > SHN (mkwACT).	Source Detail
01/27/86	The Ritz	New York	NY	Garcia & Kahn: Master Soundboard > Soundcraftsman 16x4 > Sony D5 > Cool Edit > CD Wave > SHN	Source Detail
01/28/86	The Ritz	New York	NY	Garcia & Kahn: Master Soundboard Soundcraftsman 16x4>Sony D5>Cool Edit>CD Wave>SHN	Source Detail
01/30/86	Bushnell Auditorium	Hartford	CT	JGJK; flac1644; Source: AUD unknown equipment & lineage, lo-gen tape kindly provided by Seaweed1010, "Got it soon after the show". Transfer: Maxell UR > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. March 2013.	Source Detail	FLAC
01/31/86	Capitol Theater	Passaic	NJ	Garcia & Kahn: MAC (Taped by Fredo Johnson, Nak 300s > Sony D5) > Nak Dragon playback > Egosys Waveterminal 2496 > Cool Edit 2000 > shntool > .shn (mkwACT). Transfer and .shn by David Minches.	Source Detail
02/01/86	Orpheum Theater	Boston	MA	Garcia & Kahn: B. Koucky's MAc (Orchestra Sennheiser 441 > Sony D5 Maxell [MX-S 90] out of Steve Adleman’s mics & D-5) > Nakamichi DR2 playback > Presonus Firebox > firewire / PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfer/mastering by C.Ladner.	Source Detail	FLAC
02/01/86	Orpheum Theater	Boston	MA	Garcia & Kahn: MAC > DATs > CDs > EAC > SHN Recorded by J. Pasternak, Sony ECM 939s > Sony WM-D6. EAC > SHN by Joe Jupille.	Source Detail	SHN
02/02/86	Orpheum Theater	Boston	MA	Garcia & Kahn: AUD (unknown mics) > CM > DAT > CDR > WAV > SHN	Source Detail
02/02/86	Orpheum Theater	Boston	MA	Garcia & Kahn: B. Koucky's MAC (Orchestra Sennheiser 441 > Sony D5 [Maxell MX-S] out of Steve Adleman’s mics & D-5) > Nakamichi DR2 playback > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8) Transfer/mastering by C.Ladner.	Source Detail	FLAC
02/21/86	The Stone	San Francisco	CA	Jerry Garcia Band. Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley.	Source Detail
02/28/86	Marin County Veterans Auditorium	San Rafael	CA	Garcia & Kahn: Master: Sony ECM-939LT > Cassette Master (Sony TC-D6C); Transfer: Cassette Master (NAD 6050C) > SBM > DAT @ 44.1k (PCM-R500) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Recorded and Transferred by Dan Gale.	Source Detail
03/09/86	Keystone Palo Alto	Palo Alto	CA	Source: MAC(FOB Nak 700's, Stealth in Hat>Sony TC-D5M) > CD > WAV > SHN. Taper: John Corley. SHN encoding via C.Ladner.	Source Detail
03/10/86	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M > CDR > EAC > CDWave > Shn	Source Detail
05/15/86	Berkeley Community Theater	Berkeley	CA	JGJK; flac1644; SBD cassette unknown source (? gen) Lineage: C(?) > WAV > FLAC ; Transfer: Sony TC-WA7-ES (playback without Dolby B) > PreSonus Firebox 24bit/96kHz A/D > Steinberg's Cubase LE 1.0.8 (bit resolution & resampling to CDR redbook 16/44.1) > CD Wave1.95 (tracking only) > TLH 2.4.1 Build 160 (encode FLAC Level 8 + sector boundaries verified + generated md5/ ffp & st5). Actual transfer on April 14, 2007.	Source Detail	FLAC
05/23/86	California Theatre	San Diego	CA	JGB; flac1644; Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
05/24/86	Wiltern Theater	Los Angeles	CA	JGB: Joe Pinedo's Sony 939 > Sony D6; xfer: 1st Gen Cassette Maxell XLII 90 > Nakamichi BX300 playback > Macintosh > Peak Bias > JAM > cdr > eac > mkw >s hntool. Transfer & CD mastering/shn conversion Brian Mandel.	Source Detail	SHN
05/30/86	The Stone	San Francisco	CA	Jerry Garcia Band:FOB Master - NAK 300's>Sony D5>Cool Edit>CD Wave>SHN	Source Detail
05/31/86	The Stone	San Francisco	CA	Jerry Garcia Band: FOB Master - NAK 300's>Sony D5>Cool Edit>CD-Wave>SHN	Source Detail
10/04/86	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s ["Silly Hat", FOB] > Sony TC-D5M) > CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
10/04/86	The Stone	San Francisco	CA	JGB; flac2448; 1st gen audience recording by Bob A, 2x Sennheiser 441 microphones -> Sony TCD5-M.	Source Detail	FLAC
10/05/86	The Stone	San Francisco	CA	Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley. First 2 tracks of the second set are omitted from the recording.	Source Detail	SHN
10/18/86	The Stone	San Francisco	CA	Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley.	Source Detail
10/18/86	The Stone	San Francisco	CA	flac1648; MSC > 1C > 1DAT (16bit/48kHz) > Panasonic SV-3700 playback > Pyle Pro cables > WaveTerminal 2496 > Wavelab v5.0.1a record (16/48 wav) > CDWave v1.9.8 (tracking) > Traders Little Helper v2.4.1 (FLAC encoding, level 8) > foobar2000 v0.9.6.8 (tagging).	Source Detail	FLAC
10/18/86	The Stone	San Francisco	CA	Source: ID-112794 (mono SBD) with patches from ID-21300 (AUD) Transfer: SHN's & FLAC's > TLH > WavMerge > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. October 2011.	Source Detail	FLAC
10/19/86	The Stone	San Francisco	CA	JGB; flac1644; Jeff Knudsen's Marantz Superscope mics (Front row tables) > AIWA HS-1 with autolevels (used Maxell xL-IIs) > 1 cassette; Transfer: MAC(1) > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith; Edits on the GEMS Edit Station by Jamie Waddell: Weiss Saracon for POWR-3 Dither TLH for FLAC8 SBE FREE Meta-data with Tag&ReName.	Source Detail	FLAC
10/19/86	The Stone	San Francisco	CA	JGB; flac1644; s1 only; AUD/2 (XLIIS) > NAD 6100 > Mytek 192(24/96) > UV22HR(16/44.1) > CDWave > FLAC.	Source Detail	FLAC
10/31/86	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: AUD/FOB Schoeps MK4 44k DAT > Midiman Deltadio 2496 > Cool Edit 2000 > WAV > SHN.	Source Detail
10/31/86	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: Recording Info: (FOB) Beyer M88 -> Cassette Master (Sony TCD5M); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN (1 Disc Audio / 1 Disc SHN); Recorded and Transferred By Bill Reutelhuber; Tracked and Edited By Charlie Miller 2/19/04	Source Detail
10/31/86	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: Speed-corrected version of previous AUD/FOB Schoeps MK4 source; See info file for details; Seeded to etree by CWier.	Source Detail
10/31/86	Henry J. Kaiser Convention Center	Oakland	CA	JGB; flac24; soundcheck; SBD > Cassette Master (TDK SA-X90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC).	Source Detail	FLAC
10/31/86	Henry J. Kaiser Convention Center	Oakland	CA	FLAC 1644 Source: 2x Nak Shotguns + 1x Nak 100 > Nak 550 > MC by Barry and Liza Levitt Transfer: MC (XLII-S 90) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, fix panning, pitch correction, patching, resample, Lin dither) > FLAC 1644	Source Detail	FLAC
11/10/86	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > CDWave (retracked) > Shn	Source Detail
11/11/86	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > CDWave (retracked) > Shn; EAC'ed / retracked / Shn'ed by Charlie Connor with thanks to Bob Menke.	Source Detail
11/11/86	The Stone	San Francisco	CA	JGB: Tazuo Yamaguchi's 1x Nakamichi 100 (5' from stage) > Sony TC-D5M MAC; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
11/14/86	Marin County Veterans Auditorium	San Rafael	CA	Garcia & Kahn: Bread and Roses Benefit: SBD > PCM > DATs > CDRs > SHN	Source Detail
11/14/86	Marin County Veterans Auditorium	San Rafael	CA	Garcia & Kahn: Soundboard PCM > DAT Transfer: Transfer: Panasonic SV-3700 > M-Audio 24/96 > Wavelab 5.0 (L3 multimaximizer) > CDWAVE > FLAC Transfers, Remastering and Seeded to bt.etree.org February 7, 2007 by Bill Koucky	Source Detail	FLAC
11/22/86	Warfield Theater	San Francisco	CA	Garcia, Weir & Hart acoustic; flac1644; Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
11/23/86	The Log Cabin	San Anselmo	CA	Log Cabin Boys; Sony ECM-939T -> Cassette Master (Sony D6/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
11/30/86	The Stone	San Francisco	CA	Source: MAC(FOB Nak 700's, Stealth in Hat>Sony TC-D5M) > CD > WAV > SHN. Taper: John Corley.	Source Detail
12/08/86	The Stone	San Francisco	CA	Source: FOB MAC w/ Nak 700s>SonyTC-D5M>CDR>WAV>SHN. Taper: John Corley.	Source Detail
12/21/86	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s ["Silly Hat", FOB] > Sony TC-D5M) > CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
12/21/86	The Stone	San Francisco	CA	JGB, flac1644; Ultramix (marked 3rd Gen) kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 05/2017	Source Detail	FLAC
01/24/87	The Stone	San Francisco	CA	flac1644 Matt Muir's 2x AKG460 > Sony WM-D5 MAC (2x Maxell MX90); Transfer: MAC > Nakamichi BX-125E > EMU 0202 > Wavelab 6 > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16, via sirmic Taped by Matt Muir	Source Detail	FLAC
01/25/87	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Taped by John Corley, Nak700s ) > CDR > WAV > SHNv3. CDR source via J.Powell. SHN encoding/FTP via C.Ladner/candyman FTP.	Source Detail
02/10/87	The Stone	San Francisco	CA	Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley.	Source Detail
02/10/87	The Stone	San Francisco	CA	JGB; flac1648. 24-bit > 16-bit via dBpoweramp. Source Info: John Corley's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S). Transfer Info: Master Cassette Master > Nakamichi Dragon > DigiDesign M-Box Pro > MacBook Pro > ProTools 8.0.5 > .wav 24-96 > Adobe Audition 2024 > TLH 2496	Source Detail	FLAC
02/15/87	Veteran's Memorial Auditorium	Petaluma	CA	Olatunji & His Drums Of Passion: MSC (Maxell MX90) > Sony TC-WE475 playback > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude Professional v8.01 > FLAC, transferred and edited by Charlie Miller.	Source Detail
02/20/87	Marin County Veterans Auditorium	San Rafael	CA	Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM-939LT > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale.	Source Detail	SHN
02/21/87	Lawlor Events Center (Univ. of Nevada)	Reno	NV	Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM-939LT > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale.	Source Detail	SHN
02/24/87	Civic Auditorium	Santa Cruz	CA	JGB: Tom Pinney MAC (Beyer M88 [FOB Center, 20' from stage, XY 90 degrees] > Sony D5) > 1st gen cassette > JVC TD-V1050 cassette deck > Lynx Two A/D (24-bit, 44.1kHz) > Wavelab 6.0.	Source Detail	FLAC
03/06/87	USS Carl Vinson (Alameda Naval Air Station)	Alameda	CA	unknown aud > ? > CD > EAC > FLAC.	Source Detail	FLAC
03/06/87	USS Carl Vinson (Alameda Naval Air Station)	Alameda	CA	aud > ??? > cdr > ??? > cdr > eac > flac > wav > shn. Remaster of shnid 26179.	Source Detail
03/08/87	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M > CDR > EAC > CDWav (Retracking) > Shn. Taped by John Corley, A>D transfer by Dan Ward, EAC'ed / retracked / shn'd by Charlie Connor.	Source Detail
03/09/87	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M > CDR > EAC > CDWav (Retracking) > Shn. Taped by John Corley, A>D transfer by Dan Ward, EAC'ed / retracked / shn'd by Charlie Connor.	Source Detail
03/10/87	The Stone	San Francisco	CA	Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. Midnight Moonlight missing.	Source Detail
03/13/87	Wiltern Theater	Los Angeles	CA	JGB, flac1644; AUD: Sennheiser MD-441's > unknown deck > MAC > 1st-Gen cassettes, kindly provided from the collection of Alabama Bob. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2018	Source Detail	FLAC
03/13/87	Wiltern Theater	Los Angeles	CA	Jerry Garcia Band: MAC (Joe Pinedo, Sony 939 > Sony D5) > one cassette > NaNakamichi BX300 playback > Macintosh > Peak Bias > JAM > cd > eac > mkw > shntool. Transfer & CD mastering/shn conversion by Brian Mandel.	Source Detail
03/13/87	Wiltern Theater	Los Angeles	CA	JGB; flac1648; Doug Schnetlage's Master Audience Cassettes Neumann Km 86 > Sony D6 (maxell Mx90) Transfer Info: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 > Samplitude Pro X5 > Flac2496 Transferred And Mastered By Jim Blackwood Speed Correction By Jason Chastain Track Flac Pack By Steve Gravel 16 Bit 48 Khz Flac Level 8 From 24 Bit 96 Khz Source Via Izotope Rx8 With Mbit+ Dither	Source Detail	FLAC
03/14/87	Wiltern Theater	Los Angeles	CA	Jerry Garcia Band: Sony 939 > Sony D5 > ? > 2nd gen cassettes > Nakamichi BX300 playback > Macintosh > Peak Bias > JAM > cdr > eac > mkw > shntool.	Source Detail
03/14/87	Wiltern Theater	Los Angeles	CA	JGB; flac1648; Doug Schnetlage's Master Audience Cassettes Neumann KM 86 > Sony D6 (Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Track FLAC Pack by Steve Gravel 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither	Source Detail	FLAC
03/18/87	Fillmore Auditorium	San Francisco	CA	JGAB; shnf; source: AUD (mics and taper unknown) > ? > C > DAT > WAV > SHN.	Source Detail	SHN
03/18/87	Fillmore Auditorium	San Francisco	CA	JGAB; flac1644: SBD > 2nd Gen Cassette (DBX type 2.) Transfer: Cassette > Tascam 122 MK£> DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > iZotope RX7 Advanced > wav 16/44.1 >CD Wave > Flac 16 edited and mastered SIRMick November 2020	Source Detail	FLAC
03/18/87	Fillmore Auditorium	San Francisco	CA	JGAB; flac16; Matrix 2 Source Mix - SBD (shn id 150922) SBD > 2nd Gen Cassette (DBX type 2.) Transfer: Cassette > Tascam 122 MK£> DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > iZotope RX7 Advanced > CD Wave > Flac 24 edited and mastered SIRMick November 2020 + AUD (shn id 22299) Jerry Garcia Acoustic Band. Source: AUD (mics and taper unknown)>?>C>DAT>WAV>SHN. Matrix mixing by Kevin Tobin	Source Detail	FLAC
03/18/87	Fillmore Auditorium	San Francisco	CA	JGAB; flac1648; Recording info: Soundboard cassette master (Sony TC-D5M / Maxell XLII-S 90); Transfer info: Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC; Recorded by Charlie Kaiser; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
04/06/87	Lone Star Cafe	New York	NY	California Brothers, JG guest: 2nd gen AUD cassette (Maxell XLII 90) > Nak D-R2 > Digigram VXpocket v2 > Sony VAIO Picturebook PCG-C1VPK 24bit/48kHz wav > unknown downsample to 16/44.1 > CD Wave > TLH (FLAC encoding). Transfer by Michael Scottelaro, track and FLAC by jj.	Source Detail	FLAC
04/23/87	The Stone	San Francisco	CA	Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. First verse in Deal cut. Source CDRs via J.Powell. SHN encoding via C.Ladner.	Source Detail
04/24/87	The Stone	San Francisco	CA	Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. Source CDR via J.Powell. SHN encoding via C.Ladner.	Source Detail
05/27/87	The Stone	San Francisco	CA	Source: MAC(Nak 700s)>DAT>CDR>WAV>SHNv3. Taper: John Corley. via the misSHN in the rain/TMNSP	Source Detail
05/28/87	The Stone	San Francisco	CA	Source: MAC(Nak 700s)>DAT>CDR>WAV>SHNv3. Taper: John Corley. via misSHN in the rain/TMNSP.	Source Detail
08/29/87	French's Camp on the Eel River	Piercy	CA	JGAB & JGB: Source: Sean Webber Small, FOB Schoeps CMC44s > Sony PCM F1; Transfer: Unknown gen Beta > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P (for sample rate conversion and anti-jitter) > Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail
08/29/87	French's Camp on the Eel River	Piercy	CA	JGAB & JGB: MSC > CDR > EAC (for tracking) > CDR > EAC > FLAC16; by pscotton.	Source Detail
08/29/87	French's Camp on the Eel River	Piercy	CA	JGAB/JGB: unknown soundboard > ? > CD > EAC > WAV > SHN.	Source Detail	SHN
08/29/87	French's Camp on the Eel River	Piercy	CA	JGB & JGAB: SBD + AUD Matrix Mix (60%-SBD/40%-AUD)	Source Detail
08/29/87	French's Camp on the Eel River	Piercy	CA	flac1644; JGAB & JGB; SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
08/29/87	French's Camp on the Eel River	Piercy	CA	JGAB & JGB; flac 16: Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell XL-II). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC	Source Detail	FLAC
08/29/87	French's Camp on the Eel River	Piercy	CA	JGAB & JGB; flac 24: Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell XL-II). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24	Source Detail	FLAC
08/29/87	French's Camp on the Eel River	Piercy	CA	JGAB & JGB; flac16; Michael Hessberg's Sennheiser ME-80 mics > Sony D5M > Master Audience Cassettes; Transfer: Nakamichi DR-1 > Cassette Master > Tascam DA-3000 > DSF 1-bit/5.6 MHz > dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH > flac24. Lineage: flac 24/96 > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick August 2020	Source Detail	FLAC
08/30/87	Greek Theater	Berkeley	CA	Jerry Garcia Band: Source: Unknown AUD DAT provided by: mattamiss@hotmail.com Transfer: D8 > Waveterminal 2496 > Soundforge > CD Wave > mkwACT Transfer by jason@spreadwidepanic.com	Source Detail
08/30/87	Greek Theater	Berkeley	CA	Jerry Garcia Band: FOB Audience PCM Master PCM 601 > SV-3700 > Edirol UA-1D > SoundForge 5.0 > CD Wave Editor > shn (mkw).	Source Detail
08/30/87	Greek Theater	Berkeley	CA	Jerry Garcia Band: unknown equipment/taper MAD/P > ? > DAT (44.1); Transfer: DAT (60ES) > M-Audio Audiophile USB > CDWAV > Goldwave (minor edits) > CDWAV > Flac Frontend.	Source Detail
08/30/87	Greek Theater	Berkeley	CA	JGB; flac1644; Unknown audience recording > dat (44.1k), Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1, transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick Jun 2017.	Source Detail	FLAC
10/15/87	Lunt-Fontanne Theatre	New York	NY	Jerry Garcia Acoustic Band & Jerry Garcia Band: FOB NAK 300's (2nd row, 2 seats right of center) > Sony D5 > Cool Edit > CD Wave > SHN, recorded by Dan Cole.	Source Detail
10/15/87	Lunt-Fontanne Theatre	New York	NY	JGB, Set II: Karl from NJ's MAC (Nakamichi CM-100s [handheld, 10th row orchestra, just left of center] > Sony WM-D6) > Dolby B 1st gen cassette > Sony TC-D5M (w/Dolby-B) playback > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and FLAC compression) > FLAC, December 2006 by Andrew F.	Source Detail
10/15/87	Lunt-Fontanne Theatre	New York	NY	JGAB & JGB: Joe D'Amico's Nak 300 Mics > Sony D-5; Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend.	Source Detail	FLAC
10/15/87	Lunt-Fontanne Theatre	New York	NY	JGB, Set 2, flac16; Source: FOB AUD of unknown lineage > ? > Cassette rescued from Ebay. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017	Source Detail	FLAC
10/16/87	Lunt-Fontanne Theatre	New York	NY	JGAB/JGB: cdr of unknown aud; Edited and Mastered by Jamie Waddell on the GEMS Edit Station. Admin note: taper is Joe D'Amico, Nak 300s > Sony D5.	Source Detail	FLAC
10/16/87	Lunt-Fontanne Theatre	New York	NY	flac1644; aud cassette master, nak 300's>sony d5, taped by Chuck Doll & Bob Messina, transfer, mastering, seed by Rob Berger	Source Detail	FLAC
10/17/87	Lunt-Fontanne Theatre	New York	NY	JGAB & JGB; shn; Late Show: SBD>C>C>Cool Edit>EAC>SHN	Source Detail
10/17/87	Lunt-Fontanne Theatre	New York	NY	JGAB & JGB; flac16; early show; Nakamichi 300's > Sony TC-D5M > Master Cassettes (2 x Maxell XLII-S) Recorded from 6th row, Just right of center by Roger Remandino and John Hance. Low gen cassette provided by Rob (Xghs) Feldman John wore the mics extending out from the collar of his sweatshirt and Roger was behind him operating the deck. Transfer I: low gen cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Transfer II: 1st gen cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Neutron 2 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16 edi8ted and mastered SIRMick December 2020	Source Detail	FLAC
10/17/87	Lunt-Fontanne Theatre	New York	NY	JGAB & JGB; flac1644; late show; SBD cassette master > dat > dat > cdr > adobe audition 2.0 > cd wave > flac. Taped and transferred by Rob Berger.	Source Detail
10/17/87	Lunt-Fontanne Theatre	New York	NY	JGAB & JGB; flac1644; late show; Chuck Doll and Bob Messina aud cassette master, nak 300's>sony d5; transfer, mastering, seed by Rob Berger	Source Detail	FLAC
10/17/87	Lunt-Fontanne Theatre	New York	NY	JGAB & JGB; flac1644; late show; repaired/improved SBD (mono) via basement repeater speaker, See shnid-83514; Repaired version: FLACs > TLH > WavMerge > WaveLab > CD-Wave > TLH > FLAC 1644 tagged, by Andrew F.	Source Detail	FLAC
10/17/87	Lunt-Fontanne Theatre	New York	NY	JGAB & JGB; flac2448; early show; Source: AUD of unknown lineage > ? > Lo-Gen Cassette copy kindly provided by Rob "xghs". Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2020	Source Detail	FLAC
10/20/87	Lunt-Fontanne Theatre	New York	NY	JGB, set II: Karl from NJ's MAC (1 Nakamichi CM-100 > Sony WM-D6 [mono]) > Maxell XLII-S 1st gen cassette (Dolby On) > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, November 2006 by Andrew F.	Source Detail
10/21/87	Lunt-Fontanne Theatre	New York	NY	Jerry Garca Band: Acoustic and Electric:SBD Master Cass>Sony D5>Cool Edit>CD Wave>SHN	Source Detail
10/21/87	Lunt-Fontanne Theatre	New York	NY	JGB, Late Show, Electric Set: Nakamichi CM-300's > Sony WM-D6; Second generation cassette w/Dolby B used for transfer (MAC > C > C) Transfer: 2nd-Gen tape (Maxell XL-II) > Sony TC-D5M (Dolby On) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, November 2006 by Andrew F.	Source Detail	FLAC
10/21/87	Lunt-Fontanne Theatre	New York	NY	JGAB; flac1644, Late Show Acoustic (partial) SBD repaired, Source: SBD > ID-6350 > SHN > TLH > Wavelab > TLH > FLAC 1644 tagged. See /shn/6350 for full details on original source.	Source Detail	FLAC
10/23/87	Lunt-Fontanne Theatre	New York	NY	JGB-JGAB: stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.	Source Detail
10/23/87	Lunt-Fontanne Theatre	New York	NY	flac1644; aud cassette master, nak 300's>sony d5, taped by Chuck Doll & Bob Messina, transfer, mastering, seed by Rob Berger	Source Detail	FLAC
10/24/87	Lunt-Fontanne Theatre	New York	NY	flac1644; aud cassette master, nak 300's > sony d5, taped by Chuck Doll & Bob Messina, transfer/mastering/seed by Rob Berger.	Source Detail	FLAC
10/25/87	Lunt-Fontanne Theatre	New York	NY	JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated.	Source Detail
10/25/87	Lunt-Fontanne Theatre	New York	NY	JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN.	Source Detail
10/25/87	Lunt-Fontanne Theatre	New York	NY	JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.	Source Detail
10/28/87	Lunt-Fontanne Theatre	New York	NY	Jerry Garcia Acoustic Band: Early Show: MS? > DAT > CDR > EAC > SHN. DAT > CD by Jeremy Davis, extraction and compression by mlindsey.	Source Detail	SHN
10/28/87	Lunt-Fontanne Theatre	New York	NY	Jerry Garcia Band, Early Show: Recording: Sony ECM-939LT Stereo Mic (third row orchestra, just off center and directly in front of Jerry) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette, Dolby Off during recording and playback; Transfer playback on Nakamichi MR2 > Tascam CDRW-700 > EAC > SHN. Tracked with CDWave, no EQ or sound editing was used.	Source Detail
10/28/87	Lunt-Fontanne Theatre	New York	NY	JGB & JGAB, Late Show: Orchestra Nakamichi 300s > D5 (MAC) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Recording via B.Koucky. Transfer/mastering by C.Ladner.	Source Detail
10/28/87	Lunt-Fontanne Theatre	New York	NY	JGB, early show, electric set: B. Koucky's MAC (Orchestra Nakamichi 300s > D5) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfer/mastering by C.Ladner.	Source Detail
10/28/87	Lunt-Fontanne Theatre	New York	NY	JGAB, Early Show: Digital Soundboard -> DAT 16/48 Transfer By Todd Evans Editing by Jamie Waddell in Wavelab6.0 SBE FREE 16/44.1 L2 Type2Ultra Noise Shape	Source Detail
10/28/87	Lunt-Fontanne Theatre	New York	NY	JGAB, early show: DSBD, pitch fix for shnid 82275 via FLAC > WAV > Vegas 6.0d > FLAC by mattman.	Source Detail	FLAC
10/30/87	Lunt-Fontanne Theatre	New York	NY	JGB: MAC (Nak 300s [orchestra] > D5) > 2 cassette gens > C2 (Maxell XLII-90) Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8), via B. Koucky and C. Ladner.	Source Detail
10/30/87	Lunt-Fontanne Theatre	New York	NY	JGAB/JGB; flac2448; Source: Nakamichi CM-300 w/CP-1 caps > Sony TC-D5 > MAC, 5th row balcony left; 1st Gen cassettes, kindly provided by Doug Lamarre. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2021	Source Detail	FLAC
10/31/87	Lunt-Fontanne Theatre	New York	NY	JGB, early show: MAC (Nak 300s [orchestra] > Sony D5) > 2 cassette gens > C2 (Maxell XLII-90) Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8), via B. Koucky and C. Ladner.	Source Detail
10/31/87	Lunt-Fontanne Theatre	New York	NY	JGB; flac 1644; late show; Joe D'Amico's Nak 300s > Sony D5	Source Detail	FLAC
10/31/87	Lunt-Fontanne Theatre	New York	NY	JGAB/JGB; flac2448; Early Show; Source: AUD of unknown lineage, kindly provided by Doug Lamarre. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2021	Source Detail	FLAC
11/27/87	Warfield Theatre	San Francisco	CA	Source: AUD(mic's and taper unknown)>?>C>DAT>WAV>SHN.	Source Detail
11/27/87	Warfield Theatre	San Francisco	CA	JGAB & JGB: Sennheiser MKE-2002 mics > Sony TC-D5 > 2 cassette gens > Sony TC-D5M (Dolby on) playback > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, plus material from shnid 22298 (see notes), November 2006 by Andrew F.	Source Detail
11/27/87	Warfield Theatre	San Francisco	CA	JGAB/JGB: Nak 700's > dbx > D5 MAC > NakCR-3A > dbx224 > audigyse > audacity > CDWave > tlh.	Source Detail	FLAC
11/28/87	Warfield Theatre	San Francisco	CA	Jerry Garcia Acoustic Band performance (first set). Source: AUD(unknown mics and taper)>?>C>DAT>WAV>SHN. Cassette>DAT via J.Powell. DAT>SHN via C.Ladner.	Source Detail
11/28/87	Warfield Theatre	San Francisco	CA	JGAB & JGB; flac1644; Taz Yamaguchi's 2x Nakamichi 700 w/cardiod caps > dbx > D5 MAC > NakCR-3A > dbx224 > audigySE > Audacity > CDWave > TLH	Source Detail	FLAC
11/29/87	Warfield Theatre	San Francisco	CA	Source: AUD > C(x) Transfer: C (XLII-S 90) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, EQ, resample, Lin dither) > FLAC 1644	Source Detail	FLAC
11/29/87	Warfield Theatre	San Francisco	CA	Jerry Garcia Acoustic Band. Source: AUD(unknown mics and taper)>?>C>DAT>WAV>SHN. Cassette>DAT via J.Powell. DAT>SHN via C.Ladner.	Source Detail
12/03/87	Wiltern Theater	Los Angeles	CA	Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Taped by Mike French, floor right of center, Senn MKE2002 [HRTF] > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Mike French, EAC > SHN by Joe Jupille.	Source Detail
12/03/87	Wiltern Theater	Los Angeles	CA	JGAB & JGB (24 bit/48kHz): tdarian's Radio Shack Lavalier omnis (9th Row Floor DFC) > Sony WM-D6C "B" n.r., Denon HD-M 90 Metal master cassettes > Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback > Belden 1804a spc > Sound Devices 722 @ 24.48. Transfer to digital realm, and editing/processing/dithering, by Mike French.	Source Detail	FLAC
12/03/87	Wiltern Theater	Los Angeles	CA	JGAB & JGB (16bit/44.1kHz): tdarian's Radio Shack Lavalier omni's > Sony WM-D6C "B" n.r., Denon HD-M 90 Metal Cassettes, From 9th Row Floor DFC. Transfer to the Digital Realm (2007-01-20): TD Master Cassettes // MF Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback-> Belden 1804a spc > Sound Devices 722 @ 24.48. Transfer to digital realm, and editing/processing/dithering, by Mike French.	Source Detail	FLAC
12/04/87	Wiltern Theater	Los Angeles	CA	Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Taped by Mike French, center of the floor, Senn MKE2002 [HRTF] > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Mike French, EAC > SHN by Joe Jupille.	Source Detail
12/04/87	Wiltern Theater	Los Angeles	CA	JGAB & JGB: SBD > PCM > DAT > WAV > SLOTH DAW > FLAC16	Source Detail
12/04/87	Wiltern Theater	Los Angeles	CA	JGAB & JGB (16 bit/44.1kHz): Mike French's Sennheiser MKE2002 HRTF -> Sony WM-D6C "B" n.r., From the floor, near center, Orchestra Row B seat 118. High Resolution Digital Transfer Lineage: MF Master Cassettes / MF Sony WM-D6C master deck w/ Dolby "B" n.r azimuth adjusted playback -> Belden 1804a spc -> Sound Devices 722 @ 24.48 Transfered by Mike French.	Source Detail	FLAC
12/04/87	Wiltern Theater	Los Angeles	CA	JGAB & JGB (24 bit/48kHz): tdarian's Sennheiser MKE2002 HRTF (floor 4th Row DD, near center, Jerry side) > Sony WM-D6C mic-in "B" n.r. > Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback > Belden 1804a spc > Sound Devices 722 @ 24.48 Transferred by Mike French.	Source Detail	FLAC
12/04/87	Wiltern Theater	Los Angeles	CA	JGAB & JGB (16 bit/44.11kHz): tdarian's Sennheiser MKE2002 HRTF -> Sony WM-D6C mic-in "B" n.r., Recorded on floor 4th Row DD, near center - Jerry's side (from tape card notes). High Resolution Digital Transfer Lineage: TD Master Cassettes // MF Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback -> Belden 1804a spc -> Sound Devices 722 @ 24.48, transferred by Mike French.	Source Detail	FLAC
12/05/87	Wiltern Theater	Los Angeles	CA	Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Senn MKE2002 [HRTF] from the orchestra pit > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > minor editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). JGAB taped by Mike French, JGB taped by Tom D. A > D by Mike French, EAC > SHN by Joe Jupille.	Source Detail
12/05/87	Wiltern Theater	Los Angeles	CA	JGAB & JGB (16 bit/44.1kHz): tdarian's Sennheiser MKE2002 HRTF -> Sony WM-D6C "B" n.r. Balcony Row CC, center (balcony, 3rd row, center).High Resolution Digital Transfer Lineage:TD Master Cassettes // MF Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback -> Belden 1804a spc -> Sound Devices 722 @ 24.48 Transfered by Mike French	Source Detail	FLAC
12/06/87	Wiltern Theater	Los Angeles	CA	Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Taped by Tom D., 6th row-FF-4th seat left of center, RadioShack Tie Pin Lavalier Omni mics > Sony WM-D6C) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Mike French, EAC > SHN by Joe Jupille.	Source Detail
12/17/87	The Warfield	San Francisco	CA	An AIDS benefit concert, Humanitas International and BGP presents Joan Baez and Friends: A Christmas Concert: S:C>D>CD	Source Detail
12/17/87	The Warfield	San Francisco	CA	Garcia, Weir & Kahn; flac2496; Recording Info: Live TV Broadcast (KQED) > VHS HiFi Master > Beta HiFi (Maxell HGX HiFi). Transfer Info: Beta HiFi (Sony SL-HF860D) > Tascam DA-3000 (24-bit-48k) > Samplitude Pro X5 Suite > FLAC24. All Transfers and Mastering by Charlie Miller. December 7, 2020.	Source Detail	FLAC
12/17/87	The Warfield	San Francisco	CA	Garcia, Weir & Kahn; flac16/44; Recording Info: Live TV Broadcast (KQED) > VHS HiFi Master > Beta HiFi (Maxell HGX HiFi). Transfer Info: Beta HiFi (Sony SL-HF860D) > Tascam DA-3000 (24-bit-48k) > Samplitude Pro X5 Suite > FLAC24. All Transfers and Mastering by Charlie Miller. December 7, 2020. - This is 151287 2448 > 1644	Source Detail	FLAC
01/23/88	Henry J. Kaiser Convention Center	Oakland	CA	"Blues for Salvador": Unknown audience master > ? > CD > eac > shntool > shnv3 by Ernie Dodd.	Source Detail
02/05/88	Veterans Memorial Auditorium	Santa Rosa	CA	flac2448; AUD > Unknown Gen Cassette (Maxell XLII90 no Dolby) > Nakamichi BX-300 playback (no Dolby) > Pyle Pro cables > WaveTerminal 2496 > Samplitude 10.1 Download Version (record @ 24 bits/48kHz) > CDWave 1.9.8 (tracking) > Wavelab 5.0.1a (cross-fades, etc.) > shntool (stripped non-canonical headers) > Traders Little Helper 2.4.1 (FLAC encoding, level 8) > Foobar (tagging); Transferred 9/6/2009 by JGMF	Source Detail	FLAC
02/05/88	Veterans Memorial Auditorium	Santa Rosa	CA	JGB; flac1644; remaster of JGMF's Closet Call SHNID-121594. Source: Unknown AUD transferred to FLAC 2448 by JGMF > ID-121594. Remaster: FLAC 2448 > TLH > WAV > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Andrew F. 09/20	Source Detail	FLAC
02/06/88	The Warfield	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Danny Lucian, unknown gear from the lower balcony) > 1 cassette > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
03/05/88	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN. Missing last 3 tracks of the second set. CDR source via D.Minches. SHN encoding/initial FTP propagation via C.Ladner/candyman FTP.	Source Detail
04/26/88	Marin Veterans' Memorial Auditorium	San Rafael	CA	JGAB: MAC (Taped by Dan Cole, FOB Sony ECM-77B > Sony D5) > Cool Edit > CD Wave > SHN > CD > EAC > SHN. Proper sector boundaries verified using shntool. This is an accidental re-DAE of the earlier .shn set, albeit one that is slightly re-tracked.	Source Detail
04/26/88	Marin Veterans' Memorial Auditorium	San Rafael	CA	Garcia, Kahn, Nelson & Rothman: John Corley AUD (likely Nak700) > ? > CD > Wavelab6.0 Edited and Mastered by Jamie Waddell on the GEMS Edit Station Trac'ed Cdwave,Flac'ed Flac Frontend Level 8.	Source Detail	FLAC
04/26/88	Marin Veterans' Memorial Auditorium	San Rafael	CA	JGAB: Hat Mounted Realistic PZM's with Sony WMD6-C No nr Maxell MX-90 80 ft away, left of center Orchestra Section Left Row 13 Seat 49 Master > Sony D6 > HD > Audacity > CDWave > TLH	Source Detail	FLAC
04/26/88	Marin Veterans' Memorial Auditorium	San Rafael	CA	Garcia, Kahh, Nelson, & Rothman: MAC (Taped by Dan Cole, FOB Sony ECM-77B > Sony D5) > Cool Edit > CD Wave > SHN.	Source Detail	shn
05/06/88	Old Fillmore	San Francisco	CA	Jerry Garcia Band: FOB Schoeps CMC3 + MK4 > DAT > CD > EAC > SHN	Source Detail
05/06/88	Old Fillmore	San Francisco	CA	JGB; flac16; Neumann KMi-84s >Sony PCMF-1/sl2000 PCM - transferred, tracked and tagged by OldNeumanntapr - Recorded By Daspyknows taping crew	Source Detail	FLAC
05/07/88	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band: Taper: Bill Reutelhuber; Recording Info: (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cm (Sony TCD5m). Transfer Info: Cm (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN. Process Info: 1) Slight eq on the computer with waves linear eq plugin followed by waves L2 plugin and rendered down to 16 bit 44.1kHz file. 2) Tracked and Normalized with Samplitude v7.02 Professional. Recorded, Transfered and Process #1 By Bill Reutelhuber. Process #2 By Charlie Miller.	Source Detail
05/07/88	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Dan Cole, row AA in the middle, Sony ECM 77-B > Sony D5) > Cool Edit > CD Wave > SHN.	Source Detail
07/07/88	Cotati Cabaret	Cotati	CA	Jerry Garcia Acoustic Band: Early Show: Recorded at Front Row Table, Audio-Technica AT 831R mics > Marantz PMD-430 > Tascam CD-RW700 (recorded and mastered by Dan Ward); Late Show: Recorded in front of left PA stack, Radio Shack behind the ear mics > Sony TC-D6 (recorded and mastered by CNM).	Source Detail
07/09/88	Frost Ampitheater (Stanford University)	Palo Alto	CA	JGAB: fixed version of the Teddy "Goodbear" seed shnid 82171, via SirMick.	Source Detail	SHN
07/09/88	Frost Ampitheater (Stanford University)	Palo Alto	CA	JGAB: John Corley's FOB Nakamichi 700s > Cassette Master (Sony TCD5m) Dat > CD > EAC> Flac	Source Detail
07/10/88	Greek Theater	Berkeley	CA	Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s > Sony TC-D5M) > CD > EAC > SHN	Source Detail
07/10/88	Greek Theater	Berkeley	CA	Jerry Garcia Band: set II only: MAC (Taped by Dan Cole, FOB AKG 460's > Sony D5) > Cool Edit > CD Wave > SHN.	Source Detail	SHN
07/16/88	Golden Gate Park	San Francisco	CA	flac2448 1st GEN AUD microphones: AKG ck61 > recorder: Sony TC-D10 DAT location: FOB about 70 feet from stage First transfer- DAT to Sony TC5M	Source Detail	FLAC
10/31/88	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: FOB Schoeps CMC34 (Hand held, ORTF) > Oade M118 pre > Panasonic SV-250 > Soundforge 4.5 > CD; Taped by Jeff Travitz, shn'd by Bill Gardner	Source Detail
10/31/88	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: Recording Info: (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx 221e type II Encoder -> Cassette Master (Sony TCD5m/Maxell XLIIS); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 1 Disc SHN); Process Info: 1) Processed to a 16 bit file with waves Q10 and L2 2) Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 1/6/04	Source Detail	SHN
10/31/88	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: MAC (Nak CM700/CP701 Cards > Custom Preamp > DBX Box > Sony TCD5M) > Sound Forge (slight NR used) > DBX Type II Decoder NR Unit > HD > CD	Source Detail	shn
11/04/88	Caesars Tahoe	Stateline	NV	Jerry Garcia Band: Nak 700 mics > DBX Encoded > Cassette Master; Transfer: Cassette master> DBX Decoded > DATx 2 > Echo Event Gina > Sound Forge 4.5 > CDR > EAC(Secure Mode) > SHN (MKWACT); EAC'ed/Shn'ed and seeded to fungus by Charlie Connor. File modifed 2/7/2004: NOT taped by Bob Menke, as previously listed.	Source Detail
11/05/88	Caesars Tahoe	Stateline	NV	Jerry Garcia Band: Early and Late Shows: MAC(Nak700s) > D > CDR > WAV >SHN. File modified 2/7/2004: not taped by Bob Menke, as previously listed.	Source Detail
11/05/88	Caesars Tahoe	Stateline	NV	Late Show: MSC > 1st gen cassette > Nak Dragon playback > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 2.0 > (dither/downsample) > FLAC encoding. Transfer by David Minches.	Source Detail	FLAC
11/25/88	Wiltern Theater	Los Angeles	CA	Jerry Garcia Band: MSD > 1C > DAT > CDR > WAV > SHN	Source Detail
11/25/88	Wiltern Theater	Los Angeles	CA	JGB: Mike French's MAC, undetermined gear and transfer > CD > EAC > FLAC.	Source Detail	FLAC
11/25/88	Wiltern Theater	Los Angeles	CA	JGB: tdarian and John Corso (Tapers From Hell), Sennheiser MKE2002 (mfrench mics) as AB omni's on bill of cap > Sony TC-D5M "B" n.r.; Row B - center of floor (apprx. 10th row center); Sony TC-D5M (with Dolby B) playback > Tascam DA-20mkII DAT deck at 48k; Then DAT marked with programs that were transferred as track marks on the fly, by the Tas. CDRW700, with dither to 44.1, on-the-fly, by the tas.700.	Source Detail	FLAC
11/25/88	Wiltern Theater	Los Angeles	CA	JGB; flac16; Master Soundboard Dat > Dick Latvala's Cassettes; Transfer Info: Dick Latvala’s cassettes (Nakamichi BX-300)> HHb CDR850 > CDR > EAC > Adobe Audition CC2019 > TLH flac16	Source Detail	FLAC
11/26/88	Wiltern Theater	Los Angeles	CA	Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3.	Source Detail
11/26/88	Wiltern Theater	Los Angeles	CA	JGB: tdarian and John Corso (Tapers From Hell), Sennheiser MKE2002 (mfrench mics) as AB omni's on bill of cap > Sony WM-D6C (From the Floor - Row A - Jerry Side) (tape notes say center - maybe Jerry side of center section??); Sony TC-D5M (with Dolby B) playback > Tascam DA-20mkII DAT deck at 48k > Tascam CDRW700, with dither to 44.1, on-the-fly, by the tas.700.	Source Detail	FLAC
11/26/88	Wiltern Theater	Los Angeles	CA	JGB: flac1644; SBD > Cassette Master > DAT > CDR > WAV > SHNv3; Remaster by FlyingM: iZotope RX8 advanced > Goody* > CD Wave > TLH (flac)	Source Detail	FLAC
11/27/88	Wiltern Theater	Los Angeles	CA	Jerry Garcia Band: MAC ("Tapers from Hell", Senn MKE2002 [HRTF, balcony 3rd row center] > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 500 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).	Source Detail	SHN
11/27/88	Wiltern Theater	Los Angeles	CA	JGB: tdarian and John Corso (Tapers From Hell), Sennheiser MKE2002 (mfrench mics) as AB omni's on bill of cap > Sony WM-D6C (3rd row center - balcony) > Sony TC-D5M (with Dolby B) playback > Tascam DA-20mkII 48k DAT > Tascam CDRW700, with dither to 44.1, on-the-fly, by the tas.700.	Source Detail	FLAC
12/02/88	Orpheum Theatre	San Francisco	CA	JGB; shnf; MAP (Schoeps CMC44> Sony F1) > PCM > CDR > WAV > SHN. Source CDR via J.Powell. Extraction and SHN encoding via C.Ladner.	Source Detail
12/03/88	Orpheum Theatre	San Francisco	CA	JGB; MAP(Schoeps CMC44> Sony F1)>PCM>CDR>WAV>SHN. Source CDRs via J.Powell. Extraction and SHN encoding via C.Ladner.	Source Detail
12/03/88	Orpheum Theatre	San Francisco	CA	JGB; Bill Reutelhuber's (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cm (Sony TCD5m); Transfer Info: Cm (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN; Process Info: Processed through Nuendo using Waves Q10 and Waves C4 and rendered down to a 16 bit wave file. Recorded and Transferred by Bill Reutelhuber; Tracked and SHN'd By Charlie Miller.	Source Detail
12/04/88	Oakland-Alameda County Coliseum Arena	Oakland	CA	Garcia, Weir & Wasserman; Acoustic Bridge School Benefit; SBD>??>DAT>CDR; via Paul B; Seeded to etree by Willy	Source Detail
12/04/88	Oakland-Alameda County Coliseum Arena	Oakland	CA	Garcia, Weir and Wasserman; flac16; UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24(2 DVD's FLAC). All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/27/89	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Dan Cole, FOB [2nd row] Sony ECM-77B > Sony D5) > Cool Edit > CD Wave > SHN. This is identical to the previous .shn set except for fixed sector boundary errors (last track of each disc/set).	Source Detail	SHN
01/27/89	Orpheum Theatre	San Francisco	CA	JGB: SBD > 2nd or 3rd gen cassette (dolby B) > eq out >hp computer > Sound Forge (vol@5.5db) > CD wave > Flac.	Source Detail	FLAC
01/27/89	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Dan Cole, FOB [2nd row] Sony ECM-77B > Sony D5) > Cool Edit > CD Wave > SHN	Source Detail	SHN
01/27/89	Orpheum Theatre	San Francisco	CA	JGB, flac16; Source 1 (tracks 1-12): Source ID 084866 (John Moses), remastered by Jim Blackwood and speed/pitch adjusted by Jason Chastain; Source 2 (tracks 13-15): SBD source (with likely cassette generation) > DAT via Anon, transferred and mastered by Jim Blackwood and speed/pitch adjusted by Jason Chastain; Minor repairs (both sources), track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
01/28/89	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band:set 2 only; MSC > 1V (Hi-Fi) > DATs > Digi001 > SHN; via Ryan Shriver and D. Metz	Source Detail
01/28/89	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band: Soundboard > ?? > wav > shn	Source Detail
01/28/89	Orpheum Theatre	San Francisco	CA	JGB, flac1648; Source: SBD Master Cassette > DAT at 16/48 (with possible extra analog generation) from Anon; DAT transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
03/03/89	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band: FOB (Schoeps CMC34s) > DAT (Panasonic SV-250) > CDR > WAV > SHN	Source Detail
03/03/89	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band: Recording Info: (FOB/Hat/Row L) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cassette Master (Sony TCD5m); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 2 Discs SHN); Process Info: 1) Processed to a 16 bit file with waves Q10, C4 and L2; 2)Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 12/5/03.	Source Detail
03/03/89	Orpheum Theatre	San Francisco	CA	JGB: DAUD FOB Schoeps CMC34 > Panasonic SV-250 DAT (?); Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky and Seeded by Green Mountain Bros. July 8, 2007.	Source Detail	FLAC
03/03/89	Orpheum Theatre	San Francisco	CA	flac1644; JGB, Set 2; Source: SBD > ? > Cassette rescued from ebay, marked 3rd-Gen. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2021	Source Detail	FLAC
03/04/89	Orpheum Theatre	San Francisco	CA	JGB; Recording Info: (FOB/Hat/Row L) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cassette Master (Sony TCD5m; Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 2 Discs SHN); Process Info: 1) Processed to a 16 bit file with waves Q10, C4 and L2; 2) Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 12/5/03	Source Detail
03/22/89	Gift Center Pavilion	San Francisco	CA	Country Joe McDonald, Garcia guest: PS's FOB 2x Nakamichi 700 mics (modified, caps and attenuators worn in hat) > Reutelhuber pre-amp > dbx 221e > Sony TCd5M master cassette (Maxell MX90); Nakamichi CR1a playback > dbx 224xds decode > Macintosh 1.2 GHZ Power PC G4 OSX 10.5.4, with M-Audio Audiophile 2496 MIDI Digital Recording Interface. Recorded with Bias Peak Lite. File re-saved from raw audio as Wave with Bias Peak Lite version 5.2; CD Wave 1.94.8 > Sony Sound Forge Studio 7.0 (t01 fade-in and t09 fade-out) > Trader's Little Helper v2.4.1 (FLAC8 encoding). Transfer by PS, FLAC encoding by jj.	Source Detail	FLAC
03/22/89	Gift Center Pavilion	San Francisco	CA	Garcia, Weir & Kahn: FOB 2x Nakamichi 700 mics (modified, caps and attenuators worn in hat) > Reutelhuber pre-amp > dbx 221e > Sony TCd5M master cassette (Maxell MX90); Nakamichi CR1a playback > dbx 224xds decode > Macintosh 1.2 GHZ Power PC G4 OSX 10.5.4, with M-Audio Audiophile 2496 MIDI Digital Recording Interface. Recorded with Bias Peak Lite. File re-saved from raw audio as Wave with Bias Peak Lite version 5.2; CD Wave 1.94.8 > Sony Sound Forge Studio 7.0 (t01 fade-in and t07 fade-out) > Trader's Little Helper (FLAC8 encoding).	Source Detail	FLAC
04/24/89	Sweetwater	Mill Valley	CA	Elvis Costello, Garcia & Others: SBD? > Dat > Goodbear's computer (minor edit) > Wav > CD (minor edit) > EAC > FLAC, via Teddy Goodbear.	Source Detail
05/19/89	Irvine Meadows Ampitheater	Irvine	CA	Jerry Garcia Band: FOB (DFC, Section 2 Orchestra -CenterSenn MKE2002 ORTF) > Sony TC-D10 > CDR > WAV > SHN. "Tapers from Hell" Group Effort - (Tom D., John H., Mike F., John C.). SHN encoding/FTP via Nick Georges.	Source Detail
05/19/89	Irvine Meadows Ampitheater	Irvine	CA	Jerry Garcia Band: Senn MKE2002 HRTF stealth fob/dfc > Sony TCD-D10 1/4" mic in Ambient master by "Tapers From Hell", a large dedicated group effort. John H. on DAT knobs. DAT Clone #1 used for CDR master; Transfer: DAT #1 via Tas DA20mkII > Tas cdrw700 for cdr master -> Marantz 500 dual well-> CDR. Above taping and transfer done by Mike French + "Tapers from Hell" Additional Transfer: CDR-> EAC -> FLAC Frontend (16/44.1) by Brian Costigan (BCostigan@taperssection.com)	Source Detail	FLAC
05/19/89	Irvine Meadows Ampitheater	Irvine	CA	JGB; flac1648: Audience Recording by Mike French + Tapers from Hell Senn MKE2002 HRTF stealth fob/dfc > Sony TCD-D10 1/4" mic in DFC, Section 2 Orchestra DAT Archived and Transferred by Stucco. Audio Mastering by Jason Chastain and Jamie Waddell	Source Detail	FLAC
05/19/89	Irvine Meadows Ampitheater	Irvine	CA	JGB; Flac16; FOB; Sony ECM 909 Stereo Cardioid >Sony WM D3 Cass Recorded By John Lech. Cass 1 Transfer, Audacity, FLAC, Tags + Front Cover Artwork By OldNeumanntapr	Source Detail	FLAC
05/19/89	Irvine Meadows Ampitheater	Irvine	CA	JGB; flac1644; Mike Millard First- and Second-Generation Tapes via JEMS - The Lost and Found Mike the MICrophone Tapes Volume 203. Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder. JEMS 2023 Transfer: Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX8 Advanced and Ozone 10 > MBIT+ resample to 16/44.1 > Audacity > xACT 2.50 > FLAC	Source Detail	FLAC
05/20/89	Open Air Theater (San Diego State)	San Diego	CA	Jerry Garcia Band: SBD -> Dat -> Cm -> SBM2 -> Sonic Solutions -> CD -> EAC -> SHN Last 3 Songs Patched w/ Nakamichi 300/CP1 -> Cm -> CD -> Samplitude v7.02 Pro -> SHN (2 Discs Audio / 1 Disc SHN)	Source Detail
05/20/89	Open Air Theater (San Diego State)	San Diego	CA	JGB; flac1644; Field Recordist: Matt Xavier. field recording gear: 2x Nakamichi 300 > Sony D5; Lineage: Sony TC-WR635S playback > powerpc MAC, soundedit II software > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Matt Xavier, EAC > SHN by Joe Jupille (5.7.2003). shn2flac jgmf August 2, 2010: shn md5 checksum verification and shn > flac8 conversion using TLH 2.4.1 (Build 160). Tagging with Foobar 2000. Additional editing and tagging. David Minches, December 2023	Source Detail	FLAC
05/22/89	Universal Amphitheatre	Universal City	CA	JGB; shnf; s1s2p; sbd > mdat > cass > sonic solutions > cdr > mkw > shn	Source Detail
05/22/89	Universal Amphitheatre	Universal City	CA	JGB; flac 2448; Source: AUD of unknown lineage > ? > Cassette rescued from ebay. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2020	Source Detail	FLAC
05/26/89	New George's	San Rafael	CA	Los Lobos w/ Garcia sitting in: MAV (recorded by Rick Ovalle) > 2 VHS HiFi gens > CD. Transferred by pantagruel.	Source Detail	FLAC
05/26/89	New George's	San Rafael	CA	Taped by Rob Darroch - RIP; unknown mics >> SV255; DAT >> CD >> FLAC via TLH	Source Detail	FLAC
05/27/89	Oakland-Alameda County Stadium	Oakland	CA	John Fogerty, Jerry Garcia, Bob Weir, & Others: MSC > Nak DR-3 > RME 96/8 PST > CDR [> EAC]. Note: filenames not per etree standard.	Source Detail
05/27/89	Oakland-Alameda County Stadium	Oakland	CA	John Fogerty et al: SBD > Cassette > Nak DR-3 > RME 96/8 PST > CDR. Relationship to other seed with this lineage uncertain.	Source Detail	FLAC
05/27/89	Oakland-Alameda County Stadium	Oakland	CA	Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/27/89	Oakland-Alameda County Stadium	Oakland	CA	flac1644; Neumann KMi84 (FOB, DFC) > BlackBox > Panasonic SV-250 Transfer: 3800 > UA5w > PowerMac733G4 > Audio Recorder 1.4 > Peak 4.1 > aiff > xACT > FLAC Recorded, Post-Produced & Seeded by Chris Hecht	Source Detail	FLAC
06/10/89	French's Camp on the Eel River	Piercy	CA	Jerry Garcia Band: MAD (Schoeps CMC3-MK4) > playback on Panasonic SV-3800 > HHb CDR-850 > CDR > WAV > SHN	Source Detail
07/02/89	Sullivan Stadium Parking Lot	Foxboro	MA	Jerry Garcia, Bob Weir, & Los Lobos: Unknown source (probable pro-shot video) > ? > CD > EAC > SHN	Source Detail	SHN
08/26/89	Greek Theatre, U. Of California	Berkeley	CA	Jerry Garcia Band: MAD (recorded by Marcus Buick and Sean Webber-Small, B&K 4011's @ 110 ORTF [BuStand-1st Set, SeanStand-2nd Set] > Monster M1000 > Neumann 48VPS > MonsterM1000 > Panasonic SV250 [CLB FOB DFC- 2nd tier]), Panasonic SV250 playback > Sony PCM601 > Sony SL360, Sony SL360 plabyack > Sony PCM701 > Digidesign 442 / Quadra 650, edited w/ ProTools3.1, mastered with Masterlist1.2 > Sony920s 2x master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). D > CD by Marcus Buick, CD > SHN by Joe Jupille.	Source Detail
08/26/89	Greek Theatre, U. Of California	Berkeley	CA	Jerry Garcia Band: Recording Info: (FOB/Split/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx 221e type II Encoder -> Cassette Master (Sony TCD5m); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 1 Disc SHN)	Source Detail	SHN
09/01/89	Merriweather Post Pavilion	Columbia	MD	Jerry Garcia Band: MAD (FOB Schoeps CMC 34s)> CDR > WAV > SHN. SHN encoding and FTP'ing via C.Ladner/candyman FTP.	Source Detail
09/01/89	Merriweather Post Pavilion	Columbia	MD	JGB; flac1648; Ted Mattes FOB Recording: FOB Schoeps CMC34 @ 110º ORTF > DAT (Panasonic SV-250). Mics were hand held. John Ammons Transfer: from DAT clone of the Master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave. Edited & Mastered by Joe Noel Wave > Audacity > 16/48.	Source Detail	FLAC
09/02/89	Merriweather Post Pavilion	Columbia	MD	Jerry Garcia Band: Schoeps CMC-44 (FOB) > Oade pre-amp > Sony PCM-F1 > Sony SL 2000 (Beta). Possible re-DAE and re-.shn of existing .shn set.	Source Detail
09/02/89	Merriweather Post Pavilion	Columbia	MD	Jerry Garcia Band:FOB Schoeps CMC44 > Oade pre-amp > Sony PCM-F1 digital processor > Sony SL 2000 recorder (Beta); PCM master > DAT > CDR; Taper: Jim Oade; from the Jerry Site's "Release One"; via imgoinmad@home.com	Source Detail	SHN
09/02/89	Merriweather Post Pavilion	Columbia	MD	JGB; flac16; Michael Hessberg's Nakamichi 300’s > Sony TC -D5M > Cassette Master; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Wav 24/96 - Transferred by Charlie Miller; Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16. edited and mastered SIRMick March 2019.	Source Detail	FLAC
09/03/89	The Spectrum	Philadelphia	PA	Jerry Garcia Band: MAD (Taped by Jeff Travitz, FOB hand-held Schoeps CMC34 [ORTF] > Oade power supply > SV250) > ? > SHN.	Source Detail
09/03/89	The Spectrum	Philadelphia	PA	Jerry Garcia Band: 48k FLAC of Travitz master: Schoeps CMC34 (hand held FOB,ORTF) > Oade M118 pre > Panasonic SV-250 @48kHz by Jeff Travitz. Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > CDWave 1.71 > FLAC 1.1.0 by Craig Hillwig.	Source Detail	FLAC
09/03/89	The Spectrum	Philadelphia	PA	Jerry Garcia Band: MAC (Taped by Todd W. of Lancaster, PA and others, FOB Sennheiser 421's [approximate Y-configuration, hand-held > Sony D6) > Sony D6 playback > 1st gen cassette (modified Sony D6) > Denon DRW-840 playback > Sony DTC-59ES (48K A/D conversion) > optical > Sound Blaster MP3 (SPDIF Optical to USB conversion) > Creative Wave Studio (recording to .wav, 48K to 44.1K sample rate converison and tracking) > mkwATC (.wav to .shn conversion and .md5 creation).	Source Detail	SHN
09/03/89	The Spectrum	Philadelphia	PA	JGB: AKG C568B short shotgun mics > Marantz PMD-340 > Sony TC-D5M > Triad MG-X Metal, with no Dolby. Set up in 15th row center. Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.	Source Detail	FLAC
09/03/89	The Spectrum	Philadelphia	PA	JGB; flac1644?; Dave Boedicker's Realistic stereo mic (floor, section F, row 4, seat 9) > Sony WM-D6C cassette deck > 2x Maxell XL-II-S 90 minute master cassette tapes > Sony TC-D5M cassette deck (playback) > Edirol R-09 HR (24/44.1 KHZ) > CD Wav Editor > Traders Little Helper > Flac Level 8.sector boundaries aligned using Traders Little Helper.	Source Detail	FLAC
09/05/89	Hartford Civic Center	Hartford	CT	Jerry Garcia Band:SBD MCass > Cassette > DAT > CDR, Dont let go is complete but the sbd cuts after the first few notes of Lonesome and a longway from home. Seeded by Scott Clugston; [md5s]	Source Detail
09/05/89	Hartford Civic Center	Hartford	CT	Jerry Garcia Band: Taped by John Bulger, Sennheiser Audio 2000 Mic setup (FOB) > Dolby C cassette master > 1 cassette > >Nak DR-10 (Playback)> Midiman Flying Cow A/D>RME Digi96/8> Steinberg's Wavelab 3.0>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT; Digital Conversion/shn'ed by Charlie Connor with Thanks to Rob R.	Source Detail
09/05/89	Hartford Civic Center	Hartford	CT	JGB: sbd-aud combination of shnid 4374 (sbd) and shnid 24221 (Senn 2000s aud). See info file for details.	Source Detail	SHN
09/05/89	Hartford Civic Center	Hartford	CT	JGB: Ted Gidley's Nakamichi CM-300's > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics hand-held from the floor. Transfer: MAC > Nakamichi DR-8 (no Dolby) Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.	Source Detail	FLAC
09/05/89	Hartford Civic Center	Hartford	CT	JGB: Nakamichi CM300's with CP-1 cardioid capsules > Sony TC-D5M > Triad MG-X Metal, with no Dolby. Set up in 17th row center. Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.	Source Detail	FLAC
09/06/89	Nassau Coliseum	Uniondale	NY	Jerry Garcia Band: Taper: John Bulger; FOB Aud > Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass > Nak DR-10 (Playback)> Midiman Flying Cow A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 > CDWav v1.6 (tracking only) > SHNv3 (MKW ACT; Digital Conversion/shn'ed by Charlie Connor With thanks to Rob R.	Source Detail
09/06/89	Nassau Coliseum	Uniondale	NY	JGB, Set II: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 playback (Dolby B off) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC.	Source Detail
09/06/89	Nassau Coliseum	Uniondale	NY	Jerry Garcia Band: audience-unknown> dat> cd> soundforge> shn by tim rossi tape errors: tape fades into How Sweet It Is, and tape also cuts at end of tangled.	Source Detail	SHN
09/06/89	Nassau Coliseum	Uniondale	NY	JGB, Set II, 48k: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 playback (Dolby B off) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC.	Source Detail	FLAC
09/06/89	Nassau Coliseum	Uniondale	NY	JGB, set I only: AKG C-460b mics (15th row center) > Marantz PMD-340 > Sony TC-D5M > Triad MG-X Metal (no Dolby). Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.	Source Detail	FLAC
09/06/89	Nassau Coliseum	Uniondale	NY	JGB; flac1648: AKG 414s > DAT DAT Archived and Transferred by Stucco. Audio Mastering by Jason Chastain and Jamie Waddell.	Source Detail	FLAC
09/07/89	Meadowlands Arena	East Rutherford	NJ	Jerry Garcia Band: AUD (Unknown taper, Schoeps CMC34) > DAT > CDR > WAV > SHNv3.	Source Detail
09/07/89	Meadowlands Arena	East Rutherford	NJ	JGB: Unknown taper, Sennheiser 2002's (FOB, left of center) > Sony D5 (3rd deck in chain) > master cassette > 1st gen cassette > Nakamichi Cassette Deck 2 playback > RCA > UA-5 > USB > WinXP Pro > CEP 2.0 > CD Wave Editor > Flac Frontend > FLAC16.	Source Detail
09/07/89	Meadowlands Arena	East Rutherford	NJ	JGB, Set II: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 plaback (Dolby B on) > Edirol R-09 (analog pass-through) > Nomad Jukebox 3 > WAV > FLAC.	Source Detail	FLAC
09/09/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB: MAD > DAT > CD > EAC > SHN. Stealth upfront Nakamichi 700 (cardiods) customized (run without the bodies), powered by a Reutelhuber pre/ps > Panasonic SV250 > DAT/0 > DAT(clone) > Sony R300 @ 48k > ZA-2 @ 44.1k > Soundforge 4.0c > CD Architect > CD/0 > EAC > MkWToolkit > SHN. D>CD>SHN by Frank Venezia.	Source Detail	SHN
09/09/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB: AUD: Unknown equipment, 1st Gen tapes used for transfer. Transfer: Maxell XLII-S 90's > Nakamichi DR-8 (w/no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644.	Source Detail	FLAC
09/09/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB; flac1644; D.S.F.'s 2x Nakamichi 300 CP1 caps > sony tcd5m cassette master (Dolby On); playback Master Cassette (No Dolby) > Nakamachi 582 > Sanaui PCM > Early 1990 PCM 12-19 > Cool Edit Pro 16-441.	Source Detail	FLAC
09/09/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB; flac1644; Frank Streeter's Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16. Patch Info: (FOB) Nakamichi 700 -> Dat -> CD -> SHN (shnid=9718).	Source Detail	FLAC
09/10/89	Great Woods Center for the Performing Arts	Mansfield	MA	Jerry Garcia Band: FOB (Unknown taper, Schoeps CMC34) > DAT > CDR > WAV > SHNv3.	Source Detail
09/10/89	Great Woods Center for the Performing Arts	Mansfield	MA	Jerry Garcia Band: MSC > Cx > WAV > FLAC. Transfer: Cassette > FLAC (playback on Sony TC-KE400S, dolby disabled > Sony PCM-R500 with Super Bit Mapping enabled > coaxial S/PIDF output > M Audio Audiophile 2496 > recording with Soundforge 6.0) > tracking (cdwav) > sector boundaries confirmed (shntool) > SHN by C.Ladner, 10/04.	Source Detail
09/10/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB: matrix of SBD (shnid 27358) and AUD (shnid 14311) by dan at amdig dot com.	Source Detail	FLAC
09/10/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB: Ted Carpenter's Nakamichi CM-300's w/CP-1 cardioid capsules > Sony TC-D5M > Maxell XL-II 90's, w/no Dolby. Mics crossed X-Y pattern, on a 6-foot stand, middle of shed near SBD. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.	Source Detail	FLAC
09/10/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB: FOB Sennheiser MKE-2002 binaural mics > Sony TC-D5 > Maxell XLII-S, with no Dolby. 17th row, taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (Dolby off) > Edirol FA-66 > WaveLab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
09/10/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB; flac1644; aud cassette master, senn 441's, taped by Doug Lamarre, transfer/seeded by Rob Berger	Source Detail	FLAC
09/11/89	The Centrum	Worcester	MA	Jerry Garcia Band, set I only: Unknown Taper; FOB Schoeps>?>wav>mkw>shn; shn encoding by Robert Goetz	Source Detail
09/11/89	The Centrum	Worcester	MA	Jerry Garcia Band. Source: MSD > C3 > D > WAV > SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner.	Source Detail
09/13/89	Seashore Performing Arts Center	Old Orchard Beach	ME	Jerry Garcia Band: MAC (Taped by Glenn Gardner, Sennheiser ME80s > Sony D-5) > DAT > CDR > WAV > SHN. CDR and SHN encoding via A.Lemieux and C.Ladner.	Source Detail
09/13/89	Seashore Performing Arts Center	Old Orchard Beach	ME	JGB: 2x Nakamichi CM300's w/CP4 shotguns, plus 1x Nakamichi CM300 w/CP1 Cardioid blend mic > Nakamichi 550 cassette deck > Sony TC-D5M > Triad MG-X Metal (Set One) and That's CD-IV Metal (Set Two), with no Dolby. Mics on six foot stand, thirty feet from stage, in the center. Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.	Source Detail	FLAC
09/13/89	Seashore Performing Arts Center	Old Orchard Beach	ME	JGB; flac1644; aud casette master, senn 441's, taped by Doug Lamarre, transfer/seeded by Rob Berger	Source Detail	FLAC
09/15/89	Alpine Valley Music Theatre	East Troy	WI	JGB: 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Alpine Valley Dead Center); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression/checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) taped by Greg Holtz	Source Detail	FLAC
09/15/89	Alpine Valley Music Theatre	East Troy	WI	Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32.	Source Detail
09/15/89	Alpine Valley Music Theatre	East Troy	WI	MAC > DAT > CDR > EAC > SHN	Source Detail
09/15/89	Alpine Valley Music Theatre	East Troy	WI	JGB: 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Stage Right); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression / checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) taped by Greg Holtz	Source Detail	FLAC
09/15/89	Alpine Valley Music Theatre	East Troy	WI	JGB; flac1644; Master audience recording by SJ. 2x Audio Technica ATR-35 mics > Sony PC-39 > Sony WM-D6C (2x Maxell MX-90); Transfer: Master tapes > Harmon Kardon TD-302, heads aligned to tape > Zoom H2 wav recorder @16/44.1 > SDHD > tracking and editing w/wavepad > flac and checksums w/traderslittlehelper Analog > digital transfer by arfarf.	Source Detail	FLAC
09/15/89	Alpine Valley Music Theatre	East Troy	WI	JGB; flac16; s2; Tom Markson's Sony ECM-909-> Sony D6C-> XLII Master Cassette; Mastered: XLII Master Cassette-> Nakamichi 7a-> Denon ADC 24bit@48khz-> Wavelab-> WAV-> FLAC24	Source Detail	FLAC
09/15/89	Alpine Valley Music Theatre	East Troy	WI	JGB; flac16; Source: Crown PZM180’s (Hemispherical Omni’s) > Marantz PMD430; Location: 1/3 Up Lawn, In-Line w/ Meyer Sound MSL-3 Right Side Pavilion Delay Array; Conversion: PMD430 > Foster D5 > Canare AES > Motu Traveler > FW > MacBook Pro; Processing/Edits: Peak Pro (ID’s & Fades) > XACT (flac Level 8); Recorded By: Ted C. & Nat F. Upped: By Ted C.	Source Detail	FLAC
09/16/89	Poplar Creek Music Theatre	Hoffman Estates	IL	Jerry Garcia Band: FOB MAC > DAT > CD > EAC > SHN. Taped by Brian O'Connell (5th row, left side in front of Melvin), hand-held Nak 100's > Sony D6. EAC > SHN by Todd Norman.	Source Detail	SHN
09/16/89	Poplar Creek Music Theatre	Hoffman Estates	IL	Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32	Source Detail	SHN
09/16/89	Poplar Creek Music Theatre	Hoffman Estates	IL	Jerry Garcia Band: Entire show with Clerence Clemons. Source:soundboard->analog->pioneer PDR-509->CDRW->audio catalyst 2.1-> wav->cool edit 2000->mkw audio compression tool->shn	Source Detail	SHN
09/16/89	Poplar Creek Music Theatre	Hoffman Estates	IL	JGB; flac16 Master Audience Recorded By Mr. Darby; AKG C451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9V Phantoms>Sony TC-D5M; Transfer Information: Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Dithered/Flacked With AudioGate Software And Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software	Source Detail	FLAC
09/16/89	Poplar Creek Music Theatre	Hoffman Estates	IL	JGB; flac16; s2; Tom Markson's Sony ECM909 -> Sony D6C -> Master Cassette -> Nak 7a -> Tascam DA3000 @24 bit / 48khz-> Wavelab -> Flac. This file set is 16 bit @ 44.1	Source Detail	FLAC
10/31/89	Concord Pavilion	Concord	CA	Jerry Garcia Band: Jay Ashley remaster of earlier source.	Source Detail
10/31/89	Concord Pavilion	Concord	CA	Jerry Garcia Band: MAD (taped by Sean Webber-Small, Marcus Buick, and others, B&K 4011's @ 110 ORTF [handheld, Section FF, Row F, Seat 104]) > Monster M1000 > TAO Research (Oade designed supply) > Monster M1000 > Panasonic SV250, Panasonic SV250 > Sony PCM601 > Sony SL360, Sony SL360 > Sony PCM701 > Digidesign 442/Quadra650, edited w/ProTools 3.1, mastered with Masterlist 1.2 > Sony920s 2x CD mastering burner master CD > HP 9350i extraction using EAC (v0.9 beta 4) > sector boundary alignment using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).	Source Detail
12/01/89	Warfield Theatre	San Francisco	CA	110' B&K 4011 @ Drink Rail -> SV255 Submitted to db.etree w/o a text file. The following text file circulates with filesets marked as SHNID # 6348 but may not be correct	Source Detail	SHN
12/01/89	Warfield Theatre	San Francisco	CA	JGB, flac16: AKG C1000S > Master Cassette (Marantz PMD-430/Dolby B) > Cassette (Dolby B); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) > Sound Devices 744T (24bit/96k) > Samplitude Professional v10.1 > Adobe Audition v1.5 > FLAC/16; Recorded By Charlie Miller.	Source Detail	FLAC
12/02/89	Warfield Theater	San Francisco	Ca	JGB: MSC>Cx>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner.	Source Detail
12/02/89	Warfield Theater	San Francisco	Ca	JGB; flac1644; Marcus Buick's MAD (B&K 4011s [handheld in balcony seats 107-109 Row D,E] > Aerco PS @ 29.3dB > Panasonic SV-250); master DAT > Sony PCM 601 > Sony SL-360 beta/0 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David "The Machine" Minches.	Source Detail	FLAC
12/02/89	Warfield Theater	San Francisco	Ca	JGB: Sbd> ???> Dat> Cdr	Source Detail	SHN
12/02/89	Warfield Theater	San Francisco	Ca	JGB; flac1644; set II only; (FOB) Schoeps CMC3/MK4 -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
12/11/89	Westwood One Studios	San Francisco	CA	Garcia & Weir Interview: FM Broadcast ("Rockline") cassette master > Sound Forge 6.0 > wav > shn.	Source Detail
12/16/89	Club Front	San Rafael	CA	Edie Brickell, Rob Wasserman & Jerry Garcia: SBD -> Master -> ? -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
12/16/89	Club Front	San Rafael	CA	Edie Brickell, Rob Wasserman & Jerry Garcia; 24mins; sbd > ? > cd > ? > eac > flac16 (level8)	Source Detail	FLAC
02/02/90	Warfield Theater	San Francisco	CA	JGB: MAC (Taped by Rob Darroch & Sara Paul, Neumann KM 140s ["The Spot", first tier, front drink rail center] > Sony D5) > Nakamichi LX5 playback > Sony PCM 601 > Sony SL-HF 360 Beta/0 > Sony SL-HF 360 playback > Sony PCM 701 > ProTools 3.1/Masterlist 1.2 (no dynamics used) > CD/0 > EAC > FLAC level 8.	Source Detail	SHN
02/03/90	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set I only: SBD > CASS > ? > CDR > WAV > SHNv3.	Source Detail
02/03/90	Warfield Theater	San Francisco	CA	JGB, set I: Katzeff, Hughes and Buick's MAD (Josephson KD200/C-603 @ 110 ORTF [upper balcony, row M] > Aerco PS > uncertain deck [probably Panasonic SV 250]) > Tascam DA-30 playback > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail
02/03/90	Warfield Theater	San Francisco	CA	Source: SBD > Line feed to hallway speakers (mono) > stealth spliced to MSC. Low gen tapes (1st or 2nd) kindly provided by Seaweed1010. Transfer: Metal cassettes > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. June 2011.	Source Detail	FLAC
02/04/90	The Warfield	San Francisco	CA	JGB: Marcus Buick's MAD (Josephson KD-200/C-603 [1st person on the right front stack] > Aerco 20dB power supply > Panasonic SV-250) > Tascam DA-30 playback > Digital Domain VSP-P (for sample rate conversion and anti-jitter) > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer by David Minches.	Source Detail	FLAC
03/01/90	Warfield Theater	San Francisco	CA	JGB, flac1644; Source: Unknown AUD > 2nd-gen cassette, via the JGMF "Closet Call" Project. Original A>D Transfer: Maxell XLII-100's > Nakamichi BX-300 (Dolby C) > Pyle Pro cables > WaveTerminal 2496 > Wavelab v5.0.1a record (16/48 wav) > CDWave v1.98 (tracking) > Traders Little Helper v2.4.1 (FLAC encoding, level 8) > foobar2000 v0.9.6.8 (tagging) > FLAC 2448. June 2017, 16bit/44.1kHz file-set mastering: FLAC 2448 > TLH > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
03/02/90	Warfield Theater	San Francisco	CA	JGB; master audience VHS, camera mic; unknown subsequent information to DVD [AC3, 192 kbs, 16 bit, 48 kHz] > DVD Audio Extractor set to 16/44 flac > MD5's created with TLH.	Source Detail	FLAC
03/02/90	Warfield Theater	San Francisco	CA	JGB; flac2448; Set One; Source: MAC > C > 2nd-Gen AUD cassette, via the JGMF Closet Call Project. Transfer: Maxell XLII-100 > Nakamichi BX-300 playback (Dolby C) > Pyle Pro cables > WaveTerminal 2496 > Samplitude 10.1 > WAV 2448, via JGMF. Edits: WAV 2448 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.	Source Detail	FLAC
04/13/90	Warfield Theatre	San Francisco	CA	Jerryy Garcia Band: FOB > Nakamichi 700 > DAT > CD > WAV. Thanks to C.Miller for the CDR seeds. DAE (EAC), boundary checking (shntool), shn (mkwact) via neo_levo/candyman FTP.	Source Detail
04/13/90	Warfield Theatre	San Francisco	CA	JGB: Rob Darroch & Sara Paul's Neumann KM140s (FOB, handheld) > Sony D5 w/ Dolby C > PCM 601 beta/0 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail	FLAC
04/14/90	Warfield Theater	San Francisco	CA	JGB: Bill Reutelheuber's MAD (Nak 700s > Panasonic SV-250) > DAT > CDR > WAV > SHNv3. thanks to C.Miller for Dat>CDR transfers and seeding this show. DAE/FTP via neo_levo/candyman FTP. 12/2003: Info file updated to reflect taper and gear information provided by Bill Reutelheuber.	Source Detail
04/15/90	The Warfield	San Francisco	CA	JGB, set I: Rob Darroch & Sara Paul's MAC (Neumann KM140s [FOB, handheld] > Sony D5 w/ Dolby C) > PCM 601 Beta/0 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Frontend decode to wav > minor editing (Sony Sound Forge Audio Studio 7.0) > sector boundary fix (shntool v2.0.3) > flac re-encoding (FLAC Frontend etree edition v1.7.1).	Source Detail	FLAC
04/15/90	The Warfield	San Francisco	CA	JGB, flac1644; Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ ("for completists only"); Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 05/2017.	Source Detail	FLAC
04/15/90	The Warfield	San Francisco	CA	JGB FLAC24: SBD > Dat Master > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24, (1 Disc FLAC), All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/29/90	South Of Market Cultural Center	San Francisco	CA	Jerry Garcia, Nick Gravenites, Pete Sears and Animal Mind, Complete Show: SBD > DAT > CD > WAV >SHN.	Source Detail
05/12/90	Waikiki Shell	Honolulu	HI	Jerry Garcia Band: MAC(Recorded by Frank Streeter, 2 FOB Neumann KM 86 mics > Sony TC-D5M) > WAV > SHN	Source Detail
05/12/90	Waikiki Shell	Honolulu	HI	JGB: Recorded by Trip: FOB 2 Neumann km 86 mics (no mic preamp used) > DAT Panasonic sv255; Transfer: Panasonic SV-3700 > Coax S/PDIF > M-Audio 410 (2 v1 dr1.8.2 2006-2 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.3 (transfer by Thrak). Edited and Mastered By Jamie Waddell on the GEMS Edit Station.	Source Detail	FLAC
05/19/90	Hotel Room	Kona	HI	Garcia Interview: microphone in the middle of a hotel room > Cassette received in trade > Cool Edit Pro (convert to .wav) > flac	Source Detail	FLAC
05/20/90	Auditorium	Hilo	HI	Jerry Garcia Band: MAC(Sony TCD-5M (Felix): FOB 2 Neumann km 86 mics no mic preamp used) > WAV > SHN Recorded by Frank Streeter	Source Detail
05/20/90	Auditorium	Hilo	HI	JGB: FOB 2 Neumann km 86 mics (no mic preamp used) > Panasonic sv255 DAT master; Transfer: Panasonic SV-3700 > Coax S/PDIF > M-Audio 410 (2 v1 dr1.8.2 2006-2 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.3. Edited and Mastered By Jamie Waddell on the GEMS Edit Station Tracked: Cdwave Flac'd Level 8 TLH.	Source Detail	FLAC
06/12/90	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD (Taper, equipment, and location unknown) > DATs > Tascam DA-30 playback > HHB-800 master CD > HHB-800 CD/1 > HP 9350i extraction and normalization to 98% using EAC > tracking using CD Wave > .shn encoding using mkwACT.	Source Detail	SHN
06/13/90	Warfield Theater	San Francisco	CA	JGB: set I: Marcus Buick & Rick Katzeff, Neumann KM140s @ 110 ORTF > Panasonic SV-255 (5' behind 1st rail, 1st tier, center); set II: Schoeps CMC 521s @ 90 > Oade PS > Panasonic SV-SV255 (1st row tables, 2nd tier, left center); Transfer: Beta/0 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail	FLAC
06/13/90	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD (Taper, equipment, and location unknown) > DATs > Tascam DA-30 playback > HHB-800 master CD > HHB-800 CD/1 > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT.	Source Detail	SHN
08/05/90	Greek Theatre @ University of California	Berkeley	CA	Jerry Garcia Band:FOB -> Nakamichi 700 -> Dat -> CD -> Cool Edit Pro -> CD Dat -> CD Transfer and editing done by Charlie Miller	Source Detail
08/05/90	Greek Theatre @ University of California	Berkeley	CA	Jerry Garcia Band: Recording Info:(FOB) Nakamichi 700/CP701 -> Dat; Transfer Info: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN (2 Discs Audio / 2 Discs SHN); Recorded By Bill Reutelhuber; All Transfers By Charlie Miller July 2001	Source Detail	SHN
08/07/90	The Warfield	San Francisco	CA	MAC (unknown mics/taper) > C > C > DAT > WAV > SHN. Digital transfer via C.Ladner & J.Powell. Note added 1/9/2010: this was taped by Charlie Miller, 2nd row center balcony, Sony stereo mic > Sony D6.	Source Detail
08/07/90	The Warfield	San Francisco	CA	Jerry Garcia Band: MAD (Rob Darroch and Sara Paul, Neumann KM140s handheld @ 110 ORTF ['The Spot', Rail-1st, 2nd row] > Panasonic SV-255) > unknown playback > Sony PCM 601 > SL 360 master Beta > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. PCM > FLAC by David Minches.	Source Detail
08/07/90	The Warfield	San Francisco	CA	JGB; flac16; source: Vintage Neumann KM54s > DAT - lineage: CDR > EAC > TLH > flac Recorded By Chuck and Janet Vasseur FLAC Tags Via xACT 2.53 By OldNeumanntapr	Source Detail	FLAC
08/07/90	The Warfield	San Francisco	CA	Source: Schoeps CMC34/mk3 > Oade PS > M/1000 Cable > SV-255 by Bob Melamed Transfer: SV-3700 > Fostex DA-3000 > WAV @ 16/48 Master: Wavelab 12 (tracking, remove clapping, levels, fix glitches) > FLAC 1648	Source Detail	FLAC
08/08/90	The Warfield	San Francisco	CA	Jerry Garcia Band. Source: MAC(unknown mics/taper) > C > C > DAT > WAV > SHN. Digital transfer via C.Ladner & J.Powell.	Source Detail
08/08/90	The Warfield	San Francisco	CA	Jerry Garcia Band: MAD (Rob Darroch and Sara Paul, Neumann KM140s handheld @ 110 ORTF ['The Spot', Rail-1st, 2nd row] > Panasonic SV-255) > unknown playback > Sony PCM 601 > SL 360 master Beta > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. PCM > FLAC by David Minches.	Source Detail	FLAC
08/08/90	The Warfield	San Francisco	CA	KGB, flac1648; Audience Recording. Hand Held SchoepsCMC44 > Panasonic SV 255 > Denon R90-DT DAT Master. 110 degrees ORTF First Row of Tables. DAT Archived and Transferred By Stuccoholmes 2018. Edited and Mastered by Jamie Waddell in Wavelab 7.2. 16bit 48kHz FLAC Level8 in TLH.	Source Detail	FLAC
08/08/90	The Warfield	San Francisco	CA	Source: Schoeps CMC34/mk3 > Oade PS > M/1000 Cable > SV-255 by Bob Melamed Transfer: SV-3700 > Fostex DA-3000 > WAV @ 16/48 Master: Wavelab 12 (tracking, remove clapping, levels) > FLAC 1648	Source Detail	FLAC
08/09/90	Warfield Theater	San Francisco	CA	Jerry Garcia Band. Source: MAC(unknown mics/taper) > C > C > DAT > WAV > SHN. Digital transfer via C.Ladner & J.Powell.	Source Detail
08/09/90	Warfield Theater	San Francisco	CA	JGB, set I: Schoeps CMC 44s ORTF (center table 1/2 back ["rear"], mics on table) > JE 16 > Panasonic SV-255 master DAT > DAT(x) > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail	FLAC
09/01/90	Shoreline Amphitheatre	Mountain View	CA	Jerry Garcia Band: Recording Info: (FOB) Nakamichi 700/CP701 -> Dat; Transfer Info: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN(2 Discs Audio / 2 Discs SHN); Recorded By Bill Reutelhuber; All Transfers By Charlie Miller July 2001	Source Detail
09/01/90	Shoreline Amphitheatre	Mountain View	CA	SBD > DAT (SONY D8) > CD (TASCAM CDRW700) EAC > FLAC8 The file set came from the collection of Mark Martin Mastering by Craig Rogers Decoded, Reflaced at level 5 and checksums created using TLH Audio derived from the official DVD release and should not be traded	Source Detail	FLAC
09/01/90	Shoreline Amphitheatre	Mountain View	CA	Source: Scheops CMC 34 mics Oade power supply, Panasonic SV-255 Deck Center FOB by Bob Melamed Transfer: Tascam DA-20>Tascam DR-100 MKIII Audacity to FLAC 16/48 by Chris Semrod	Source Detail	FLAC
11/11/90	Wiltern Theatre	Los Angeles	CA	Audmc/Toa DM1200d(1st Row Balcony)>D-6>Jb3>Goldwave>Cdwav>Flac Flac fingerprints included in text file.	Source Detail	FLAC
11/11/90	Wiltern Theatre	Los Angeles	CA	JGB, flac1644; Audmc/Toa K1(1st Row Balcony)>D-6>Jb3>Goldwave>Cdwav>Flac; (jvc td-w354>jb3@ 0 db gain>goldwave normalized to 100%>cdwav for tracking); (flac compression with 'verify' and 'align on sector boundaries' options used); Taped By John DeTally; Transfered And Flac Compression By Jason Flair; Remastered 9-2017 - remaster of shn id# 23855	Source Detail	FLAC
11/12/90	Wiltern Theatre	Los Angeles	CA	JGB flac24: Archival Audio's Toa k1's "active" (about 6'high) > Sony WM-TCD-6C > Maxell MX-90's x 2 (Dolby C on); Tascam 302 Dolby C on playback > Monster Y (RCA splitter) > Monster interlink 101 RCA > 1/4"> Fostex (stock) FR2-LE 24bit/48khz (dual mono) BWF > Transcend 133x CF card; > usb > iBook G4 1.2 GHZ / 1.25 GB RAM OSX 10.4.1 1> BWF opened in Peak5.2 [tracked and faded] [DC bias removal] [Carbon MDA VST effects-Image-plugin- MS->LR : regions [labels] exported .wav > xACT v1.62 to FLAC (level 8 ) generate ffp and len (shntool) output.	Source Detail	FLAC
11/12/90	Wiltern Theatre	Los Angeles	CA	FOB Master Audience: Seats Orch Row H Seat 118 (Aisle 4) = 12 Row. MAC: Toa k1's "active" (about 6'high) > Sony WM-TCD-6C > Maxell MX-90's x 2 (Dolby C on) PlayBack: MAC: Tascam 302 Dolby C on > Monster Y (RCA splitter) > Monster interlink 101 RCA > 1/4"> Fostex (stock) FR2-LE 24bit/48khz (dual mono) BWF > Transcend 133x CF card. Transfer info: > usb > iBook G4 1.2 GHZ / 1.25 GB RAM OSX 10.4.1 1> BWF opened in Peak5.2 [tracked and faded] [DC bias removal] [Carbon MDA VST effects-Image-plugin- MS->LR] regions exported .wav24 48khz wav24 opened in Sample Manager 3.1.3 [iZotope resampler - MBIT+] (iZotope 64-bit SRC utilizes a hyrbrid algorithm | MBIT+ dithering algorithm features psychoacoustic noise shaping) > 16 bit 44.1khz > xACT v1.62 to FLAC (level 8 ) fix SBE's generate ffp and len (shntool) output. Recorded, Transfered, Mastered & Seeded by Ian Stoy aka ArchivalAudio	Source Detail	FLAC
11/12/90	Wiltern Theatre	Los Angeles	CA	JGB, Set-2; Flac2448; Source: AUD of unknown lineage > ? > Cassette rescued from ebay. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2020	Source Detail	FLAC
11/13/90	Wiltern Theatre	Los Angeles	CA	Jerry Garcia Band: Source: Audmc(ff n2 orch)/Toa DM1200d>D-6>Jb3>Goldwave>Cdwav>Flac. The second set has an additional analog genereation. Taped by John DeTally. Transferred and FLAC encoding by Jason Flair.	Source Detail	FLAC
11/13/90	Wiltern Theatre	Los Angeles	CA	JGB, flac1644; Set 1 Audmc(ff n2 orch)/Toa K1>D-6>Jb3>Goldwave>Cdwav>Flac; Set 2 Audmc(ff n2 orch)/Toa K1>D-6>Cas>Jb3>Goldwave>Cdwav>Flac; (jvc td-w354>jb3@ 0 db gain>goldwave normalized to 100%>cdwav for tracking); (flac compression with 'verify' and 'align on sector boundaries' options used); Taped By John DeTally; Transfered And Flac Compression By Jason Flair; Remastered 9-2017 - remaster of shn id# 23743	Source Detail	FLAC
11/15/90	Wiltern Theatre	Los Angeles	CA	Jerry Garcia Band: Source: MAC(Toa DM1200d>D-6>Jb3>Goldwave>Cdwav>Flac. Taped by John DeTally. Transferred and FLAC encoding by Jason Flair.	Source Detail	FLAC
11/15/90	Wiltern Theatre	Los Angeles	CA	JGB; flac 2448; Partial; Source: AUD of unknown lineage > ? > Cassette rescued from ebay. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2020	Source Detail	FLAC
11/15/90	Wiltern Theatre	Los Angeles	CA	JGB, flac1644; Audmc/Toa K1>D-6>Jb3>Goldwave>Cdwav>Flac; (jvc td-w354>jb3@ 0 db gain>goldwave normalized to 100%>cdwav for tracking); (flac compression with 'verify' and 'align on sector boundaries' options used); Taped By John DeTally Transfered And Flac Compression By Jason Flair; Remastered 9-2017 - remaster of shn id# 23774	Source Detail	FLAC
11/16/90	Wiltern Theater	Los Angeles	CA	Jerry Garcia Band: MAC (Toa DM1200d > Sony D-6) > Jb3 > Goldwave > Cdwav > Flac. Flac fingerprints included in text file.	Source Detail	FLAC
11/16/90	Wiltern Theater	Los Angeles	CA	JGB; flac1644; John DeTally's MAC, remaster of shnid-23829.	Source Detail	FLAC
11/16/90	Wiltern Theater	Los Angeles	CA	Source: Sure SM94's (handheld, balcony, center, eye height) > D10 by Bob Melamed Transfer: SV-3700 > Fostex DA-3000 > WAV @ 16/48 Master: Wavelab 12 (tracking, fades) > FLAC 1648	Source Detail	FLAC
11/20/90	Warfield Theater	San Francisco	CA	Source: AUD > ? > CDR > WAV > SHNv3 Microphones and taper unknown @ this time. CDR source via C.Davis. SHN encoding/FTP via C.Ladner/candyman FTP.	Source Detail
11/20/90	Warfield Theater	San Francisco	CA	Jerry Garcia Band, currently set I only: Recording Info: (FOB) Nakamichi 700/CP701 -> Dat; Transfer Info: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN (1 Disc Audio / 1 Disc SHN); Recorded By Bill Reutelhuber; All Transfers By Charlie Miller July 2001	Source Detail	SHN
11/21/90	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Recording Info: (FOB) Nakamichi 700/CP701 -> Dat; Transfer Info: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN; (2 Discs Audio / 1 Disc SHN); Recorded By Bill Reutelhuber; All Transfers By Charlie Miller July 2001	Source Detail
11/24/90	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: MAC (Taped by Charlie Miller, front row balcony 40' spaced AKG C1000S [cardioids] > Sony D5 master cassette) > DAT > CD > .shn encoding by TomE.	Source Detail
11/24/90	Henry J. Kaiser Convention Center	Oakland	CA	JGB: FOB B&K 4011 mics (ORTF) > master DAT (taper unknown); DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans; Editing and Mastering by Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.	Source Detail	FLAC
11/24/90	Henry J. Kaiser Convention Center	Oakland	CA	Source: AKG cards > D10 by Bob Melamed Transfer: SV-3700 > Fostex DA-3000 > WAV @ 16/48 Master: Wavelab 12 (tracking, levels, patches) > FLAC 1648	Source Detail	FLAC
11/24/90	Henry J. Kaiser Convention Center	Oakland	CA	Source: (FOB) AT853a [cardioids/xy] > Aiwa HD-X1 Lineage: DAT/M > VHS/1 > HHb 800 > EAC > CDWav > FLAC Recorded: John Lech. Transferred: Jeff Bowen. Extraction: Brad Foster. Mics were held at head height mounted on a custom made xy bar atop a blacked out car antenna.	Source Detail	FLAC
11/24/90	Henry J. Kaiser Convention Center	Oakland	CA	JGB; flac1648; Rob Darroch & John Ammons FOB Recording: B&K 4011's (110º ORTF) > Neumann Power Station > DAT 48k (Panasonic SV255). John Ammons Transfer: from DAT clone of the Darroch Master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave. Edited & Mastered by Joe Noel, Wave > Audacity, 16/48 May 20, 2018	Source Detail	FLAC
12/17/90	The Sweetwater	Mill Valley	CA	JGDG; shnf; AUD:D > DAT > CD.	Source Detail
12/22/90	San Francisco Civic Auditorium	San Francisco	CA	JGB: FOB (Nak700s) > DAT > CDR > WAV > SHNv3	Source Detail
12/22/90	San Francisco Civic Auditorium	San Francisco	CA	JGB; flac1648; (FOB) Nakamichi 700 (mini cards in hat) > rbox Preamp > DAT (Panasonic SV-250-48k); Transfer Info: DAT (Tascam DA-20) > CD (Tascam CD-RW700) > Samplitude Pro X4 Suite > FLAC16.	Source Detail	FLAC
01/29/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band, mixed sources: Set I: Schoeps CMC3-MK4>D>D>WAV>FLAC, taper unknown at this time; Set II: Taped by Jeff Geer, Nak700 > CM > D > WAV > FLAC.	Source Detail	FLAC
01/30/91	Warfield Theater	San Francisco	CA	JGB, set I: Schoeps CMC34s (at the drink rail) > m1000 cables > Oade power supply > Panasonic SV-255 DAT master > unknown gen DAT > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail	FLAC
01/30/91	Warfield Theater	San Francisco	CA	FOB NAK 700>DAT>CD>Cool Edit Pro>CD	Source Detail	FLAC
01/31/91	Warfield Theater	San Francisco	CA	Source: Schoeps CMC3-MK4 (110 degrees ORTF hand held under sweatshirt at drink rail)>Oade pre-amp>Panasonic SV255>D>D>WAV>SHN. Taper: unknown at this time.	Source Detail
01/31/91	Warfield Theater	San Francisco	CA	JGB; flac1648; schoeps cmc3/mk4>oade pre>?, fob by Andy C./DAT1 from JK transfer: DAT1/sony pcm r-500>marantz pmd661>cdwave>tlh 16b/48/khz by john m 2013-03-31	Source Detail	FLAC
02/02/91	Warfield Theater	San Francisco	CA	Garcia & Grisman, complete show: DSBD > DATs > CDs > EAC > SHN.	Source Detail
02/02/91	Warfield Theater	San Francisco	CA	JGJK: Team-taped (Rob Darroch, Sara Paul, John Ammons, Rick Katzeff, Marcus Buick and others) B&K 4011s (110 ORTF from "The Spot," 2nd tier, 2nd row from drink rail) > Neumann 48V power supply > Panasonic SV255 master DAT; Transfer: Panasonic SV3500 playback > Sony PCM601 DSP > Sony SL 360 Betamax master Beta > Sony SL360 playback > Sony PCM701 DSP > ProTools 442 (on Mac Quadra 650, captured in ProTools 3.1, mastered with MasterList 1.1) > CD/0. No EQ or dynamics added; master gain level for the CD was performed in Masterlist and was done completely in the digital domain. CD mastering by Marcus Buick. Level 8 FLAC encoding from the master CDs by jjoops.	Source Detail	FLAC
02/02/91	Warfield Theater	San Francisco	CA	Garcia & Grisman: AUD > DAT > CDR > WAV > SHN	Source Detail	shn
02/03/91	Warfield Theater	San Francisco	CA	Garcia & Grisman: second set only; DSBD> cass.> DAT> CDR	Source Detail
02/03/91	Warfield Theater	San Francisco	CA	Garcia & Grisman, two sources: Set One: SBD -> Dat -> Cassette Master -> ? -> Cass -> Dat -> Samplitude -> SHN; Set Two: SBD -> Dat -> Cassette Master -> Dat -> SHN; (2 Discs Audio / 2 Discs SHN); Transfered By Charlie Miller.	Source Detail
02/03/91	Warfield Theater	San Francisco	CA	Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII) > DAT (Panasonic SV-3700/48k) Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X6 Suite > FLAC/48k	Source Detail	FLAC
02/28/91	Warfield Theater	San Francisco	CA	JGB: Schoeps MK4 > DAT > CDR > WAV > FLAC16.	Source Detail
02/28/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band. FOB(Schoeps CMC3-MK4>D>D>WAV>SHN. Partial recording - first set only.	Source Detail	SHN
02/28/91	Warfield Theater	San Francisco	CA	JGB; s2 only; flac1644; "Da Weez" 2x Neumann KMF4 microphones > Sony TC-D5M - analog master cassette. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files. Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott.	Source Detail	FLAC
02/28/91	Warfield Theater	San Francisco	CA	JGB; flac1648: Schoeps CMC34s @110 degrees ORTF > Oade Power Supply > M1000 Cables > Panasonic SV255 hand-held at stomach level at Drink Rail > DAT Master > DAT [ Panasonic 90m ] DAT Archived and Transferred by Stuccoholmes Mastered by Jamie Waddell in Wavelab7 Track FLAC and Pack by Jason Chastain 16 bit 48kHz FLAC Level8	Source Detail	FLAC
03/01/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB->B+K 4011->Neumann PS->Dat->CD >EAC>SHN Dat->CD Done by Charlie Miller.	Source Detail
03/01/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band:FOB->B+K 4011->Neumann PS->Dat->CD>eac>shn ****EAC Version***** a non eac'd version circulates	Source Detail	shn
03/01/91	Warfield Theater	San Francisco	CA	JGB; flac1648; B&K 4011's > Neuman Power Supply > Panasonic SV-255 ORTF 110 degrees, Hand Held, 6 foot high, in the sweet spot. DAT Copy Archived and Transferred By Stuccoholmes 2018. Edited and Mastered by Jamie Waddell in Wavelab 7.2 16bit 48kHz FLAC Level8 in TLH.	Source Detail	FLAC
03/02/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Source: AUD (unknown mics) > DAT > CDR > SHNv3; Taper: unknown. Seeder suspects lineage to be FOB (Schoeps CMC3/MK4) - confirmation pending.	Source Detail
03/02/91	Warfield Theater	San Francisco	CA	Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TCD5M - analog master cassettes Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files	Source Detail	FLAC
03/02/91	Warfield Theater	San Francisco	CA	JGB; flac1648: Schoeps CMC34 > Oade Power Supply > Panasonic SV-255 ORTF 110 degrees, Hand Held, 6 foot high, in the sweet spot. DAT Copy Archived and Transferred By Stuccoholmes 2018. Edited and Mastered by Jamie Waddell in Wavelab 7.2.	Source Detail	FLAC
04/19/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band. Partial recording - first set. Source: Schoeps CMC3-MK4>D>D>WAV>SHN. First public performances of 'Shining Star' and 'Twilight'.	Source Detail	SHN
04/20/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD (FOB Schoeps CMC3/MK4) > CDR > WAV > SHNv3. Taper: unknown at the time of circulation. Thanks to H.Angus for the CDR seeds. SHN encoding / FTP'ing via C.Ladner / candyman FTP.	Source Detail
04/21/91	Warfield Theatre	San Francisco	CA	Jerry Garcia Band: Dank Certified: FOB Schoeps CMC34> Oade Power Supply > Panasonic SV-255 Tranfer: DAT clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 > CD WAV > Shn by Bill Gardner, bgardner@telocity.com	Source Detail
05/22/91	Warfield Theater	San Francisco	CA	JGB, flac1644; 1st Set, Unknown AUD > ? > C > WAV, kindly provided by Carl Eric, via http://jgmf.blogspot.com/ Transfer: Cassette > Unknown transfer > WAV 1696 > R8Brain > Wavelab > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 06/2017	Source Detail	FLAC
05/22/91	Warfield Theater	San Francisco	CA	JGB, flac2448; Unknown AUD > Cassette rescued from ebay marked 1st-Gen. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2021	Source Detail	FLAC
05/22/91	Warfield Theater	San Francisco	CA	JGB; flac1648 of shnid-151452; Unknown AUD > Cassette rescued from ebay marked 1st-Gen. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2021 24/48 -> 16/48 of shnid 151452 via Saracon	Source Detail	FLAC
05/23/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band: (FOB) Schoeps mk4>Dat>CDR>WAV>SHNv3. Thanks to C. Miller for the DAT > CDR conversion and seeding this show. DAE (EAC) > boundary check (SHNTOOL) > shn (MKWACT) via neo_levo. hosted on candyman server, 2/2002.	Source Detail
05/23/91	Warfield Theater	San Francisco	CA	JGB; flac1648; Schoeps MK-4 capsules > Sony TCD-D3, transferred By Stuccoholmes 2018	Source Detail	FLAC
05/23/91	Warfield Theater	San Francisco	CA	JGB; flac2448; Source: Unknown AUD > Cassette rescued from ebay marked 1st-Gen. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2021	Source Detail	FLAC
08/10/91	French's Camp On The Eel River	Piercy	CA	Jerry Garcia Band: Source: AUD(mic's unknown)>DAT>CDR>WAV>SHN. Taper: unknown at this time. Thanks to H. Angus for the CDR seeds. DAE(EAC 0.9 beta 4, offset corrected, high/secure) > editing (soundforge 5) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP.	Source Detail
08/10/91	French's Camp On The Eel River	Piercy	CA	JGB: Schoeps CCM4 Cardiods ORTF>Panasonic SV255 Dat>Pansonic 3700 DAT>Card Deluxe Digital I/O Card>Soundforge 6.0>Flac.	Source Detail	FLAC
08/10/91	French's Camp On The Eel River	Piercy	CA	Jerry Garcia Band: Marcus Buick, Rick Katzeff and Tom Hughes, Schoeps CMC32s, spaced omnis ca. 6-6.5' center/right > TAO/Oade PS > Panasonic SV-255; Transfer: Tascam DA-30 > Digital Domain VSP-P (for sample rate conversion and anti-jitter) > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC.	Source Detail	FLAC
08/10/91	French's Camp On The Eel River	Piercy	CA	JGB; flac1648; JC Mahoney & Dan O'Neill's Schoeps CMC34 (ortf) > M1000 cables > Tao Research - Oade supply > Panasonic SV-255 (48k); Location: FOB-DFC, mics handheld both sets; Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48; Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 18, 2021. Fresh transfer and remaster of shnid-142025.	Source Detail	FLAC
08/24/91	Goldcoast Concert Bowl	Squaw Valley	CA	Jerry Garcia Band: DSBD>CDR; flaws: short do at 6:02 in d1t02 (also on the master).	Source Detail
08/24/91	Goldcoast Concert Bowl	Squaw Valley	CA	Jerry Garcia Band: Bill Reutelhuber DAUD/DSBD matrix > FLAC. See text file for details.	Source Detail	FLAC
08/24/91	Goldcoast Concert Bowl	Squaw Valley	CA	JGB: Poorly documented SBD source w/ song titles in the file names: SB>DAT>WAV>FLAC	Source Detail	FLAC
08/25/91	Goldcoast Concert Bowl	Squaw Valley	CA	Garcia & Grisman: DSBD> DAT> CDR> EAC> SHN; via Eric Walker	Source Detail
08/25/91	Goldcoast Concert Bowl	Squaw Valley	CA	JGDG: Rob Darroch's B&K 4011s > Panasonic SV-255 DAT; Source: PCM-Beta tape, unknown gen but close to master; Transfer: Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer by David Minches.	Source Detail	FLAC
08/25/91	Goldcoast Concert Bowl	Squaw Valley	CA	Garcia & Grisman: SBD-AUD matrix: DSBD > 2D > WAV; MAD (Taped by Bill Reutelhuber, Schoeps MK2 omnis [FOB Center] > Panasonic SV-255). See info file for additional details.	Source Detail	FLAC
08/25/91	Goldcoast Concert Bowl	Squaw Valley	CA	JGDG: SBD DAT > TASCAM DA-20 MKII > Tascam CD-RW5000 > CDR > Extracted Sony Sound Forge 7.0 > CDWAV > Flac.	Source Detail	FLAC
11/06/91	Capital Centre	Landover	MD	Jerry Garcia Band: FOB (Schoeps 34 > Oade) > DAT > CDR > WAV > SHN. Taper: unknown. CDR source via H.Angus. DAE,SHN encoding, FTP hosting via C.Ladner/candyman FTP.	Source Detail
11/06/91	Capital Centre	Landover	MD	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 16, 2020.	Source Detail	FLAC
11/06/91	Capital Centre	Landover	MD	JGB; flac1648; FOB Schoeps MK4s > Dat (Panasonic SV-255/48k); edited and mastered SIRMick.	Source Detail	FLAC
11/07/91	Capital Centre	Landover	MD	Jerry Garcia Band: AUD (Schoeps CMC34) > Oade > SV-255 > DAT > CDR > WAV > SHNv3, taper unknown.	Source Detail
11/07/91	Capital Centre	Landover	MD	JGB (16bit/48kHz): Clay Brennecke 's IFOB (Floor Section 5 - Row M) ~ Schoeps MK4's > Custom Oade Pre Amp > Panasonic SV-255 Transferred: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Sound Forge 8.0 > WAV	Source Detail	FLAC
11/07/91	Capital Centre	Landover	MD	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 16, 2020.	Source Detail	FLAC
11/09/91	Hampton Coliseum	Hampton	VA	JGB (16bit/48kHz): Taper: Clay Brennecke Location Rig: IFOB (in sweet spot, DFC 35' from stage) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV	Source Detail	FLAC
11/09/91	Hampton Coliseum	Hampton	VA	JGB; flac16; partial set I; SBD feed -> Pro shot local news video -> DVD Audio Extractor 6.30 -> .wav files @ 16/48 > Flac Frontend level 8.	Source Detail	FLAC
11/09/91	Hampton Coliseum	Hampton	VA	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT (location: 20th row DFC, mics on stand @ 7'); Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 15, 2020.	Source Detail	FLAC
11/09/91	Hampton Coliseum	Hampton	VA	JGB; flac16; (FOB) Sennheiser MD421 > D-5 by unknown; Source of Dat and Transfer by John Lynch; Audacity(Fades,Gain) > Fission, xACT > flac16	Source Detail	FLAC
11/10/91	Charlotte Coliseum	Charlotte	NC	Jerry Garcia Band: AUD (mics unknown) > DAT > CDR > WAV > SHN. SHN encoding/FTP via Chris L./candyman FTP.	Source Detail
11/10/91	Charlotte Coliseum	Charlotte	NC	JGB; flac16; Michael Hessberg's AKG C522s > Sony TC -D5M > Cassette Master, transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) - Transferred by Charlie Miller. Lineage: Wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16, edited and mastered SIRMick March 2019.	Source Detail	FLAC
11/10/91	Charlotte Coliseum	Charlotte	NC	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 17, 2020.	Source Detail	FLAC
11/12/91	The Spectrum	Philadelphia	PA	Jerry Garcia Band: FOB (NAK 700's) > DAT > CDR > WAV > SHNv3. Taper: unknown.	Source Detail
11/12/91	The Spectrum	Philadelphia	PA	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 18, 2020.	Source Detail	FLAC
11/13/91	The Centrum	Worcester	MA	Jerry Garcia Band: FOB (Schoeps CMC3 + MK4) > DAT CDR > WAV >SHN. Taper: unknown at this time.	Source Detail
11/13/91	The Centrum	Worcester	MA	JGB: John Mutterperl' s FOB Schoeps CMC 44 blue dot cards with 90 degree capsule offsets > 6' Monster M1000 cable -> Oade PS-> 1' Monster M1000 > Oade mod'd Panasonic Sv-255. Mics were hung from a necklace, just under chin height with roughly a 4 inch spread and 90 degree angle. Transfer: MAD > B. Fried DAT > B. Koucky DAT > Sony PCM-R500 playback > S/PDIF > Presonus Firebox > Firewire > PC, XP Pro > Wavelab 5 (recorded as 24 bit/48 KHz WAV) > Waves L3 Multimaximizer, high res CD rendering settings (Waves IDR type I dither/ultra shaping) > 16 bit/44.1 KHz WAV > CDWAV 1.9 > WAV > FLAC (level 8). Transfer and encoding by C.Ladner,	Source Detail
11/13/91	The Centrum	Worcester	MA	Source: ME-80s > TCD-D3 by Dr. B. Fried Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades, levels) > FLAC 1648	Source Detail	FLAC
11/15/91	Madison Square Garden	New York	NY	Source: FOB(Schoeps)>DAT>CDR>WAV>SHNv3. Taper Unknown.	Source Detail
11/15/91	Madison Square Garden	New York	NY	16bit/44.1kHz file-set: AUD: Sonics DSM-6 mics (hat mounted) > Sony TC-D5M > Maxell MV-90's, recorded from the 10th row center, by Richie Stankiewicz. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011	Source Detail	FLAC
11/15/91	Madison Square Garden	New York	NY	JGB; flac1648; Dave Brotman & Jeff Metchick's FOB Schoeps CMC34 (mics on stand, ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (48/16) > Master DAT. Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648.Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel, December 13, 2020.	Source Detail	FLAC
11/15/91	Madison Square Garden	New York	NY	Tapers : Anne Cohen & Ohr Weinberg Editing : Anne Cohen, John Hance & Joe D'Amico ''AKA'' Joebeacon Beyer M160's > Sony D3 Dat @ 16/48 (FOB) Sony D3 Dat > CD >Wavelab 6 > Ozone RX5a > Wave Files > Adobe Audition > Traders Little Helper	Source Detail	FLAC
11/16/91	Knickerbocker Arena	Albany	NY	Jerry Garcia Band: FOB SCHOEPS> TASCAM DAT> CDR> WAV> SHNv3(seekable)	Source Detail
11/16/91	Knickerbocker Arena	Albany	NY	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 19, 2020.	Source Detail	FLAC
11/16/91	Knickerbocker Arena	Albany	NY	Master DAT recording by Anne Cohen & Ohr Weinberg: 2 Beyerdynamic M160 hypercardiod double ribbon microphones(110 degrees coincident, on 5 foot high stand) > Vafiades Acoustics MicroAmp PRO II preamp > Sony TCD-D3 DAT recorder (Set 1 - Sony DT-90 Tape, Set 2 - DA-R120 Tape) FOB - front floor section, Row S, Seat 12	Source Detail	FLAC
11/17/91	Hartford Civic Center	Hartford	CT	Jerry Garcia Band: FOB SCHOEPS> TASCAM DAT> CDR> WAV> SHNv3(seekable)	Source Detail
11/17/91	Hartford Civic Center	Hartford	CT	JGB: John Mutterperl's FOB Schoeps CMC 44 blue dot cards with 90 degree capsule offsets > 6' Monster M1000 cable -> Oade PS-> 1' Monster M1000 > Oade mod'd Panasonic Sv-255. Mics were hung from a necklace, just under chin height with roughly a 4 inch spread and 90 degree angle. MAD > B. Fried DAT > B. Koucky DAT > Sony PCM-R500 playback > S/PDIF > Presonus Firebox > Firewire > PC, XP Pro > Wavelab 5 (recorded as 24 bit/48 KHz WAV) > Waves L3 Multimaximizer, high res CD rendering settings (Waves IDR type I dither/ultra shaping) > 16 bit/44.1 KHz WAV > CDWAV 1.9 > WAV > FLAC (level 8). Transfer and encoding by C.Ladner.	Source Detail
11/17/91	Hartford Civic Center	Hartford	CT	JGB; flac1644;fob/schoeps cmc6/mk4 (rich g./master>DAT1/JK); transfer: DAT1/sony pcm-r500>marantz pmd661>audiogate(16/44.1)>cdwave>tlh by john m.	Source Detail	FLAC
11/17/91	Hartford Civic Center	Hartford	CT	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 19, 2020.	Source Detail	FLAC
11/17/91	Hartford Civic Center	Hartford	CT	Source: ME-80s > TCD-D3 by Dr. B. Fried Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades, levels) > FLAC 1648	Source Detail	FLAC
11/19/91	Providence Civic Center	Providence	RI	Jerry Garcia Band: MAD (Taped by Bob M. ["Sideshow Bob"], AKG 451/CK1 [26th row center] > B18 > D3. Seeded by Patrick Hayes.	Source Detail
11/19/91	Providence Civic Center	Providence	RI	Jerry Garcia Band: Fixed sector boundaries and slight editing of previous seed: Schoeps CMC54 (hand held 4th row)--> Peter Grace power supply 12V--> DAT--> ZA2 (48/44.1)--> CEP--> SHN. Master recording by Captain Joe LeClair. DAT transfer and shn mastering by Tony Masiello.	Source Detail	SHN
11/19/91	Providence Civic Center	Providence	RI	JGB: Alabama Bob's Sennheiser MD-421's > Sony TC-D5M > Maxell MX-110's, with no Dolby, FOB 15th row center. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
11/19/91	Providence Civic Center	Providence	RI	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT > Safety Copy. Transfer: Safety Copy > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 20, 2020.	Source Detail	FLAC
11/19/91	Providence Civic Center	Providence	RI	Source: ME-80s > TCD-D3 by Dr. B. Fried Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades, levels) > FLAC 1648	Source Detail	FLAC
11/20/91	Rochester Community War Memorial	Rochester	NY	Jerry Garcia Band: Taped by Larry Gindoff, Nakamichi 700s in a hat > Reutelhuber P/S > Sony D3 master DAT > CD > EAC > FLAC level 8.	Source Detail
11/20/91	Rochester Community War Memorial	Rochester	NY	JGB: Anne Cohen's Schoeps CMC5’s (FOB, handheld) > Panasonic SV255 > Sony TCD-D3 (48k DAT); Sony PCM500 > Zefiro Acoustics ZA2 > Tracked using Sound Forge 4.5 and CD Architect.	Source Detail
11/20/91	Rochester Community War Memorial	Rochester	NY	JGB: flac16/44.1kHz; Master Audience Nakamichi CM300/CP1>Sony D5; Taper Baker,Transfer By Keo; Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper	Source Detail	FLAC
11/20/91	Rochester Community War Memorial	Rochester	NY	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT > Safety Copy. Transfer: Safety Copy > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 20, 2020.	Source Detail	FLAC
11/22/91	Rosemont Horizon	Chicago	IL	Jerry Garcia Band: FOB Schoeps> PCM> DAT> CDR> WAV> SHNv3(seekable).	Source Detail
11/23/91	Bradley Center	Milwaukee	WI	Jerry Garcia Band: FOB AUD Nak CM300 > Dat > CD	Source Detail
11/23/91	Bradley Center	Milwaukee	WI	Jerry Garcia Band: DAUD > D8> USB Mobile Pre > hdd (via Sony Soundforge7) > FLAC	Source Detail	FLAC
11/23/91	Bradley Center	Milwaukee	WI	JGB; flac1644: Sonic Studios Omnis > Sony TCD-D5>Cass(m) recorded FOB by Alan Schmit; Conversion: Cass(m) > Onkyo TA-6711 > Tascam DA-20 (A/D) > Microtrack 24/96 > WAV > Sound Studio 2.2.4 > xACT 2.13 > FLAC, by Dave Mallick.	Source Detail	FLAC
11/24/91	Target Center	Minneapolis	MN	Jerry Garcia Band: FOB Schoeps > PCM > DAT > CDR > WAV > SHNv3(seekable).	Source Detail
12/07/91	Warfield Theater	San Francisco	CA	Garcia & Grisman: Ip/II: MAD (ORTF Schoeps CMC34 [cardioids]) > DATs > Wavelab 3.0 M-S Processor @ 24 bits, dithering to 16 bits > master CD > HP 9350i extraction using EAC > patching using Sound Forge Studio 6.0 > tracking using CD Wave > sector boundary alignment using shntool > .shn encoding using mkwACT.	Source Detail
12/07/91	Warfield Theater	San Francisco	CA	MAD (Vintage 1950s Neumann KM54s)>Denon DAT deck (model unknown)) > DAT > WAV > SHNv3. Tapers: J.& C. Vasseur. DAT material provided by J.Powell. DAT > SHN by C.Ladner: Sony PCM-R500 > coaxial S/PDIF > M Audio Audiophile 2496 > WAV recording/editing (Soundforge 6) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact). Complete source. Clipping and distortion early on.	Source Detail
12/08/91	Warfield Theater	San Francisco	CA	Garcia & Grisman: sbd > dat > cdr > eac > shn. Seeded by Chris Ladner	Source Detail
12/08/91	Warfield Theater	San Francisco	CA	JGDG: MAD (Schoeps MK4 mod [FOB, mics in hat] > Reutelhuber PS > Panasonic SV255 > unknown transfer(s) to unknown gen PCM/Beta > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail	FLAC
12/08/91	Warfield Theater	San Francisco	CA	Garcia & Grisman: John Cutler Soundboard > DAT > ? > CDR/SHN Mastering: NashPhil Edited, boosted/balanced levels, and retracked/burned.	Source Detail	SHN
12/08/91	Warfield Theater	San Francisco	CA	JGDG; flac1644; Source: Master SBD DAT from ANON; Mastering by Jamie Waddell; Track, FLAC, and Pack by Steve Gravel.	Source Detail	FLAC
12/09/91	Warfield Theatre	San Francisco	CA	Garcia & Grisman. MAD (Vintage 1950s Neumann KM54s>DAT)>DAT>WAV>SHNv3. Tapers: J.& C. Vasseur. DAT material provided by J.Powell. DAT > WAV > SHN by C.Ladner: Sony PCM-R500 > coaxial S/PDIF > M Audio Audiophile 2496 > WAV recording/editing (Soundforge 6) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact).	Source Detail
12/09/91	Warfield Theatre	San Francisco	CA	JGDG; flac1644; Master Soundboard Provided By Anon; Mastering By Jason Chastain And Jamie Waddell; 16 Bit 44.1 kHz Flac Level 8 Sbe Free	Source Detail	FLAC
02/07/92	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band:FOB Shoeps CMC54's->Panasonic 255 (DAT)->CD->EAC->CDWave->SHN conversion and seed by AJ - a2k@pacbell.net	Source Detail
02/07/92	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: unknown taper, FOB Schoeps CMC34 Cardiod (ORTF) > MIT Cables > Oade Power Supply > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.	Source Detail	FLAC
02/07/92	Henry J. Kaiser Convention Center	Oakland	CA	flac16 Source: (FOB) Neumann KM54s (vintage 1957, tube electronics) > Master DAT > CD Recording by Chuck Vasseur CDR transfer by Kyle Porter CD shared by Ted Mattes & Live Funk Edited & Mastered (Adobe Audition) by Joe Noel December 23, 2021	Source Detail	FLAC
04/25/92	Event Center Arena, San Jose State Univ.	San Jose	CA	Jerry Garcia Band: Chris Cate's MAC (Sony 939 stereo mic [hand-held] > Sony D-6 [Maxell Capsule Metal 100s]) > Nakamichi BX300 playback > Harmann Kardon CDR2 CD/0 > CD clone > extraction (EAC v0.95 beta 4) > flac encoding (FLAC Frontend v1.7.1 etree edition).	Source Detail
04/25/92	Event Center Arena, San Jose State Univ.	San Jose	CA	Jerry Garcia Band: MAC (Taped by Chuck and Linda Vasseur, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode)> shn (MKWACT). Eac'd/shn'd by Charlie Connor.	Source Detail
04/25/92	Event Center Arena, San Jose State Univ.	San Jose	CA	Jerry Garcia Band: Schoeps CMC 34 (handheld, FOB) > Oade PS > Panasonic SV 255; Source tape: unknown gen beta via Sony PCM 601; Transfer: Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC; Transfer and FLAC encoding by David Minches.	Source Detail
04/29/92	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB>Schoeps mk4>Dat>CD (Dat>CD Transfer done by Charlie Miller)	Source Detail	SHN
04/30/92	Warfield Theater	San Francisco	CA	Jerry Garcia Band: DANK CERTIFIED: FOB Schoeps CMC34 > Oade Custom Power Supply > Panasonic SV-255 DAT @48KTranfer: DAT Clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 (resample, addfades) > CD WAV > SHN via MKW .97 (no DAE) by Bill Gardner, bgardner@telocity.com	Source Detail
04/30/92	Warfield Theater	San Francisco	CA	JGB; flac1648; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka "Shark").	Source Detail	FLAC
04/30/92	Warfield Theater	San Francisco	CA	JGB; flac1644; (Stage) Audio Technica Mini Shotguns > Cassette Master (Sony WM-D6C-TDK MA110-D90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit-96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC16 (2 Discs Audio - 1 DVD FLAC); Recorded by Michael Katz, Transferred by Charlie Miller, June 29, 2022	Source Detail	FLAC
05/01/92	Warfield Theatre	San Francisco	CA	JGB; flac1648; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka "Shark").	Source Detail	FLAC
05/02/92	Warfield Theater	San Francisco	CA	Jerry Garcia Band: AUD (Nak 700's > Sony D-10) > MAD >DAT > CDR > WAV> SHN. Taper unknown @ this time.	Source Detail
05/02/92	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Neumann KM150 > MAD > DATs (taper unknown); Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac, by jbraveman@hotmail.com August 2005.	Source Detail
05/02/92	Warfield Theater	San Francisco	CA	JGB; flac1648; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka "Shark").	Source Detail	FLAC
05/03/92	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB Schoeps CMC34>Oade Custom Power Supply>Panasonic SV-255 DAT @48K>DAT>CDR	Source Detail	SHN
05/03/92	Warfield Theater	San Francisco	CA	JGB; flac16; Set 1 only - source: Vintage Neumann KM54s > DAT - lineage: CDR > EAC > TLH > flac Recorded By Chuck and Janet Vasseur FLAC Tags Via xACT 2.53 By OldNeumanntapr	Source Detail	FLAC
05/07/92	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).	Source Detail
05/07/92	Warfield Theater	San Francisco	CA	Garcia & Grisman: Marcus Buick's MAD (Schoeps CMC34s [handheld @ 110 ORTF, 2nd person, 1st drink rail] > MIT > TAO > MIT > Panasonic SV-255) > Tascam DA-30 playback > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail
05/08/92	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).	Source Detail
05/09/92	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).	Source Detail
05/10/92	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).	Source Detail
05/??/92	Warfield Theater	San Francisco	CA	Garcia & Grisman: MSD > Cass. > DATs > playback on Sony PCM R500 > HHB 800 master CD > HHB 800 first gen CD > HP 9350i extraction using EAC > SHN using mkwACT. DAT > CD by AJL, EAC > SHN by Joe Jupille. This is a slightly longer version of the same compilation found in a previously circulating .shn set, though the latter claims no cassette generation.	Source Detail	FLAC
07/24/92	Cal Expo Amphitheater	Sacramento	CA	Jerry Garcia Band: Chris Cate's MAC (hand-held Sony 939 stereo mic > Sony D-6 using Maxell Capsule Metal 100s) > Nakamichi BX300 playback > Harmann Kardon CDR2 CD/0 > CD clone > EAC > FLAC.	Source Detail	FLAC
07/24/92	Cal Expo Amphitheater	Sacramento	CA	Jerry Garcia Band: AUD (mics and taper unknown) > DAT > CDR > WAV > SHN. CDR source provided by J.Steinhaus. DAE (EAC 0.9 beta 4, offset corrected, secure mode) > tracking (CDWAVE) > SHN (Shorten 3.4) > FTP via C.Ladner/candyman FTP.	Source Detail	SHN
07/24/92	Cal Expo Amphitheater	Sacramento	CA	JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
07/26/92	Shoreline Amphitheatre	Mountain View	CA	Jerry Garcia Band: Master audience DAT (Sonics DSM-3s FOB @ 16/48)> DAT> Digital Domain VSP-P (SRC to 44.1)> Adobe Audition> Shntool> FLAC Unknown Taper Transfer and Flac encoding by David Minches.	Source Detail	FLAC
07/26/92	Shoreline Amphitheatre	Mountain View	CA	Jerry Garcia Band: Schoeps MK4 mod > Panasonic SV-255, from 102 boxes; Transfer: Unknown gen PCM/Beta > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail
07/26/92	Shoreline Amphitheatre	Mountain View	CA	JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
07/29/92	Universal Amphitheater	Universal City	CA	Jerry Garcia Band:DAUD (Beyer 201s, 90 degrees, up front, DFC) Conversion: DAT-> CD Master-> EAC(in Secure Mode)-> CDWave-> SHN	Source Detail
07/29/92	Universal Amphitheater	Universal City	CA	Jerry Garcia Band: Chip Copeland's FOB Beyer 201's (90º) > Panasonic sv255; Transfer: 16 bit – 48kHz DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither; Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.	Source Detail	FLAC
07/31/92	Ventura County Fairgrounds	Ventura	CA	Jerry Garcia Band: Set 1 - FOB (AKG480) > DAT > CDR> WAV > SHN; Set 2 - FOB (Senn 421) > DAT > CDR > WAV > SHN, via Chris Ladner.	Source Detail	SHN
07/31/92	Ventura County Fairgrounds	Ventura	CA	JGB; flac16; Set 2 only - source: Vintage Neumann KM54s > DAT - lineage: CDR > EAC > TLH > flac Recorded By Chuck and Janet Vasseur FLAC Tags Via xACT 2.53 By OldNeumanntapr	Source Detail	FLAC
08/01/92	Irvine Meadows Amphitheater	Laguna Hills	CA	Jerry Garcia Band: The primary source used for this set of SHN's is FOB(Nak700)>SonyD3>DAT>CDR>WAV>SHNv3. Cats Under the Stars and the beginning of Mission In The Rain (which are missing from the FOB source) are from a second source with at least one analog generation of spotty indeterminate lineage. Taper is unknown for both sources. SHN encoding/FTP via C.Ladner/candyman FTP.	Source Detail
08/01/92	Irvine Meadows Amphitheater	Laguna Hills	CA	Jerry Garcia Band: flac1648; FOB > Schoeps > DAT @ 48k; Transfer: Fostex D5 > Zoltrix 24/96 > Wavelab 5.0 @ 48k(normalized to -1db, edits,crossfades) > Cd Wave > 16/48 FLAC.	Source Detail	FLAC
08/01/92	Irvine Meadows Amphitheater	Laguna Hills	CA	Jerry Garcia Band: flac1644: FOB Schoeps DAT @ 48k; Fostex D5 > Zoltrix 24/96 > Wavelab 5.0 @ 48k (normalized to -1db, edits, crossfades) > Cd Wave > 16/48 FLAC [> downsample to 44.1kHz].	Source Detail	FLAC
08/01/92	Irvine Meadows Amphitheater	Laguna Hills	CA	JGB; flac16; Troy Morentin's Neumann KM-140's on stand > SV-250 (Stage Right FOB); 48kHz DAT MASTER > SV-250 dig out > Sound Devices 722 > Samplitude Pro X3 > Flac16. Transferred, Mastered and Seeded to LL by gsarchivist on August 1, 2019 (Happy 77th birthday Jerry)	Source Detail	FLAC
08/02/92	Devore Field (Southwestern College)	Chula Vista	CA	Jerry Garcia Band: FOB (Unknown taper, AKG 480s) > DAT > CDR > WAV > SHNv3.	Source Detail	SHN
08/02/92	Devore Field (Southwestern College)	Chula Vista	CA	Jerry Garcia Band: unknown taper, FOB Sennheiser MD 421 > Panasonic sv255; Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.	Source Detail	FLAC
10/31/92	Oakland-Alameda County Coliseum Arena	Oakland	CA	Jerry Garcia Band:Schoeps MK-4V (FOB); DA-20 > Apogee SPDIF > ZA2 > CDR; via Andy Gustin	Source Detail
10/31/92	Oakland-Alameda County Coliseum Arena	Oakland	CA	Jerry Garcia Band: SBD > CM? > DAT > ? > DAT > CDR (see comments), bears uncertain relationship to existing sbd-sourced .shn set from this show.	Source Detail
10/31/92	Oakland-Alameda County Coliseum Arena	Oakland	CA	Jerry Garcia Band: Keith Litzenberger's Sennheiser MD421s (T-bar hand-held at chest height FOB) > Sony TCD-D3 (Maxell R-120DM DAT masters) > Sony TCD-D10PROII playback > Edirol R-4 > Wavelab 5.0 (Fades & Sample Rate Conversion) > FLAC	Source Detail
10/31/92	Oakland-Alameda County Coliseum Arena	Oakland	CA	Jerry Garcia Band: set II: FOB Schoeps CMC54 DAUD > DAT(x) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav (both 44.1 and 48k versions) > tracking (CD Wave) > level 8 FLAC encoding (TLH). Lossless Legs "GEMS" project, via Todd Evans (DAT > WAV) and keysareme (tracking and FLAC encoding).	Source Detail	FLAC
10/31/92	Oakland-Alameda County Coliseum Arena	Oakland	CA	JGB; flac1644; Jim Dupree's audience tape	Source Detail	FLAC
10/31/92	Oakland-Alameda County Coliseum Arena	Oakland	CA	JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
12/19/92	Warfield Theater	San Francisco	CA	Jerry Garcia Band: AUD (SCHOEPS CMC32) > DAT > CDR > WAV > SHNv3.	Source Detail	SHN
12/19/92	Warfield Theater	San Francisco	CA	JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
12/21/92	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB (Schoeps) DAUD > CDR ; fixed shn of already circulated shn copy, by T. Wiley.	Source Detail
12/21/92	Warfield Theater	San Francisco	CA	JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
01/28/93	Warfield Theater	San Francisco	CA	JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
01/29/93	Warfield Theater	San Francisco	CA	JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
01/30/93	Warfield Theater	San Francisco	CA	JGB; flac1648; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
04/17/93	Pauley Pavillion	Los Angeles	CA	JGB; flac1648; aud: Schoeps FOB (48 khz); Transfer: Sony PCM-2600 (Apogee AES/EBU) > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ). Taped by: unknown; DAT seed provided by: Eric Vandercar (ericv) #4EV; Transferred and seeded by: Lenny Stubbe.	Source Detail	FLAC
04/17/93	Pauley Pavillion	Los Angeles	CA	JGB flac16: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter) ; Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark)	Source Detail	FLAC
04/17/93	Pauley Pavillion	Los Angeles	CA	JGB; flac16; Taper Troy's Neumann KM-140's in Kangol > SV-250 (5th Row DFC); 48kHz DAT MASTER > SV-3700 > Apogee Duet/Mac > Adobe Audition > Flac16. Taped, Transferred, and Mastered by Taper Troy Morentin @ la2v.com.	Source Detail	FLAC
04/18/93	Sports Arena	San Diego	CA	JGB flac16: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter) ; Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark)	Source Detail	FLAC
04/23/93	Warfield Theater	San Francisco	CA	JGB flac16: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter) ; Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark)	Source Detail	FLAC
04/24/93	Warfield Theater	San Francisco	CA	JGB flac16: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter) ; Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark)	Source Detail	FLAC
04/25/93	Warfield Theater	San Francisco	CA	JGB flac16: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter) ; Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark)	Source Detail	FLAC
06/26/93	Robert F. Kennedy Stadium	Washington	DC	Sting w/ JG sit-in; SBD Master; Lineage: HI-FI-Beta > HI-FI-VHS > CDR > SHN > AIFF > Flac	Source Detail	FLAC
08/07/93	Memorial Stadium	Seattle	WA	JGB, flac1644: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
08/07/93	Memorial Stadium	Seattle	WA	JGB; flac1644; Taped by Mark: Peavy vocal mic > Denon DAT recorder > DAT > cassette Maxell XL-II (Scott); Transfer: cassette Maxell XL-II (Scott) > Sony TCR303 > Zoom H4n (24/96) > Audition > shntool > TLH, transfer by jchastain, 2015-11-25.	Source Detail	FLAC
08/07/93	Memorial Stadium	Seattle	WA	JGB; flac16; Primo Williams's Sony D6 -> MAC > Sony TCM-TE425 (azumth adjed) -> Sound Blaster Audigy 4! > Sound Forge 5.0 > CD Wav -> flac16. SBEs fixed using TLH. Tape flips and dead spots > crossfaded using Sound Forge 5.0. xfer Charles Bandrofcheck	Source Detail	FLAC
08/08/93	Portland Meadows	Portland	OR	JGB: Mark Severson; 2 Sonic Studios DSM-6P #1045> Sony TC-D5M (2 Maxell MX-100s); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
08/08/93	Portland Meadows	Portland	OR	JGB, flac1644: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
08/08/93	Portland Meadows	Portland	OR	JGB; flac16; Primo Williams's Sony D6 -> MAC > Sony TCM-TE425 (azumth adjed) -> Sound Blaster Audigy 4! > Sound Forge 5.0 > CD Wav -> flac16. SBEs fixed using TLH. Tape flips and dead spots > crossfaded using Sound Forge 5.0. xfer Charles Bandrofcheck	Source Detail	FLAC
09/17/93	NPR Studios	New York	NY	Garica & Grisman: SBD: DAT (pre-FM) -> DAT -> CDR -> EAC -> SHN (seekable).	Source Detail
09/17/93	NPR Studios	New York	NY	JGDG; flac1644; unknown MR -> 16bit/44.1 kHz wav > Flac16; - This is the edit made for the NPR on-air feed, broadcast October 18, 1993. - This is a companion to shnid 15886, which is the raw studio recording without the audible questions from Bob Edwards.	Source Detail	FLAC
10/05/93	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD (Taped by Kyle Porter, Neumann KM 54's [from the drink rail] > Sony D7) > CDR > WAV > SHN	Source Detail
10/05/93	Warfield Theater	San Francisco	CA	JGB, flac1644: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
10/06/93	Warfield Theater	San Francisco	CA	JGB: DAUD > Nak CR3A (maxell XL11, Dolby B) cassette > Nak CR3A playback (Dolby B, eq) > HP computer > Sound Forge (vol@4.2DB) > CD Wave > Flac6. Transfer by John Moses.	Source Detail	FLAC
10/06/93	Warfield Theater	San Francisco	CA	JGB, flac1644: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
10/07/93	Warfield Theater	San Francisco	CA	JGB, flac1644: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
10/31/93	Brendan Byrne Arena	East Rutherford	NJ	JGB: Schoeps MK41's > Reutelhuber preamp > Casio DAR-100 (Recorded at 44.1khz) FOB in Section 8; DAT CLONE directly from Master played back on Sony TCD-D10PROII > Edirol R-4 > WL5 (Fades) > CDWAV > FLAC.	Source Detail	FLAC
10/31/93	Brendan Byrne Arena	East Rutherford	NJ	JGB; flac1648/flac1644; Neumann KM54 > D3 (Set 1 @ 16/48, Set 2 @ 16/44.1). Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG). DiGiHoArDeRs: 4/5/2020	Source Detail	FLAC
11/03/93	Knickerbocker Arena	Albany	NY	JGB (16 bit/48kHz): Clay Brennecke IFOB (Floor Section 2, Row 13, Sets 8 & 10) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV.	Source Detail	FLAC
11/04/93	Rochester War Memorial	Rochester	NY	JGB (16bit/48kHz)): Clay Brennecke IFOB (Floor Section 42, Row 23, Sets 13 & 15) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV	Source Detail	FLAC
11/05/93	Buffalo Memorial Auditorium	Buffalo	NY	JGB: Todd Evans IFOB (Floor Section Row L, Sets 7 & 8) ~ Schoeps MK4's > Custom Oade Pre Amp > Panasonic SV-255; Transferred by John E. Herrold, Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV. Admin note (6/14/2009): this had been listed as a Clay Brennecke master, but Todd Evans claims that he made this tape.	Source Detail	FLAC
11/05/93	Buffalo Memorial Auditorium	Buffalo	NY	JGB: Todd Evans's Schoeps CMC34 > Panasonic sv255 DAT Master > TASCAM DA-20 playback > M-Audio FireWire solo > Soundforge 8.0 wav, transferred by Todd Evans.	Source Detail	FLAC
11/07/93	US Air Arena	Landover	MD	JGB: Clay Brennecke's FOB Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Master Dat> Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV > Flac	Source Detail	FLAC
11/08/93	Hartford Civic Center	Hartford	CT	JGB: Keith Litzenberger's FOB Schoeps MK4 > Reutelhuber Preamp > Sony TCD-D7 > VX pocket v2 > WaveLab 5 > CDWav > Flac	Source Detail	FLAC
11/09/93	Cumberland County Civic Center	Portland	ME	JGB flac16;Recording Info:(FOB) Schoeps MK4 -> Dat (48K); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
11/09/93	Cumberland County Civic Center	Portland	ME	JGB; flac1644; daud:Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P center, 1/2 way between stage and soundboard, taped by Doug Lamarre, transfer/seeded by Rob Berger.	Source Detail	FLAC
11/09/93	Cumberland County Civic Center	Portland	ME	Source: ME-80s > TCD-D3 by Dr. B. Fried Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades, levels) > FLAC 1648	Source Detail	FLAC
11/11/93	Providence Civic Center	Providence	RI	JGB: Alabama Bob's Sennheiser MD-421's > Sony TC-D5M > Sony SR-90 (set-1) and Denon HD8-100 (set-2), with no Dolby. FOB from 15th row center; Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
11/11/93	Providence Civic Center	Providence	RI	Source: ME-80s > TCD-D3 by Dr. B. Fried Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades, levels) > FLAC 1648	Source Detail	FLAC
11/12/93	Madison Square Garden	New York	NY	JGB: Schoeps MK4s > Schoeps KC5 Active Cables > Schoeps CMC3 > Oade Mic Preamp > Panasonic SV-255. Recorded by Clay Brennecke and Keith Litzenberger FOB in Section 2 Row U. DAT>TASCAM DA-30MKII>M-Audio Audiophile 192>Wavelab 5.0 (Fades & Sample rate conversion)>CDWAV>FLAC.	Source Detail	FLAC
11/12/93	Madison Square Garden	New York	NY	JGB: Clay Brennecke and Keith Litzenburger, Schoeps MK4 Cardiod Capsules (ORTF, handheld, FOB DFC Section 2, Row U, Seats 4 & 5) > Schoeps KC5 Active Cables > Schoeps CMC3 Mic Body > Oade Mic Preamp > Monster M1000 Jumper Cable > Panasonic sv255 DAT Deck; Transfer: DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans April 6, 2008; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC'd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.	Source Detail	FLAC
11/12/93	Madison Square Garden	New York	NY	JGB; Master DAT recording by Ohr Weinberg: 2 Beyerdynamic M160 hypercardiod double ribbon microphones (110 degrees coincident) > Vafiades MicroAMP PRO II preamp > Sony TCD-D3 DAT recorder (2 Hewlett Packard DDS 60 meter tapes) FOB (Section 2, Row V, Seat 8) - Transfer by Ohr Weinberg: Master DAT played on Sony PCM-R500 > Sound Devices USBPre 2 > WAV (16/48) > FLAC1648	Source Detail	FLAC
11/12/93	Madison Square Garden	New York	NY	JGB; flac1648; FOB/Schoeps Mics. Recorded on dat>clone; to me snail mailed back in 93>File cloned in Microtrack using Tascam Dat deck>Goldwave tracking>TLH8	Source Detail	FLAC
11/14/93	Onondaga War Memorial	Syracuse	NY	JGB: Dan Sisler; FOB, 15th row center Sonic Studios DSM-6> DAT > CDR > EAC > SHNv3.	Source Detail	shn
11/14/93	Onondaga War Memorial	Syracuse	NY	JGB: flac1644: Dave Boedicker's Realistic Stereo Mic>Sony WM-D6C Cassette Master Tapes(2 Maxell MX-90 Minute Metal Tapes)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Setor Boundaries Aligned Using Traders Little Helper. Taped from Mezzanine Section,Section 20,Row AX,Seat 1.	Source Detail	FLAC
11/15/93	The Centrum	Worcester	MA	JGB; flac1648; s2; Rich Gastwirt's FOB Schoeps mk4 > Oade modified Panasonic SV-255 > Dat (48k); Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > Cd Wave > TLH > Flac 1648, edited and mastered SIRMick October 2017.	Source Detail	FLAC
11/15/93	The Centrum	Worcester	MA	Source: ME-80s > TCD-D3 by Dr. B. Fried Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades, levels) > FLAC 1648	Source Detail	FLAC
11/19/93	Hampton Coliseum	Hampton	VA	JGB; flac1648; Greg Clark's FOB Schoeps MK4's > Panasonic SV-255 Dat (48k); Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > WAV - Transferred by Charlie Miller Lineage: wav > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac1648. edited and mastered SIRMick March 2019.	Source Detail	FLAC
01/12/94	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD (unknown taper, equipment & location) > DATs > playback on Tascam DA-30 > HHB-800 master CD > 2CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT.	Source Detail
01/12/94	Warfield Theater	San Francisco	CA	JGDG; flac1648: Neumann KM54s > DAP-20 > DAT Drink Rail Recorded by Steve Fink. DAT Archived and Transferred by Stucco. Mastering by Jamie Waddell.	Source Detail	FLAC
01/13/94	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD (unknown taper, equipment & location) > DATs > playback on Tascam DA-30 > HHB-800 master CD > 2CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT.	Source Detail
01/13/94	Warfield Theater	San Francisco	CA	Garcia & Grisman: Digitial FOB Audience Tape Nuemann km 54's > Teac > DAT(x); Transfer: Panasonic SV-3700 > M-Audio 24/96 > Wavelab 5.0 (L3 multimaximizer) > CD WAVE > FLAC, transfer by Bill Koucky.	Source Detail
01/13/94	Warfield Theater	San Francisco	CA	Garcia & Grisman (16bit/48kHz): Keith Litzenberger's Schoeps MK4s > Reutelhuber preamp > Sony TCD-D7, recorded on 1st tier center; DAT MASTER PLAYED BACK ON SONY TCD-D10PROII > Edirol R-4 > Soundforge 8 > CD WAVE EDITOR (Track Splitting) > FLAC.	Source Detail	FLAC
01/13/94	Warfield Theater	San Francisco	CA	Garcia & Grisman: 16/44: Schoeps MK4's>Reutelhuber>Sony TCD-D7 Recorded on 1st tier center by Keith Litzenberger DAT MASTER PLAYED BACK ON SONY TCD-D10PROII>Edirol R-4>Soundforge 9 (Sample Rate Conversion to 44.1khz)>CD WAVE EDITOR (Track Splitting)>FLAC	Source Detail	FLAC
01/13/94	Warfield Theater	San Francisco	CA	JGDG; flac1648; Neumann KM54 > DAP-20 > DAT Drink Rail DAT Archived and Transferred by Stucco Recorded by Steve Fink. Mastering by Jamie Waddell.	Source Detail	FLAC
02/04/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Chuck & Janet Vasseur, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn (MKWACT). EAC>SHN by Charlie Connor.	Source Detail
02/04/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: (16 bit/48kHz) Neumann KM54's>Casio DA-7? DAT MASTER>DAT,Sony DTC-A7>Sony TCD-D10PROII, Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades)>CDWAV>FLAC Recorded By Chuck Vasseur Transferred By Keith Litzenberger	Source Detail	FLAC
02/04/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Neumann KM54's>Casio DA-7? DAT MASTER>DAT,Sony DTC-A7>Sony TCD-D10PROII, Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades)>CDWAV>FLAC Recorded By Chuck Vasseur Transferred By Keith Litzenberger	Source Detail	FLAC
02/05/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Chuck & Janet Vasseur, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn (MKWACT). EAC'ed/SHN'ed and seeded to fungus and abgd by Charlie Connor.	Source Detail
02/05/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: SBD>>MR>>DAT>>(*)CASS>>DAT>>CDA>>WAV(EAC)>> DAW(Bertha)>>CDA/SHN	Source Detail
02/05/94	Warfield Theater	San Francisco	CA	flac1648; unknown taper, DAT > 1st gen cassette (given to josiah babcock who gave chasingwilma the tape to convert and share) > sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; unknown> dat> cassette> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8.	Source Detail	FLAC
02/05/94	Warfield Theater	San Francisco	CA	JGB; flac2496; unknown > dat > cassette > sony tc we435 > sony pcm m-10 24bit/96khz > soundforge > cdwave > traders little helper encoding option 8; taper: unknown (first gen cassette was given to Josiah Babcock who gave me the tape to convert and share); conversion: chasingwilma; conversion rate: 96000/24 bit.	Source Detail	FLAC
02/06/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Chuck & Janet Vasseur, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn (MKWACT). EAC'ed/SHN'ed and seeded to fungus and abgd by Charlie Connor.	Source Detail
02/06/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: mixed sources: Set 1 - SBD > Dat > Cm > Dat > CD; Set 2 - (FOB) Neumann KM104 > Panasonic SV-255 > Dat > CD. Seeded to etree by Todd Sanders.	Source Detail
02/06/94	Warfield Theater	San Francisco	CA	JGB; flac2496; unknown audience > dat > cassette > sony tc we435 > sony pcm m-10 24bit/96khz > soundforge > cdwave > traders little helper encoding option 8; taper: unknown (first gen cassette was given to Josiah Babcock who gave seeder the tape to convert and share).	Source Detail	FLAC
02/06/94	Warfield Theater	San Francisco	CA	JGB; flac1648; unknown taper, DAT > 1st gen cassette (given to josiah babcock who gave chasingwilma the tape to convert and share) > sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; unknown> dat> cassette> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8.	Source Detail	FLAC
03/09/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB (Neumann KM 54's) > DAT > CDR > WAV > SHNv3. Tapers: Chuck and Linda Vasseur.	Source Detail
04/18/94	Warfield Theater	San Francisco	CA	Jerry Garcia BAnd: FOB (Neumann KM54) > DAT > CDR > WAV > SHNv3.Taper unknown @ this time. DAE, SHN encoding, and initial FTP propagation via C.Ladner/candyman FTP.	Source Detail
04/18/94	Warfield Theater	San Francisco	CA	JGB; flac1648; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka "Shark").	Source Detail	FLAC
04/18/94	Warfield Theater	San Francisco	CA	JGB; flac1648: Neumann KM54s > DAP-20 > DAT Drink Rail Center DAT Archived and Transferred by Stucco Recorded by Steve Fink. Mastering by Jamie Waddell, with help from Jason Chastain.	Source Detail	FLAC
04/19/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band. Source: MAD(Neumann 257s>Denon DAT)>C>DAT>WAV>SHN. Taper: J. & C.Vasseur. Cass>DAT by J.Powell. DAT>WAV>SHN by C.Ladner.	Source Detail
04/19/94	Warfield Theater	San Francisco	CA	JGB; flac1644; DAT clone (no cassette) gen of MAD (Neumann 257s > Denon DAT). Tapers: J. & C. Vasseur Transfer: DAT > CD > FLAC > EAC > TLH.	Source Detail	FLAC
04/19/94	Warfield Theater	San Francisco	CA	JGB; flac1648; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
04/20/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD("vintage neumann"/KM54s?)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur.	Source Detail
04/20/94	Warfield Theater	San Francisco	CA	JGB; flac1648; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
04/25/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set II only: SBD > Dat > Cm > Dat > CD > EAC > .shn using mkwACT. Seeded by Todd Sanders.	Source Detail
04/25/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set II: SBD > 1C? > DAT? > CD > flac.	Source Detail	FLAC
04/25/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB - Neumann KM 54->DAT->CDR->WAV->FLAC. Tapers: Chuck and Janet Vasseur (assumed, but not confirmed). Transfer: Dat Clone > Panasonic SV3700 > Marantz CDR 615 > CDR Ripped with EAC (No Errors) Tracks Named > Flaced with Traders Little Helper and Tagged with Foobar 2000. DAT->CDR 1999, CDR->Flac2009. Transfers by Pete Ebel.	Source Detail	FLAC
04/26/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD(Neumann KM54s>D)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. SHN encoding via C.Ladner	Source Detail
04/27/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Lineage given as DSBD > DAT > CDR > EAC > shn, but Charlie Miller says the correct lineage is SBD>Dat>Cass Master (Dolby C)>Dat>CD.	Source Detail
04/27/94	Warfield Theater	San Francisco	CA	flac16/44.1khz Set 2 Only Source Info: FOB Neumann KM 54-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
05/04/94	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD (Schoeps CMC 34 > SV255, taper and location unknown) > DATs > Sony PCM-2600 > Egosys 2496 Waveterminal to HD > initial editing/tracking using Cool Edit 2000 > CD/0 > EAC > re-tracking using CD Wave > SHN using mkwACT. Note: mic and deck information updated 8/2002.	Source Detail	SHN
05/05/94	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD? > ? > CD > EAC > SHN	Source Detail
05/13/94	Blockbuster Pavilion	Glen Helen	CA	flac16/44.1khz Source Info: FOB Neumann KM 140-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel	Source Detail	FLAC
05/14/94	Ventura Raceway (Fairgrounds)	Ventura	CA	Jerry Garcia Band: AUD(mics and taper unknown)>DAT>CDR>WAV>SHNv3	Source Detail
05/14/94	Ventura Raceway (Fairgrounds)	Ventura	CA	Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TCD5M - analog master cassettes Transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files	Source Detail	FLAC
05/15/94	Irvine Meadows Ampitheater	Irvine	CA	Jerry Garcia Band: DAUD>(DATgens)>ISIS>Sound Forge 4.5>CD>EAC>Shn NO MIC INFO	Source Detail
05/15/94	Irvine Meadows Ampitheater	Irvine	CA	flac16/44.1khz Source Info: FOB Neumann KM 140-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
05/17/94	Starlight Bowl	San Diego	CA	Jerry Garcia Band: AUD (unk. mics) > DAT > CDR > WAV > SHN. Source CDRs via H.Angus. DAE and SHN encoding via C.Ladner/candyman FTP.	Source Detail
05/17/94	Starlight Bowl	San Diego	CA	flac16/44.1khz Source Info: FOB Neumann KM 140-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
05/18/94	Starlight Bowl	San Diego	CA	Jerry Garcia Band: MAD (AT831b > D7 FOB) > D > CDR > EAC > WAV > FLAC. Taper: unnamed. Note: this originally circulated as Neumann KM140s > Panasonic SV 255, but the AT setup has apparently been confirmed by the taper.	Source Detail
05/18/94	Starlight Bowl	San Diego	CA	flac16/44.1khz Source Info: FOB Neumann KM 140-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
05/19/94	Desert Sky Pavillion	Phoenix	AZ	Jerry Garcia Band: unknown aud source; Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC (No Errors); Tracks Named -> Flaced with Traders Little Helper. DAT->CDR 1999, CDR->Flac 2009 by Pete Ebel.	Source Detail
08/04/94	Giants Stadium	East Rutherford	NJ	Traffic w/ JG sit-in; unknown AUD > CDR > DAE (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries).	Source Detail	FLAC
08/12/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB (Neumann KM54) > DAT > CDR > DAE (EAC 0.9 beta 4, offset corrected, high&secure) > tracking (cdwave) > shorten 3.4.	Source Detail
08/12/94	Warfield Theater	San Francisco	CA	flac16/44.1khz Source Info: FOB Neumann KM 54-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
08/13/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB (Neumann KM54) > DAT > CDR > WAV > SHNv3. Taper unknown. CDR seeds via S.Aserkoff. SHN encoding and FTP hosting via C.Ladner/candyman FTP.	Source Detail
08/14/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: DSBD> Dat> Cass> Cdr;	Source Detail
08/14/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: DSBD > D > CM > CD > EAC > slight alterations (see info file) > SHN. This is a slightly modified upgrade, via Jake Mercatoris, of the existing .shn set.	Source Detail	SHN
08/14/94	Warfield Theater	San Francisco	CA	flac16/44.1khz Source Info: FOB Neumann KM 54-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
09/01/94	Warfield Theatre	San Francisco	CA	Jerry Garcia Band: FOB Neumann KM-140 > SV255 > DAT > Tascam CDRW 700 > CD > EAC > SHN.	Source Detail
09/02/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: AUD (Neumann54s)>DAT>CDR>WAV>SHNv3, seeded by Chris L.	Source Detail
09/10/94	Reno Hilton Ampitheater	Reno	NV	Jerry Garcia Band. Source: MAD(Vintage Neumanns)>D>C>CDR>WAV>SHN. Taper: C&J. Vasseur. DAE and lossless encoding via C.Ladner.	Source Detail
11/11/94	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: FOB (Neumann KM440) > DAT > CDR > WAV > SHN. Taper: pending at this time. DAE (EAC 0.9 beta 4, offset corrected, secure mode) > editing (d1t01 only, soundforge 5) > tracking (cdwave) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP.	Source Detail
11/11/94	Henry J. Kaiser Convention Center	Oakland	CA	flac16/44.1khz Source Info: FOB Schoeps CMC5 Mk4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
11/11/94	Henry J. Kaiser Convention Center	Oakland	CA	flac16/44.1khz Source Info: FOB Schoeps CMC5 Mk4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
01/13/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Chuck & Janet Vasseur's MAD ("vintage Neumann"/KM54s > unknown deck) > DAT > CDR > WAV > SHN. SHN encoding via C.Ladner.	Source Detail
01/13/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set II, 48k: Dan Sisler's MAD (Schoeps MK4 > Reutelhuber power supply > Denon DTR80p > Sony D7) > DAT > FLAC, via Teddy Goodbear.	Source Detail	FLAC
01/14/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD(vintage Neumann/KM54>DAT)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. This is an upgrade over the other circulating unlineaged source for this date.	Source Detail
01/14/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD (mics unknown) > CDR > WAV > SHNv3, via Chris Ladner.	Source Detail	SHN
01/14/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set II, 48k: Dan Sisler's MAD (Schoeps MK4 [1st row balcony, aisle seats left of the SBD] > Reutelhuber power supply > Denon DTR80p > Sony D7) > Sony PCM R300 playback > S/PDIF I/O > Fuji sound card > HD w/ CoolEdit Pro v2.1 at 48kHz > CDWAVE v1.95.1 (direct FLAC encoding) > FLAC (48khz).	Source Detail	FLAC
01/14/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set II: Dan Sisler's MAD (Schoeps MK4 [1st row balcony, aisle seats left of the SBD] > Reutelhuber power supply > Denon DTR80p > Sony D7) > DAT > cassette > CD , via Teddy Goodbear.	Source Detail	FLAC
01/15/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD(vintage Neumann/KM54>DAT)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. SHN encoding via C.Ladner.	Source Detail
01/15/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set II: Dan Sisler's MAD (Schoeps MK4 > Reutelhuber power supply > Denon DTR80p > Sony D7) > CDWAV > FLAC, via Teddy Goodbear. There is no cassette gen in this copy.	Source Detail	FLAC
03/04/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Vasseurs' MAD (Neumann KM54) > DAT > CDR > WAV > SHN.	Source Detail
03/04/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set II: Uncertain lineage, possibly Dan Sisler master, via Teddy Goodbear.	Source Detail	FLAC
03/04/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Russ B.'s MAD (Schoeps MK4 [floor, center right under the drink rail] > Reutelhuber power supply > Denon DTR80p > Sony D7) > DAT > WAV > Cool Edit Pro > CDWAV > FLAC, via Teddy Goodbear.	Source Detail	FLAC
03/04/95	Warfield Theater	San Francisco	CA	JGB; flac16; source: Vintage Neumann KM54s > DAT - lineage: CDR > EAC > TLH > flac Recorded By Chuck and Janet Vasseur FLAC Tags Via xACT 2.53 By OldNeumanntapr	Source Detail	FLAC
03/05/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band. Set 2 only. Source: MAD(Neumann KM54s>unk. deck)>D>CDR>WAV>SHN. Taper: C. & J. Vasseur.	Source Detail
03/05/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Michael B.'s MAD (Sonics [floor, center] > DTR80P > WAV > Cool Edit Pro > CDWAV > FLAC, via Teddy Goodbear.	Source Detail
04/14/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD (Taped by Chuck & Janet Vasseur, vintage Neumanns > unk. deck > D ) > D > CDR > WAV > SHN.	Source Detail
04/15/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Vintage Neumann KM54s>D>D>CDR>WAV>SHN. Tapers: Chuck & Janet Vasseur.	Source Detail
04/21/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Vintage Neumann (KM54s?)>DAT>DAT >CDR>WAV>SHN. Tapers: Chuck and Janet Vasseur.	Source Detail
04/22/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB Neumann KM 150's >??p/s> Teac Da-p20> Cdr;	Source Detail
04/22/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Sonic Studios DSM-6 > Sony D7 (fob at drink rail) Transfer: DAT master > HHb CDR830 > EAC > CD Wave > FLAC	Source Detail
04/23/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: AUD (mics and taper unknown) > DAT > CDR > WAV > SHN. Last JGB show. Several minor technical flaws - see info file for details.	Source Detail
04/23/95	Warfield Theater	San Francisco	CA	JGB; flac16; Troy Wallwork's AKG 391 (actives) > Sony TCD-D3 @ 48k location: under a hat on the front center table; transfer: Tascam DA-P1 (DAT master) > Scarlett Focusrite > Pro Tools > wav > SHN > THL (wav) > Wavelab 6.1 (gain, fades, crystal resampler) > CD Wave > THL (flac 8) > Foobar (tags). recorded by Troy Wallwork transferred by Troy Wallwork & Gordon Wilson	Source Detail	FLAC

Garcia & Grisman --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
12/17/90	The Sweetwater	Mill Valley	CA	JGDG; flac 1648: stereo SBD 48kHz Dat master first rip by grner1 - 2023-05-17: Panasonic SV-3700 (S-PDIF digital output) > Zen Go Synergy Core interface > Pro Tools (normalize, minor seamless fixes and tracking on sector boundaries - no EQ or noise reduction) > 16-48 .wav files > xACT (tagged Flac level 8 files).	Source Detail	FLAC
02/02/91	Warfield Theatre	San Francisco	CA	flac1644; Recorded and transferred by fobaud. Source: Aud-> B&K 4011 -> Oade Power Supply -> Prolink Cables -> Panasonic SV-255; mics at 110 degrees ORTF on Schoeps t-bar hand held at about 5' 10" 2nd person behind the "drink rail", center. New transfer June, 2015: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV. Droncit lowered audience noise between songs and occasional clapping. Some minor mic adjustment noise lowered. Slight equalization to account for distance from the stacks, light de-essing to counter the sibilance from the mics, then gain normalized using Diamond Cut Forensics 8.5, July, 2015.	Source Detail	FLAC
02/03/91	Warfield Theatre	San Francisco	CA	JGDG, set II: Unknown mics> unknown DAT; Transfer: DAT played back on Sony PCM-500> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding Transfer and FLAC encoding by David Minches.	Source Detail

Garcia & Kahn --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
06/04/82	Neighbors Of Woodcraft (Early)	Portland	OR	JGJK: MAC (Taped by Otto Rice, Sony stereo mic > Aiwa deck); Lineage: Marantz PMD 510 playback > HHb 850 > CD > Wavelab 6.0 > CDWave > FLAC8.	Source Detail	FLAC
06/06/82	South Eugene High School Auditorium	Eugene	OR	JGJK: Recorded by Don Eggiman and Tom Navarre using Mark Severson's equipment; 2 Nak 700s w/ 6 DB eq> Sony TC-D5M (2 Maxell MX cassettes); Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
06/26/82	Warner Theater	Washington	DC	Early and Late Shows. AUD: Aiwa HS-F1 with built-in mics > Maxell MX 90's. Taped by Brent Z. Transfer: MAC > Nakamichi DR-8 (Dolby off) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
06/26/82	Warner Theater	Washington	DC	flac1644; late show; MSC > Cx > WAV > FLAC	Source Detail	FLAC
06/27/82	Tower Theater	Upper Darby	PA	flac1644; late show; MSC > Cx > WAV > FLAC	Source Detail	FLAC
06/28/82	Opera House	Boston	MA	(FOB) Nakamichi CM-300 (CP-1) x1 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris.	Source Detail	FLAC
06/28/82	Opera House	Boston	MA	JGJK: John Levene's Nak 300 (front row right center balcony) > Marantz CD330 (cassette master); Yamaha K-1020 playback > Sony SBM-1 > Nomad JB3 > firewire > SF v6 > Cdwave > Flac. Transfer by John Levene.	Source Detail	FLAC
07/01/82	Auditorium Theater	Chicago	IL	JGJK: Sony Walkman (condenser mic) > cass >dat > cdr > shn > wav > flac; sirmick remaster of shnid 13424.	Source Detail	FLAC
06/03/84	Kabuki Theater	San Francisco	CA	JGJK: Jay Abrams's Nakimichi 300's > Sony WMD6C > Sound Studio > CDwav on MacPro > PeakPro6 > xAct Flac16.	Source Detail	FLAC
11/17/84	Orpheum Theatre	Boston	MA	flac1644; AUD, Unknown mics > Sony TC-D5 > MAC > 1st Gen cassette. Tape kindly provided by Drew and Seaweed1010. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.	Source Detail	FLAC
11/23/84	Chrysler Hall	Norfolk	VA	Lineage: Sennheiser ME80s->Sony TC-D5M->Master Cassette Transfer: Sony TC-D5M->WaveTerminal U2A->USB->PC->CDWAVE->WAV->MkwV097.B1->SHN Location: Row 15 DFC Mics 15' in air	Source Detail	shn
11/26/84	Bushnell Auditorium	Hartford	CT	flac 2496; MSC > C > C (2nd Gen), with thanks to Jon Pasternak; Transfer: Maxell XLII-S > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged.	Source Detail	FLAC
01/25/86	The Tower Theatre	Upper Darby	PA	jgjk; flac1644; Ray Ackerman's Audio Technica 835b (LR) + 1 AKG D12e (center) > Radioshack 4 Channel Stereo Mixer 32-1105A > Sony TC-D5; location: Orchestra Row E, Sec. L/C, Seat 108 on stand @ 6'; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering) Master wave file > pc > cd wave > traders little helper (flac level 8), crystal Resampler (high), & dither w/ iZotope Ozone 5 done in wavelab 6.1 Taped, transferred and mastered by Ray Ackerman; tracked, flaced, resample & dither by Gordon Wilson.	Source Detail	FLAC
01/30/86	Bushnell Auditorium	Hartford	CT	Garcia & Kahn: Dave H.'s Nak 100's w/shotguns > Sony D5 MAC > Oleo86's first gen cassette > JVC TD-V1050 playback > Apogee Mini Me A/D (24-bit, 44.1kHz) > Wavelab 6.0 (Ozone and L2 for dither) > FLAC. Cassette transfer by Todd Evans, final editing by Jamie Waddell.	Source Detail	FLAC

Garcia & Saunders --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
05/20/71	Keystone Korner	San Francisco	CA	Most likely lineage: MR @ 7 1/2 ips > Reel (owned by Jerry Garcia) > Reel (made and owned by Will Boswell) @ 7 1/2 ips > 2496 PCM WAV [by Matt Smith]. Careful listening, 3 basic crossfades and minor adjustments applied by Jamie Waddell on the GEMS Edit Station. Note this exact reel was transferred and seeded previously as xx/xx/1971 (in 16bit/44.1kHz) at LL and is listed as shnid 93137. The music is the same but this transfer is in 2496 and has no conversions, limiters or dither applied. This is as close to the reel as you can get unless you visit Matt's House. a Project **GEMS** August2009	Source Detail	FLAC
01/19/73	Keystone	Berkeley	CA	Betty Cantor's 10" master sbd reels @ 7.5ips 1/2trk > ? > CD > EAC > CDWave > TLH (FLAC level 8).	Source Detail	FLAC
07/10/73	Keystone	Berkeley	CA	flac1644: Matt Smith 24bit 96kHz Reel Transfer.Multitracks (Bob and Betty Ampex MM110)>2 track mixdown MR>R @ 7 1/2 ips.(WB) > DVD; Editing and Mastering by Jamie Waddell on the **GEMS** Edit Station. Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1kHz. Tracked in CDWAV Tag&Rename for Meta_Data. TLH for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net).	Source Detail	FLAC
10/02/73	Winterland Arena	San Francisco	CA	JGMS: MSR > DAT4x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC.	Source Detail	FLAC
10/11/73	Keystone	Berkeley	CA	jgms, flac1648: sbd > master-reel > dat(48k)	Source Detail	FLAC
10/12/73	Keystone	Berkeley	CA	JGMS; sbd > master-reel > dat(48k)	Source Detail	FLAC
11/03/73	Keystone	Berkeley	CA	analog source tapes 1) Betty Cantor Jackson’s 10" master soundboard reel [MSR] @ 7.5ips 1/2 trk (Nagra IV-S, uncertain tape stock) (3rd Betty Batch, tape #53, 11/3/73 reel #1, set I, 83 minutes) 2) Betty Cantor Jackson’s 10" MSR @ 7.5ips 1/2 trk (Nagra IV-S, uncertain tape stock) (3rd Betty Batch, tape #36, 11/3/73 reel #2, end of show	Source Detail	FLAC
06/04/74	The Lion's Share	San Anselmo	CA	JGMS: MSR > PCM > DAT; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a; Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky; Green Mountain Bros. February 13, 2008.	Source Detail	FLAC
07/02/74	Bottom Line	New York	NY	flac1644; Recorded by Jerry Moore; two AKG D1000Es [from table a few feet from stage, mics on an overturned ashtray and canted upward toward the PA] > Sony TC-152; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> r8brain Pro> FLAC encoding. Speed/pitch Correction by Joe B. Jones. Thanks to Rob Berger for supplying the master cassettes.	Source Detail	FLAC
07/03/74	Bottom Line	New York	NY	flac1644; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding.	Source Detail	FLAC
11/05/74	Bottom Line	New York	NY	flac1644; early show; Jerry Moore's aud cassette master, AKG D1000Ee's > Sony TC-152 (Dolby B); nak dragon (Dolby B) > tascam hd-p2 24/96 > adobe audition 2.0 > cd wave > tlh flac 8; transfer/seed by Rob Berger.	Source Detail	FLAC
11/05/74	Bottom Line	New York	NY	flac24; early show; Jerry Moore's aud cassette master, AKG D1000Ee's > Sony TC-152 (Dolby B); nak dragon (Dolby B) > tascam hd-p2 24/96 > adobe audition 2.0 > cd wave > tlh flac 8; transfer/seed by Rob Berger.	Source Detail	FLAC
11/10/74	Palace Theatre	Albany	NY	JGMS flac2448: sbd reel master > reel > Jerry Moore's 10.5" reel @ 7.5 ips, dolby b; Transfer by Rob Berger: playback on Technics RS-1506 > Sony NR-335 > Tascam HD-P2 24/48. Editing and FLAC encoding by David Minches.	Source Detail	FLAC
11/27/74	Keystone	Berkeley	CA	JGMS, complete: mixed sbd sources; source 1: sdb-?- cd > wavelab 6.0 (pitch correction, edits) provides all except first 1:30 of Bossa Martin and last two songs; source 2: MSR > P > D > CD > wavelab 6.0; Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station.	Source Detail	FLAC
11/27/74	Keystone	Berkeley	CA	JGMS, incomplete: MSR > PCM > Dat > CD > EAC > ? > Flac. Transfer and unknown editing by Jamie Waddell.	Source Detail	FLAC
12/07/74	Keystone	Berkeley	CA	flac1644; motb 0160; Robert Castelli; Sony ECM270 mic >> Sony TC110 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... FLAC1644. Transfer By: Bob Menke; Mastering By: Derek McCabe.	Source Detail	FLAC

Garcia Interviews --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
??/??/39	All In The Mind - BBC Radio 4	unknown	United Kingdom	Source: 3 Cassettes (uknown gens) Transfer: Cassettes > Nakamichi CD1 > DSF 1-bit/5.6 MHz > Tascam DA-3000 > Tascam Hi Res Editor > wav 24/96 Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMIck	Source Detail	FLAC

Grateful Dead --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
??/??/39	Compilation	Compilation	US	flac1644 direct transfer from original 45 singles to CD using a 199? Sony standalone Record Player with a direct analog lines to a 1997 Sony CD Burner.	Source Detail	FLAC
07/??/64	The Tangent	Palo Alto	CA	Mother McCree's Uptown Jug Champions: Master Tape > Rosoft Audio Tools > CD > EAC > WAV > SHN.	Source Detail
11/03/65	Golden State Studios	San Francisco	CA	Autumn Records Demo, The Warlocks; SBD> MR> ??> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
01/29/66	Sound City Acid Test	San Francisco	CA	flac16; vinyl>7" reel @ 7.5 ips Rob Berger transfer	Source Detail	FLAC
02/05/66	The Questing Beast	Berkeley	CA	flac16; Soundboard Master-Reel > DAT (48 kHz)	Source Detail	FLAC
02/25/66	Ivar Theater	Los Angeles	CA	MR> DATx> CD; reportedly this date, plus other '66; may also be listed as '??/??/66'- another shn set of t1-8 material circulates as such	Source Detail
02/25/66	Ivar Theater	Los Angeles	CA	MR>DATx>CD SBEs fixed and seeking added 04/26/2003 by terrapinstation	Source Detail	SHN
03/09/66	Bear's House	Los Angeles	CA	flac16; SBD > ?? > wav > cdr > wav via EAC > FLAC	Source Detail	FLAC
03/09/66	Bear's House	Los Angeles	CA	flac16; Source: sbd > 7 inch Master Reel @ 7.5ips 1/2 track > dat(48k)	Source Detail	FLAC
03/10/66	Bear's House	Los Angeles	CA	flac16; Source: sbd > 7 inch Master Reel @ 7.5ips 1/2 track > dat(48k)	Source Detail	FLAC
03/12/66	Danish Center	Los Angeles	CA	??> CD> EAC> CDWave> SHN; EAC (secure mode, offset corrected), track spliting, and shorten encoding (MKW) by D.Winters, with Thanks to T.Doherty for the seed disc	Source Detail
03/19/66	Carthay Studios	Los Angeles	CA	flac16; SBD > Rm > Reel > Dat > CD > EAC > CDWav > Flac EAC and Tracking by Ihor Slabicky Seed provided by Paul Scotton	Source Detail
03/19/66	Carthay Studios	Los Angeles	CA	flac16/44 Soundboard - provided by Paul Scotton (MSR > R > D > CDR > EAC > CD Wave > Flac) remastered by SIRMick October 2021	Source Detail	FLAC
03/25/66	Trouper's Hall	Los Angeles	CA	with 7/3/66; see notes in info file; to abgd, later to etree; listener Daniel Kessler reports several digispots	Source Detail
05/19/66	Avalon Ballroom	San Francisco	CA	mr> dat> fm broadcast> cdr> shn; via lestatkatt; Cream Puff War filler	Source Detail
05/19/66	Avalon Ballroom	San Francisco	CA	flac16; SBD > Reel > DAT > Sonic Solutions > DAT > DAT > CDR > EAC > CD Wave > FLAC	Source Detail	FLAC
05/19/66	Avalon Ballroom	San Francisco	CA	flac16; Recording Info:SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v11.03 -> FLAC; Original Transfers and Mastering By David Gans; Additional Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
05/19/66	Avalon Ballroom	San Francisco	CA	flac16; Set 1 Source: sbd > 10 inch Master Reels @ 15 ips 1/2 track > Dat (48k)	Source Detail	FLAC
06/??/66	Scorpio Studio Outtakes	San Francisco	CA	Scorpio studio outtakes; SBD> MR> DAT> CDR; Conversion: CDR > EAC (secure) > CDWav (retracking) > mkwact (seekable) by Matt Vernon, with thanks to Raoul Duke; via The Music Never Stopped Project	Source Detail
07/01/66	Unknown (perhaps Fillmore Auditorium)	San Francisco	CA	Source: MSR>DAT>CDR via Andy Lemieux and Kingbee encoded by Matt Vernon	Source Detail
07/03/66	Fillmore Auditorium	San Francisco	CA	with 3/25/66; see notes in info file; to abgd, later to etree	Source Detail	SHN
07/16/66	Fillmore Auditorium	San Francisco	CA	SBD > RTR > PCM > SSSB; via Jay Serafin to gdlive	Source Detail
07/16/66	Fillmore Auditorium	San Francisco	CA	SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAC -> SHN; Converted To SHN By Charlie Miller. Upgrade now in circulation.	Source Detail
07/16/66	Fillmore Auditorium	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> EAC -> SHN -> WAV -> FLAC; Transferred and Edited By Charlie Miller. This is a fix of shn id 21063	Source Detail	FLAC
07/17/66	Fillmore Auditorium	San Francisco	CA	SBD > RTR @ 15 I.p.s. > PCM > D > SSSB; via Jay Serafin to gdlive	Source Detail
07/17/66	Fillmore Auditorium	San Francisco	CA	SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAc -> SHN; Converted To SHN By Charlie Miller	Source Detail
07/29/66	P.N.E. Garden Auditorium	Vancouver	BC	probably MR> C> DAT> CDR> EAC> WAV> SHN; from pre-FM David Gans seed; may circulate with or without DSO filler	Source Detail
07/29/66	P.N.E. Garden Auditorium	Vancouver	BC	SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
07/29/66	P.N.E. Garden Auditorium	Vancouver	BC	flac16; SBD>10" 1/2 track 15ips MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac	Source Detail	FLAC
07/30/66	P.N.E. Garden Auditorium	Vancouver	BC	SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
07/30/66	P.N.E. Garden Auditorium	Vancouver	BC	flac16; SBD>10" 1/2 track 15ips MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac	Source Detail	FLAC
09/16/66	Avalon Ballroom	San Francisco	CA	Soundboard> Vinyl (Vintage- Historic Dead); Seeded to abgd by Tzuriel	Source Detail
09/16/66	Avalon Ballroom	San Francisco	CA	SBD> MR> ??> CDR; via Raoul Duke; Seeded to etree by Matt Vernon; Note- There are two shn sets listed for this show, one 'original' and one 'de-popped'. ONLY 'de-popped' versions circulate for the last two tracks.	Source Detail
09/16/66	Avalon Ballroom	San Francisco	CA	flac16; Source: SBD>MR>?>LP>WAV>WAV>FLAC Transfer: Lyra Helikon phono cartridge, Linn LP12/Lingo turntable, Linn Ittok tonearm, Audioquest LeoPard tonearm cable, PS Audio PS2 preamplifier, Kimber PBJ interconnect, M-Audio Audiophile USB A/D converter.	Source Detail	FLAC
09/16/66	Avalon Ballroom	San Francisco	CA	Mix from SBD>MR>??>CDR, in order of Vintage Dead and Historic Dead	Source Detail
10/07/66	Winterland Arena	San Francisco	CA	sbd 3 songs originally part of the SF Nights compilation noted here separately	Source Detail
11/18/66	Fillmore Auditorium	San Francisco	CA	flac2444; Recording Info: SBD > Master Reel > ? > 8-Track Tape; Transfer Info: 8-Track Tape (Pioneer HR-99) > Focusrite 2i2 > Audacity (32-bit float/96k) > WAV (24-bit/44.1k); Mastering Info: WAV > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
11/18/66	Fillmore Auditorium	San Francisco	CA	(Reel to Reel?) > 8-Track Tape > Zenith 8-Track Player (anaologe out) > Digital Input / Protools Capture > 15H kps / 48 kHz .wav file > Trader's Little Helper > Flac1648	Source Detail	FLAC
11/18/66	Fillmore Auditorium	San Francisco	CA	flac1648 (Reel to Reel?) > 8-Track Tape > Hitachi 8-Track Player (anaologe out) > Digital Input / Protools Capture > 15H kps / 48 kHz .wav file > WavePad- pitch & speed correction > Roxio Sound Editor > Trader's Little Helper > Flac1648 All work done by Brian Flegel	Source Detail	FLAC
11/19/66	Fillmore Auditorium	San Francisco	CA	SBD; liberated bootleg source; extraction/SHN by Jon Seff	Source Detail
11/19/66	Fillmore Auditorium	San Francisco	CA	flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/19/66	Fillmore Auditorium	San Francisco	CA	flac16; Speed corrected version of liberated bootleg sbd: shn id 41	Source Detail	FLAC
11/19/66	Fillmore Auditorium	San Francisco	CA	It Crawled Out of the Vaults of KSAN; Dead material is d1 of 6-disc misc 1966-68 SF band compilation (see info); other md5s are included here for reference	Source Detail
11/29/66	The Matrix	San Francisco	CA	SBD from bootleg CD> EAC> SHN; via thecore; reportedly distant, thin sound	Source Detail
11/29/66	The Matrix	San Francisco	CA	SBD of unknown lineage. This is the previous seed (shnid=4940) with the missing tracks added.	Source Detail
11/29/66	The Matrix	San Francisco	CA	flac16; SBD MR>?>Bill Graham Archive>Reel>CDR>CDR>EAC>FLAC	Source Detail	FLAC
11/29/66	The Matrix	San Francisco	CA	flac24/96 Source: Soundboard * Transfer: Cassette > Tascam 122 MK3 > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > iZotope RX8 Advanced edited and mastered SIRMick 2021	Source Detail	FLAC
11/??/66	KFRC studio	San Francisco	CA	flac16; Track 1: original November 1966 broadcast (incomplete): Source: FM -> ?? -> Sorochty's unknown gen cassette -> wav -> FLAC; Track 2: early 1967 rebroadcast (compete): Source: Tom Ordon's Master FM reel -> 1st gen Hi-Fi VHS -> wav -> FLAC	Source Detail	FLAC
12/01/66	The Matrix	San Francisco	CA	SBD> Rm> Reel> Dat> CD> wav> shnv3; DAE(EAC)> boundary check (SHNTOOL)> SHN (MKWACT)> FTP via neo_levo; with thanks to Charlie Miller	Source Detail
12/01/66	The Matrix	San Francisco	CA	remastered (NR, cleanup) version of previous shn set, by SIRMick; Noise reduction was done with Waves X-Noise plugin using WaveLab as the host	Source Detail
12/01/66	The Matrix	San Francisco	CA	Source: SBD>MR>RR>C>DAT Transfer: Tascam DA-20 mkII>SB Audigy>SF 6.0>CD Wave>mkwACT>.shn	Source Detail
12/01/66	The Matrix	San Francisco	CA	flac16; Source: SBD>MR>RR>C>DAT; Transfer: Tascam DA-20 mkII>SB Audigy>SF 6.0>CD Wave>mkwACT>SHN>Sound Forge 11>Flac; Pitch Correction and minor editing/crossfading; Fixed by Michael Lestatkatt	Source Detail	FLAC
12/01/66	The Matrix	San Francisco	CA	flac16: SBD > ? > FLAC	Source Detail	FLAC
12/05/66	Studio: 1st album outtakes	San Francisco	CA	1st Album Outtakes - San Francisco CA Studio Rehearsals Source: sbd>mc>cass>cd>eac>shn via Teri Kimbro; upgrade in circulation	Source Detail
12/05/66	Studio: 1st album outtakes	San Francisco	CA	Source: sbd>mc>cass>cd>eac>shn by Teri Kimbro. This is an sbefix of shnid 21295.	Source Detail	SHN
??/??/66	Compilation	Compilation	CA	Acid Test compilation; via Alan Bershaw, Thomas Wulf; includes 1/8/66, 1/29/66, 3/12/66, 10/2/66, 10/31/66, ??/??/65, 7/23/67, ??/??/67; supplements to this set also circulate	Source Detail
??/??/66	Viola Lee Blues Rehearsals	Unknown	CA	January 1966 (?) - Viola Lee rehearsals; 47 minutes from unknown generation cassette played back on Nak CR7E; via Uli Teute and Hanno Bunjes	Source Detail
??/??/66	Compilation	Compilation	CA	SBD:MR> ?> CD; via Jools; venue unknown	Source Detail
??/??/66	Various	Various	Compilation	flac16; SMRs>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>CD Wave Editor>FLAC	Source Detail
??/??/66	Acid Tests	Various	CA	Acid Test compilation; via Alan Bershaw, Thomas Wulf; includes 1/8/66, 1/29/66, 3/12/66, 10/2/66, 10/31/66, ??/??/65, 7/23/67, ??/??/67; supplements to this set also circulate	Source Detail
??/??/66	Acid Tests	Various	CA	Acid Test material, labelled with numbers 5,6 in supplement to previous 4 disc set; additional or alternate material from 2/12/66, 3/12/66, 10/2/66	Source Detail	SHN
??/??/66	Acid Tests	Various	CA	Acid Test compilation; via Alan Bershaw, Thomas Wulf; includes 1/8/66, 1/29/66, 3/12/66, 10/2/66, 10/31/66, ??/??/65, 7/23/67, ??/??/67; supplements to this set also circulate	Source Detail
??/??/66	Compilation	Compilation	CA	SBD; 1st Gen FM GDH 557; FM>CD transfer: STB Systems, Inc. PCI DesktopTV Tuner Card, Model number DTV3F > Turtle Beach Montego A3D 64 Voice PCI Sound Card > WAV > CD; note this material is tentatively labeled 2/25/66 in a separate shn set	Source Detail	shn
??/??/66	Unknown	Unknown	CA	flac16; Source: sbd > 10 inch Master Reels @1 5ips 1/2 track > dat(48k)	Source Detail	FLAC
??/??/66	Acid Tests	Various	CA	flac16; Source: sbd > 10 inch Master Reels @ 15 ips 1/2 track > Dat (48k)	Source Detail	FLAC
??/??/66	Unknown	Unknown	Unknown	flac16; Source: sbd > 10 inch Master Reels @1 5ips 1/2 track > dat(48k)	Source Detail	FLAC
01/14/67	Polo Field, Golden Gate Park	San Francisco	CA	SBD>MR >?>CDR; The great human be-in; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
01/27/67	Avalon Ballroom	San Francisco	CA	AUD C/? cleaned up & patched, 67:40 total time, via Hanno Bunjes & Uli Teute	Source Detail
01/27/67	Avalon Ballroom	San Francisco	CA	Unknown AUD source > ? > shn; upgrade now in circulation	Source Detail
02/12/67	Fillmore Auditorium	San Francisco	CA	2 songs most likely from studio (see notes)	Source Detail
03/18/67	Winterland Arena	San Francisco	CA	SBD > MR > ? > CD; Seeded to etree by A.J. Fink	Source Detail
03/18/67	Winterland Arena	San Francisco	CA	MSR> R> DATs> CDRs> EAC> SHN; via Darrin Sacks; upgrade now in circulation	Source Detail
03/18/67	Winterland Arena	San Francisco	CA	flac1648 Source Info: Master Soundboard Reels > ?? > CD > .wav > flac This came from an anonymous source via CD. Provided and prepared by Brian Flegel.	Source Detail	FLAC
04/08/67	KPIX-TV Studios	San Francisco	CA	TV > C/? >CDR; various artists including Dead performance; via Hanno Bunjes, Uli Teute	Source Detail
04/??/67	KMPX Radio Show	San Francisco	CA	Pre-FM-MR> R> DAT> CDR; Conversion: CDR > EAC(secure) > Cool Edit(remove gaps) > CDWav (retrack) > mkwact(seekable) by Matt Vernon	Source Detail
05/05/67	Fillmore Auditorium	San Francisco	CA	SBD> unknown analog gens> D; via Ben Yerys	Source Detail
06/18/67	Monterey County Fairgrounds	Monterey	CA	SBD: MR> Cass> DAT> ZA2> CD; exception: Alligator -> Caution has no cassette gen, and may not even be from same show; CD seed via D. Hollister; original to abgd, to etree 6/00; upgrade now in circulation	Source Detail
06/18/67	Monterey County Fairgrounds	Monterey	CA	SBD> MR> ? > DAT x 2> Sonic Solutions> cd Note: There seems to be no cassette generation between the MR and DAT, which is present on the previously circulated version of this show. Remastered by ?Mandrake?	Source Detail
06/18/67	Monterey County Fairgrounds	Monterey	CA	flac16; Lineage: SBD Master Reels > DAT (Panasonic 3700) > Delta DiO 2496 > PC hard drive > CDR > CDWAV > Cool Edit > Traders Little Helper	Source Detail	FLAC
07/23/67	Straight Theater	San Francisco	CA	flac16; Source Info: track 1 - aud recording > ?? > CD > wav > flac; track 2 - aud recording > ?? > flexi-disc > ?? > cassette x? > wav > flac	Source Detail	FLAC
08/04/67	O'Keefe Center	Toronto	ON	Includes JA Set; Stereo SBD MR>R>DAT(3)>CDR; via Stu Hanson; Seeded to etree by Greg Hurwitt; upgrade now in circulation	Source Detail
08/04/67	O'Keefe Center	Toronto	ON	SBD MR>?>2R>C>CD; slight upgrade; via Hanno Bunjes and Uli Teute	Source Detail
08/04/67	O'Keefe Center	Toronto	ON	SBD> MR> R> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon; upgrade now in circulation	Source Detail
08/05/67	O'Keefe Center	Toronto	ON	Includes JA Set; Multiple SBD sources, see info file for details; via Stu Hanson; Seeded to etree by Greg Hurwitt; upgrade now in circulation	Source Detail
08/05/67	O'Keefe Center	Toronto	ON	SBD MR>?>2R>C>CD; more complete and slightly better-sounding version; via Hanno Bunjes and Uli Teute	Source Detail
08/05/67	O'Keefe Center	Toronto	ON	(Reel to Reel?) > 8-Track Tape > Zenith 8-Track Player (anaologe out) > Digital Input / Protools Capture > 15H kps / 48 kHz .wav file > Flac	Source Detail	FLAC
09/03/67	Dance Hall	Rio Nido	CA	RM > C > DAT > CD > EAC > SHN; see flaw notes in info file; seed via Jim Wise; via Tim O'Connell shn vine to BUDD, later to etree (via Jon Miller?); note Midnight Hour from this run is on Phil Zone CD- go buy it; upgrade now in circulation	Source Detail
09/03/67	Dance Hall	Rio Nido	CA	previous shn set with "original mix Midnight Hour" via Terrapin Station	Source Detail	SHN
09/04/67	Dance Hall	Rio Nido	CA	SBD:MR> Cass> DAT> CD; via Jools	Source Detail
09/15/67	Hollywood Bowl	Hollywood	CA	AUD>MC>R>R>NR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
10/20/67	American Studios	North Hollywood	CA	flac16; Hunter's MSR > BETA > ??? > cdr > eac(secure mode) wav > flac	Source Detail	FLAC
10/22/67	Winterland Arena	San Francisco	CA	SBDmR> Cass> DAT> Sonic Solutions via D. Gans> CDR; via Ben Yerys; upgrade now in circulation	Source Detail
10/22/67	Winterland Arena	San Francisco	CA	SBD -> Rm -> Cass -> Dat via Charlie Miller	Source Detail
10/22/67	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/22/67	Winterland Arena	San Francisco	CA	flac16; SBD > Master Reels > DAT; Lineage/Recording Info detail/Editing detail: SBD > Master Reels > DAT (Panasonic 3700) > Sound card (Delta DiO 2496) > PC hard drive > CDR > CDWAV (tracking) > Cool Edit/WavePad (editing) > xACT Audio Compression Toolkit 2.13	Source Detail	FLAC
11/03/67	Unknown Studio	Unknown	Unknown	flac16: Studio Reels > ?? > CDR's > CD Burner > Roxio Sound Editor > .wav > flac16 These CDR's came to me anonymously and supposedly were discussed as possible bonus material from GDP. Turned each disc into one .wav file each, re-tracked and did some slight editing (took out some repeated sections and fixed some zips and zaps) all done using Roxio Sound Editor (2009), but essentially this is how I received it and in the same order. Really great stuff to hear and shows you how hard they actually did work in the studio especially being the high pranksters they were. Enjoy. Brian Flegel. 03-25-2024 & 07-15-2024	Source Detail	FLAC
11/03/67	Unknown Studio	Unknown	Unknown	flac1644 FIXED - Studio Reels > ?? > CDR's > CD Burner > Roxio Sound Editor > .wav > flac16	Source Detail	FLAC
11/10/67	Shrine Exposition Hall	Los Angeles	CA	MR> R> R> DAT> CD> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; with 7/23/67 Cassady rap filler; note source updated with extra reel gen, based on info from Rob Bertrando	Source Detail
11/10/67	Shrine Exposition Hall	Los Angeles	CA	flac16; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe	Source Detail	FLAC
11/10/67	Shrine Exposition Hall	Los Angeles	CA	flac16; Source: 8 Track Master Reel > 1st Gen Reel (7.5ips) > PCM (Sony Beta ESXHiFi/L-750) - Given to Tim Dalton by Bob Menke; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018	Source Detail	FLAC
11/11/67	Shrine Exhibition Hall	Los Angeles	CA	MSR> R> R> DAT> CDR> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; note source updated with extra reel gen, based on info from Rob Bertrando	Source Detail
11/11/67	Shrine Exhibition Hall	Los Angeles	CA	flac16; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe	Source Detail	FLAC
11/11/67	Shrine Exhibition Hall	Los Angeles	CA	flac16; Source: 8 Track Master Reel > 1st Gen Reel (7.5ips) > PCM (Sony Beta ESXHiFi/L-750) - Given to Tim Dalton by Bob Menke; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018	Source Detail	FLAC
11/14/67	American Studios	North Hollywood	CA	MSR>C(1)>DAT>WAV>SHN. The circulating versions of these songs are different from the versions on the single and on "What a Long Strange trip It's Been" (which are the same) and therefore are listed separately. The md5's differ from the previous shn set listed.	Source Detail
11/14/67	American Studios	North Hollywood	CA	Source: Healy SBD	Source Detail	FLAC
11/??/67	Studio Sessions for Anthem of the Sun	Unknown	CA	flac16; Lineage: Track 01 thru 04: SBD > ? > Cx? > Cassette. Track 05: SBD > ? > Bootleg Vinyl LP > Cassette. Transfer: Cassettes > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC	Source Detail
??/??/67	Unknown Studio	Unknown	Unknown	flac16; Recording Info: Source #1: SBD -> ?? -> 7th gen cassette (stereo) -> wav -> FLAC; Source #2: SBD -> ?? -> unknown gen cassette (mono) -> CDR -> wav via EAC -> FLAC	Source Detail	FLAC
01/17/68	Carousel Ballroom	San Francisco	CA	MSR> cass> dat> cdrs, eac> wav> cooledit2000> wav> shn; via Jeff "notimetohate"; see info file for listening notes	Source Detail
01/17/68	Carousel Ballroom	San Francisco	CA	SBD>MR>C>D>CD; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman	Source Detail
01/17/68	Carousel Ballroom	San Francisco	CA	MSR> cass> dat> cdrs, eac> wav> cooledit2000> wav> shn; via Jeff "notimetohate"; see info file for listening notes; same as previous shn set through d1t09. d1t10 through d2t04 now circulate with an unexplained 'fix'.	Source Detail	SHN
01/20/68	The Eureka Municipal Auditorium	Eureka	CA	circulated as half of a single CD with a version of 2/3/68; via Abe	Source Detail
01/20/68	The Eureka Municipal Auditorium	Eureka	CA	via Julian (Jools) Elliott	Source Detail
01/20/68	The Eureka Municipal Auditorium	Eureka	CA	flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/20/68	The Eureka Municipal Auditorium	Eureka	CA	fragment; unconfirmed: SBD > MReel > DAT > CD-R > EAC > SHN; pre-FM GDH?; via R. Ward	Source Detail
01/22/68	Eagles Auditorium	Seattle	WA	SBDMR > DAT > Sonic Solutions > CD > EAC > Soundforge > SHN; plus patches- see notes in info file; patching and cleanup by Noah Weiner; to abgd via Charlie Connor	Source Detail
01/22/68	Eagles Auditorium	Seattle	WA	flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
01/23/68	Eagles Auditorium	Seattle	WA	Soundboard > MC > R > DAT > CDR; via David Finney, stemming from Merry Prankster tree; 9/20/68 filler	Source Detail
01/23/68	Eagles Auditorium	Seattle	WA	Uploaded 2003/ 02/ 15 by Julian (Jools) Elliott	Source Detail	SHN
01/23/68	Eagles Auditorium	Seattle	WA	flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
01/27/68	Eagles Auditorium	Seattle	WA	1 track (all that circ); SBD:MR> DAT> PCM> DAT> CD; EAC > SHN from audio CD by David Hollister; upload by Julian (Jools) Elliott	Source Detail
01/27/68	Eagles Auditorium	Seattle	WA	flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
02/02/68	Crystal Ballroom	Portland	OR	No source info; Seeded to etree by Jools;	Source Detail
02/02/68	Crystal Ballroom	Portland	OR	Shntool fix of previous Julian (Jools) Elliott seed	Source Detail
02/02/68	Crystal Ballroom	Portland	OR	flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
02/03/68	The Crystal Ballroom	Portland	OR	circulated as half of a single CD with a version of 1/20/68; via Abe	Source Detail
02/03/68	The Crystal Ballroom	Portland	OR	SBD:MR>DAT>Sonic Solutions>CD ? shntool fixed and seekable version of set uploaded to tol.etree.org Feb.1/03	Source Detail
02/03/68	The Crystal Ballroom	Portland	OR	flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
02/14/68	Carousel Ballroom	San Francisco	CA	MR> DAT> DAT> CD> EAC> SHN, with portions from another source, probably FM; via Garrett Van Cleef, from Jim Douglas seed; includes supplemental hiss-reduced material (see info files); hosted by gdlive.com	Source Detail
02/14/68	Carousel Ballroom	San Francisco	CA	Source: SBD>MR>DAT>CD>EAC>SHN + Midnight Hour patched with: FM>Reel>Reel>DAT>CDR	Source Detail
02/14/68	Carousel Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC Transferred and Remastered By Charlie Miller (note: this source contains officially released, copyrighted material)	Source Detail	FLAC
02/14/68	Carousel Ballroom	San Francisco	CA	flac16; Lineage: SBD>MR>DAT>CD>EAC>SHN>WAV>Cool Edit Pro v2.0>FLAC via D. Winters (note: this source contains officially released, copyrighted material)	Source Detail
02/14/68	Carousel Ballroom	San Francisco	CA	SBD 8 track MR>D>CD with some alternate SBD patches; See info file for details; patches by H.B. 12/01 from tapes supplied by Konstantin and Uli	Source Detail
02/14/68	Carousel Ballroom	San Francisco	CA	flac1648 FM Broadcast > Master Reels > Matt Smith's 1st generation reels Transfer Info: 1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp .wav 24/96 > Adobe Audition CC 2024 > flac2496	Source Detail	FLAC
02/14/68	Carousel Ballroom	San Francisco	CA	flac16; Recording Info: SBD > (8 Track) Master Reel > DAT > CD > FLAC; Transfer Info: FLAC > Adobe Audition > Samplitude Pro X6 Suite > FLAC	Source Detail	FLAC
03/03/68	Haight Street	San Francisco	CA	Deadhead Hour pre-FM; via David Finney	Source Detail
03/03/68	Haight Street	San Francisco	CA	AUD: Uher RR>DAT>DALCardDeluxe>WAV>CDR; via Raoul Duke; Seeded to etree by matt vernon	Source Detail
03/03/68	Haight Street	San Francisco	CA	Unknown Audience Recording; Extracted with EAC and cut with CD Wav by Julian (Jools) Elliott	Source Detail	SHN
03/16/68	Carousel Ballroom	San Francisco	CA	SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
03/16/68	Carousel Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/16/68	Carousel Ballroom	San Francisco	CA	flac1644 Recording Info: SBD > (4 Track) Master Reels > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Adobe Audition > Samplitude Pro X6 Suite > FLAC	Source Detail	FLAC
03/26/68	Melodyland Theater	Anaheim	CA	AUD> MR> D> PCM> D> CD> EAC> SHN; circulates as filler for 5/7/69; via J. Cotsman to vine	Source Detail
03/29/68	Carousel Ballroom	San Francisco	CA	AUD > ?? > CDR; via Raoul Duke; seeded to etree by Matt Vernon	Source Detail
03/29/68	Carousel Ballroom	San Francisco	CA	flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/30/68	Carousel Ballroom	San Francisco	CA	Partial; AUD>MR>D>PCM>D>CD	Source Detail
03/30/68	Carousel Ballroom	San Francisco	CA	AUD>MR>D>PCM>D>CD>EAC>SHN; the most complete form of this show in circulation; Thanks to Andy Lemieux, edits/encoding JCotsman	Source Detail
03/30/68	Carousel Ballroom	San Francisco	CA	flac16; Recording Info:Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/31/68	Carousel Ballroom	San Francisco	CA	AUD>MR>D>PCM>D>CD>EAC>SHN; excerpt (all that circulates); Thanks to Andy Lemieux; edits/encoding JCotsman	Source Detail
03/31/68	Carousel Ballroom	San Francisco	CA	flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/18/68	Santa Clara County Fairgrounds	San Jose	CA	Audience Master > ? > SHN	Source Detail
05/18/68	Santa Clara County Fairgrounds	San Jose	CA	flac 16; Source: Jorma's AUD Master > 3rd Gen Cassette > Soundforge Extraction > Cool Edit > CD Wave Editor, except first few seconds of Alligator, which are AUD Master > Reel > CD > Soundforge Extraction > Cool Edit > CD Wave Editor	Source Detail
05/18/68	Santa Clara County Fairgrounds	San Jose	CA	flac16; Source: Jorma Kaukonen’s On Stage Mic > Reel to Reel Master > DAT x 1 Transfer: playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard > HD as 24 bit/96 KHz WAV Mastering: WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer by Chris Ladner July 2007, Mastering Bill Koucky September 18, 2008 Green Mountain Bros	Source Detail	FLAC
05/18/68	Santa Clara County Fairgrounds	San Jose	CA	AUD?; filler on 11/22/68; via Teddy Good Bear to abgd; view info; view poster	Source Detail	SHN
05/??/68	Unknown	Unknown	Unknown	Vault Reel> DAT> CD> EAC> SHN; via J. Currier to gdlive	Source Detail
06/14/68	Fillmore East (Late Show)	New York	NY	AUD>MC>R>R>PCM>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman	Source Detail
06/14/68	Fillmore East (Late Show)	New York	NY	aud> mics?> master cassette> reel> reel> PCM> CDR; via Mike Lai; note info file lists as early show, but Deadlists and elsewhere list as late show	Source Detail	SHN
06/14/68	Fillmore East (Late Show)	New York	NY	aud> mics?> master cassette> reel> reel> PCM> CDR; via Mike Lai; note info file lists as early show, but Deadlists and elsewhere list as late show	Source Detail
06/14/68	Fillmore East (Late Show)	New York	NY	flac16; Source: Audience Cassette Master > Reel > pcm (sony HG tape) provided by Tim Dalton; Transfer: ocm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018	Source Detail	FLAC
06/19/68	Carousel Ballroom	San Francisco	CA	SBD> MC> D> CD; start of Lovelight clipped, ragged sound improves later; via thecore@core.com	Source Detail
08/21/68	Fillmore West	San Francisco	CA	sdb> reel master> cassette> dat> cdr; via Mike Lai	Source Detail
08/21/68	Fillmore West	San Francisco	CA	MSR> DAT> DAT> WAV> SHN; DAT> SHN conversion by Cousinit; see notes in info file	Source Detail	SHN
08/21/68	Fillmore West	San Francisco	CA	SDB>MR>C>D>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin	Source Detail	SHN
08/22/68	Fillmore West	San Francisco	CA	SBD>MR>C>D>CD>EAC>SHN; (two cassette sources, one in mono, one in stereo); see info file regarding confusion over this date; Thanks to David(s) Litfin, Sorochty, Gans, et al; edits/encoding JCotsman	Source Detail
08/22/68	Fillmore West	San Francisco	CA	SBD portion via Jools, see info file for possible lineage.	Source Detail
08/22/68	Fillmore West	San Francisco	CA	flac16; Source: Soundboard Reels > ? > DAT Transfer: Panasonic SV-3700 > Korg MR-1 DSD [1 Bit/2.8 Mhz] Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > AudioGate to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 8, 2008	Source Detail	FLAC
08/23/68	Shrine Exposition Hall	Los Angeles	CA	updated lineage: 8 track multitrack Reels> "Sonic Wizardry"> DAT> Cassette> DATs> CDRs> EAC> SHN;? via Darrin Sacks, who reports: "Not a note of this material appears on Two From The Vault.?It turns out that TFTV is composed exclusively of 8.24.68" (go buy that); with unknown (8/29/68?) filler	Source Detail
08/23/68	Shrine Exposition Hall	Los Angeles	CA	flac16; SBD > Various Transfers / Edits (see original info attached) > .flac	Source Detail	FLAC
08/23/68	Shrine Exposition Hall	Los Angeles	CA	flac16 Recording Info: Vault Master 8-track Reel > Studio 2-track Mixdown (Dan Healy) > CAS > DAT Mastering Info: Samplitude Pro X5 > Flac16 Source provided by Anon Mastering by Jim Blackwood Speed Correction by Jason Chastain Track, FLAC and Pack by Steve Gravel	Source Detail	FLAC
08/28/68	Avalon Ballroom	San Francisco	CA	SBD:?>Latvala's reel>PCM>CDR; via Steve Martin; Seeded to etree by Matt Vernon	Source Detail
08/28/68	Avalon Ballroom	San Francisco	CA	SBD>??>R>PCM>CD>EAC>SHN; pitch corrected re-shn of previous Vernon seed	Source Detail	SHN
08/28/68	Avalon Ballroom	San Francisco	CA	flac16; AUD UNKNOWN LINEAGE > REEL > EDIROL USB UA-1EX AUDIO INTERFACE > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC	Source Detail	FLAC
08/28/68	Avalon Ballroom	San Francisco	CA	flac16: Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644	Source Detail	FLAC
09/02/68	Betty Nelson's Organic Raspberry Farm	Sultan	WA	SBD> Reel> DAT> WAV via ZA2> CD> EAC> SHN; via Pat Volkerding	Source Detail
09/02/68	Betty Nelson's Organic Raspberry Farm	Sultan	WA	Recording Info: SBD -> Master Reel (Three half-inch four track reels, recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (1 Disc Audio / 1 Disc SHN); Transfered and Edited By Charlie Miller 2/5/04	Source Detail
09/02/68	Betty Nelson's Organic Raspberry Farm	Sultan	WA	flac16; Recording Info: SBD -> Master Reel (1/2-inch 4-track reels recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/12/68	Unknown (possibly Pacific High Recording)	Unknown	CA	flac16; Source: sbd > 7 inch Master Reel @ 7.5ips 1/2 track > dat(48k)	Source Detail	FLAC
09/20/68	Berkeley Community Theater	Berkeley	CA	may circulate as filler on other discs (has been seen with 1/23/68); info file compiled by Matt Vernon	Source Detail	SHN
09/20/68	Berkeley Community Theater	Berkeley	CA	flac16; SBD > Master Reel > Cassette > Dat > CD > Adobe Audition v1.5 > CD Wave > FLAC; Transfer and Mastering by Charlie Miller	Source Detail
09/20/68	Berkeley Community Theater	Berkeley	CA	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC	Source Detail	FLAC
09/21/68	Pacific High Recording	San Mateo	CA	Flac16 but from a lossy source (only known source at this time) Sbd GDM Tapers section	Source Detail	FLAC
10/08/68	The Matrix	San Francisco	CA	Hartbeats; SBD MR->Reel (x2?)->CDR; EAC> SHN by Evan Bellaff, with thanks to Glenn Gillis	Source Detail
10/08/68	The Matrix	San Francisco	CA	Disc 1 only; optimal composite source free of diginoise. SBD MR>2R>D>CD; via Jens Tilsner and Hanno Bunjes	Source Detail
10/09/68	The Matrix	San Francisco	CA	Hartbeats; note date corrected from previous 10/9/68 listing- see Deadlists; ?> DAT> ZA2> wav> (sound forge for cutting to track size)> shn; DAT> ZA2> wav? by David Hollister; SF by Konstantin; recut on sector boundaries by Jeff Hoelter; jam in set 2 is complete; set 1 sounds different than set 2; some NR applied (see info file for details)	Source Detail
10/10/68	The Matrix	San Francisco	CA	SBD> Rm> Reel> CD (May Be SBD> Rm> Reel> Reel> CD); thanks to c.miller for seeds; DAE/shnv3 by neo_levo	Source Detail
10/10/68	The Matrix	San Francisco	CA	Hartbeats; note date corrected from previous 10/9/68 listing- see Deadlists; ?> DAT> ZA2> wav> (sound forge for cutting to track size)> shn; DAT> ZA2> wav? by David Hollister; SF by Konstantin; recut on sector boundaries by Jeff Hoelter; jam in set 2 is complete; set 1 sounds different than set 2; some NR applied (see info file for details)	Source Detail	SHN
10/12/68	Avalon Ballroom	San Francisco	CA	SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr)	Source Detail
10/12/68	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/12/68	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/12/68	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> ?? -> cdr -> wav via EAC -> FLAC	Source Detail	FLAC
10/12/68	Avalon Ballroom	San Francisco	CA	MSR> DAT> Sonic Solutions> CD; via David Gans; Charlie Miller; seeded to etree by Michael Owen	Source Detail	FLAC
10/12/68	Avalon Ballroom	San Francisco	CA	flac16; SHNID #115593 > Adobe Audition 3.0 > Flac16	Source Detail	FLAC
10/13/68	Avalon Ballroom	San Francisco	CA	via John Oleynick, Lee Revell; tracked for 1x80 min; Lee comments: "sound's a bit rough... but we're fairly certain that this is the best available source"; see info file for misc flaw notes	Source Detail
10/13/68	Avalon Ballroom	San Francisco	CA	SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr)	Source Detail
10/13/68	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/13/68	Avalon Ballroom	San Francisco	CA	SBD: MR> DAT> CD> DC-Art Millennium> CD> SHN; tracked for 1x80; stemming from VTree Round 4, Michael Owen, Charlie Miller; see info file for flaw notes	Source Detail
10/13/68	Avalon Ballroom	San Francisco	CA	MSR> DAT> Sonic Solutions> CD; via David Gans; Charlie Miller; seeded to etree by Michael Owen; Note- This shn set is identical to the previous Owen/Miller entry, except for differing md5's on the first and last track.	Source Detail	shn
10/13/68	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/20/68	Greek Theatre, U. Of California	Berkeley	CA	Complete; SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; via Charlie Miller	Source Detail
10/30/68	The Matrix	San Francisco	CA	Hartbeats; most complete version; documented 1st gen reel on revox A-77 r2r deck> digitized @ 96khz/24 bits> downsampled to 44.1k/16bits for CD> EAC> SHN; transfer by Jim Wise; eac/shn by Darrin Sacks; note minor addition of tuning to d3 track list	Source Detail
11/01/68	Armory Building, Silver Dollar Fairgrounds	Chico	CA	2nd Set; SBD>MSR>C>DAT>CDR; via Raoul Duke and Mike Axelrod; Seeded to etree by Matt Vernon	Source Detail
11/01/68	Armory Building, Silver Dollar Fairgrounds	Chico	CA	MSR > R > D > CD by Jim Powell EAC > SHN by J.Barnes (heyitsmejess@aol.com) EAC log files are included	Source Detail
11/01/68	Armory Building, Silver Dollar Fairgrounds	Chico	CA	MSR > R > D > CD by Jim Powell EAC > SHN by J.Barnes (heyitsmejess@aol.com) Track 5a edited by Seth Kaplan (alligator69@optonline.net) Uploaded to tol 06/21/2003 by Seth Kaplan	Source Detail	SHN
11/01/68	Armory Building, Silver Dollar Fairgrounds	Chico	CA	MSR>C>D>CD; Seeded to etree by Seth Kaplan	Source Detail
11/01/68	Armory Building, Silver Dollar Fairgrounds	Chico	CA	flac16; This is a restoration/rework using shnid 18100 (Cotsman) and 09580 (Axelrod); Diamond Cut Forensics versions 8.5 and Alpha 9 for the editing.	Source Detail	FLAC
11/01/68	Armory Building, Silver Dollar Fairgrounds	Chico	CA	flac16/44.1khz Recording Info: SBD > (8-track) Master Reel (10in 15ips) > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3700) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC. (1 Disc Audio) Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller.	Source Detail	FLAC
11/06/68	Pacific High Recording	San Mateo	CA	Recording Info: SBD > Master Reel (TC) > Cassette (Gans) Transfer Info: Cassette (Tascam 122mkII) > Focusrite Scarlett (24-bit/96k) Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
11/06/68	Pacific High Recording	San Mateo	CA	flac16; Reel> PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell	Source Detail
11/06/68	Pacific High Recording	San Mateo	CA	flac1644; Recording Info: SBD > Master Reel (TC) > Cassette (Gans) Transfer Info: Cassette (Tascam 122mkII) > Focusrite Scarlett (24-bit/96k) Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24 - This is 153017 24 > 1644	Source Detail	FLAC
11/22/68	Columbus Veterans Hall	Columbus	OH	AUD>MR>C>C>C>CD; 'Edited' version (speed correction, normalization, etc) of original Goodbear seed; See info file for details; Seeded to etree by J Cotsman	Source Detail
11/22/68	Columbus Veterans Hall	Columbus	OH	AUD>MR>C>C>C>CD>SHN This is an edited shn set direct from the previously seeded shn set from Teddy Goodbear. The pitch has been corrected with Sound Forge and the recording has been normalized and retracked. shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated.	Source Detail	FLAC
12/07/68	Bellarmine College	Louisville	KY	SBD> CM> C1> DAT> CDR; see info file for details; seeded to etree via D Litfin; shn encoding by Wilbur Haines	Source Detail
12/07/68	Bellarmine College	Louisville	KY	SBD>CM>C1>DAT>CDR>CDR via Mike Lai	Source Detail
12/07/68	Bellarmine College	Louisville	KY	flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/20/68	Shrine Exhibition Hall	Los Angeles	CA	SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check	Source Detail
12/20/68	Shrine Exhibition Hall	Los Angeles	CA	flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/21/68	Shrine Exhibition Hall	Los Angeles	CA	SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check	Source Detail
12/21/68	Shrine Exhibition Hall	Los Angeles	CA	flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/24/68	The Matrix	San Francisco	CA	30 minute jam; See info file for details; SBD>MR>??>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
12/24/68	The Matrix	San Francisco	CA	Garcia, Bishop, Mandel, Hart & Miller: SBD > 1st generation reel to reel > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac, seeded by 38f. Longer version, correct speed.	Source Detail	FLAC
12/29/68	Gulfstream Park Racetrack	Hallandale	FL	MSC> D> CD> EAC> SHN; Dropouts d2 7:22, d3 7:17; via Steve Barbella with thanks to Seth Kaplan	Source Detail
12/29/68	Gulfstream Park Racetrack	Hallandale	FL	flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
12/29/68	Gulfstream Park Racetrack	Hallandale	FL	SBD> MC> D> CD> EAC> SHN; via J. Cotsman to mail distribution;	Source Detail	shn
??/??/68	Unknown or Various	Unknown	Unknown	Alembic rehearsals, composite of sources; via Tzuriel to abgd; upgrade now in circulation	Source Detail
??/??/68	Unknown or Various	Unknown	Unknown	7 undated '68 fragments circulating together; 5 Vault reels> 4 CDs- see info file for available details; via Music Never Stopped shn project	Source Detail
??/??/68	Unknown or Various	Unknown	Unknown	Hartbeats "Mystery Fragments", via Michael Parrish.	Source Detail
??/??/68	Unknown or Various	Unknown	Unknown	flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
01/17/69	Robertson Gym, U.C.S.B.	Santa Barbara	CA	Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston	Source Detail
01/17/69	Robertson Gym, U.C.S.B.	Santa Barbara	CA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/18/69	Playboy Club	West Hollywood	CA	flac16; Source: PCM wav audio from U.K. Mutt's DVD release	Source Detail
01/24/69	Avalon Ballroom	San Francisco	CA	MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries	Source Detail
01/24/69	Avalon Ballroom	San Francisco	CA	MSR> C> DAT> CD; via Seth Kaplan; same as other fixed shn set except a couple of md5s differ; [DSH note- not sure if this is pre-fixed or separately fixed version]; noted at easywind and at gdlive	Source Detail	SHN
01/24/69	Avalon Ballroom	San Francisco	CA	Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan	Source Detail	SHN
01/24/69	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller, this is a cleaned up version of source ID 109640	Source Detail	FLAC
01/24/69	Avalon Ballroom	San Francisco	CA	Master reel > cassette > DAT > CD; filler on 9/21/74 shn set; whole shn set's info and md5s listed here (not sure which specific md5s correspond to 1/24/69); to a tree?	Source Detail	shn
01/24/69	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
01/25/69	Avalon Ballroom	San Francisco	CA	Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan	Source Detail
01/25/69	Avalon Ballroom	San Francisco	CA	set 2; SBD:MR> Cass> DAT> ZA2> CD; via David Hollister, Jeff Sachs to abgd; 12/00: noted at gdlive.com	Source Detail	shn
01/25/69	Avalon Ballroom	San Francisco	CA	set 2; MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries	Source Detail	shn
01/25/69	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/26/69	Avalon Ballroom	San Francisco	CA	MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries; tracked for 1x80; see flaw notes in info file; note material from this date also appeared on Live Dead- go buy it	Source Detail
01/26/69	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/??/69	Aoxomoxoa Outtakes	San Mateo	CA	Aoxomoxoa Studio Sessions Outtakes 1969; Tracks 1-11: Sandy Troy's TC366 3.75ips Reel> DAT2> CDR; Tracks 12-13: Alan Bershaw's A1040SL 7.5ips Reel> DAT> CDR; Discs kindly provided by Stu Hanson; Cd > eac > cool edit pro > shntool > cdwav > shnv3 by Ernie Dodd	Source Detail
02/02/69	Labor Temple	Minneapolis	MN	SBD>MR>?>D>CD; via David Litfin; Seeded to etree by J. Cotsman	Source Detail
02/04/69	The Music Box	Omaha	NE	SBD> CM> C> D> CD; EAC> SHN (seekable) transfer by Steve Barbella	Source Detail
02/04/69	The Music Box	Omaha	NE	flac24; Partial Show; Source: Audience recording > Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Cassette (TDK D-90) recorded by Leon Komar; Tranafer: Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG Audiogate 4 > flac 24/96; transfered by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick	Source Detail	FLAC
02/04/69	The Music Box	Omaha	NE	flac1644 This is an remaster of shnid=7294 Edited & Remastered by Daniel	Source Detail	FLAC
02/05/69	Soldiers & Sailors Memorial Auditorium	Kansas City	KS	SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon	Source Detail
02/06/69	Kiel Auditorium	St. Louis	MO	SBD> MC> D> CD> EAC> SHN; Soundforge used for pitch correction and pop removal; edited, encoded, vined by J. Cotsman; with thanks to Paul Hartman	Source Detail
02/06/69	Kiel Auditorium	St. Louis	MO	flac16; Source: Soundboard > 7 1/2' Reel Master @ 7.5 ips (Recorded By Bear) > 1st gen cassette (Ampex C-90/no dolby) > Dat (from Rob Eaton); Transfer: DAT play back and transfer on a Sony PCM R-500 > Digital Audio Labs Carddeluxe > WAV 16/48; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > wav 16/44.1 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered by SIRMick	Source Detail	FLAC
02/07/69	Stanley Theater (Early, Late)	Pittsburgh	PA	Early Show; SBD> MC (Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb> CDR ; Seeded to Etree by T. Wiley	Source Detail
02/07/69	Stanley Theater (Early, Late)	Pittsburgh	PA	Late Show ; SBD> MC(Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb>CDR ; Seeded to Etree by T. Wiley	Source Detail
02/07/69	Stanley Theater (Early, Late)	Pittsburgh	PA	flac16; Source: Soundboard > master cassette (recorded by Bear (Owsley) on a "Concord" cassette deck model unknown > Ampex 90-minute cassette > Restoration & Preservation by Rob Eaton; Transfer: Playback on a Tascam 122 mk111 (azimuth adjusted) > db 926 a/d converter > db 3000 s sample rate converter (variable speed) > panasonic 3800 DAT @ 44.1 kHz By Rob Eaton > DAT > Sony PCM R-500 > Digital Audio Labs Card Deluxe > Adobe Audition C.C.2014 > wav 16/44.1; Lineage: wav 16/44.1 >Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick	Source Detail	FLAC
02/12/69	Fillmore East (Late Show)	New York	NY	late show; SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Jeff Cook; Missing Dupree's, Mountains	Source Detail
02/12/69	Fillmore East (Late Show)	New York	NY	SBD> Cassette Master> DAT> CD; More complete version of original Kaplan seed, see info file for details; Seeded to etree by Seth Kaplan	Source Detail
02/14/69	Electric Factory	Philadelphia	PA	SBD> MC> C> C(?)> D> CD> SHN; edited (see notes in info), shned, vined by J. Cotsman; with thanks to Jim Hale	Source Detail
02/15/69	Electric Factory	Philadelphia	PA	MSR (7" @ 7.5 ips 1/2 track) > Tascam 122mkIII 1st gen. cassette > Nak Dragon playback > Sony PCM R-700 DAT > ZA2 > wav (Sound Forge) > CD (CD Architect) > unknown CD gens > EAC (test & copy, secure mode, offset corrected) > sector boundary verification (shntool) > seekable .shn (mkwact). DAT conversion and CD mastering by aoxoa, CD > SHN by D. Winters.	Source Detail
02/15/69	Electric Factory	Philadelphia	PA	SBD MR>C1>DAT; via Teddy Goodbear to abgd	Source Detail	shn
02/15/69	Electric Factory	Philadelphia	PA	flac 1644 This is a remaster of shnid=16664 Recording Info: SBD > Master Reel (7inch 7.5ips Half-track) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi Dragon) > DAT (Panasonic SV-3800-48k) DAT (Sony PCM-R700) > Sound Forge > CD > FLAC Mastering Info: FLAC > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC Master Reel > Cassette by Dick Latvala. Cassette > DAT by Rob Eaton DAT > CD by Jim Wise Remastered by Charlie Miller	Source Detail	FLAC
02/21/69	Dream Bowl	Vallejo	CA	Speed corrected SBD >MR> ?> DAT> CDR; via The Owen Brothers Vault; See info file for details	Source Detail
02/21/69	Dream Bowl	Vallejo	CA	flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/22/69	Dream Bowl	Vallejo	CA	SBD > MR > R > R > DAT > CDR; EAC> Cool Edit (see info)> SHN (seeking) by Matt Vernon, from Paul B. seed discs; see flaw notes in info file	Source Detail
02/22/69	Dream Bowl	Vallejo	CA	SBD>MR>DAT>CDR; Mastering by The Owen Brothers Vault; see info file for details	Source Detail
02/22/69	Dream Bowl	Vallejo	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC	Source Detail	FLAC
02/27/69	Fillmore West	San Francisco	CA	SBD 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN; via Aoxoa, R. Keshavan, Seth Kaplan; see info file for notes on patches and edits; d2 tracked for 80 min; note material from this date also appeared on Live Dead- go buy it	Source Detail
02/27/69	Fillmore West	San Francisco	CA	16 track RTR (multiple decks) > MCS Master Mixdown D > SSSB; see notes in info file; to gdlive by Jay Serafin	Source Detail
02/27/69	Fillmore West	San Francisco	CA	flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape; Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz) circa 1995?; DAT x ONE by Dick Latvala- DAT x TWO via either Dick or Rob Bertrando; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever	Source Detail	FLAC
02/27/69	Fillmore West	San Francisco	CA	flac16: Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644	Source Detail	FLAC
02/27/69	Fillmore West	San Francisco	CA	flac16; Patched & Pitch Corrected Audience - (original shnid = 153331) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - pitch correction and patches by Kevin Tobin	Source Detail	FLAC
02/28/69	Fillmore West	San Francisco	CA	16-Track Master Reel> DAT> CD> EAC> SHN, with various patches (see info file); via Charlie Miller, Aoxoa, Seth Kaplan; upload by Darrin Sacks	Source Detail
02/28/69	Fillmore West	San Francisco	CA	flac16/48kHz; Ampex MM-1000 16 Track Master Reels Two Inch Wide Tape @ 15 ips; Multi Track Mix-down To a Sony PCM 1630 By Dan Healy @ 44.1KHz); Set #1 DAT x ONE by Dick Latvala-DAT x TWO; Set #2 DAT x ? by Rob Bertrando-DAT x; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)-Sample Rate Conversion(r8brain); This is a 100% Flat transfer from the DAT no signal processing what-so-ever. Some pitch correction implemented Jim Wise	Source Detail	FLAC
03/01/69	Fillmore West	San Francisco	CA	SBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD; via Aoxoa, Rango Keshavan, Seth Kaplan; d2 tracked for 80 min; see various notes in info file, including about patches for banter and tuning	Source Detail
03/01/69	Fillmore West	San Francisco	CA	SBD > DUAL RTR DECKS AT 15 I.P.S. > LESH DIGITAL MIXDOWN IN 1998 > MCS D > SSSB (Jay Serafin remaster)	Source Detail
03/01/69	Fillmore West	San Francisco	CA	Jay Ashley (Bertha) remaster of previous multi-track source; SBD>>MTMR>>DAT>>CDA>>DAW(Bertha)>>CDA	Source Detail
03/01/69	Fillmore West	San Francisco	CA	flac16/48kHz; SBD > 2-track Master Reels > Dat; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Joe Noel Edited & Mastered in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT	Source Detail	FLAC
03/01/69	Fillmore West	San Francisco	CA	flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape- Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz); DAT x ONE by Dick Latvala- DAT x TWO(Mine); Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever. Some Pitch Correction Implemented	Source Detail	FLAC
03/02/69	Fillmore West	San Francisco	CA	Jay Ashley (Bertha) remaster of previous multi-reel source; SBD>>MTMR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A Show A	Source Detail
03/02/69	Fillmore West	San Francisco	CA	Multi-track reel master > DAT > CD > EAC > SHN; via Seth Kapln, Darrin Sacks; see info file for relation to previous seeds	Source Detail
03/02/69	Fillmore West	San Francisco	CA	flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape-Multi Track Mix-down By Dan Healy @ 44.1KHz); DAT x ONE by Dick Latvala- DAT x TWO; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)by Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever	Source Detail	FLAC
03/15/69	Hilton Hotel	San Francisco	CA	SBD> ?> boot CD> retrack> SHN; significant hiss, splice in Eleven; via thecore@core.com	Source Detail
03/15/69	Hilton Hotel	San Francisco	CA	MSC> C> D> CD; This tape is sourced from Bear's cassette master; Pitch correction was performed via Cool Edit 2000; WAV's >.shn by Seth Kaplan	Source Detail
03/15/69	Hilton Hotel	San Francisco	CA	flac16; Source: SBD > Bear's cassette > ??? > Sony ESXHiFi/L-750 beta tape; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k); Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018	Source Detail	FLAC
03/22/69	Rose Palace	Pasadena	CA	SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Andrew Clarke	Source Detail
03/28/69	Student Center, Modesto Jr. College	Modesto	CA	MSR> C> D> CD; via Frank Bove	Source Detail
03/28/69	Student Center, Modesto Jr. College	Modesto	CA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
03/28/69	Student Center, Modesto Jr. College	Modesto	CA	flac16; Source: Master Soundboard Cassette Medium Stock Brands: Master Cassette ampex c120 Analog Lineage: SBD >> Unknown Deck >> MSC Analog Sound Preservation: MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bear Transfer By: Bob Menke Mastering By: David Minches, Derek McCabe (This source was originally seeded with errors in the tags. Please don't circulate the original fileset.)	Source Detail	FLAC
03/28/69	Student Center, Modesto Jr. College	Modesto	CA	flac16; Recording Info: SBD > low generation analog > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11	Source Detail	FLAC
03/28/69	Student Center, Modesto Jr. College	Modesto	CA	flac16; Recording Info: Bear's Master Soundboard Cassettes > Harvey Lubar's 1st generation Reels > Tim Dalton's PCM (Sony HG beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
03/29/69	Ice Palace	Las Vegas	NV	SBD> ?> BOOT CD> CDR; EAC> WAV> SHN by Dan Vinson, seed via Greg Mohr; End of Lovelight is cut on the boot cd; fits on 1x80	Source Detail
03/29/69	Ice Palace	Las Vegas	NV	Fix for Charlie Miller source, patched with 4th-gen cassette.	Source Detail	FLAC
03/29/69	Ice Palace	Las Vegas	NV	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/04/69	Avalon Ballroom	San Francisco	CA	MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Darrin Sacks, from Rango Keshavan seed; see info file for setlist/tracklist commentary	Source Detail
04/04/69	Avalon Ballroom	San Francisco	CA	Source: SBD>FM>MR>C1>DAT>CD	Source Detail	shn
04/04/69	Avalon Ballroom	San Francisco	CA	flac1644 SBD > Master Reel > Cassette > DAT > CD > FLAC Mastering Info: FLAC > Samplitude Pro X6 Suite > FLAC/16	Source Detail	FLAC
04/05/69	Avalon Ballroom	San Francisco	CA	SBD > REEL > REEL > DAT > SP/DIF > HD > SHN; via S. Leonard; see pub comments for flaw notes	Source Detail
04/05/69	Avalon Ballroom	San Francisco	CA	Recording Info: SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN Conversion By Charlie Miller	Source Detail
04/05/69	Avalon Ballroom	San Francisco	CA	flac16; Source: Soundboard > Reel Master > Dat (48k)	Source Detail	FLAC
04/06/69	Avalon Ballroom	San Francisco	CA	SBD>FM>MR>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman	Source Detail
04/06/69	Avalon Ballroom	San Francisco	CA	SBD : FM > MR > C1 > DAT > CD; via Keith Hunter; seeded to etree by Alan J. Fink	Source Detail	SHN
04/06/69	Avalon Ballroom	San Francisco	CA	flac16; Unknown analog recording > PCM Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Editing and Mastering by Jamie Waddell in Wavelab 7.1; 16bit 44.1kHz Track, FLAC and Pack by John Wenzel	Source Detail	FLAC
04/06/69	Avalon Ballroom	San Francisco	CA	flac16/48kHz; Recording Info: SBD > Master Reel > Cassette (Tascam 122mkIII) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k	Source Detail	FLAC
04/11/69	University Auditorium, U. of Az.	Tucson	AZ	SBD>MC>C>D>CD>EAC>SHN pitch corrected and normalized by J. Cotsman	Source Detail
04/11/69	University Auditorium, U. of Az.	Tucson	AZ	Master Soundboard Cassette > cass > dat > cd; via Steve Barbella; With thanks and praise to Peter Braverman	Source Detail	SHN
04/11/69	University Auditorium, U. of Az.	Tucson	AZ	flac16/44 Recording Info- Bear's SBD cassette > DAT -transferred by Dick Latvala for KXCI's Dead Air program - originally broadcast on Sept 27, 1997 Fresh 2021 DAT transfer by Jim Blackwood - Sony R500 > Tascam DA-3000 Mastered by Jim Blackwood + Jamie Waddell. Pitch correction by Jason Chastain	Source Detail	FLAC
04/12/69	Student Union Ballroom, University of Utah	Salt Lake City	UT	SBD>MC>C>D>CD>EAC>SHN; pitch corrected & normalized; edits/encoding by JCotsman	Source Detail
04/13/69	Ballroom, U. of Co.	Boulder	CO	SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Dan Zymanski; see flaw notes in info file	Source Detail
04/13/69	Ballroom, U. of Co.	Boulder	CO	flac16; SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/15/69	The Music Box	Omaha	NE	SBD> Bear's MC> ?> CD> EAC> SHN; partial, all that circulates; vined by J. Cotsman	Source Detail
04/15/69	The Music Box	Omaha	NE	flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD. Recorded by Leon Komar; Remastered by Charlie Miller	Source Detail
04/15/69	The Music Box	Omaha	NE	flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD patched with SBD>Cm>Cass>Dat>CD. Remastered by Charlie Miller	Source Detail
04/15/69	The Music Box	Omaha	NE	flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD); Mixed by dan am-dig; see info file for details	Source Detail	FLAC
04/15/69	The Music Box	Omaha	NE	flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD; Flaw in d2t05 fixed on November 15, 2005 Remastered by Charlie Miller	Source Detail	FLAC
04/15/69	The Music Box	Omaha	NE	Unedited version without processing or SBD patching as recorded by the taper. AUDMR->Alesis Masterlink 9600->HD->CD; tracking and editing in SoundEdit 16 for Macintosh platform by Bob Bihlmayer (howlin_bob@hotmail.com) 11/5-6/2005: CD->EAC->SoundEdit 16->FLAC Taper: Leon Komar Equipment: portable Aiwa 5" reel-to-reel, stock Aiwa hand-held microphone; "Automatic Volume Control" (compressor/limiter?) switch ON. Tape: Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. Real-time transfer, no edits; EQ flat; no boosts/filters applied. source discs and equipment information provided by Iver McLeod. Seeded to etree 11/24/2005 by Seth Kaplan	Source Detail	FLAC
04/17/69	Washington University	St. Louis	MO	Recording Info: SBD > Cassette Master (Ampex C-90) Transfer Info: Cassette Master > DAT (44.1k) > FLAC Mastering Info: FLAC > Samplitude Pro X6 Suite > FLAC/16 Recorded by Bear, Cassette Transfer by Dick Latvala, DAT Transfer by Rob Eaton, Mastered by Charlie Miller	Source Detail	FLAC
04/18/69	Memorial Union Ballroom, Purdue U.	Lafayette	IN	SBD>MC>C>DAT>CD; Tony Gardner EAC of previous source;	Source Detail
04/18/69	Memorial Union Ballroom, Purdue U.	Lafayette	IN	flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/20/69	Clark University	Worcester	MA	complete; Cassette Master (Ampex C-90, no Dolby)> DAT(M)@ 44.1K via Panasonic SV3700> DAT(1)> DAT(2)> WAV via Sony SDT9000 DDS drive using VDAT0.6f> Soundforge 4.0 (see edits in info file); Source DAT from Rob Eaton, DAT> SHN by Jamie Lutch	Source Detail
04/21/69	The Ark	Boston	MA	Updated possible gen: MSR> DAT > CDR (had been marked MSR > Cassette > DAT > CDR); intro from alternate SBD; d1t6, d3t2 have cuts from reel; 1/20/68 filler; via Scott Clugston, Lee Revell	Source Detail
04/21/69	The Ark	Boston	MA	Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN	Source Detail
04/21/69	The Ark	Boston	MA	flac16; SBD -> Master Reel -> Dat -> CD All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/21/69	The Ark	Boston	MA	flac16; Remastered version of the SBD -> Master Reel -> Dat -> CD -> Samplitude Professional v9.12 -> FLAC source by TomP; see Info File for details	Source Detail	FLAC
04/21/69	The Ark	Boston	MA	flac16; Soundboard => Unknown Deck >> MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > ? > flac/16	Source Detail	FLAC
04/22/69	The Ark	Boston	MA	Updated possible gen: SMC>R>D (had been marked MSR > Cassette > DAT x2 > CDR); d1t1,8 have cuts from master;? via Scott Clugston, Lee Revell	Source Detail
04/22/69	The Ark	Boston	MA	flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/23/69	The Ark	Boston	MA	MSR> Cassette> DATs> CDRs> EAC >SHN; via Jim Wise, Rob Bertrando, Darrin Sacks; note this reportedly may be an upgrade compared to previously etreed version; same cuts and splices as in previous version; note d1 tracked for 80 min	Source Detail
04/23/69	The Ark	Boston	MA	MSR>C>D>CD; fix of shnid=70, by Sean Cribbs	Source Detail
04/23/69	The Ark	Boston	MA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/23/69	The Ark	Boston	MA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade of 98892	Source Detail	FLAC
04/23/69	The Ark	Boston	MA	flac16; SBD -> Master Reel -> Cassette -> Dat -> CD -> Samplitude Professional v9.12 -> FLAC (source ID 88501) patched, fixed, and re-mastered by Monte Barry	Source Detail	FLAC
04/23/69	The Ark	Boston	MA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation	Source Detail	FLAC
04/23/69	The Ark	Boston	MA	flac16; Source: processed and edited in Samplitude v7.22 transferred by Monte Barry; New Source is speed corrected, dehissed, and repatched version of source ID 98820	Source Detail	FLAC
04/25/69	Electric Theater	Chicago	IL	Source: mR> D> Sonic Solutions> CDR	Source Detail
04/25/69	Electric Theater	Chicago	IL	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
04/26/69	Electric Theater	Chicago	IL	flac16; Source: Soundboard Cassette x 1 > DAT Encore Source: 7 inch Master Reels @ 7.5ips 1/2trk > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab Mastering: In WaveLab with Nomad Factory Plugins > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 20, 2008, Green Mountain Bros.	Source Detail	FLAC
04/26/69	Electric Theater	Chicago	IL	Soundboard complete show, MCas > Cas > DAT >circulation. Minor tracking differences with first etree shn source but that version is rare if it exists at all.	Source Detail
04/26/69	Electric Theater	Chicago	IL	updated source: cassette master> 1 cassette generation> DAT> CDR (see pub comment); via Ben Yerys; (not T. Wulf's "de-noised" version?)	Source Detail
04/26/69	Electric Theater	Chicago	IL	flac16; Source: Soundboard Cassette x 1 > DAT Encore Source: 7 inch Master Reels @ 7.5ips 1/2trk > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab Mastering: In WaveLab with Nomad Factory Plugins > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 20, 2008, Green Mountain Bros.	Source Detail
04/26/69	Electric Theater	Chicago	IL	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
04/27/69	Labor Temple	Minneapolis	MN	SBD> MR> D> CD> SHN; EAC/shn encoding/minor Sound Forge edits by J. Cotsman, with thanks to Jeff Krakowka	Source Detail
05/03/69	Winterland Arena	San Francisco	CA	all that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying  .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match	Source Detail
05/03/69	Winterland Arena	San Francisco	CA	flac16; Recording Info:SBD -> Master Reel -> ? -> Cassette -> Apogee Ensemble -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/03/69	Winterland Arena	San Francisco	CA	flac16; SBD/PA Reel: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification	Source Detail	FLAC
05/03/69	Winterland Arena	San Francisco	CA	flac16; Recording Info: (Stage) Sony Stereo Mic > Master Reel > PCM; Transfer Info: PCM (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramtch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/07/69	Polo Field, Golden Gate Park	San Francisco	CA	SBD > MR > C > DAT > CD; via Ernie to abgd; note besides d1 seeking shns, Ernie posted wavs for d2 (wav, rar md5s shown); subsequent d2 shn (v3 seek appended, with md5s shown) by DES	Source Detail
05/07/69	Polo Field, Golden Gate Park	San Francisco	CA	retracking and edit of previous shn set, by J. Cotsman: SBD> MR> C> D> CD> EAC> SHN; with 3/26/68 filler; via J. Cotsman to vine	Source Detail
05/10/69	Rose Palace	Pasadena	CA	mC> C> DAT> Sonic Solutions> CDR; via Ben Yerys; stemming from Tzuriel Kastel tree; d1 contains misc pre-filler	Source Detail
05/10/69	Rose Palace	Pasadena	CA	flac16; Cassette Master (Recorded By Bear on a Concord F-400 Cassette Deck) - Cassette (Ampex C-90) Playback Tascam 122 MK111 Cassette Deck No Dolby - Panasonic SV-3700 DAT @ 44.1KHz (DL)	Source Detail	FLAC
05/11/69	Aztec Bowl, San Diego State U.	San Diego	CA	FM SBD> ?> CDR; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file	Source Detail
05/11/69	Aztec Bowl, San Diego State U.	San Diego	CA	flac1648 Recoring Info: FM (KPRI) > Cassette Master > ? > DAT (48k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/48k	Source Detail	FLAC
05/16/69	Campolindo High School	Moraga	CA	Master Soundboard Cassette > Cassette > DAT (speed corrected) > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
05/16/69	Campolindo High School	Moraga	CA	SBD> MC> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman (see info file); with thanks to Paul Hartman	Source Detail	shn
05/23/69	Seminole Indian Village	Hollywood	FL	partial Dew>>11//; Reel> PCM> DAT; conversion:Tascam DA-20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/3/69; via Phunk1; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match	Source Detail
05/23/69	Seminole Indian Village	Hollywood	FL	complete show from compilation of reel master and what is believed to be the cassette master; Source 1: SBD> MR> PCM> D> CD> EAC> SHN ; Source 2: SBD> MC> R> C> D> CD> EAC> SHN (?); See info file for details; via Jim Hale; Seeded to etree by Seth Kaplan & JCotsman	Source Detail
05/23/69	Seminole Indian Village	Hollywood	FL	flac16; Source: Soundboard Master Reels > PCM > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky January 1, 2009, Green Mountain Bros.	Source Detail
05/23/69	Seminole Indian Village	Hollywood	FL	flac16; Recording Info: Master Soundboard Reels > 1st generation reels > 2nd generation reels > PCM (Sony HG beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
05/24/69	Seminole Indian Village	Hollywood	FL	SB>MR>??> CD; See info file for editing notes; Unknown seeder	Source Detail
05/24/69	Seminole Indian Village	Hollywood	FL	Cass>DAT> DAT> SONIC SOLUTIONS> CD> CD> EAC[secure] >SHN from 2003 KPFA Dead Marathon	Source Detail
05/29/69	Robertson Gym, U.C.S.B.	Santa Barbara	CA	Source: reported to be SBD>MR>PCM>DAT>CD(>EAC>WAV>SHN)	Source Detail
05/30/69	Springer's Inn	Portland	OR	flac16; SBD -> Cassette Master (Ampex C-90) -> Dat (48k) All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/31/69	McArthur Court, University of Oregon	Eugene	OR	SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; encore shuffled to fit on 2 discs, but songs can be moved to proper order for 3 discs; see info file for flaw notes	Source Detail
05/31/69	McArthur Court, University of Oregon	Eugene	OR	flac16; Bear’s Ampex cassette (or possibly reel) SBD master > DAT (provided by Anon) > Tascam DA-302 > Sound Devices 722 (digital transfer); Recorded by Augustus Owsley Stanley III (aka Bear); 2024 DAT transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
06/05/69	Fillmore West	San Francisco	CA	complete; MSC> LATVALA C> DAT> CD> EAC> SHN; with Cryptical patch; EAC>SHN by Steve Barbella; d1 tracked for 80 min	Source Detail
06/05/69	Fillmore West	San Francisco	CA	SBD>MC>C>D>CD>EAC>SHN; pitch corrected; patch in Cryptical Reprise from alt sbd; edits/encoding by JCotsman	Source Detail
06/05/69	Fillmore West	San Francisco	CA	flac16/48kHz; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional 11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/05/69	Fillmore West	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional 11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/06/69	Fillmore West	San Francisco	CA	partial; SBD> MC> C> D> CD; static in Lovelight; via thecore@core.com	Source Detail
06/06/69	Fillmore West	San Francisco	CA	SBD>MC>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman	Source Detail
06/07/69	Fillmore West	San Francisco	CA	MR > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN > CD > SHN; via A.J. Fink; Seeded to etree by Seth Kaplan	Source Detail
06/07/69	Fillmore West	San Francisco	CA	flac16; Composite from 3 different source reels; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)-Processing (izotope oZone 6) by Jim Wise	Source Detail	FLAC
06/08/69	Fillmore West	San Francisco	CA	SBD> MR or MC> C> D> CD> SHN, possible; see info file for flaw notes; via thecore@core.com	Source Detail
06/08/69	Fillmore West	San Francisco	CA	set 1: SBD> MR> C> D> CD> EAC> SHN; set 2: SBD> MC> C> D> CD> EAC> SHN, pitch corrected via J. Cotsman	Source Detail	shn
06/11/69	California Hall	San Francisco	CA	flac16/44.1khz Lineage: Master Audience Reel @ 3.75 ips>Reel>A>Reel>A>A>A Transfer: Maxell XLII > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644	Source Detail	FLAC
06/13/69	Fresno Convention Center	Fresno	CA	Master Soundboard Cassette > Cass > DAT > ZA2 > SF > CD; via Steve Barbella	Source Detail
06/14/69	Monterey Performing Arts Center	Monterey	CA	SBD: MCass> Cass> DAT> ZA2> SF> CD; normalized and pitch-shifted; seeded by Jeff Tiedrich, transfer and mastering by David Hollister, SHN by Jim Skinner	Source Detail
06/14/69	Monterey Performing Arts Center	Monterey	CA	flac16/48kHz; Source: SBD > Bear’s master cassette (Ampex C90) > Dick’s cassette (TDK-SA-X100) > DAT 16bit/48kHz; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > WAV 16/48; Transfer by Charlie Miller; Edited & Mastered by Joe Noel	Source Detail	FLAC
06/14/69	Monterey Performing Arts Center	Monterey	CA	Source Info: Bear’s Master Soundboard Cassettes (Ampex C90) > Dick Latvala's 1st generation cassettes (Tascam 122mkIII deck)(TDK SA-X 100) > Joel Pollack's DAT (16/48) Transfer Info: Joel Pollack's DAT (Tascam DA-40)> Tascam DA-3000 > .wav 16/48	Source Detail	FLAC
06/20/69	Aoxomoxoa original mix	San Mateo	CA	This is the original mix of Aoxomoxoa, which was released commercially between June 1969 and late 1971. In September, 1971, Jerry Garcia did a major remix of the entire album, eliminating a considerable amount of the backing material and trimming the beginning and end of a few songs. The LPs, cassettes, and CDs available commercially since that time contain the remix. There appear to be no plans to commercially release this original mix, so it is being made available to the broader community.	Source Detail	SHN
06/21/69	Fillmore East (Late)	New York	NY	late show; BDMC(Bear's) > Dick's C > DAT > CDR; via Frank Bove, stemming from MerryPrankster tree; note d2t2 is labeled as "fixed"	Source Detail
06/21/69	Fillmore East (Late)	New York	NY	early show; AUD> MR> C> R> R> R> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook	Source Detail
06/21/69	Fillmore East (Late)	New York	NY	early and late; Early Show: AUD> MR> C> R> R> R> D> CD> EAC> SHN; Late Show: SBD> MC> C> D> CD> EAC> SHN; via Jeff Cook, encoded by Jeff Cotsman	Source Detail
06/22/69	Central Park	New York	NY	AUD low gen (complete show), plus alternate SBD MC> C> D> CD (only 20 minutes circulate); via Hanno Bunjes (see notes in info file); with thanks to Julian and Uli	Source Detail
06/22/69	Central Park	New York	NY	flac1644 Recording Info: SBD > Cassette Master > Cassette > Dat (48k) > SHN > wav Lineage: wav > Izotope RX10 Advanced > Audacity > WAV > TLH > Flac 16 Mastered by Daniel	Source Detail	FLAC
06/27/69	Veterans Auditorium	Santa Rosa	CA	SBD: MR>?>Cas>CDR;Slightly modified version of David Finney's prior seed; seeded by cpelz@alaska.net; To abgd via eric	Source Detail
06/27/69	Veterans Auditorium	Santa Rosa	CA	SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano	Source Detail	SHN
06/27/69	Veterans Auditorium	Santa Rosa	CA	SBD Reel > ? > cassette (Latvala) > CDR, transfer by David Finney; see info file for flaw notes	Source Detail	shn
06/27/69	Veterans Auditorium	Santa Rosa	CA	flac16; Recording info: SBD master reel > DAT > AIFF via Anon; Mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
06/28/69	Veterans Auditorium	Santa Rosa	CA	complete; sbd> mr> cass> dat> cd; Conversion: Kenwood TrueX> EAC> shn V3 (seekable); Seed: Brian Cole	Source Detail
06/28/69	Veterans Auditorium	Santa Rosa	CA	SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano	Source Detail	SHN
06/28/69	Veterans Auditorium	Santa Rosa	CA	flac16; Recording info: SBD master reel > DAT > AIFF via Anon; Mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
06/??/69	Home Recordings	San Francisco	CA	misc "Home recordings"; AUD> cheap mic> portable recorder; via Tzuriel to abgd	Source Detail
07/03/69	Reed's Ranch	Colorado Springs	CO	flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/03/69	Reed's Ranch	Colorado Springs	CO	flac16; Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Pro X Suite -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/03/69	Reed's Ranch	Colorado Springs	CO	flac16; Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; (note: this source contains a significant amount of lossy material)	Source Detail	FLAC
07/04/69	Electric Theater	Chicago	IL	SBD> MC> D>CD> Soundforge pitch correction> SHN; see info file for flaw notes; via thecore@core.com	Source Detail
07/04/69	Electric Theater	Chicago	IL	sbd > mc > d >cd > shn > wav > shn; SHN by SirMick	Source Detail	SHN
07/05/69	Electric Theater	Chicago	IL	SBD>MC>D>CD; see listening notes in info file; via thecore@core.com	Source Detail
07/07/69	Piedmont Park	Atlanta	GA	Master Soundboard Cassette > Cassette > DAT > CDR; EAc'ed / SHN'ed by Scott Clugston	Source Detail
07/07/69	Piedmont Park	Atlanta	GA	flac16; Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/11/69	NY State Pavilion, Flushing Meadows Park	Queens	NY	SBD MC>C>D>CD + patch (Alligator > Drums) from AUD master > low-gen reel > cassette > CD, by Hanno Bunjes; to BUDD offer; Hanno's notes	Source Detail
07/11/69	NY State Pavilion, Flushing Meadows Park	Queens	NY	flac16; Recording Info: SBD Master Cassette > DAT (Panasonic 3700) > Transfer Info: Delta DiO 2496 sound card > HD > CD-R > Mastering Info: CD WAV > Cool Edit > xACT 2.25 FLAC 8; Mastering by Seth Kaplan March 02, 2014	Source Detail	FLAC
07/11/69	NY State Pavilion, Flushing Meadows Park	Queens	NY	flac1644; Source: Unknown mono AUD from collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2021	Source Detail	FLAC
07/12/69	NY State Pavilion, Flushing Meadows Park	Queens	NY	d1: low-gen AUD; d2: SBD MC> C> D> CD; via Hanno Bunjes to BUDD offer; Hanno's notes	Source Detail
07/12/69	NY State Pavilion, Flushing Meadows Park	Queens	NY	flac16; Partial SBD Recording Info: Pat Lee from Dick Latvala 1985; Technics 1506> Yamaha K2000 MSC > R > C > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith	Source Detail	FLAC
07/12/69	NY State Pavilion, Flushing Meadows Park	Queens	NY	flac16; Source: Soundboard > Cassette Master > DAT (44k)	Source Detail	FLAC
07/12/69	NY State Pavilion, Flushing Meadows Park	Queens	NY	flac1644; Source: Unknown mono AUD from collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2021	Source Detail	FLAC
08/02/69	Family Dog at the Great Highway	San Francisco	CA	flac16; SBD -> Cassette Master -> Dat Transferred and Edited By Charlie Miller	Source Detail
08/03/69	Family Dog at the Great Highway	San Francisco	CA	flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller	Source Detail
08/03/69	Family Dog at the Great Highway	San Francisco	CA	flac24; Recording Info: SBD > Reel Master (10" 1/2 track 15ips); Transfer Info: Reel Master (Studer A80) > Sonoma Systems DSD > Dobly Stretched Decode > WAV (24-bit/96k); Mastering Info: WAV > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Reel Transfer by Rob Eaton; Mastered By Charlie Miller	Source Detail	FLAC
08/16/69	Max Yasgur's Farm	Bethel	NY	SBD?; via David Finney; note needs to be split into 2 discs- see pub comment	Source Detail
08/16/69	Max Yasgur's Farm	Bethel	NY	SBD>MR>D>CD>EAC>SHN; 8trk Master Reels @ 15ips; Thanks to David Litfin; edits/encoding by JCotsman	Source Detail
08/16/69	Max Yasgur's Farm	Bethel	NY	flac16; Source: 8 Track Master Reels @ 15ips > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with L3 Waves Multimaximizer . Rate Conversion with r8brain to [16bit/44.1 khz] > TLH > Flac Transfer and mastering by Bill Koucky, (Fixed version now circulates)	Source Detail
08/16/69	Max Yasgur's Farm	Bethel	NY	flac16; Source: sbd > 8 Track Master Reels @ 15ips (mixed by Mark Linette via Joe Gastwirt) > Dat (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - Transfered by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick November 2017	Source Detail	FLAC
08/21/69	Aqua Theater	Seattle	WA	partial; Soundboard -> Bear's Cassette master -> Cassette -> DAT -> CD; CD>EAC>SHN by Glenn Tremblay; via Frank Bove; cuts into China Cat	Source Detail
08/21/69	Aqua Theater	Seattle	WA	SBD>MC>C>D>CD>EAC>SHN; complete show; edits/encoding by JCotsman	Source Detail
08/23/69	Pelletier Farm	St. Helens	OR	sdb> Master Cassette> Cassette> Dat> CD; via Mike Lai with thanks to Wayne Gucwa; d2 tracked for 80 min	Source Detail
08/23/69	Pelletier Farm	St. Helens	OR	flac1644 Goody's Speed/Pitch-adjusted Remaster	Source Detail	FLAC
08/28/69	Family Dog at the Great Highway	San Francisco	CA	SBD > CM > Cass > DAT > CDR > WAV; via EAC/Trade from Morgan Evans > CDR > EAC > CDWAV > seekable SHN; via Rick Lepley	Source Detail
08/29/69	Family Dog at the Great Highway	San Francisco	CA	Sdb> ?> Dat> CD; via Mike Lai with thanks to Wayne Gucwa; tracked for 1x80	Source Detail
08/29/69	Family Dog at the Great Highway	San Francisco	CA	SBD> MR> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook	Source Detail	SHN
08/29/69	Family Dog at the Great Highway	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a fixed version of shnid=123075 (Easy Wind fixed)	Source Detail	FLAC
08/30/69	Family Dog at the Great Highway	San Francisco	CA	Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella	Source Detail
08/30/69	Family Dog at the Great Highway	San Francisco	CA	flac16; Source: AUD > 4th Gen Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. September 2012	Source Detail	FLAC
08/30/69	Family Dog at the Great Highway	San Francisco	CA	flac16: Source: AUD > 2nd Gen Ampex Reel, kindly provided by Steve Martin. Transfer: Ampex Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644	Source Detail	FLAC
08/30/69	Family Dog at the Great Highway	San Francisco	CA	flac16; Patched & Pitch Corrected Audience - (original shnid = 153150) Source: AUD > 2nd Gen Ampex Reel, kindly provided by Steve Martin. Transfer: Ampex Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - pitch correction and patches by Kevin Tobin	Source Detail	FLAC
09/01/69	Baton Rouge International Speedway	Prairieville	LA	SBD> Cm> Dat> CD; EAC> SHN by Seth Kaplan; Tape warble on a few spots in Morning Dew. Lovelight cuts @ 9:06	Source Detail
09/01/69	Baton Rouge International Speedway	Prairieville	LA	Source: MSC (Ampex C-90 cassette) > DAT > CD-R via Andy Lemieux and Kingbee encoded by Matt Vernon	Source Detail
09/01/69	Baton Rouge International Speedway	Prairieville	LA	SBD>MC>DAT>CDR>EAC>SHN; via Tony Gardner, Steve Goodrich; first bar of Casey is clipped	Source Detail	SHN
09/01/69	Baton Rouge International Speedway	Prairieville	LA	flac1644 Source 1 (unedited): cassette master > ? > CD's received in trade. Source 2 (edited): MSC (Ampex C-90 cassette) > DAT > CD-R (via Andy Lemieux and Kingbee). Remastering notes: (grner1): Pro Tools (normalization and seamless fixes - no EQ or noise reduction) > Wav files > (goody): Audition (pitch-adjustments of various amounts; Lovelight splice and retracking) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags)	Source Detail	FLAC
09/06/69	Family Dog at the Great Highway	San Francisco	CA	Ampex C-90 Master Cassette Soundboard (No Dolby)->DAT->CD; CD->EAC->SHN By Joe Samaritano. Includes Airplane Set.	Source Detail
09/06/69	Family Dog at the Great Highway	San Francisco	CA	sdb> reel master> cassette> dat> cdr; via Mike Lai	Source Detail	SHN
09/07/69	Family Dog at the Great Highway	San Francisco	CA	SBD, Deadhead Hour pre-FM (some lineage details in info file); via David Finney	Source Detail
09/11/69	The Family Dog at the Great Highway (?)	San Francisco	CA	Partial, one song; See info file for details; AUD>?>CD; via Dave Litfin; Seeded to etree by JCotsman	Source Detail
09/26/69	Fillmore East	New York	NY	AUD>?>R>CD; show cuts in and fades out; via JJoops & Jack Warner; Seeded to etree by J. Cotsman	Source Detail
09/27/69	Fillmore East (late)	New York	NY	early show; A:?>C>CD; via Jack Warner; Seeded to etree by j jupille	Source Detail
09/27/69	Fillmore East (early)	New York	NY	AUD C/?, early show, upgrade compared to the previous version, from Uli Teute & Hanno Bunjes	Source Detail	FLAC
09/29/69	Cafe au Go-Go	New York	NY	early show; AUD> ?> Reel> Cass (Maxell UD w/dolby B, playback on Sony TCK-909ES) > DAT (SV-3700 w/Oade +15dB input gain mod) > ZA2 > DiamondCut Noise Reduction > CD; upload by R. Nayfield, stemming from tree run by J. Miller, seeded by D. Hollister; covers	Source Detail
09/30/69	Cafe au Go-Go	New York	NY	early show; AUD> ? > Cass X 2 > XLR into SV-3700 > ZA2 > SoundForge Noise Reduction > CD; upload by R. Nayfield, stemming from tree run by J. Miller, seeded by D. Hollister; covers	Source Detail
10/24/69	Winterland Arena	San Francisco	CA	Low generation audience > CD via Jools	Source Detail
10/24/69	Winterland Arena	San Francisco	CA	flac16; Source: AUD > ? > Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. September 2012	Source Detail	FLAC
10/25/69	Winterland Arena	San Francisco	CA	SBD> MR> DAT> Sonic Solutions> CDR; reel flip after William Tell , edited by David Gans; via R. Jagla	Source Detail
10/25/69	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
10/26/69	Winterland Arena	San Francisco	CA	SBD : MR > C1 > DAT > CD; via Douglas Ferguson; Seeded to etree by Alan Fink	Source Detail
10/31/69	San Jose State University	San Jose	CA	SBD: MC> C1> DAT> CDR; see info file for flaw notes; via Mike Lai	Source Detail
11/01/69	Family Dog at the Great Highway	San Francisco	CA	SBD>MC>C>D>CD>EAC>SHN; edited, shned, vined by J. Cotsman (see info file); vith thanks to Paul Hartman	Source Detail
11/02/69	Family Dog at the Great Highway	San Francisco	CA	mr> c1> dat> turtle bch "Fiji"> SHN; via Teddy GoodBear, Doug Johnson; to abg, later to etree; note track names by title, have spaces and/or special characters; see pub comments for flaw note	Source Detail
11/02/69	Family Dog at the Great Highway	San Francisco	CA	flac16; Recording Info: Disc 1: SBD -> Master Reel -> Cassette -> Dat (44.1k) Disc 2: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC	Source Detail
11/02/69	Family Dog at the Great Highway	San Francisco	CA	flac16; Recording Info: Disc 1: SBD -> Master Reel -> Cassette -> Dat (44.1k) Disc 2: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC	Source Detail
11/02/69	Family Dog at the Great Highway	San Francisco	CA	Fixed version of previous file set. Same source info as 32273, but w/fixed Dark Star.	Source Detail	FLAC
11/07/69	Fillmore Auditorium	San Francisco	CA	SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; vith thanks to Paul Hartman; see listening notes in info file	Source Detail
11/07/69	Fillmore Auditorium	San Francisco	CA	Stated lineage: MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR; (Except for * which is MR > DAT > CD) (Deadlists lists a probable cassette generation); via Seth Kaplan	Source Detail
11/07/69	Fillmore Auditorium	San Francisco	CA	Stated lineage: MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR (Except for * which is MR > DAT > CD) (Deadlists lists a probable cassette generation) sbe fixed 2004-01-18 with shntool same as /shninfo_detail.php?shnid=19783 with sbe fixed.	Source Detail	shn
11/07/69	Fillmore Auditorium	San Francisco	CA	flac16;Recording Info:SBD -> Master Reel -> Dat; Transfer Info:Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/08/69	Fillmore Auditorium	San Francisco	CA	MR (Dick Latvala) > DAT > SoundForge (Jim Wise) > CD; extensively cleaned up (see info file); via Primal Dead Latvala Tribute Tree; d2t8 apparently bonus track of tuning (with slide whistle) from 11/7/69; note not the entire show, just the "Picks"; flaws not on master, first copy (a): d1t04 Dropout @ 11:01; d1t06 Dropout @ 00:27; d1t07 Dropout @ 00:09, another bump 1:37; d2t02 Dropout/Slight Hesitation @ 05:34 (sounds similar to a track ID error); flawed source went to abgd as well as etree; flawless source (b) obtained by M. Parrillo, up by 11/30 though not at all sites; caution- new version had some track name/ordering mixups; note a third source (c) may be up too, no dropouts; note this show is now released as Dick's Picks 16- go buy it	Source Detail
11/08/69	Fillmore Auditorium	San Francisco	CA	flac16; AKG190E> Uher 400L, Recorded by Marty Weinberg; Audience master reel > (possibly one extra reel gen?) > modified Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding; EAC > FLAC by Jack Warner	Source Detail
11/15/69	Lanai Theater	Crockett	CA	SBD cassette master > PCM > CDR > iMac > SHN; shntool-fixed version of previous shn set via Nathan Scott, fixed separately by disc; alternate fix (as whole set) also circulates with slight difference	Source Detail
11/21/69	Cal Expo, Building A	Sacramento	CA	mixed source: SBD> MR> (C in set 1, not set 2)> D> CD> EAC> SHN; vined by J. Cotsman	Source Detail
11/21/69	Cal Expo, Building A	Sacramento	CA	flac16; Set 2 only; Source: Soundboard Master Reels > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 28, 2008, Green Mountain Bros.	Source Detail
12/04/69	Fillmore West	San Francisco	CA	SBD>MC>?>CD; via Joe Jupille; Seeded to etree by J. Cotsman	Source Detail
12/04/69	Fillmore West	San Francisco	CA	Owlsley's Cassette (SBD: MC>DAT>DAT>CD>EAC>DC5>CD) ; Owen Brother Vault. The Wizard 05/08/04	Source Detail
12/05/69	Fillmore West	San Francisco	CA	Harry Ely Sony F995 > Sony TC-124 > Master Cassette > PCM > DAT > CD; Seeded to etree by Seth Kaplan	Source Detail
12/05/69	Fillmore West	San Francisco	CA	flac16/48kHz; Source: Sony F995 > Sony TC-124 > Cassette Master > DAT (48k) - Recorded by Harry Ely and provided by Tim Dalton; Tansfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac1648; edited and mastered SIRMick April 2018	Source Detail	FLAC
12/07/69	Fillmore West	San Francisco	CA	SBD> MC> DAT> CDR> EAC> DCart Millennium> CDR; CD's From Julian Elliott; CD Editing and mastering by The Wizard - Owenbrothersvault; see editing notes in info file	Source Detail
12/10/69	Thelma Theater	Los Angeles	CA	(set 1: SBD> MR), (set 2: AUD> MR> R) > D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Andrew Clarke & Jack Warner	Source Detail
12/10/69	Thelma Theater	Los Angeles	CA	MSR > D > CD, plus MSR > ? > D > CD; via Deadlists Poject, circulated with 12/11,12/69- see notes and credits in info file	Source Detail
12/11/69	Thelma Theater	Los Angeles	CA	MSR > R > PCM > CD, plus MSR > ? > Beta PCM > D > CD, plus MSR > R > C > D > CD; via Deadlists Poject, circulated with 12/10,12/69- see notes and credits in info file	Source Detail
12/11/69	Thelma Theater	Los Angeles	CA	mixed AUD/SBD (see notes); edits (see notes), encoding, vined by J. Cotsman; with thanks to Paul B. & Jack Warner	Source Detail
12/11/69	Thelma Theater	Los Angeles	CA	flac16; MOTB Release: 0063 16/44.1 Analog Audience Source: FOB Master Cassette (MAC) Medium Stock Brands: MAC = Maxell C-90 Analog Lineage: 1 x Sony Microphone => Sony Portable Cassette Recorder [Monophonic] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rion Brady Transfer By: Aadm Egert Mastering By: Derek McCabe	Source Detail	FLAC
12/11/69	Thelma Theater	Los Angeles	CA	flac16; MOTB Release: 0064 16/44.1 Stereo Source, Analog Audience Source: FOB Master Cassette (MAC) Medium Stock Brands: MAC = Maxell C-90 Analog Lineage: 1 x Sony Microphone => Sony Portable Cassette Recorder [Monophonic] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rion Brady Transfer By: Adam Egert Mastering By: Derek McCabe This is a synthesized stereo version of original monaural source	Source Detail	FLAC
12/11/69	Thelma Theater	Los Angeles	CA	flac16; Partial Set 1 source: aud>mac>wav>flac; fob recording by Rion Brady	Source Detail	FLAC
12/12/69	Thelma Theater	Los Angeles	CA	Master Soundboard Reel > Reel to Reel > DAT > CDR; EAC>SHN by Scott Clugston	Source Detail
12/12/69	Thelma Theater	Los Angeles	CA	MSR > R > D > CD, plus MSR > R > C > D; via Deadlists Poject, circulated with 12/10,11/69- see notes and credits in info file	Source Detail
12/12/69	Thelma Theater	Los Angeles	CA	MSR > R > D > CD, plus MSR > R > C > D; via Deadlists Poject, circulated with 12/10,11/69- see notes and credits in info file	Source Detail	FLAC
12/13/69	Swing Auditorium	San Bernardino	CA	7" Master Soundboard Reels > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
12/19/69	Fillmore Auditorium	San Francisco	CA	7" Master Soundboard Reels > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
12/19/69	Fillmore Auditorium	San Francisco	CA	previous Clugston seed, with AUD patches added by Hanno Bunjes, with thanks to Uli Teute (see info)	Source Detail	SHN
12/19/69	Fillmore Auditorium	San Francisco	CA	Recording Info: SBD > Master Reel (7inch 7.5ips 1/2trk) > DAT Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC (2 Discs Audio / 1 Disc FLAC)	Source Detail	FLAC
12/19/69	Fillmore Auditorium	San Francisco	CA	flac1644 AUD 4th generation cassette played back on NAK LX-5 -> Edirol R04 (@ WAV 24/48) >HD -> Audacity (edit) -> WAV 24/48 > Flac 8 uli teute aka hanwaker 2022-12 - This is 161117 2448 > 1644	Source Detail	FLAC
12/19/69	Fillmore Auditorium	San Francisco	CA	flac2448 AUD 4th generation cassette played back on NAK LX-5 -> Edirol R04 (@ WAV 24/48) >HD -> Audacity (edit) -> WAV 24/48 > Flac 8 uli teute aka hanwaker 2022-12	Source Detail	FLAC
12/20/69	Fillmore Auditorium	San Francisco	CA	SBD> MR> ?> FM> ?> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; partial- see info file	Source Detail
12/21/69	Fillmore Auditorium	San Francisco	CA	Source: MR > C > D > CDR(s) via Raoul Duke. Shn conversion Matt Vernon. partial show	Source Detail
12/26/69	McFarlin Auditorium, Southern Methodist Univ.	Dallas	TX	MSR> C> DAT> CD-R; via Bob Murphy	Source Detail
12/26/69	McFarlin Auditorium, Southern Methodist Univ.	Dallas	TX	flac16; Source: Soundboard ; Lineage: MSR> CASS> DAT> CDR> EAC> FLAC; Patched & remastered by Jack Warner; DAE and FLAC encoding by Marc Evans	Source Detail
12/26/69	McFarlin Auditorium, Southern Methodist Univ.	Dallas	TX	flac16/48kHz; Set 2 Source: sbd > Master Reel > Cassette > Dat (48k)	Source Detail	FLAC
12/28/69	International Speedway	Hollywood	FL	SBD> MC> D> CD> EAC> SHN; see info file for quality notes- patching, pitch correction, probable noise reduction; EAC/edits by J. Cotsman, with thanks to David Litfin; via J. Cotsman to vine	Source Detail
12/28/69	International Speedway	Hollywood	FL	flac16; Source: Soundboard master Reels > Cassette > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab > CD Wave > TLH > Flac	Source Detail
12/28/69	International Speedway	Hollywood	FL	mixed source SBD> (MC or MR>C)> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to David Litfin & Jay von Lehe; note d1t1-7 same, later tracks differ from previous Cotsman seed	Source Detail	SHN
12/29/69	Boston Tea Party	Boston	MA	SBD MR (7" reel @7.5 ips)>DAT>DAT>CDR	Source Detail
12/29/69	Boston Tea Party	Boston	MA	SBD>MR>C>D>CD>EAC>SHN; Likely reDAE of 6302	Source Detail	SHN
12/29/69	Boston Tea Party	Boston	MA	flac16 Source: Previously uncirculated SBD Vault Reel > Cassette > DAT source from Anon Speed/pitch adjusted by Jason Chastain Mastering by Jim Blackwood, Jamie Waddell, and Steve Gravel Track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
12/30/69	Boston Tea Party	Boston	MA	SBD> ?> DAT> CDR	Source Detail
12/30/69	Boston Tea Party	Boston	MA	Recording Info: SBD -> Cass Master (Ampex C-90 Master Cass/no dolby) -> Cass (Tascam 122mkIII Cass 1st Gen) -> Dat (Technics 3800/44.1k) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN	Source Detail
12/30/69	Boston Tea Party	Boston	MA	Source: SBD > MC > C > D > CD > SHN	Source Detail	SHN
12/31/69	Boston Tea Party	Boston	MA	EAC of original shn set; via TOL; sbd> reel master> 2 cassette generations> dat> cdr> shn	Source Detail
12/31/69	Boston Tea Party	Boston	MA	flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/31/69	Boston Tea Party	Boston	MA	significantly edited version of previous shn set: >MKWact> DART Pro98> EAC WAV Processor> MKWact, by Bob Clevenger	Source Detail
01/02/70	Fillmore East early show	New York	NY	late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St. Stephen from reel change	Source Detail
01/02/70	Fillmore East early show	New York	NY	likely early show, had been marked late show; SBD plus AUD patches; via Hanno Bunjes, Uli Teute	Source Detail
01/02/70	Fillmore East early show	New York	NY	complete early/late shows; SBD> MR> C> D> CD> EAC> SHN with aud patch; Thanks to A. Lemiex, Uli & Hanno	Source Detail
01/02/70	Fillmore East - late show	New York	NY	flac16; Soundboard > 7 1/2' Reel Master @ 7.5 ips (Recorded By Bear on a Sony 770 Reel Deck) > 1st gen (TDK SAX-100 cassette) from Dick Latvala (Master Reel Playback on a Technics 1506 Reel to Reel > Tascam 122 MK111 Cassette Deck No dolby) > Analog to Digital (Cassettes played back on Nakamichi Dragon > Sony PCM-R700 DAT @ 44.1 by Jim Wise 1998); Edited and mastered SIRMIck	Source Detail	FLAC
01/03/70	Fillmore East (Late Show)	New York	NY	early and late; SBD > MR > DAT > C > DAT > CDR; via Mike Lai, with thanks to Wayne Gucwa; info file by Jeff Hannan	Source Detail
01/03/70	Fillmore East (Late Show)	New York	NY	flac16; Source: Soundboard Master Reels > DAT Master [44.1] Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab Mastering in WaveLab with iZotope Ozone 4 > CD Wave > TLH > Flac Transfer and Mastering Bill Koucky March 6, 2009, Green Mountain Bros.	Source Detail	FLAC
01/03/70	Fillmore East (Late Show)	New York	NY	improvements on previous seed: Sound improved on d1t02, by Bill Giles; SBE's corrected; seeded by RET	Source Detail	SHN
01/03/70	Fillmore East (Late Show)	New York	NY	flac16/48kHz; Source: sbd > 1st gen reel > dat (48k); provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; transferred by Charlie Miller; Lineage: iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick July 2017	Source Detail	FLAC
01/10/70	Golden Hall	San Diego	CA	Master Soundboard Reel > Reel to Reel > DAT> CDR; CD Mastering by Scott Clugston; to abgd	Source Detail
01/10/70	Golden Hall	San Diego	CA	flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/10/70	Golden Hall	San Diego	CA	flac16; source: MR > R1 >RX (purported 2nd gen) transfer: RX (purported 2nd gen) > Technics RS-1506 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > wav [24/96]	Source Detail	FLAC
01/10/70	Golden Hall	San Diego	CA	flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/10/70	Golden Hall	San Diego	CA	flac16; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/16; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller	Source Detail	FLAC
01/16/70	Springer's Inn Portland	Portland	OR	sbd> ??> cdr> eac> shn; a few cuts (see tracklist); eac>shn by popi n. feeldz, with thanks to Moss Willow	Source Detail
01/16/70	Springer's Inn Portland	Portland	OR	flac16; Source: sbd > reel master > reel > pcm (sony beta tape ESX-HiFi/L-750) - Given to Tim Dalton by the late Harvey Lubar; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) - transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018	Source Detail	FLAC
01/17/70	Gill Coliseum, Oregon State University	Corvallis	OR	Master Soundboard Reel > DAT > CDR; via Scott Clugston	Source Detail
01/17/70	Gill Coliseum, Oregon State University	Corvallis	OR	SBD>MR>D>CD>EAC>SHN; pitch corrected via J. Cotsman	Source Detail
01/23/70	Honolulu Civic Auditorium	Honolulu	HI	Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor	Source Detail
01/23/70	Honolulu Civic Auditorium	Honolulu	HI	Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor	Source Detail	FLAC
01/24/70	Honolulu Civic Auditorium	Honolulu	HI	SBD: Master Reel > cassette > DAT > CD > SHN; T06 (Black Peter): subsecond dropout/splice @ 7:44; T07 (Good Lovin'): cuts right before last verse; via Seth Kaplan, upload by G.S. Hamilton	Source Detail
01/30/70	The Warehouse	New Orleans	LA	SBD>MR>C>DAT>CDR; via Raoul Duke; seeded to etree by Matt Vernon	Source Detail
01/31/70	The Warehouse	New Orleans	LA	SBD> MR> C> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman	Source Detail
01/31/70	The Warehouse	New Orleans	LA	SBD>MR>C>D>CD>EAC>SHN 7inch Master Reel@7.5ips SBE fix of shn ID 7045; shntool was used to fix sector boundary errors and seek tables were appended.	Source Detail	SHN
02/01/70	The Warehouse	New Orleans	LA	SBD>MSR>C>DAT>CD; Seeded to etree by Seth Kaplan	Source Detail
02/01/70	The Warehouse	New Orleans	LA	flac16; Lineage: Source 1 SBD > MSR > C > DAT (Biodtl thru O1(7:27); Source 2 MR > Revox A77 > tube pre (O1@7:27 thru Lovelight); Transfer info: Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
02/02/70	The Fabulous Fox Theatre	St. Louis	MO	SBD>MR>R>R>PCM>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
02/02/70	The Fabulous Fox Theatre	St. Louis	MO	SBD> MR> R> R> PCM> D> CD> EAC> SHN; pitch corrected; edits/encoding by JCotsman	Source Detail	shn
02/02/70	The Fabulous Fox Theatre	St. Louis	MO	Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit	Source Detail	FLAC
02/04/70	Family Dog at the Great Highway	San Francisco	CA	SBD>Rm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Miller	Source Detail
02/04/70	Family Dog at the Great Highway	San Francisco	CA	Lineage: MSR>C>D>CD Tracks 2-7 ** - Two added tracks sourced from PBS TV broadcast via Seth Kaplan	Source Detail
02/04/70	Family Dog at the Great Highway	San Francisco	CA	Composite of "crisp" Charlie Miller sbd seed and additional mono tuneage from PBS TV broadcast; via Jeff Cotsman	Source Detail	SHN
02/05/70	Fillmore West	San Francisco	CA	SBD MR> C> D> CD + AUD low-gen; more material than previous versions, >80 min including bonus track; pitch correction, EQ, CD mastering by Hanno Bunjes, with thanks to Uli Teute	Source Detail
02/05/70	Fillmore West	San Francisco	CA	SBD> MR> C> D> CD; via Don Bean	Source Detail	SHN
02/05/70	Fillmore West	San Francisco	CA	Flac16 Reel To Reel > CD Burner > Roxio Sound Editor > Wav > Flac Frontend --Recorded my Reel with a TEAC 2300S reel to reel into a 1997 Sony CD Burner (Analogue to Digital with RCA cable output on the TEAC and input to the burner). Ripped the CD's that were burned using Roxio import CD function on my Windows 7 computer and saved them as 14H kbps / 44 kHz .wav files . Tracked and adjusted volume of the .wav files using Roxio Sound Editor (2009). converted to Flac Frontend - flac 16. All work done by Brian Flegel - brianflegel@gmail.com - 02/29/2024 & 03/01/2024	Source Detail	FLAC
02/05/70	Fillmore West	San Francisco	CA	flac1644 Soundboard Aud composite, speed corrected by Brian Flegel	Source Detail	FLAC
02/05/70	Fillmore West	San Francisco	CA	flac1644 Reel To Reel > CD Burner > Roxio Sound Editor > Wav > WavePad > Flac16 Patched with SBD MR>C>D>CD All work done by Brian Flegel	Source Detail	FLAC
02/06/70	Fillmore West	San Francisco	CA	SBD> MR> C> D> CD; via Don Bean	Source Detail
02/07/70	Fillmore West	San Francisco	CA	SBD MR>C>D>CD + AUD MC>4C>CD patches; via Uli Teute; Seeded to etree by Hanno Bunjes; Note- This is an eac of the 'same' source discs as the previous Hanno seed; See info file for Hanno's comment	Source Detail
02/07/70	Fillmore West	San Francisco	CA	SBD> MR> C> D> CD; via Don Bean	Source Detail	SHN
02/07/70	Fillmore West	San Francisco	CA	SBD> MR> C> D> CD; EAC> SHN by naked_jaybird	Source Detail	S
02/08/70	Fillmore West	San Francisco	CA	MAC> R> PCM> DAT> CD; MSR> C> DAT> CD; MSR> ?> C> DAT> CD (end of Lovelight); Source discs supplied by Andy Lemieux, CD> EAC> WAV> SHN by Sean Cribbs	Source Detail
02/08/70	Fillmore West	San Francisco	CA	AUD Source: MAC>R>C>DAT>WAV>SHN SBDa Source: MSR>R>Cassettes>DAT>WAV>SHN SBDb Source: MSR>R>C>DAT>WAV>SHN C>SHN Conversions By Cousinit	Source Detail
02/08/70	Fillmore West	San Francisco	CA	composite: AUD>MC>R>PCM>D>CD>EAC>SHN; SBD>MR>C>D>CD>EAC>SHN; several other sources used as patches; differs from previous seeds as having SBD source for Smokestack & SOTOTW; Thanks to Andy Lemieux	Source Detail	SHN
02/11/70	Fillmore East (late show)	New York	NY	early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown	Source Detail
02/11/70	Fillmore East (late show)	New York	NY	flac16; late show conclusion; Soundboard (except misc patches as noted): MSR> DAT> CDR> EAC> FLAC; Patched, remastered by Dave Greenberg; DAE> FLAC by Marc Evans; Project coordinated by Jim Powell with a special thanks to DW	Source Detail
02/11/70	Fillmore East (late show)	New York	NY	flac16; portions of early and late shows; Master soundboard reels > DAT > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); includes Patch for Dark Star: Master audience tape > ? > DAT > CD; EAC> FLAC by Jack Warner, with thanks to anonymous and Bob Murphy for patch material	Source Detail	FLAC
02/11/70	Fillmore East (late show)	New York	NY	SBD> RR> RR> DAT (tapers John Chester and Alan Mande recorded this show in the basement of the Fillmore using a Revox reel-to-reel tape deck with 15" reels.)l Transfer: DAT> HD-P2> Sound Forge 6.0> CD Wave> mkwAct> .shn	Source Detail	SHN
02/11/70	Fillmore East (late show)	New York	NY	MAR > ? > R @ 3 ¾ ips. > DAT > CD > EAC > WAV > FLAC	Source Detail	FLAC
02/11/70	Fillmore East (late show)	New York	NY	flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC > Cool Edit Pro > TLH > FLAC16	Source Detail	FLAC
02/11/70	Fillmore East (late show)	New York	NY	flac16; SBD MR w/ AUD Patches * > DAT > CD > EAC > WAV > FLAC	Source Detail	FLAC
02/11/70	Fillmore East	New York	NY	flac16; SBD MR > DAT (disc 1 and first part of Star, last part lovelight via a DAT transfer so is not from circ. source); MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight); SBD MR > A77 > A77@ 71/2 ips (primary source for disc 2); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
02/12/70	Ungano's Night Club	New York	NY	SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed discs; see Jay's extensive notes; note could really be 2/13/70 early show- see discussion in pub comments	Source Detail
02/12/70	Ungano's Night Club	New York	NY	SBD > 8 TRACK 1" RTR @ 7.5 I.P.S. > MASTER ARCHIVE 24-BIT D > SSSB (note: a SBE fixed file set also circulates)	Source Detail	SHN
02/13/70	Fillmore East (Late Show)	New York	NY	early show; Sbd > Master reel >DAT >Sonic Solutions workstation >CDR >EAC >shn; Seeded by David Gans; posted to abgd	Source Detail
02/13/70	Fillmore East (Late Show)	New York	NY	early and late; mostly from SBD> MR> D> CD> EAC> SHN, with patches from SBD> MR> PCM> D> CD >EAC> SHN and SBD> MR> R> D> CD> EAC> SHN; mastered on 7" reels @ 15ips; encoding by JCotsman, with thanks to Paul Hartman, David Litfin et al	Source Detail
02/13/70	Fillmore East	New York	NY	reportedly early show, though the shns have been circulated as reported 2/12/70 (see alternate entry); SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB , via Jay Serafin, Patrick Murphy	Source Detail	SHN
02/13/70	Fillmore East (Late Show)	New York	NY	flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (Fixed version now in circulation)	Source Detail
02/13/70	Fillmore East (Late Show)	New York	NY	flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613)	Source Detail	FLAC
02/13/70	Fillmore East	New York	NY	flac16; 5th gen aud casette from unknown source > WAV	Source Detail	FLAC
02/13/70	Fillmore East (Late Show)	New York	NY	flac16; Late show. Recorded by Jim Cooper from seat # BB 108 (2nd row Center) Hitachi trq-222, 2 Hitachi mikes; Transferred > sony d5pro2 > dbx 2231 EQ > sony rcd w500c	Source Detail	FLAC
02/13/70	Fillmore East (Late Show)	New York	NY	flac16; Early Show Source: SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D >SSSB > EAC (High, secure) > WAV > SHNv3 by Patrick Murphy > ? > .flac	Source Detail	FLAC
02/13/70	Fillmore East	New York	NY	flac24; unknown mono recording equipment -> master tapes -> 1st generation analog (no digital beforehand) Maxell XLII-90 cassettes, Dolby B on -> Nakamichi 680ZX cassette deck, Dolby B on, azimuth adjusted for individual tapes, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 -> 96kHz/24-bit WAV files	Source Detail	FLAC
02/14/70	Fillmore East	New York	NY	complete early/late shows from: SBD> MR> D> CD> EAC> SHN & SBD> MR> PCM> D> CD> EAC> SHN; TMNSP release, encoding by JCotsman	Source Detail
02/14/70	Fillmore East	New York	NY	flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
02/14/70	Fillmore East	New York	NY	flac16; source: aud cassette master taped by Jim Cooper; hitachi trq-222 deck nak bx-300 > benchmark adc1 > adobe audition cs6 > tlh flac; transferred & seeded by Rob Berger	Source Detail	FLAC
02/14/70	Fillmore East	New York	NY	flac16; Late Show Recording Info: Master Soundboard Reels (recorded by the Fillmore crew from under the stage) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; the original version of this source had a 0:02 digital anomaly in "Uncle John's Band" (t11)	Source Detail	FLAC
02/14/70	Fillmore East	New York	NY	flac1644 Soundboard source: Master Soundboard Reels (recorded by the Fillmore crew from under the stage) > PCM - shnid 141007 - from the Tim Dalton coilleted, transferred by Charlie Miller and mastered by Scott Clugston. Audience source: hitachi trq-222 > cassette master - shnid 124495 - recorded by Jim Cooper, transferred and mastered Rob Berger. Matrix mix sbd 80% / aud 20%	Source Detail	FLAC
02/23/70	The Auditorium	Austin	TX	SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
02/27/70	Family Dog at the Great Highway	San Francisco	CA	Master Soundboard Reel > Cassette > DAT > CDR; via Scott Clugston to abgd and etree; note includes Casey and Cumberland	Source Detail
02/27/70	Family Dog at the Great Highway	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller	Source Detail
02/28/70	Family Dog at the Great Highway	San Francisco	CA	SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band	Source Detail
03/01/70	Family Dog at the Great Highway	San Francisco	CA	SBD MR>C>D>CD; patch of circulating SBD with AUD by Hanno Bunjes: 3rd gen cassette > CD > SoundForge (5% speed correction/amplify) > CD; to BUDD offer; Hanno's notes	Source Detail
03/01/70	Family Dog at the Great Highway	San Francisco	CA	S:MR> C> D> CDR; not complete show, but all that's available of this version; via Dave Goldstein, Ben Yerys; note reel splice @ 5:29 of King Bee	Source Detail
03/01/70	Family Dog at the Great Highway	San Francisco	CA	flac16; Source: Soundboard > Mater Reel > Dat (44.1k)	Source Detail	FLAC
03/01/70	Family Dog at the Great Highway	San Francisco	CA	flac16; Recording Info: SBD Master Reels -> Dat (Panasonic 3700); Transfer Info: Delta DiO 2496 sound card > HD > CD-R; Mastering Info: HD > CD WAV > Cool Edit > Trader's Little Helper 2.7 > xACT 2.35 FLAC 8; Mastering by Seth Kaplan (alligator69@optonline.net) March 25, 2015	Source Detail	FLAC
03/07/70	Civic Auditorium	Santa Monica	CA	low-gen AUD; shn'ed by Hanno Bunjes, with thanks to Uli Teute for the AUD source; Hanno's notes	Source Detail
03/08/70	Star Theatre	Phoenix	AZ	SBD>?>DAT>CDR uploaded by theotherwayne@yahoo.com	Source Detail
03/08/70	Star Theatre	Phoenix	AZ	SBD MR>C>D>CD; Unknown seeder	Source Detail	SHN
03/08/70	Star Theatre	Phoenix	AZ	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/20/70	Capitol Theater	Port Chester	NY	mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz	Source Detail
03/20/70	Capitol Theater	Port Chester	NY	S:mR> ?> DAT> CDR; EAC/SHN by Ben Yerys, from Jared Minkoff seed; see info file for misc flaw notes	Source Detail	SHN
03/20/70	Capitol Theater	Port Chester	NY	flac16; SBD MR > ? > R @ 7.5 ips > CD > EAC > WAV > FLAC	Source Detail	FLAC
03/21/70	Capitol Theater (Early)	Port Chester	NY	early electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes- (although these may not even be true- see user comment); Usher tree shn branch	Source Detail
03/21/70	Capitol Theater (Late)	Port Chester	NY	late acoustic, electric-2; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch	Source Detail
03/21/70	Capitol Theater (Early)	Port Chester	NY	early show; Cassette Master> Soundforge> cd> EAC> SHN; Recorded by Ken & Judy Lee on a Sony 124 cassette deck with Sony dynamic mics on a Norelco 120 normal bias tape. Microphones were set up in the balcony with a 20 foot spread; Original tape was baked in "Susie Q", shell replaced and transferred on a Tascam 122mk3 via a Lucid ADA1000 Analog to Digital Converter directly to disc on a Tascam CDRW700 by John Jay Hance.; Cleanup performed by Peter G with Soundforge; EAC performed with correct offsets. SHN conversion with MKWact & retracking done with CD Wave and EAC by Evan Bellaff; Port Chester "Resurrection" Project #2	Source Detail
03/21/70	Capitol Theater (Early)	Port Chester	NY	late show; Cassette Master> Soundforge> cd> SHN; see more details in txt; Port Chester Resurrection Project	Source Detail
03/21/70	Capitol Theater (Late)	Port Chester	NY	flac16; Late Show: Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Lineage: CD > Wavelab 6 > wav 16/44.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; further editing by John Hance and myself; remastered by SIRMick January 2019	Source Detail	FLAC
03/21/70	Capitol Theater (Late)	Port Chester	NY	flac16; Late Show Audience Recording Information: unknown mono reel-to-reel equipment -> master reel-to-reel tape -> 1st generation Maxell XLII-90 cassettes, Dolby B on. Playback 2012-01-20: 1st generation Maxell XLII-90 cassettes on Nakamichi BX-300 cassette deck, Dolby B on, azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL pro CD recorder -> CD-RW -> computer, EAC secure -> wavs -> Audacity (as little as possible... some fades &/or glitches, dropouts, minor volume adjustments, no EQ) -> CD Wave (track splits) -> Trader's Little Helper -> flacs.	Source Detail	FLAC
03/21/70	Capitol Theater (Late)	Port Chester	NY	flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger	Source Detail	FLAC
03/21/70	Capitol Theater (Late)	Port Chester	NY	flac16; Late Show; Recording Information: unknown mono reel-to-reel recorder & mike -> master 3" reel-to-reel tapes -> unknown digital transfer, except #14-17 from 1st generation 7 1/2 IPS Maxell UD35-90 reel -> wavs; Playback 2018-12-xx: M & M1 wavs -> Audacity (very little work done... some fades, popmute on clapping in a few places for volume control, minor volume adjustments, pitch (speed) OK on master reel transfers but M1 trax #14-17 used +0.8% fix with single pass after frequency analysis & with pitchpipe verification, no EQ or NR applied) -> CD Wave (track splits) -> Trader's Little Helper	Source Detail	FLAC
03/24/70	Pirates World	Dania	FL	S:MR> Cass> DAT> Cass> DAT> ZA2> CDWAV> SHN; note differs from previous shn set in fille (8/4/67) and tracking; presumably transferred by David Hollister; see info file for notes; upload by Ben Yerys?	Source Detail
03/24/70	Pirates World	Dania	FL	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC	Source Detail
03/24/70	Pirates World	Dania	FL	flac16/48kHz; Source: Soundboard > Master Reel > Cassette > Dat (48k)	Source Detail	FLAC
04/03/70	Field House, U. of Cincinnati	Cincinnati	OH	SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth	Source Detail
04/03/70	Field House, U. of Cincinnati	Cincinnati	OH	SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via thecore@core.com	Source Detail	SHN
04/03/70	Field House, U. of Cincinnati	Cincinnati	OH	flac16; SBD MR>R>FLAC; Converted to 16 bit via r8brain high > TLH level 6 flac; tranfer Matt Smith 7/2011	Source Detail	FLAC
04/03/70	Field House, U. of Cincinnati	Cincinnati	OH	flac16; MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source.	Source Detail	FLAC
04/03/70	Field House, U. of Cincinnati	Cincinnati	OH	flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018	Source Detail	FLAC
04/03/70	Field House, U. of Cincinnati	Cincinnati	OH	flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018	Source Detail	FLAC
04/03/70	Field House, U. of Cincinnati	Cincinnati	OH	flac16/44 Source: Reel Master (7 inch Master Reel @ 7.5ips 1/2trk) > Cassette >Tascam 122mkIII > Panasonic SV-3700 > DAT (44k) > wav 16/44.1 - All Transfers by Rob Eaton Lineage: wav > Adobe Audition 3 > iZotope RX9 Advanced > CD Wave > Flac 16 edited and mastered SIRMick November 2021	Source Detail	FLAC
04/09/70	Fillmore West	San Francisco	CA	complete; SBD MR> C> D> CD + AUD MC> 4C> D> CD; AUD taper Harry Ely; sources assembled by Hanno Bunjes, with thanks to Julian for the SBD and Uli for the AUD; Hanno's notes	Source Detail
04/09/70	Fillmore West	San Francisco	CA	flac16; Source: Unknown Taper+Equipment>MA>Cass(Unk); Conversion: NAK Dragon>Cass>WAV>FLAC; FLAC encoding via TLH	Source Detail	FLAC
04/09/70	Fillmore West	San Francisco	CA	flac16; 1) sbd > Dick's Cassette (start through to "UJB") Transfer: Cassette > Nakamichi Dragon > Sony PCM-R700 > wav 16/44.1 - Transferred by Jim Wise; 2) unknown audience recording (through to "Cryptical Envelopment" shnid 137104 seeded by Cousinit) and 3) unknown audience recording ("NFA > Turn On Your Lovelight shnid 6157, seeded by Hanno Bunjes); Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019	Source Detail	FLAC
04/11/70	Fillmore West	San Francisco	CA	Partial; 30 min Lovelight and ~2 mins NFA; See info file for details; SBD>MR>C>D>CD; via Chuck Gannon; Seeded to etree by JCotsman	Source Detail
04/11/70	Fillmore West	San Francisco	CA	flac16; Partial Show Source: sbd > Reel Master > Cassette > DAT (44k)	Source Detail	FLAC
04/12/70	Fillmore West	San Francisco	CA	combination (SBD Reel master > Sonic Solutions > DAT ) plus (Aud cassette master > PCM > DAT > Sonic Solutions) > CD > EAC > SHN; see info file for notes; seed via Seth Kaplan	Source Detail
04/12/70	Fillmore West	San Francisco	CA	flac16; One song audience > unk gen > xlII 90 dolby C, tape trade Dec 1984	Source Detail	FLAC
04/12/70	Fillmore West	San Francisco	CA	flac16; FM broadcast of source id 3820 Source: SBD for all except Casey Jones through Deep Elem Blues; Small fixes and audio massage by Jamie Waddell; pitch correction by Jason Chastain [100.25%]	Source Detail	FLAC
04/15/70	Winterland Arena	San Francisco	CA	sdb> Master Reel> Cassette> Dat> CD; via Mike Lai, with thanks to Wayne Gucwa	Source Detail
04/15/70	Winterland Arena	San Francisco	CA	MSR>DAT>CD>EAC>SHN (mkwACT) via Seth Kaplan includes 5 additional songs from a prior seed	Source Detail
04/15/70	Winterland Arena	San Francisco	CA	flac16; Sony 770 7 Inch Half Track Reel Master @ 7.5 ips-(Bob Mathews); DAT x Zero (DL) > DAT x One (RE) > DAT x Two (JW); play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise (note: A fixed version of this source was seeded on 03/28/2015 to address tagging errors. Please don't circulate the original fileset.)	Source Detail	FLAC
04/24/70	Mammoth Gardens	Denver	CO	AUD>MC>C>D>CD; via Chuck Gannon; Seeded to etree by J. Cotsman; Note- Original d2 was 'messed up' and scrapped early. Likely it does not circulate.	Source Detail
04/24/70	Mammoth Gardens	Denver	CO	MAR> Reel> DAT> Cool Edit Pro> CDR (From Gergard S' first gen reels) via Glen Gillis	Source Detail
04/24/70	Mammoth Gardens	Denver	CO	AUD master C-120 > reel 3.75ips > DAT > CD ; improvement over all circulating copies, via Hanno Bunjes, Uli Teute, Carsten Baumann, Gerhard Schinzel	Source Detail
04/24/70	Mammoth Gardens	Denver	CO	sources: aud master C-120 > reel 3.75ips > dat > cd > eac > shn > wav > shn.This is a re-master of shn id 19531;see txt file for details. Seeded by SirMick (thedarkstar@btinternet.com)December 2004	Source Detail
05/01/70	Alfred College	Alfred	NY	Master Soundboard Reel > (reel to reel, for part)> DAT > Sonic Solutions > CDR; EAC'ed / SHN'ed by Scott Clugston	Source Detail
05/01/70	Alfred College	Alfred	NY	flac16; SBD > Rm > Dat > Sonic Solutions > CD > Samplitude > Flac Seeds provided by David Gans, Remastered by Charlie Miller	Source Detail	FLAC
05/01/70	Alfred College	Alfred	NY	flac16 ; Recording Info: Source 1: SBD -> Master Reel -> CD Source 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Source 3: SBD -> Master Reel -> Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
05/02/70	Harpur College	Binghamton	NY	flac16; Gen 4 SBD Cassettes > SonyTC-W320 > Marantz 510 > CD > EAC > CD Wave Editor > Flac level 8; see info file for details	Source Detail	FLAC
05/02/70	Harpur College	Binghamton	NY	flac16/48kHz; Recording Info: SBD > Master Reel (7inch @ 7.5ips 1/2trk) > Dat/48k; Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/02/70	Harpur College	Binghamton	NY	flac24; reel> cass > cass Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell	Source Detail	FLAC
05/03/70	Field House, Wesleyan University	Middletown	CT	AUD>MC>?>C>D>CD; via Jeff Cook; Seeded to etree by J Cotsman	Source Detail
05/03/70	Field House, Wesleyan University	Middletown	CT	AUD>MR>?>CD>EAC>SHN. Digital editing by Jim Goldman, wavs provided by, minor editing and retracking SIRMick (The Sugarmegs Restoration Krewe)	Source Detail
05/03/70	Field House, Wesleyan University	Middletown	CT	flac16; Audience cassette master (not sbd as previously thought) > ? > CDr > EAC > Soundforge - editing > shn > aiff (xACT) > flac	Source Detail	FLAC
05/03/70	Field House, Wesleyan University	Middletown	CT	flac16; Recording Information: unknown stereo(?) recording equipment -> master AUD cassette (NOT a SBD as noted in shnid 9770) -> ? -> unknown generation tape used for shnid 9770 -> CDr > EAC > Soundforge (normalize & pitch correction -> shn -> aiff (xACT) -> flacs; flacs -> TLH -> wavs -> Audacity using right channel for mono signal [fades, manual one-at-a-time glitch, bump, pop, click, dropout & dullspot repairs, volume adjustments, NO equalisation] -> CD Wave (track splits) -> flacs (Trader's Little Helper)	Source Detail	FLAC
05/06/70	Kresge Plaza, M.I.T.	Cambridge	MA	MSR (MIT WMBR Reels) 10", 2-sided, 1/2 Track Mono (no extra reel gen)-> Otari MX 55 2 track (playback) ->  TC 2000 Studio Effects Processor (using only the A->D converter, no effects) ->  Sonic Solutions (at 20 bits resolution) -> mastered to CD using Sony SBM 2  (No DAT generations) -> CD (from Gans) > EAC > SHN; (note updated source details); via E. Polonsky, D. Gans,  R. Keshavan, D. Sacks; note reel splice at China/Rider transition (track boundary at splice)	Source Detail
05/06/70	Kresge Plaza, M.I.T.	Cambridge	MA	flac16; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins Rate Conversion with r8brain to [16bit/44.1 mhz] > TLH > Flac Transfer and Mastering: Bill Koucky, Green Mountain Bros. November 15, 2008 Transfer from Reels to DAT was done in 1994 by Eli Polansky from WMBR MIT Radio Archives for Jim Birkhead, and cloned to Bill Koucky	Source Detail
05/06/70	Kresge Plaza, M.I.T.	Cambridge	MA	Gans version as for other shn set, SHNed by M. Hall (not sure if this copy got into wide circulation)	Source Detail	shn
05/06/70	Kresge Plaza, M.I.T.	Cambridge	MA	Source: MSR (MIT Reels) > Sonic Solutions Digital Editing (gans) > DATs > CDRs > EAC > SHN; 2022 reseed: SBE repaired in track 04, SHN files re-encoded to FLAC-8: SHN>WAV>FLAC-8	Source Detail	FLAC
05/07/70	Dupont Gymnasium, MIT	Cambridge	MA	AudMC > ? > 7" R > DAT > HD > SHN; Taper, mics, and deck unknown; A > D transfer by Noah Weiner; almalgam of different sources; pitch corrected; see info file for mastering and flaw notes; via Audience Devotional Tree	Source Detail
05/07/70	Dupont Gymnasium, MIT	Cambridge	MA	main source: AudMC > ? > 7" R > DAT > HD > SHN Taper, mics, and deck unknown A > D transfer by Noah Weiner - noahbw@home.com This is a remaster of shnid 5439. See text file for full details	Source Detail
05/07/70	Dupont Gymnasium, MIT	Cambridge	MA	flac16; Source: Audience Cassette Master > Reel > PCM (Sony HG) - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; New Riders Of The Purple Sage Source: Audience Cassette Master > ? > 7" Reel > DAT; Transfer: DAT > HD > SHN - Transferred by Noah Weiner; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018; the original version of this source had a tracking error in the set 3 files	Source Detail	FLAC
05/08/70	Farrell Hall	Delhi	NY	flac16; Recording Info: (Stage) Unknown Mic -> Cassettte Master Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
05/09/70	Worcester Polytechnic Institute	Worcester	MA	Acoustic; SBD>MR>?>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail
05/14/70	Meramec Community College	Kirkwood	MO	Master Soundboard Reel > Cassette > DAT> CDR; via Scott Clugston	Source Detail
05/14/70	Meramec Community College	Kirkwood	MO	SBD>MR>?>D>CD>EAC>SHN (acoustic set); SBD>MR>D>CD>EAC>SHN (electric set); complete show except for Dire Wolf and Cold Jordan, which are probably not on the masters; Thanks to Dan Capshaw and Walter Schnell; edits/encoding by JCotsman	Source Detail
05/14/70	Meramec Community College	Kirkwood	MO	Acoustic Set; Source: Soundboard of unspecified provenence; CD Re-Mastering / Shn'ed by Scott Clugston 2/15/03	Source Detail	SHN
05/14/70	Meramec Community College	Kirkwood	MO	flac16; Source: Soundboard Lineage: MSR> DAT> CDR> EAC> FLAC except * = MSR> DAT> CASS> ?> CASS> DAT> CDR> EAC> FLAC	Source Detail
05/14/70	Meramec Community College	Kirkwood	MO	flac16; Set 2 Source: Soundboard > Reel Master > DAT (48k)	Source Detail	FLAC
05/15/70	Fillmore East (Late Show)	New York	NY	acoustic and electric, early and late, includes NRPS; MR > DAT > ZA2 > CDR, except the NRPS sets which have 2 cass gens; this is apparently the best possible available copy- one fewer cass gen than first etreed version, complete NRPS 2nd set, less hifreq hiss; more details in info file; via D. Hollister, J. Tiedrich, D. Finney. L. Orf; note L. Orf did very minor editing, mostly putting tasteful fades where there were cuts in the original- no NR	Source Detail
05/15/70	Fillmore East (Late Show)	New York	NY	New Master Reel transfer: SBD:10" 1/2 track Master Reels @ 7.5 ips>Revox A700 playback deck>Alesis Masterlink ML 9600>CD. No PCM generation in GD/NRPS sets. No analog gens in NRPS sets. Upgrade from previously circulating source. Seeded to etree 5/31/2005 by Chuck Reynolds and Seth Kaplan.	Source Detail
05/15/70	Fillmore East (Late Show)	New York	NY	flac16; source: aud cassette master; taped by Jimmy Cooper; 2 hitachi mics > hitachi trq-222; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger	Source Detail	FLAC
05/16/70	Temple University	Philadelphia	PA	AUDMC > ? > C > CD/0 > EAC > WAV > SHN via Noah Weiner	Source Detail
05/24/70	Newcastle-Under-Lyme	Newcastle	England	SBD MR> C> D> CD + AUD MR> C> D> CD patches; mastered by Hanno Bunjes, with thanks to Uli for the AUD source; Hanno's notes	Source Detail
05/24/70	Newcastle-Under-Lyme	Newcastle	England	AUD MR> C> D> CD; mastered by Hanno Bunjes; source supplied by Uli Teute; Hanno's notes	Source Detail
05/24/70	Newcastle-Under-Lyme	Newcastle	England	flac16; Unknown Board MR > Maxell XLII-S90 cassette (unknown generation) > Audacity via soundcard > Goldwave (to increase volume) > FLAC	Source Detail	FLAC
05/24/70	Newcastle-Under-Lyme	Newcastle	England	flac16/48kHz; Source: sbd > reel master > cassette > dat (48k)	Source Detail	FLAC
05/24/70	Newcastle-Under-Lyme	Newcastle	England	flac16; MSR > CDR > PC > my edits in Goldwave > CDR > FLAC; patched with unknown MR > cassette > PC; further patched with shnid 6481	Source Detail	FLAC
06/04/70	Fillmore West	San Francisco	CA	Partial; Last three songs; See info file for details; SBD->Rm->Cass->?>Dat>CD; Seeded to etree by Charlie Miller	Source Detail
06/04/70	Fillmore West	San Francisco	CA	flac16; Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald (droncit@yahoo.com): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise.	Source Detail	FLAC
06/04/70	Fillmore West	San Francisco	CA	flac16; Partial SBD Recording; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel Deck)-1st Generation(TDK SAX-100 cassette)Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No dolby); Analog to Digital(Cassettes on Nakamichi Dragon-Sony PCM-R700 DAT @ 44.1KHz by Jim Wise); DAT X Zero play back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise	Source Detail	FLAC
06/05/70	Fillmore West	San Francisco	CA	SBD MR>C>D>CD + AUD patch from low-gen cassette courtesy Uli Teute (see info); via Hanno Bunjes; Hanno's notes	Source Detail
06/05/70	Fillmore West	San Francisco	CA	flac16; Source: Soundboard (except where patched with low gen AUD as noted) Lineage: MSR> CASS> DAT> CDR> EAC> FLAC	Source Detail	FLAC
06/05/70	Fillmore West	San Francisco	CA	flac16; Unknown gen cassettes from unknown aud source > WAV; see info file for details	Source Detail	FLAC
06/05/70	Fillmore West	San Francisco	CA	flac16; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)-1st Generation Cassettes Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no Dolby); Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's); Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) JW:February 2015	Source Detail	FLAC
06/06/70	Fillmore West	San Francisco	CA	electric set; SBD Reel master > cassette > DAT > CD > SHN; Seeded by Jay Ashley; see info file for listening notes	Source Detail
06/06/70	Fillmore West	San Francisco	CA	flac16; Electric Set Only: Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC. All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
06/06/70	Fillmore West	San Francisco	CA	flac16 Acoustic Set Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/06/70	Fillmore West	San Francisco	CA	flac16; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SAX-100's) Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No Dolby); Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's) Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise	Source Detail	FLAC
06/07/70	Fillmore West	San Francisco	CA	acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield	Source Detail
06/07/70	Fillmore West	San Francisco	CA	flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name)	Source Detail	FLAC
06/13/70	Red Vest	Oahu	HI	Complete; SBD MR> R> D> CD + AUD low-gen; patched by Hanno Bunjes, with thanks to Paul B. and Uli	Source Detail
06/21/70	Pauley Ballroom, U. of California	Berkeley	CA	AUD C/3 > CD; extracted/ shortened by Hanno Buunjes, with thanks to Uli for the AUD tape; Hanno's notes	Source Detail
06/21/70	Pauley Ballroom, U. of California	Berkeley	CA	flac1648; AUD said to have been recorded by Harry Ely > unknown transfer to WAV-1648 marked 2nd-Gen > Wavelab (small edits & speed adjust) > CD-Wave > TLH > FLAC 1648 tagged.	Source Detail	FLAC
06/24/70	Capitol Theater (Late)	Port Chester	NY	late show, plus 7/10/70 mislabled as 6/24 early; reportedly AUD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa	Source Detail
06/24/70	Capitol Theater (Late)	Port Chester	NY	Late Show--Electric Set; center lodge, mics mounted on rails->120-min. Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect->EAC->Sound Forge->SHN; via Crazy Jimi; Seeded to etree by Harlan	Source Detail
06/24/70	Capitol Theater (Late)	Port Chester	NY	early and late shows (see discussion in txt and pub comments); Sony TC124 with unknown Sony dynamic mics	Source Detail	FLAC
06/24/70	Capitol Theater (Late)	Port Chester	NY	Audience tape recorded by J.Cooper: Hitachi trq-222 stereo casstte recoder using 2 hitachi mics and a 120 minute tape. Transferred by Coopernicus March 2006: Sony tcd5pro2>dbx223> Sonyrcdw500c MC>EQ>CDR>EAC>FLAC	Source Detail
06/24/70	Capitol Theater (Late)	Port Chester	NY	late electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch	Source Detail	SHN
06/24/70	Capitol Theater (Late)	Port Chester	NY	flac16; Late Show partial source: aud reel lineage: aud>?>7" reel @ 3.75 ips, dolby b; transferred & seeded by Rob Berger; pitch correction by Moose	Source Detail	FLAC
06/24/70	Capitol Theater (Late)	Port Chester	NY	flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger	Source Detail	FLAC
06/24/70	Capitol Theater (Late)	Port Chester	NY	flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC(secure, offset corrected) > Cool Edit Pro > TLH > FLAC16 Analog to Digital by Bill Gadsden, April 2009	Source Detail	FLAC
06/24/70	Capitol Theater (Late)	Port Chester	NY	flac16; Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Transfer: The cassettes were baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave . Flac 16; edited and mastered SIRMick February 2019	Source Detail	FLAC
07/01/70	Winnipeg Fairgrounds	Winnipeg	MB	SBD>?>VHS>CD; assumed to be a portion taken from the raw video footage shot during the Trans Continental Pop Festival Tour across Canada by train; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail
07/10/70	Fillmore East	New York	NY	AUD>MR>CD>EAC>SHN recorded by Marty Weinberg on an Uher 5 inch open reel deck encoding/edits by Jeff Cotsman	Source Detail
07/11/70	Fillmore East	New York	NY	AUD>MC>C>C>D>CD; via Andrew Clarke; Seeded to etree by J. Cotsman	Source Detail
07/12/70	Fillmore East	New York	NY	source: aud > ??? > shn > wav > shn via SirMick	Source Detail
07/12/70	Fillmore East	New York	NY	flac16; unknown audience recording; edited and mastered by Jamie Waddell; all transfers and work performed in the 24 bit realm Weiss-Saracon for 16 BIT 44.1kHz; SBE Free, Flac Level 8 with TLH, Meta Data with Tag & Rename	Source Detail	FLAC
07/12/70	Fillmore East	New York	NY	flac16; Combination of the two audience recordings shnid 9379 and shnid 122707; edits were limited to volume, speed, cross-fades at the beginning and end of patches, and such elimination or reduction of drops, static, clicks, and bumps as I could obtain without losing any music; see info files for details	Source Detail	FLAC
07/12/70	Fillmore East	New York	NY	flac16; Jim Cooper's Hitachi TRQ-222 Cassette recording > CDR > WAV > FLAC	Source Detail	FLAC
07/14/70	Euphoria Ballroom	San Rafael	CA	both sets; SBD> MR> C> D> CD> EAC> SHN; aud patch for Don't Ease; edits/encoding by JCotsman	Source Detail
07/14/70	Euphoria Ballroom	San Rafael	CA	sbdmr> dat> cd> shn> cd> ?> shn; this source is possibly derived from source id 1030	Source Detail	SHN
07/16/70	Euphoria Ballroom	San Rafael	CA	partial; Master Soundboard Reel > Cassette > Cassette > CDR; CD Mastering by Scott Clugston; to abgd	Source Detail
07/16/70	Euphoria Ballroom	San Rafael	CA	Set 2; SBD>MR>?>C>CD>SHN	Source Detail
07/30/70	Lion's Share	San Anselmo	CA	SBD>??>CD>EAC>SHN via Chuck Gannon edits/encoding by Jeff Cotsman	Source Detail
07/30/70	Lion's Share	San Anselmo	CA	flac16; MR(Abrams)>R@ 7.5 ips.(Peter Kafer)>R @ 7.5 ips.(Will Boswell) > CD; Transfered and mastered by Matt Smith 5/11; cd > flac dbpoweramp cd ripper	Source Detail	FLAC
07/??/70	Trans Continental Pop Festival?	Various	Various	flac16; Recording Info: Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/??/70	Festival Express Train	Unknown	Canada			FLAC
08/05/70	Golden Hall Community Concourse	San Diego	CA	SBD> MR> PCM> D> CD> EAC> SHN; some normalization and editing with Soundforge; via thecore	Source Detail
08/05/70	Golden Hall Community Concourse	San Diego	CA	MSR > Reel > PCM > DAT > CDR > EAC > SHN via Andy Lemieux, encoding Joe Jupile	Source Detail
08/17/70	Fillmore West	San Francisco	CA	Partial; 2+ songs & date is 'uncertain'; See info file for details; AUD>MC>D>CD; via Chuck Gannon; Seeded to etree by JCotsman	Source Detail
08/18/70	Fillmore West	San Francisco	CA	AUD mC> Rx2> DAT> CDR; EAC and SHN'd by Ben Yerys from Jared Minkoff's seed; DAT>CD transfer by Miles Garret	Source Detail
08/18/70	Fillmore West	San Francisco	CA	flac16/48kHz; Unknown Audience Cassette > FLAC	Source Detail	FLAC
08/18/70	Fillmore West	San Francisco	CA	flac24; Unknown Audience Cassette > FLAC; Fixed version in circulation	Source Detail	FLAC
08/18/70	Fillmore West	San Francisco	CA	flac16; AUD mC> Rx2> DAT> CDR; this new version has been pitch adjusted with the following ratios: acoustic set with a 'slight' sliding time scale/pitch shift of +0.123%; 2) electric set with a sliding time scale/pitch shift of +9.678%; (electric [lower volume level] set has also been amplified by +3.9%)	Source Detail	FLAC
08/19/70	Fillmore West	San Francisco	CA	AUD>MC>R>PCM>D>CD; Missing several songs; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & JCotsman	Source Detail
08/19/70	Fillmore West	San Francisco	CA	flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic Acoustic Set: Master Electric Set: 1st generation cassette Transfer and FLAC encoding by David Minches: Master/1st generation cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded	Source Detail
08/19/70	Fillmore West	San Francisco	CA	flac16; Set 1: AUD>MC>D>FLAC>AIFF>FLAC Set 2: AUD>MC>R>PCM>D>CD>EAC>SHN>AIFF>FLAC	Source Detail
08/30/70	KQED Studios	San Francisco	CA	FM-> 7inch MR-> DAT-> CDR-> EAC-> SHN V.3; via D. Backus	Source Detail
08/30/70	KQED Studios	San Francisco	CA	Master FM Reel (Taped by Michael Parrish, Sony TC-366 Reel to Reel using "Concert" polyester tape) > 3 CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > .shn encoding using mkwACT. Proper sector boundaries verified using .shntool. EAC > SHN by Joe Jupille, with thanks to Andy Lemieux for the source CDs.	Source Detail
09/17/70	Fillmore East	New York	NY	MAC> Reel> Cassette> DAT> CD> EAC> SHN; submitted by user seabass; note slightly different tracking from previous shn set	Source Detail
09/17/70	Fillmore East	New York	NY	mixed sources: MAC> R> C> CD recorded by Jack Toner, with a Sony TC-110 with built-in microphone; plus MAC> ?> C> R> CD and MAC> ?> C> R> R> CD, Unknown tapers/equipment; Source tapes from Dwight Holmes, Transfer to digital by David Minches, Patches and SHN encoding by Jack Warner	Source Detail
09/17/70	Fillmore East	New York	NY	remaster of shnid 16090, by SIRMick	Source Detail
09/17/70	Fillmore East	New York	NY	flac16; Partial Set 3 Source: AKG190E > Uher 400L > Master Audience Reel > ??? > Reel 3.75 ips (low gen) - Recorded by Marty Weinberg and provided by Don Wolfe; Transfer: Reel > Akai GX636 > Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > wav 24/96; Lineage: wav 24/96 >Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac16; edited and mastered SIRMick March 2019	Source Detail	FLAC
09/18/70	Fillmore East	New York	NY	SBD > MR > R > DAT > CDR > EAC (Secure, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky, from Paul Botiglio's CD	Source Detail
09/18/70	Fillmore East	New York	NY	Soundboard (via Andy Lemieux) and Jack Toner audience tape (via Jack Warner) composite edited and encoded by Jeff Cotsman. Include NRPS, Dead Acoustic and Electric sets	Source Detail
09/18/70	Fillmore East	New York	NY	flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> TLH(flac encoding) -> FLAC Circulated by Chuck Reynolds, February 13, 2009	Source Detail	FLAC
09/19/70	Fillmore East	New York	NY	SBD > Reel(0) > DAT > Mac (via Lucid PCI24) > CD-R; DAT from "3 Decades of Dead" Tree CDR; Conversion by Tim Buller	Source Detail
09/19/70	Fillmore East	New York	NY	MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete than previously etreed versions	Source Detail
09/19/70	Fillmore East	New York	NY	Composite Audience Source (Master audience cassette Taped by Jack Toner, Sony TC-110 with built-in microphone and Master audience reel Taped by Marty Weinberg, AKG190E>Uher 400L) via Dwight Holmes and Dr. Michael Parrish. Patches and EAC > SHN by Jack Warner	Source Detail
09/19/70	Fillmore East	New York	NY	flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473) edited, mixed and converted by Chris Chappell	Source Detail	FLAC
09/19/70	Fillmore East	New York	NY	flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> CoolEdit Pro -> TLH -> FLAC16; Circulated by Chuck Reynolds	Source Detail	FLAC
09/19/70	Fillmore East	New York	NY	flac16; source: aud 1st gen reel; Jerry Moore's copy; lineage: aud reel master>reel @ 3.75 ips master taped by Marty Weinberg: akg d190e>Uher 4000L reel; technics rs-1506>hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred & seeded by Rob Berger	Source Detail	FLAC
09/19/70	Fillmore East	New York	NY	flac1644 ; AUD fragment; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021	Source Detail	FLAC
09/19/70	Fillmore East	New York	NY	flac16; Set 1 Source unknown, thought to be Jack Toner's audience recording; Lineage: AUD > ?? > CD WAV > FLAC	Source Detail	FLAC
09/20/70	Fillmore East	New York	NY	mixed sources (see info file for details, plus additional details in pub comments); seed assembled and distributed by Jim Wise; CD> EAC> SHN by Darrin Sacks; Darrin comments: "Has a fair amount of hiss and analog tape wear, but is the best we're probably ever going to hear, as this show isn't in the Vault."	Source Detail
09/20/70	Fillmore East	New York	NY	This is a remaster of shn id 1190; hiss has been reduced, a number of clicks and pops have been removed and some other artifacts cleaned up, a number of volume adjustments have been made, final mastering using iZotope Ozone	Source Detail
09/20/70	Fillmore East	New York	NY	flac16; AUD MR>CD Marty Weinberg master 5" Uher open-reel. via Jack Warner, Hanno Bunjes	Source Detail
09/20/70	Fillmore East	New York	NY	flac16; MR > R Heavily Edited > R @ 71/2ips > CD * Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16	Source Detail
09/20/70	Fillmore East	New York	NY	flac16; This is a restored version of shind: 97364; MR > R (Buddy Miller) HEAVILY EDITED > R @ 71/2ips (Will Boswell) > CD; Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16 Restoration completed with Diamond Cut Forensics 10.2.	Source Detail	FLAC
09/20/70	Fillmore East	New York	NY	flac16; Set One: Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Set Two: DAT-> PANASONIC SV-3700-> TASCAM DA-30 (Spring 1996)-> DAT-> Panasonic SV-3800-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> Adobe Audition 3.0.1; Wavelab 7.1 mastering by Jamie Waddell; Track, FLAC and Pack by John Wenzel; a project **GEMS**	Source Detail	FLAC
10/04/70	Winterland Arena	San Francisco	CA	SBD FM> MR> R> ?> CD> SHN; via thecore; see info file for flaw notes	Source Detail
10/04/70	Winterland Arena	San Francisco	CA	SBD> FM> MR> R> R> DAT> WAV> SHN; R>SHN; Conversion By Cousinit, seeded to abgd	Source Detail
10/04/70	Winterland Arena	San Francisco	CA	KSAN-FM Master Reel> Barry Glassberg's 1st gen Reel (Dolby B Decoded)> PCM> CDR> EAC> CoolEdit2000 (see notes)> SHN; EAC> seekable SHN by D.Winters, with thanks to Harvey Lubar, Tony Cortazzo, Chuckles	Source Detail
10/04/70	Winterland Arena	San Francisco	CA	flac16; Source: KSAN-FM > Reel Master > Barry Glassberg's 1st Gen 1/4 tr Reel > PCM > CD > Wav - Received from an anonymous benefactor; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019	Source Detail	FLAC
10/10/70	Colden Auditorium - Queens College	Flushing	NY	AUD, from low (< 5th) generation tape; via Hanno Bunjes, with thanks to Ulie Teute; Hanno's notes	Source Detail
10/10/70	Colden Auditorium - Queens College	Flushing	NY	flac16/48kHz; Source: Sony F95's > Sony TC124s > Master Cassette (Ampex 361) > Cassette (Maxell XL2S) > DAT(48k) - Recorded by Ken and Judy Lee; Transfer: DAT > Sony PCM-M1 > Edirol HR09 > Wave > 24/88.2 - Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/48 > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick January 2019	Source Detail	FLAC
10/11/70	Marion Shea Aud., Paterson State Col.	Wayne	NJ	AUD>MC>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail
10/17/70	Cleveland Music Hall	Cleveland	OH	flac16;Recording Info:Unknown Mic -> Cassette Master (Mono); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/23/70	McDonough Arena, Georgetown U.	Washington	DC	Source: AUD-MCass>DAT>DAT>CDR DAT speed-corrected by David Gans. Various glitches edited out by CW posted to abgd 11/2002. SBE's on all tracks except d2t03	Source Detail
10/23/70	McDonough Arena, Georgetown U.	Washington	DC	flac16; Source: Audience Media: Mallory Duratape C-60 Lineage: AUD > Sony TC-124 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Marantz PMD671 > WAV Taped by: Cary Wolfson Transfer by: D. McCabe Mastering by: D. McCabe	Source Detail	FLAC
10/23/70	McDonough Arena, Georgetown U.	Washington	DC	includes NRPS; source (a guess?): AUD Taper: Cary Wolfson, Sony TC124 with a 1 point stereo mic 15 feet back from stage > MC > C > DAT > ??? > CD > EAC > shn; seeded by Sketchy; shn info submitted by user jamballyho	Source Detail	FLAC
10/24/70	Kiel Opera House	St. Louis	MO	S:MReel> Reelx2> DATx2> ZA2> DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)> CD; cut at beginning of NFA (reel flip?); via D. Hollister, J. Ayers; w/ 12/31/70 filler; 12/31/70 filler	Source Detail
10/24/70	Kiel Opera House	St. Louis	MO	flac16; SBDMR->R->R->DAT->DAT->ZA2->DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)-> CD "via D. Hollister, J. Ayers" pitch correction using SoundEdit 16 on the Macintosh platform by Bob Bihlmayer (howlin_bob@hotmail.com) 7/16/05: SHN->xACT->AIFF->SoundEdit16->FLAC	Source Detail	FLAC
10/24/70	Kiel Opera House	St. Louis	MO	flac16; Recording: SBD > Master Reel > Reel > (7.5ips) > PCM (Sony HG tape); Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)	Source Detail	FLAC
10/24/70	Kiel Opera House	St. Louis	MO	flac16; Source: Unknown mono soundboard (low gen) - provided by Will Boswell; Transfer: low gen Reel > Technics RS-1506 > Apogee Mini Me > Mini DAC > WaveLab 5 > .wav 24-bit/96k; edited and mastered SIRMick; This file set is 16 bit @ 44.1	Source Detail	FLAC
10/30/70	Gym, SUNY (Late Show)	Stony Brook	NY	early show; SDB> MR> PCM> CD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa	Source Detail
10/30/70	Gym, SUNY (Late Show)	Stony Brook	NY	SBD>MR>PCM>D>CD>EAC>SHN; complete early/late shows via Jeff Cotsman	Source Detail
10/30/70	Gym, SUNY (Early Show)	Stony Brook	NY	Early Show: MSR>C>DAT>WAV>SHN via Cousinit (Cassette Source recorded directly from Master Reels)	Source Detail	SHN
10/30/70	Gym, SUNY (Late Show)	Stony Brook	NY	Late Show: MSR>C>DAT>WAV>SHN Circulated via alt.binaries.gdead usenet group in 4/2003 Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09	Source Detail
10/30/70	Gym, SUNY (Early Show)	Stony Brook	NY	flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06)	Source Detail	FLAC
10/30/70	Gym, SUNY (Late Show)	Stony Brook	NY	flac1644; 1-song only; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021	Source Detail	FLAC
10/30/70	Gym, SUNY (Early Show)	Stony Brook	NY	flac16/44 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021	Source Detail	FLAC
10/31/70	Gym, S.U.N.Y. (Late)	Stony Brook	NY	early electric; SBD > Reel > DAT; Transfer: D7 > Coresound > Prodif Plus > Samplitude 5.5 > CDwav > SHN, by Mike Fischer	Source Detail
10/31/70	Gym, S.U.N.Y. (Late)	Stony Brook	NY	Late Show, includes NRPS set; MSR> C> DAT> WAV> SHN; Cassette Source recorded directly from Master Reels; C>SHN Conversion by Cousinit; note parens in filenames	Source Detail
10/31/70	Gym, S.U.N.Y. (Late)	Stony Brook	NY	SOURCE INFO: Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC Note: Appeared on bt.etree.org ~ 4/1/2006	Source Detail
10/31/70	Gym, S.U.N.Y. (Late)	Stony Brook	NY	Early Show: MSR>C>DAT>WAV>SHN Circulated via alt.binaries.gdead usenet group in 4/2003 Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09	Source Detail
10/31/70	Gym, S.U.N.Y. (Early)	Stony Brook	NY	flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Transferred By Digitalrbb; Mastered By Charlie Miller	Source Detail	FLAC
10/31/70	Gym, S.U.N.Y. (Early)	Stony Brook	NY	flac16/44 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) > Gordon Healy's Reel 1st transfer: Gordon Healy's Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021	Source Detail	FLAC
10/31/70	Gym, S.U.N.Y. (Late)	Stony Brook	NY	flac16/44 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) Transfer: Master Reel > Kenny Mance’s Revox 77A > Korg MR1000 > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16	Source Detail	FLAC
11/05/70	Capitol Theater	Port Chester	NY	Electric Set; center lodge, mics mounted on rails->Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect; via Crazy Jimi; Seeded to etree by Harlan	Source Detail
11/05/70	Capitol Theater	Port Chester	NY	D1T1 through D2T2: MAC>C>D>CD>EAC>SHN>WAV>FLAC D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN>WAV>FLAC Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. This is remaster of shnid 17182 I decided to track it a little differently to the original seed	Source Detail
11/05/70	Capitol Theater	Port Chester	NY	Mastered and encoded by Jack Warner. Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. D1T1 through D2T2: MAC>C>D>CD>EAC>SHN. D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN	Source Detail	FLAC
11/06/70	Capitol Theater	Port Chester	NY	Complete with NRPS sets mastered and encoded by Jack Warner. Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone. *Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master. *From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone	Source Detail
11/06/70	Capitol Theater	Port Chester	NY	disc 3 of previous seed (17183) patched to include Marty Weinberg's audience recording (MAR > CD), via Hanno Bunjes	Source Detail
11/06/70	Capitol Theater	Port Chester	NY	see info file; 5/00 to abgd via Teddy Goodbear, Doug Johnson; 3/01 to etree via Morgan Evans, Rick Lepley lepleyr@hotmail.com; note in absence of md5s for 5/00 set, not sure whether there are 2 different shn sets or not; note 3/01 discs labelled as 1,3,4 (d2 reportedly NRPS?)	Source Detail	SHN
11/07/70	Capitol Theater	Port Chester	NY	Mixed audience sources; See info file for details; Including NRPS set; via Ken Leigh, Jack Toner, Marty Weinberg; Seeded to etree by Jack Warner	Source Detail
11/07/70	Capitol Theater	Port Chester	NY	flac16; source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel w/akg d190e mics taped by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48> cd wave>adobe 2.0 16/44>flac tranferred & seeded by Rob Berger	Source Detail	FLAC
11/07/70	Capitol Theater	Port Chester	NY	flac16; source: aud reel master; taped by Marty Weinberg; akg d190e > uher 4000L; transferred by Michael Parish; seeded by Rob Berger	Source Detail	FLAC
11/08/70	Capitol Theater	Port Chester	NY	Multiple audience sources mastered by Jack Warner (see info file for details) including MAR>C>D>CD>EAC>SHN, from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; MAC>C>D>CD>EAC>SHN, MAC>C>R>D>CD>EAC>SHN and MAC>C2>D>CD>EAC>SHN from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in mic; and an unknown third master.	Source Detail
11/08/70	Capitol Theater	Port Chester	NY	THE OWEN BROTHERS VAULT ; (AUD:Various sources ); Editing and Mastering by The Wizard ; Please see txt for details. 04/14/2004	Source Detail
11/08/70	Capitol Theater	Port Chester	NY	The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details.	Source Detail
11/08/70	Capitol Theater	Port Chester	NY	flac16; source: aud reel master taped by Marty Weinberg; akg d190e > uher 4000L; transferred by Michael Parish; the following were used as patch sources: Jerry Moore's 1st gen reel of Marty's mar and Ken Lee's aud cassette master; assembled by Rob Berger	Source Detail	FLAC
11/08/70	Capitol Theater	Port Chester	NY	Source: MAR>C>D>WAV>SHN; MAR source seems to be from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; C>SHN Conversion by Cousinit; includes some tracks from the Jack Warner shn set.	Source Detail	FLAC
11/08/70	Capitol Theater	Port Chester	NY	AudMC > DAT > CD > EAC > SHN Note: This is a patched fix for the most recent upgrade of this show, put into circulation by The Port Chester Resurrection Project (/shninfo_detail.php?shnid=26975). Added to etree by Noah Weiner	Source Detail	FLAC
11/08/70	Capitol Theater	Port Chester	NY	flac24/96 Source: AKG 190E mic > Uher 4000 Report-L > Master Reels - recorded by Marty Weinberg and from the collection of Steve Martin Transfer Master Reels > Akai GX625 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick November 2021	Source Detail	FLAC
11/09/70	Action House	Island Park	NY	AUD low gen; via Hanno Bunjes, with thanks to Uli Teute; pitch corrected up 3%; Hanno's notes	Source Detail
11/10/70	Action House	Island Park	NY	partial; AUD; see notes in info file; via Hanno Bunjes; with thanks to Uli and Jack Warner	Source Detail
11/10/70	Action House	Island Park	NY	AUD>MR>?>CD>EAC>SHN (most of NFA from Weinberg source). AUD>?>C>CD>EAC>SHN (two other aud sources that provide the patch in NFA and all of The Other One); see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman	Source Detail
11/11/70	46th Street Rock Palace	Brooklyn	NY	AUD>MC>C>C>C>C>D>CD>EAC>SHN; See info file for quality notes; via Chuck Kiefe encoding and edits by Jeff Cotsman	Source Detail
11/16/70	Fillmore East	New York	NY	SBD:MR>Revox deck (model unknown): 10" ? track Reel @ 7.5ips > Revox B77 playback deck > Alesis Masterlink ML9600 > CD > EAC > Cool Edit 2000 > SHN. A>D by Bill Gadsden. encoding Dave Winters. (Note: Other shn sets assign this music to 11/23/70).	Source Detail
11/16/70	Fillmore East	New York	NY	SBDMR> DAT> CD-r> EAC> SHN; fits on 1x80; retracked and seeded by Mike Lai; reportedly chopped up, as are previous seeds	Source Detail	SHN
11/16/70	Fillmore East	New York	NY	flac16; Partial; Lineage: aud>?>Rich>nak>nak dolby C> XLII C90, from Rich Petlock; Transfer: Dragon dolby C>UA55>usb> Audacity>TLH>flac16	Source Detail	FLAC
11/20/70	The Palestra, U. of Rochester	Rochester	NY	AUD (Marty Wienberg)> MR> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook	Source Detail
11/21/70	Sargent Gym, Boston University	Boston	MA	Partial; SBD C/?; See info file for detail; From Uli Teute & Hanno Bunjes	Source Detail
11/29/70	Club Agora	Columbus	OH	AUD low gen; a few cuts; via Hanno Bunjes with thanks to Uli Teute; pitch corrected; Hanno's notes	Source Detail
11/??/70	Unknown	New York	NY	flac16; Master Reel>CD>FLAC; Taped by Marty Weinberg, Transferred by Michael Parrish	Source Detail	FLAC
12/12/70	Santa Rosa Fairgrounds	Santa Rosa	CA	Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see info file for deadlist.com notes	Source Detail
12/12/70	Santa Rosa Fairgrounds	Santa Rosa	CA	flac1644; partial; Gene Taback's Master Audience Cassette (Sony TC-124 with Sony Stereo Mic); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard> HD. Editing performed in Adobe Audition; Flac Encoded	Source Detail	FLAC
12/17/70	Winterland	San Francisco	CA	flac16; SBD > Master Reel > Master Cassette? > Cassette > CoolEdit > Flac	Source Detail	FLAC
12/23/70	Winterland Arena	San Francisco	CA	Partial; SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
12/23/70	Winterland Arena	San Francisco	CA	flac16; Source: SBD > Master Reel? > Master Cassette > Cassette > CoolEdit > Flac	Source Detail
12/23/70	Winterland Arena	San Francisco	CA	flac16; Recording Info: (d1t01 - d1t06) SBD -> Master Reel -> CD -> FLAC; (d1t07 - d1t11) SBD -> Master Reel -> Cassette -> Cassette -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/26/70	Legion Stadium	El Monte	CA	sdb> R> pcm> cd; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa	Source Detail
12/26/70	Legion Stadium	El Monte	CA	Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: SBD -> Master Reel -> ? -> Dat -> SHN Edited and Patched By Charlie Miller	Source Detail
12/26/70	Legion Stadium	El Monte	CA	SBD> ?? (maybe 2 reel gens)> PCM> WAV> CDR> EAC> SHN; Transfer: SPDIF> SEK'D Prodif96Pro, Speed corrected via Samplitude	Source Detail	SHN
12/27/70	Legion Stadium	El Monte	CA	MSR> C> D> CD; via Steve Barbella with thanks to Seth Kaplan	Source Detail
12/27/70	Legion Stadium	El Monte	CA	SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited By Charlie Miller	Source Detail
12/28/70	Legion Stadium	El Monte	CA	SBD> MR> C> DAT> CD> EAC> SHN> WAV (for edits)> SHN; with patches from AUD Sony ECM-22> Rm> Dat> CD> Sound Forge> CD> EAC> .wav; by Steve Barbella, from Seth Kaplan SBD seed; d2 tracked for 80 min	Source Detail
12/28/70	Legion Stadium	El Monte	CA	SBD> Master Reel> Cassette> Dat> CD> EAC> Samplitude v7.02 Professional> SHN, Patched with Sony ECM-22> Rm> Dat> CD; All Editing Done By Charlie Miller	Source Detail
12/28/70	Legion Stadium	El Monte	CA	AUD : MR > DAT > CD via Alan Fink	Source Detail
12/28/70	Legion Stadium	El Monte	CA	flac16; Matrix 2 Source Mix - SBD (shn id 22313) SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN + AUD (shn id 17706) MR > DAT > CD - matrix mixing by Kevin Tobin	Source Detail	FLAC
12/28/70	Legion Stadium	El Monte	CA	flac16; AUD : MR > Reel > DAT > CD original via Alan Fink - patched and speed correction by Kevin Tobin	Source Detail
12/31/70	Winterland Arena	San Francisco	CA	"aftershow" and promos; sbd> ?reel?> dat> cd> EAC > CDWav (split)> shn V3; EAC>SHN by Brian Cole, from Jim Oade seed	Source Detail
12/31/70	Winterland Arena	San Francisco	CA	Complete; Mixed Sources; FMS (KSAN)> ??> Cass> DAT> CDR; SBD MR> Cass> DAT> CDR (Pre-FM GDH)	Source Detail
12/31/70	Winterland Arena	San Francisco	CA	partial; S:MReel> DAT> Satellite Feed> DAT> ZA2> SoundForge NR (removed hum)> DartPro32 de-hissed (gain 3.0)> CD; filler on 10/24/70	Source Detail	shn
12/31/70	Winterland Arena	San Francisco	CA	flac16; Partial Show, source: sony ecm-22p's>sony tc-770 reel @ 7.5 ips; lineage: aud reel master>7" reel @ 7.5 ips technics rs-1506>hd-p2 24/96>hd>cd wave>adobe 16/44>flac; transferred & seeded by Rob Berger 9/24/09	Source Detail	FLAC
12/??/70	Radio	Unknown	Unknown	Unknown source.	Source Detail
??/??/70	Pacific High Recording Studio	San Francisco	CA	studio MR> ?> C> SF> CDR; includes repeat of some material with EQ, Dolby A	Source Detail
??/??/70	Pacific High Recording Studio	San Francisco	CA	flac16; studio sessions transfer and mastering by matt smith soundboard > master reel > Kidd Candelario dub > will boswell 7 1/2 ips reel > Apogee 24/96 (dithered to 16/44 via Wavelab 5.0) > CD	Source Detail	FLAC
??/??/70	Unknown	Unknown	Unknown	flac16 Source: Restoration of SHNID 017271 Thanks to Joe Jupille and Andy Lemiuex for the original source Transfer: MSR > Reel > PCM > DAT > CDR > EAC > SHN	Source Detail	FLAC
01/21/71	Freeborn Hall, University of California	Davis	CA	flac16; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller	Source Detail	FLAC
01/21/71	Freeborn Hall, University of California	Davis	CA	flac16/48 Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496	Source Detail	FLAC
01/22/71	Lane Community College	Eugene	OR	SBD> (unknown analog gens)> C> CD> EAC> SHN; Walter Schnell analog-> CD conversion; shn encoding Jeff Cotsman	Source Detail
01/24/71	Seattle Center Arena	Seattle	WA	SBD> MR> C> DAT> CDR; Truckin? is missing the opening notes, Good Lovin? reprise cuts at 0:24; via Mike Lai with thanks to Paul B.	Source Detail
01/24/71	Seattle Center Arena	Seattle	WA	flac16; Recording Info: SBD > Master Reel > Cassette > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitide Pro X5 Suite > FLAC	Source Detail	FLAC
02/18/71	Capitol Theater	Port Chester	NY	SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)	Source Detail
02/18/71	Capitol Theater	Port Chester	NY	direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson	Source Detail
02/18/71	Capitol Theater	Port Chester	NY	flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.	Source Detail	FLAC
02/18/71	Capitol Theater	Port Chester	NY	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/18/71	Capitol Theater	Port Chester	NY	flac24; Source Info: Source A: Master Audience Cassettes; unknown taper, unknown equipment > 1st generation reels; Source B: Master Audience Cassette; unknown taper, unknown equipment > 1st generation reels; Transfer Info (both sources): 1st generation reels (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 24/96) > Adobe Audition 2019 > TLH flac2496	Source Detail	FLAC
02/18/71	Capitol Theater	Port Chester	NY	flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger	Source Detail	FLAC
02/18/71	Capitol Theater	Port Chester	NY	flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show	Source Detail	FLAC
02/18/71	Capitol Theater	Port Chester	NY	flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC	Source Detail	FLAC
02/18/71	Capitol Theater	Port Chester	NY	flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented	Source Detail	FLAC
02/19/71	Capitol Theatre	Port Chester	NY	7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers)	Source Detail
02/19/71	Capitol Theatre	Port Chester	NY	flac16; unknown mono audience recording source: 1st gen reel> Teac A-2300SX> RCA out> Audiophile 2496> Wavelab 4.0 lineage: Wavelab 4.0> CD Wave> MKWact> WAV> FLAC recordist unknown transfered and remastered by Clinton Vadnais (cleantone@hotmail.com)	Source Detail
02/19/71	Capitol Theatre	Port Chester	NY	flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and encoded by Chris Chappell.	Source Detail	FLAC
02/19/71	Capitol Theatre	Port Chester	NY	flac16; Partial 1st Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented	Source Detail	FLAC
02/19/71	Capitol Theatre	Port Chester	NY	flac16/44khz Recording Info: SBD > Master Reel (Sony TC-770/Scotch 7in 1/4 track 7.5ips) Transfer Info: Master Reel (Technics RS-1506) > Sony PCM-R500 (pass through) > Sound Forge > CD Mastering Info: CD > Samplitude Pro X5 Suite > FLAC/16	Source Detail	FLAC
02/20/71	Capitol Theater	Port Chester	NY	7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs	Source Detail
02/20/71	Capitol Theater	Port Chester	NY	flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.	Source Detail	FLAC
02/20/71	Capitol Theater	Port Chester	NY	likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)	Source Detail	SHN
02/20/71	Capitol Theater	Port Chester	NY	flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/21/71	Capitol Theater	Port Chester	NY	flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.	Source Detail	FLAC
02/21/71	Capitol Theater	Port Chester	NY	SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different	Source Detail
02/21/71	Capitol Theater	Port Chester	NY	flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)	Source Detail	FLAC
02/21/71	Capitol Theater	Port Chester	NY	flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/21/71	Capitol Theater	Port Chester	NY	flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation	Source Detail	FLAC
02/21/71	Capitol Theater	Port Chester	NY	flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013	Source Detail	FLAC
02/23/71	Capitol Theater	Port Chester	NY	SBD> MR> DAT> SFNR>C D-R; via Leigh Orf; WBOTB source> distortion removed digitally (see notes)	Source Detail
02/23/71	Capitol Theater	Port Chester	NY	flac16; Source Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 and Ozone. Dithered L2 type 1 ultra by Jamie Waddell	Source Detail
02/23/71	Capitol Theater	Port Chester	NY	flac16; Partial Set 2 source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac	Source Detail	FLAC
02/23/71	Capitol Theater	Port Chester	NY	flac116; Recording Info:SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/23/71	Capitol Theater	Port Chester	NY	flac16/44.1khz Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021	Source Detail	FLAC
02/24/71	Capitol Theater	Port Chester	NY	flac1644 Source: akg d190e > Uher 4000 5" reel > cassette (unknown gens) from the collection of Doug Lamarre. Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick	Source Detail	FLAC
02/24/71	Capitol Theater	Port Chester	NY	via Leigh Orf; WBOTB source > distortion removed digitally (see notes)	Source Detail
02/24/71	Capitol Theater	Port Chester	NY	flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner.	Source Detail	FLAC
02/24/71	Capitol Theater	Port Chester	NY	retracked version of previous shn set, by Bob Clevenger	Source Detail	SHN
02/24/71	Capitol Theater	Port Chester	NY	flac16; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger	Source Detail	FLAC
02/??/71	Unknown	Unknown	Unknown	flac16; unknown low gen Maxell XLII Cassette>Wav via Teac Stand Alone CD Burner > ? > SBE found - fix (TLH) shift backwards > MD5 + FFP made with (TLH)	Source Detail	FLAC
03/03/71	Fillmore West	San Francisco	CA	SBD> MR> (cass gen?)> DAT> CDR, plus possible patch; see info file for flaw notes; via Mike Lai, with thanks to Paul B.	Source Detail
03/03/71	Fillmore West	San Francisco	CA	flac16; Recording Info: SBD > MR > ? > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing SBD source. First four tracks are stereo, balance of show is 2 track MONO. Transferred, tracked and mastered by Bill Guarneri, August 18, 2014	Source Detail	FLAC
03/03/71	Fillmore West	San Francisco	CA	flac16/48kHz; Source Info: Master Soundboard Reels > Pat Lee's 1st generation reels; Transfer Info: 1st generation reels (Revox A77) > Tascam DA-3000 > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
03/14/71	Camp Randall Field House, University of Wisconsin	Madison	WI	Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1	Source Detail
03/14/71	Camp Randall Field House, University of Wisconsin	Madison	WI	SBD> MR> C> DAT> CDR; disc # 1 is 80 minutes, Truckin? fades in at "typical daydream", splice in Hard To Handle; via Mike Lai, with thanks to Paul B.	Source Detail	shn
03/14/71	Camp Randall Field House, University of Wisconsin	Madison	WI	flac16; Recording Info: SBD > MR > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC	Source Detail	FLAC
03/18/71	Fox Theatre	St. Louis	MO	SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke	Source Detail
03/18/71	Fox Theatre	St. Louis	MO	flac16; Set 2 Only; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bob Mathews)- Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Sony PCM-R500 DAT Deck @ 44.1KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)	Source Detail	FLAC
03/20/71	University of Iowa	Iowa City	IA	SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella	Source Detail
03/21/71	Exposition Center	Milwaukee	WI	AUD>MC>LP>R>CD; Missing Truckin'; See info file for details; via Chuck Kiefe; Seeded to etree by JCotsman	Source Detail
03/24/71	Winterland Arena	San Francisco	CA	Partial; SBD>MR>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail
03/24/71	Winterland Arena	San Francisco	CA	Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transfered and Edited By Charlie Miller	Source Detail	FLAC
03/24/71	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) and Beat It On Down The Line (0:00 - 0:32)All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/24/71	Winterland Arena	San Francisco	CA	flac16; Source: unknown aud > cdr > eac > wav > flac	Source Detail
04/04/71	Manhattan Center	New York	NY	AUD>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman	Source Detail
04/04/71	Manhattan Center	New York	NY	flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac	Source Detail
04/04/71	Manhattan Center	New York	NY	flac16; source: MSR > C >DAT3 > Delta DiO 2496 > SoundForge 7.0 > cdwav > flac > wav > flac; this is a partial clean up of shn id 35252. see text file (note: this source was originally seeded with some files out of order)	Source Detail	FLAC
04/04/71	Manhattan Center	New York	NY	flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/05/71	Manhattan Center	New York	NY	remastered de-whined version? (see notes) of version circulating 8/99, via Leigh Orf; his other comments: "I also fixed track sector boundaries (urk why can't people get this right the 1st time), cut a couple of annoying micro-dropouts, put smooth fades in/out where the reel stopped/started, and did a seamless crossfade-merge on the reel flip in Lovelight" and retracked d3	Source Detail
04/05/71	Manhattan Center	New York	NY	7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens	Source Detail	SHN
04/05/71	Manhattan Center	New York	NY	flac16; Partial show source: aud of unknown origin lineage: mono aud>?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/7/09	Source Detail	FLAC
04/05/71	Manhattan Center	New York	NY	flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros.	Source Detail	FLAC
04/05/71	Manhattan Center	New York	NY	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; This source is a fix of shnid=110127 (Fixed track mark on d2t04); All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/06/71	Manhattan Center	New York	NY	7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens	Source Detail
04/06/71	Manhattan Center	New York	NY	SBD; via M. Lai	Source Detail	SHN
04/06/71	Manhattan Center	New York	NY	flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 8, 2008, Green Mountain Bros.	Source Detail
04/06/71	Manhattan Center	New York	NY	flac16; source: aud of unknown origin; lineage: mono aud>?>7" reel @ 3.34 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/6/09	Source Detail	FLAC
04/06/71	Manhattan Center	New York	NY	flac16/44 Betty Cantor-Jackson's Master Soundboard Reels (7" 1/2 track @ 7 1/2 ips w/ dolby A) > Steve Whitaker's Sony PCM-501 (PCM/0); Steve Whitaker's PCM/0 (Sony PCM-601; digital out) > Rob Eaton's Panasonic SV-3700 DAT (16/44.1); Rob Eaton's DAT (16/44.1)(Panasonic SV-3700) > Dolby A361 > Rob Eaton's Panasonic SV-3700 (16/44.1) Transfer Info: DAT (16/44.1)(Tascam DA-40) > Tascam DA-3000 (16/44.1) > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16	Source Detail	FLAC
04/06/71	Manhattan Center	New York	NY	Source: Original transfer Betty Cantor Jackson;s Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (44k) Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/44.1 Lineage: wav 16/44.1 > iZotope RX 9 Advanced > CD Wave > flac 16	Source Detail	FLAC
04/06/71	Manhattan Center	New York	NY	flac1648 Analog Audience Source: Unknown mic/deck/generation Medium Stock Brands: Maxell UDXLII 90 (70 uS EQ) Dolby On Analog Sound Preservation: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) AUD Source Taped By: Unknown Tape provided by Doug Lamarre Transfer By: Matt Vernon Mastering by: Andrew F	Source Detail	FLAC
04/07/71	Music Hall	Boston	MA	Betty Board, details as outlined in Compendium; via Leigh Orf; corrupt d2t7 replaced 3/17; note Phil low/absent in mix	Source Detail
04/07/71	Music Hall	Boston	MA	flac16; 7" BBD Reel > PCM501ES > Fostex D5 > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 1-12-02 WBOTB Project	Source Detail	FLAC
04/07/71	Music Hall	Boston	MA	flac16; Source: Betty Cantor 7" two track reel w@ 7 1/2 ips> PCM501ES @ 44.055 kHz CM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Jace Crouch’s original source WBOTB DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 5, 2008, Green Mountain Bros.	Source Detail	FLAC
04/07/71	Music Hall	Boston	MA	flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11	Source Detail	FLAC
04/08/71	Music Hall	Boston	MA	SBD; via Mike Lai; updated info file with tracklist and notes provided by Cosmic Chuck	Source Detail
04/08/71	Music Hall	Boston	MA	flac16; 7" Betty Board Reel > PCM501ES analog out > Dolby A Decoder > Analog in PCMF1 PCM501ES analog out > Fostex D5 optical S/PDIF out > disk Transferred by Tim Deibert 9-16-02 WBOTB	Source Detail
04/08/71	Music Hall	Boston	MA	flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky January 1, 2009, Green Mountain Bros.	Source Detail
04/08/71	Music Hall	Boston	MA	SMR>PCM>WAV>Shn; Conversion via SEK'd Prodif96Pro, editing via Samplitude filtered the right channel to reduce 60-cycle hum using narrowband filter reducing it a few db's; uploaded by theotherwayne@yahoo.com	Source Detail	shn
04/08/71	Music Hall	Boston	MA	sbd; same as /shninfo_detail.php?shnid=120 with SBEs fixed and seektables appended with shntool.	Source Detail	shn
04/10/71	East Hall, Franklin & Marshall College	Lancaster	PA	SBD>MR>C>DAT>CD; via Mark Pfortmiller; Seeded to etree by Willy	Source Detail
04/12/71	Civic Arena	Pittsburgh	PA	flac16; SBD -> Reel Master -> Dat -> Sound Forge -> CD Transferred By Charlie Miller	Source Detail
04/13/71	Catholic Youth Center	Scranton	PA	set 2 partial; Master Soundboard Reel > DAT> CDR	Source Detail	SHN
04/13/71	Catholic Youth Center	Scranton	PA	flac16; MSR>DAT3x>Delta Dio 2496 soundcard>Soundforge>Flac16	Source Detail
04/14/71	Davis Gymnasium	Lewisburg	PA	SBD> MR> DAT> CDR; several spots of irreparable reel static; via Mike Lai with thanks to Paul B.; note 4 tracks in d2 had been misnumbered, corrections shown in fixed md5s: 1> 3, 2>4, 3>1, 4>2	Source Detail
04/14/71	Davis Gymnasium	Lewisburg	PA	flac16/48kHz; Static reduced, speed corrected, slightly eq'ed & gain normalized version of source ID 132543 (SBD> MR> DAT) by Dan McDonald	Source Detail	FLAC
04/14/71	Davis Gymnasium	Lewisburg	PA	flac16; Recording Info: SBD > MR > ? > DAT > CDR; Transfer Info: CDR > WAV > Sound Forge 10 > TLH > Flac; Cleaned up, retracked, remastered version of shnid 6250. Cleaned up, retracked and mastered by Bill Guarneri, August 9, 2014	Source Detail	FLAC
04/14/71	Davis Gymnasium	Lewisburg	PA	flac16/48kHz: 7 Inch 1/4 Track Reel Master @ 7.5 ips (Recorded By Bob Mathews); Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel to Reel-Sony PCM-R500 DAT Deck @ 48KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing (Adobe Audition CC)-Mastering & Processing (iZotope Ozone 6)-FLAC encoding(dBpoweramp)- Tagging(Tag & Re-name)	Source Detail	FLAC
04/15/71	Allegheny College	Meadville	PA	SBD>MR>DAT>CD; missing 5 songs; See info file for details; via Bill O; Seeded to etree by eD(efojr)	Source Detail
04/17/71	Dillon Gym, Princeton University	Princeton	NJ	set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield	Source Detail
04/17/71	Dillon Gym, Princeton University	Princeton	NJ	set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield	Source Detail
04/17/71	Dillon Gym, Princeton University	Princeton	NJ	flac16; source: soundboard lineage: MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav	Source Detail	FLAC
04/17/71	Dillon Gym, Princeton University	Princeton	NJ	flac16; Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith	Source Detail	FLAC
04/17/71	Dillon Gym, Princeton University	Princeton	NJ	flac16/48kHz; SBD Master Reel originally recorded with analog equipment on a 7 inch, 7.5 i.p.s half-track master reel; Transferred to 16 48 WAV February 2017	Source Detail	FLAC
04/18/71	Lusk Field House, S.U.C.N.Y	Cortland	NY	SBD : MR > RR > DAT > CD; Extraction, editing and .shn encoding by Alan J. Fink, from John Valter seed; patch in UJB; see info file for additional notes	Source Detail
04/18/71	Lusk Field House, S.U.C.N.Y	Cortland	NY	SBD> MR> ??> DAT> CDR; splice at 4:20 of Casey Jones, missing a couple seconds, UJB cuts at 3:21; via Mike Lai, with thanks to Paul B.	Source Detail	SHN
04/21/71	Rhode Island Auditorium	Providence	RI	sdb> MR> PCM> CD; via Mike Lai	Source Detail
04/21/71	Rhode Island Auditorium	Providence	RI	MSR> R> D> CD> DAE> SHN; sector boundary fix of previous shn set, by Seth Kaplan	Source Detail
04/21/71	Rhode Island Auditorium	Providence	RI	Recording Info: SBD > R > DAT >CD; Transfer Info: CD >WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked version of Source ID 8227	Source Detail	FLAC
04/22/71	Bangor Municipal Auditorium	Bangor	ME	Master Soundboard Reel > DAT > CDR; shn encoded/uploaded by Scott Clugston; to abgd, 11/00 to etree	Source Detail
04/22/71	Bangor Municipal Auditorium	Bangor	ME	flac1644; Recording info: Master soundboard reel > first generation reel > PCM > DAT (via Anon); Transfer info: Tascam DA-302 > Sound Devices 722 (digital transfer); DAT transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
04/24/71	Wallace Wade Stadium, Duke University	Durham	NC	sdb> MR> PCM> CD; via Mike Lai; 3/10, Michael Weise provided modified tracking (alt md5s, same checksums) and updated info file	Source Detail
04/24/71	Wallace Wade Stadium, Duke University	Durham	NC	flac16/48kHz; Source Info: Master 7" 1/2 track Soundboard Reels @ 7.5 ips > Will Boswell's Reels > Matt Smith's 2nd generation Reels; Transfer Info: 2nd (possibly 3rd) Generation Reels (Technics RS-1506) > Apogee Mini Me (24-bit/96k) > Adobe Audition 3.01 (24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/25/71	Fillmore East	New York	NY	Partial set 2; sbd>RM>?>DAT>CD; via Charlie Miller; Seeded to etree by Grote	Source Detail
04/25/71	Fillmore East	New York	NY	flac16; Source: SBD -> ? -> C -> CDR via Dave Minor, encoding Matt Vernon	Source Detail	FLAC
04/25/71	Fillmore East	New York	NY	flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/26/71	Fillmore East	New York	NY	MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; includes (wrong) NRPS; note 4 CD best-of-run is available from the Dead	Source Detail
04/26/71	Fillmore East	New York	NY	GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's covers	Source Detail
04/26/71	Fillmore East	New York	NY	flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller	Source Detail	FLAC
04/26/71	Fillmore East	New York	NY	source not specified; includes (wrong) NRPS; see info file for listening notes; tracked out same as previous shn set (likely same source), but md5s differ; via vine?	Source Detail	shn
04/26/71	Fillmore East	New York	NY	Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim>CD Transfered and mastered by Matt Smith 5/11	Source Detail	FLAC
04/26/71	Fillmore East	New York	NY	flac16; MR 7.5 ips > R > FLAC Will Boswells from Peter Kafer; Transfer: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; remastered by Matt Smith 2013	Source Detail	FLAC
04/26/71	Fillmore East	New York	NY	flac16; Source: Master Soundboard Rell 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018; This file set is 16 bit @ 44.1	Source Detail	FLAC
04/27/71	Fillmore East	New York	NY	MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead	Source Detail
04/27/71	Fillmore East	New York	NY	mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.)	Source Detail	FLAC
04/27/71	Fillmore East	New York	NY	flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller	Source Detail	FLAC
04/27/71	Fillmore East	New York	NY	SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead	Source Detail
04/27/71	Fillmore East	New York	NY	MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine?	Source Detail	shn
04/27/71	Fillmore East	New York	NY	flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/27/71	Fillmore East	New York	NY	flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
04/28/71	Fillmore East	New York	NY	Complete; Previous splices patched with 'official release' material; See info file for details; Truckin'through Bird Song 02:07.38: MSR>Reel>Alesis Masterlink>CDR; Bird Song 02:08.70 through end of show: MSR 7 inch (7.5 ips) Revox A 77> Alesis Masterlink> CDR (previous splices patched via multi- track sources as noted below); Seeded to etree by Seth D Kaplan and Alan J Fink	Source Detail
04/28/71	Fillmore East	New York	NY	MR> R> CDR and MR> CDR; includes NRPS; see info file for listening notes; tracked out same as previous shn set (likely same source), but md5s differ; via vine?	Source Detail	shn
04/28/71	Fillmore East	New York	NY	MSR > (Reel post-Bird Song) >Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead	Source Detail
04/28/71	Fillmore East	New York	NY	MR>R>CDR and MR>CDR with alt. SBD patches; Refined, patched, re-tracked and SHN'ed by Chris Frisco.	Source Detail
04/28/71	Fillmore East	New York	NY	flac16; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/16; All Mastering By Charlie Miller	Source Detail	FLAC
04/28/71	Fillmore East	New York	NY	flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > CD FLAC; Transfered and mastered by Matt Smith	Source Detail	FLAC
04/28/71	Fillmore East	New York	NY	flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Truckin thru Bird Song is from a second gen reel. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transfered and mastered by Matt Smith	Source Detail	FLAC
04/28/71	Fillmore East	New York	NY	MR> R> CDR and MR> CDR; includes NRPS; see info file for listening notes; tracked out same as previous shn set (likely same source), but md5s differ; via vine?	Source Detail	FLAC
04/29/71	Fillmore East	New York	NY	complete, including NRPS; MSR 7 inch (Revox A-77) @ 7.5 ips > Alesis Masterlink >CD-R; via Bob Murphy, Dan Stephens; stemming from Jim Wise seed of Well vine; note d5 tracked for 80 min; see highly detailed commentary in pub comments; note 4 CD best-of-run is available from the Dead	Source Detail
04/29/71	Fillmore East	New York	NY	Lineage: (mostly) SB> MR> CD; Refined by Chris Frisco, 20 glitches painstakingly removed without deleting any of the wav; Bird Song patched; See info file for further details; Circ's w/ NRPS opening set	Source Detail
04/29/71	Fillmore East	New York	NY	fake version of the show, seeded by Dan Am-Dig to bt.etree.org, actually a composite including material from 4/27,28 as "patches" or "interleaves" (see notes in 4/6 info)	Source Detail
04/29/71	Fillmore East	New York	NY	SBD > 8 track RTR @ 15 i.p.s. (Vault Master) > 2 track RTR @ 15 i.p.s. (Phil Lesh 1987 mixdown Safety) > 24/96 DAT > SSSB (SHNTOOL used and verified)	Source Detail	SHN
04/29/71	Fillmore East	New York	NY	MR> R> DAT> CDR; note 4 CD best-of-run is available from the Dead	Source Detail
04/29/71	Fillmore East	New York	NY	flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller	Source Detail	FLAC
04/29/71	Fillmore East	New York	NY	flac16; SBD MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering) > Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > FLAC	Source Detail	FLAC
04/29/71	Fillmore East	New York	NY	flac16; Recording Info: SBD -> 16 Track Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/29/71	Winterland Arena	San Francisco	CA	source 1: AUD>M?>C>CD>EAC>SHN; source 2: AUD>M?>C>D>SHN; see caveat for sound quality; Thanks to Jim Powell and others	Source Detail
05/29/71	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC (1 Disc Audio / 1 Disc FLAC)	Source Detail	FLAC
05/30/71	Winterland Arena	San Francisco	CA	flac16; Unknown Mics -> ? -> Cassette -> Dat (44.1k) Transferred and Edited By Charlie Miller	Source Detail
05/30/71	Winterland Arena	San Francisco	CA	flac16; SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/21/71	Chateau D'Herouville	Herouville	France	SBD MR> ?> D> CD patched with AM MR> R> C> CD, 5% speed correction, by Hanno Bunjes; see info file for notes; to BUDD offer, later to etree	Source Detail
06/21/71	Chateau D'Herouville	Herouville	France	flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/02/71	Fillmore West	San Francisco	CA	FM; Bob Clevenger's clean-up of Leigh Orf's hosting of Mike Lai's previous shn set; see notes in info file	Source Detail
07/02/71	Fillmore West	San Francisco	CA	sdb (suspected FM); via Mike Lai; Sector boundaries fixed, files renamed correctly and txt file cleaned up by Dave Backus	Source Detail
07/02/71	Fillmore West	San Francisco	CA	Pre-FM MSR> DAT> CD?; Transfer: EAC> WAV> FLAC by Sean Cribbs, from Connie Veigh source discs	Source Detail	FLAC
07/02/71	Fillmore West	San Francisco	CA	Source: Master Reel (Pre-FM) > PCM > DAT Conversion: M-1 > 7-pin optical > Co2 > SB Live > CDwav Record and Index > FLAC (1.1GB)	Source Detail	FLAC
07/02/71	Fillmore West	San Francisco	CA	flac16; Partial Set 2, FM>Reel>CDR>TLH>FLAC and Pre-FM MSR>DAT>CDR>TLH>FLAC	Source Detail	FLAC
07/02/71	Fillmore West	San Francisco	CA	flac16; Pre Broadcast Recording > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audacity and Wavelab 7.1 mastering by Jamie Waddell; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH	Source Detail	FLAC
07/31/71	Yale Bowl, Yale University	New Haven	CT	AKG 190E mic > Uher 4000 Report-L 5" Reel deck, Taper: Marty Weinberg; mixed genealogy: I: AudMR > CD > EAC > WAV > SHN, II: AudMR > C > DAT > CD > EAC > WAV >SHN; final digital version assembled by: Noah Weiner; see info file for details and flaw notes; via Audience Devotional Tree	Source Detail
07/31/71	Yale Bowl, Yale University	New Haven	CT	flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/04/71	Terminal Island Correctional Fac.	San Pedro	CA	flac16; Recording Info:SBD -> Master Reel -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/05/71	Hollywood Palladium	Hollywood	CA	AUD>MR>R>D>CD; via Jeff Krakowka & Jim Hale; Seeded to etree by J. Cotsman	Source Detail
08/05/71	Hollywood Palladium	Hollywood	CA	flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/05/71	Hollywood Palladium	Hollywood	CA	flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/05/71	Hollywood Palladium	Hollywood	CA	flac 16; Sick Bits Vol. 29a - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=96540) + AUD (shnid=94260) as well as patch AUD sources (shnid=88859 and shnid=9768). Matrixed by Chris Chappell.	Source Detail
08/05/71	Hollywood Palladium	Hollywood	CA	flac16; Source: (FOB) Sony ECM-22P's > Sony 770 > Master Reel > Reel - Recorded by Harvey Kaslow and Craig Todd, provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; this file set is 16 bit @ 44.1	Source Detail	FLAC
08/05/71	Hollywood Palladium	Hollywood	CA	flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD 'loser' was missing on this reel but used Don Wolfe's MAR>R>R @ 3 3/4 ips copy... One of the mics malfunctioned before the second set resulting in a mono recording on set 2 R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)	Source Detail	FLAC
08/05/71	Hollywood Palladium	Hollywood	CA	flac16; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; Mastered By Charlie Miller	Source Detail	FLAC
08/05/71	Hollywood Palladium	Hollywood	CA	flac24; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; Mastered By Charlie Miller	Source Detail	FLAC
08/06/71	Hollywood Palladium	Hollywood	CA	updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys	Source Detail
08/06/71	Hollywood Palladium	Hollywood	CA	flac16; fix of the flaws in shn id 30224 source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Harv Kaslow D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) notes: I've been aware for some time that when I originally did the pitch corrction, I didn't get it right on the first 4 tracks. They have now been corrected	Source Detail
08/06/71	Hollywood Palladium	Hollywood	CA	flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> SHN Transfer Info: SHN -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/06/71	Hollywood Palladium	Hollywood	CA	flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/06/71	Hollywood Palladium	Hollywood	CA	flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) January 3, 2009	Source Detail
08/06/71	Hollywood Palladium	Hollywood	CA	flac24; FOB Sony ECM-22P mics New Riders - MAR>R@ 7.5 ips.>DVD; GD - lineage: MAR>R@ 7.5 ips>DVD; Akai GX636 (a rare black model) > Apogee Mini Me @24bit/96kHz > Apogee mini DAC (monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC	Source Detail	FLAC
08/06/71	Hollywood Palladium	Hollywood	CA	flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD --- R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)	Source Detail	FLAC
08/06/71	Hollywood Palladium	Hollywood	CA	source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) Remaster of SHNid=129 by Sir Mick	Source Detail	FLAC
08/14/71	Berkeley Community Theater	Berkeley	CA	SBD MR->DAT->CD; to abgd; info courtesy Trip, 9/13/00	Source Detail
08/14/71	Berkeley Community Theater	Berkeley	CA	Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. Original SHNs were nonseekable and were not named according to etree convention. I renamed the files, cleaned up the splice in d1t06, performed a shntool fix to get rid of the resulting sbe, and re-encoded to seekable SHN. - C.Ladner Another installment of TMNSP, 12/03.	Source Detail
08/15/71	Berkeley Community Theater	Berkeley	CA	mSR> cass> DAT> Serafin remaster> CDR; via Andy Gustin; Andy's comments: "not 100% flawless (eg. reel flip in Rider, sporadic anomalies) but they are absolutely worth getting. To my knowledge this is the best that circulates. They do sound amazing."	Source Detail
08/15/71	Berkeley Community Theater	Berkeley	CA	Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. edits by C.Ladner	Source Detail
08/15/71	Berkeley Community Theater	Berkeley	CA	flac1648 Recording Info: Sony TC-D40 (Built-In Mic) > Cassette Master (TDK 120SD) Transfer Info: Cassette Master (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16 Recording and Transfer by Bob Menke Mastering by Charlie Miller	Source Detail	FLAC
08/15/71	Berkeley Community Theater	Berkeley	CA	flac1644 Recording Info: SBD > Master Reel > Cassette > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/16 All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
08/21/71	Mickey's Barn	Novato	CA	AUDMC(Sony TC-24 with supplied Sony stereo mic) > Nakamichi Dragon (no Dolby) > Sony D7 DAT > optical digital cable (DTC-700 was the playback unit) through a Zefiro ZA2 soundcard tracked and normalized in Sound Forge. Known as "Mickey's Barn Jam"	Source Detail
08/21/71	Mickey's Barn	Novato	CA	flac16; listed as SBD from John Cipollina's reels > 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac (this is actually an audience recording)	Source Detail
08/23/71	Auditorium Theatre	Chicago	IL	AUD>MR>C>R>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail
08/23/71	Auditorium Theatre	Chicago	IL	flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/23/71	Auditorium Theatre	Chicago	IL	flac1644 Audio Cassette (3rd gen) from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 11 Advanced > iZotope Neutron 3 > iZotope RX 11 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick September 2023	Source Detail	FLAC
08/26/71	Gaelic Park	Bronx	NY	SDBMR> DAT> WAV> SHN; via Dopey; faded in on reel cut into d2t3; apparently level differences between sets 1 and 2	Source Detail
08/26/71	Gaelic Park	Bronx	NY	flac16; SBD -> Master Reel (7in @ 7.5ips 1/2 Track) -> Cassette (Tascam 122mkII) -> Dat (48k) Transferred and Edited By Charlie Miller	Source Detail
08/26/71	Gaelic Park	Bronx	NY	flac16; Source 1: set 1 and Casey Jones - unknown aud and Source 2: the rest of set 2 - AKG190E > Uher 400L, taped by Marty Weinberg remastered by SIRMick	Source Detail	FLAC
08/26/71	Gaelic Park	Bronx	NY	flac16; taped by Marty Weinberg: akg d190e mic > Uher 4000L; source: aud 1st gen reel lineage: aud 5" reel masters>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 7/25/09	Source Detail	FLAC
08/26/71	Gaelic Park	Bronx	NY	Fixed version of previous file set. Source info same as 32303, but with fix for static in one channel during the last second of d1t12.	Source Detail	FLAC
08/26/71	Gaelic Park	Bronx	NY	flac16; source: aud cassette master taped by Jim & Laurie Cooper; 2 unknown mics > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger 2013	Source Detail	FLAC
08/26/71	Gaelic Park	Bronx	NY	flac16; 3 Source Matrix by dusborne; Soundboard (shnid32521):SBD -> Master Reel (7in @ 7.5ips 1/2 Track) -> Cassette (Tascam 122mkII) -> Dat (48k).Transfer:Dat (Sony R500)-> SEK'D Prodif Plus-> Samplitude Professional 8.01->Cool Edit Pro v2.0 -> FLAC (3 Discs Audio / 2 Discs FLAC).Transferred and Edited By Charlie Miller.Audience (shnid:100292):Jerry Moore's copy taped by Marty Weinberg:akg d190e mic > Uher 4000L,aud 5" reel masters>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger. Audience (shnid126297):taped by Jim & Laurie Cooper,source: aud cassette master 2 unknown mics > hitachi trq-222,nak dragon > benchmark adc1 24/96 >adobe audition cs6 16/44.1 > flac transfer & seed - Rob Berger.	Source Detail	FLAC
09/29/71	Studio Rehearsals with Keith Godchaux	Santa Venetia	CA	MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt	Source Detail
09/29/71	Studio Rehearsals with Keith Godchaux	Santa Venetia	CA	flac16 Bootleg CDs "Unsurpassed Master Vol 4" And "Unsurpassed Master Vol 6" > EAC > Wav > FLAC	Source Detail	FLAC
09/30/71	Studio Rehearsals with Keith Godchaux	Santa Venetia	CA	Studio rehersal with Keith Godchaux MSR>C>DAT>WAV>SHN via Cousinit	Source Detail
09/??/71	Keith rehearsals	Santa Venetia	CA	flac16/48khz omplied from multiple sources including analog tapes (from the Jeff Knudsen Archive, curated by Tom Markson, and Blackwood archives) as well as existing shn and bootleg cd sources. Regarding accuracy of dates within the sets of rehearsals: this is as-is as it may not all be 100% correct. Cassette source transfers (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transfers and Mastering by Jim Blackwood Speed Corrections by Jason Chastain Project assistance from Jamison Waddell	Source Detail	FLAC
10/01/71	Studio	Santa Venetia	CA	Studio Rehearsals w/ Keith Godchaux: Compilation of 09/29 & 09/30, and 10/01/71; boot cd (unsurpassed vol 5) -> eac-> wav-> shn; Unknown seeder; note this shn set used to be listed on 10/1/71 but would be better moved here- use this date instead for the comp	Source Detail
10/01/71	Studio	Santa Venetia	CA	MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived].	Source Detail
10/19/71	Northrop Auditorium, U. of Minn.	Minneapolis	MN	PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston	Source Detail
10/21/71	Auditorium Theatre	Chicago	IL	flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/21/71	Auditorium Theatre	Chicago	IL	Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
10/21/71	Auditorium Theatre	Chicago	IL	Jay Ashley (Bertha) remaster of original MR source; SBD>>MR>>Cass>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA	Source Detail	SHN
10/21/71	Auditorium Theatre	Chicago	IL	SBD> MR> C> D> CD> EAC>S HN; EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Cook; see listening notes in info file	Source Detail	SHN
10/21/71	Auditorium Theatre	Chicago	IL	flac1648 FM Broadcast (WGLD 102.7 FM - Oak Park, IL) > ?? > Don Wolfe's Reels Transfer Info: Don Wolfe's reels (Revox A77 MK4) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 .wav > Adobe Audition 2024 > TLH2496	Source Detail	FLAC
10/22/71	Auditorium Theatre	Chicago	IL	flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/22/71	Auditorium Theatre	Chicago	IL	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/23/71	Eastown Theater	Detroit	MI	SBD>FM>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman	Source Detail
10/23/71	Eastown Theater	Detroit	MI	SBD>FM>?>CASS>CD>EAC>DC5>CD Thanks to the Wizard; seedeD	Source Detail
10/23/71	Eastown Theater	Detroit	MI	flac16; Recording Info:SBD -> Master Reel (7 Inch - 1/2 Track) -> Sound Devices 744T (24bit/96k) -> FLAC/24; Transfer Info:FLAC/24 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/23/71	Eastown Theater	Detroit	MI	FM C/3; via Uli Teute and Hanno Bunjes	Source Detail	shn
10/24/71	Eastown Theater	Detroit	MI	Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston	Source Detail
10/24/71	Eastown Theater	Detroit	MI	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/26/71	The Palestra, U. of Rochester	Rochester	NY	Source 1: (all material on discs 1 & 2) SBD>MR>R>C>D>CD(pre FM) Source 2: (all material on disc 3) SBD>MR>?>D>CD; via Matt Vernon, Raoul Duke, and Jeff Cook; Seeded to etree by J. Cotsman	Source Detail
10/27/71	Onondaga County War Memorial	Syracuse	NY	Missing 3 2nd set tracks, see info file for details; SBD>FM>MR>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail
10/27/71	Onondaga County War Memorial	Syracuse	NY	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
10/29/71	Allen Theatre	Cleveland	OH	Complete; 1st set: SBD> FM> ?> C> Sound Forge> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; via Walter Schnell, Tony Gardner & Paul B.; Seeded to etree by J. Cotsman	Source Detail
10/29/71	Allen Theatre	Cleveland	OH	Recording Info: SBD (7inch Master Reels@7.5ips 1/2trk) -> Cass (Tascam 122mkIII) -> Dat (3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sharp MV10 -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller	Source Detail
10/29/71	Allen Theatre	Cleveland	OH	set 2; SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B. CD	Source Detail	shn
10/30/71	Taft Auditorium	Cincinnati	OH	FM> Pioneer RT-707 (7" reel @ 19 ips)> CD; Conversion: Kenwood TrueX > EAC > shn v3 (seekable); via Brian Cole	Source Detail
10/30/71	Taft Auditorium	Cincinnati	OH	mixed sources; primary: Pre-FM MR (1/2 track, 7.5 ips), Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWave > Goldwave (resample to 44.1 and edits) > CDwave > mkwACT, Primary source supplied by Josh Braveman; Secondary: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD, Conversion: Kenwood TrueX > EAC > shn v3 (seekable); edited (patching, pitch correction, d/o repair) by Doug Nawrocki et al (see notes)	Source Detail
10/30/71	Taft Auditorium	Cincinnati	OH	flac16; Updated Recording Info: Pre FM SBD > MR > RR @ 7 1/2 IPS; Transfer Info: RR > 1978 Teac 3440 > WAV > Sound Forge 10 > TLH > FLAC; Transfered, tracked and mastered by Bill Guarneri, August 1, 2014	Source Detail	FLAC
10/30/71	Taft Auditorium	Cincinnati	OH	flac16; Recording of the FM Broadcast on WEBN Cincinnati, DAT provided and transferred by Stuccoholmes, Editing and Mastering by Jamie Waddell in Wavelab 7.1, Critical Listening assitance by John Wenzel. Track, FLAC and Pack by Norm	Source Detail	FLAC
10/31/71	Ohio Theatre	Columbus	OH	partial SBD pre-fm GDH Dick Pick's leftovers	Source Detail
10/31/71	Ohio Theatre	Columbus	OH	flac16; Set 1 & Encore: Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC	Source Detail
11/06/71	Harding Theater	San Francisco	CA	SBD> MR> C> DAT> CDR; note PA problems with the piano throughout show; via Mike Lai, with thanks to Paul B.	Source Detail
11/07/71	Harding Theater	San Francisco	CA	updated lineage: sdb> MR> [FM> ?>] D> CD; via Mike Lai	Source Detail
11/07/71	Harding Theater	San Francisco	CA	flac1644 Pre-FM > Master Reels > DAT (44.1k) Transfer Info: DAT > FLAC > Samplitude Pro X6 Suite > FLAC/16	Source Detail	FLAC
11/07/71	Harding Theater	San Francisco	CA	SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan	Source Detail
11/07/71	Harding Theater	San Francisco	CA	flac16; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Telefunken tubes tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
11/07/71	Harding Theater	San Francisco	CA	flac16; FM or Pre-FM > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Audacity and Wavelab 7.1 Mastering by Jamie Waddell	Source Detail	FLAC
11/07/71	Harding Theater	San Francisco	CA	flac24/96 Recording Info: FM > Master Reel (3.75ips) > Reel (3.75ips) Transfer Info: Reel (Akai GX636) Apogee Mini-Me (24-bit/96k) > FLAC Mastering Info: FLAC > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 Remastered version of shnid=127490	Source Detail	FLAC
11/07/71	Harding Theater	San Francisco	CA	flac1648: Recording Info: FM (KSFX-FM) > Master Reels (3.75ips Quarter track) Transfer Info: Master Reel (Technics RS-1506) > Korg (DSF 1-bit-5.6MHz) > Korg Audio Gate (FLAC 24-bit-96k) Mastering Info: FLAC (24-bit-96k) > Adobe Audition 2023 > iZotope RX8 Advanced > Samplitude Pro X6 Suite (WAV 16-bit-48k) > flac16 Patch Info: Pre-FM > Master Reels > DAT (44.1k) Ramble On Rose (0:00 - 0:18) Recording and Transfer by Bob Menke. Mastering by Charlie Miller.June 11, 2024 Notes: -- There are mix issues at the start of Ramble On Rose (on all sources) -- Brokedown Palace has an extra reel gen -- Thanks to Bob Menke for sharing his recording -- Thanks to Jim Blackwood for his help with this project	Source Detail	FLAC
11/11/71	Atlanta Municipal Auditorium	Atlanta	GA	Sbd>MR>?>Dat>cd; via Yubah, Ernie Dodd	Source Detail
11/11/71	Atlanta Municipal Auditorium	Atlanta	GA	flac1644 (Bootleg Tape - from FM broadcast) FM-Cassx?>CD>.wav>flac via Brian Flegel	Source Detail	FLAC
11/12/71	San Antonio Civic Auditorium	San Antonio	TX	sdb> master reel> pcm> cdr; via Mike Lai	Source Detail
11/12/71	San Antonio Civic Auditorium	San Antonio	TX	Master Soundboard Reel > Cassette > DAT > CDR	Source Detail
11/12/71	San Antonio Civic Auditorium	San Antonio	TX	2nd set only; S : MC > C > SONIC SOLUTIONS > CDR > EAC > COOL EDIT PRO >CD (patched with SBD : MR > PCM > CDR source); See info file for details; via Charlie Miller; Seeded to etree by Alan J Fink;	Source Detail	FLAC
11/12/71	San Antonio Civic Auditorium	San Antonio	TX	flac16; Source: Sbd > master reel (vault) > reel (dick latvala) > dat 48k (rob Eaton); Transfer: Dat > Sony R500 > Sound Devices 744T > wav 16/48; transfer by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope Ozone 5 Advanced > iZotope RX4 advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; edited and mastered SIRMick	Source Detail	FLAC
11/12/71	San Antonio Civic Auditorium	San Antonio	TX	flac16; Partial Set 2 Source: Sbd > Master reel (vault) > Dick's dat (44.1) - Provided by Rob Eaton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16; edited and mastered SIRMick June 2018	Source Detail	FLAC
11/14/71	Texas Christian University	Fort Worth	TX	SBD> MR> C> (additional analog gens?)> DAT> CDR; minor background noise from 3:21-3:23 of IKYR; via Mike Lai, with thanks to Paul B.	Source Detail
11/14/71	Texas Christian University	Fort Worth	TX	SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller	Source Detail
11/14/71	Texas Christian University	Fort Worth	TX	Charles Weir fix of original SBD source; including a written txt file	Source Detail	SHN
11/14/71	Texas Christian University	Fort Worth	TX	flac1648 Analog Audience Source: Unknown mic/deck/2nd generation AUD Source Taped By: Unknown Tape provided by Ann Saltmarsh to Doug Lamarre Medium Stock Brands: Sony LNX 90 (120 uS EQ) Dolby On Analog Sound Preservation by Matt Vernon: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) Mastering by AndrewF: - Caveat Auditor: bass-heavy lo-fi mono recording, barely any audio info in the high-end. - Wavelab (24/96) used for; reconstituting original mono, gain & speed adjustments, and attenuating close-claps and mic-bumps.	Source Detail	FLAC
11/15/71	Austin Municipal Auditorium	Austin	TX	SBD>MR>C>D>CD>EAC>SHN (patched with slightly degraded SBD, also listed with one cassette generation in the lineage); complete show; Thanks to Michael Dixon & Chuck Kiefe; edits/encoding by JCotsman	Source Detail
11/15/71	Austin Municipal Auditorium	Austin	TX	flac16; MSR>C>DAT2x>Delta Dio 2496>Soundforge>WAV>FLAC This is from a new single source (seeded 11/15/05)	Source Detail
11/15/71	Austin Municipal Auditorium	Austin	TX	partial: "Big Jam" portion; SBD:MR > Cassette > Sonic Solutions > CDR > EAC > SHN; CD mastering by David Gans. Extraction (EAC), re-tracking (CD Wave and WavMerge), and .shn encoding (mkwACT) by Joe Jupille	Source Detail	SHN
11/15/71	Austin Municipal Auditorium	Austin	TX	flac1644 Source Info: FM Broadcast > Unknown gear > ?? > DAT (16/44.1) Transfer Info: DAT (Sony PCM R-500)(16.44.1) > Tascam DA-3000 > 16./44.1 .wav > Adobe Audition 2023 > TLH flac16	Source Detail	FLAC
11/15/71	Austin Municipal Auditorium	Austin	TX	flac1644 Fixed: Recording Info: SBD > Master Reel > DAT > CD > WAV (16-bit/44.1k) Transfer Info: WAV > Samplitude Pro X6 Suite > Adobe Audition CC2022 > FLAC/16	Source Detail	FLAC
11/15/71	Austin Municipal Auditorium	Austin	TX	flac16; Recording Info: SBD > Master Reel > DAT > WAV (16-bit/44.1k); Transfer Info: WAV > Samplitude Pro v10.2.1 > Izotope RX8 Advanced > Adobe Audition CC2022 > FLAC/16	Source Detail	FLAC
11/15/71	Austin Municipal Auditorium	Austin	TX	flac1644 Fixed version. Source Info: FM Broadcast > Unknown gear > ?? > DAT (16/44.1) Transfer Info: DAT (Sony PCM R-500)(16.44.1) > Tascam DA-3000 > 16./44.1 .wav > Adobe Audition 2023 > TLH flac16	Source Detail	FLAC
11/17/71	Albuquerque Civic Auditorium	Albuquerque	NM	SBD>FM>MC>C>D>CD; Patched with SBD>FM>MC>?>C>Sound Forge>SHN (higher gen than primary source); See info file for details; via Jeff Cook & Walter Schnell; Seeded to etree by J. Cotsman	Source Detail
11/20/71	Pauley Pavilion, UCLA	Los Angeles	CA	SBD>FM>R>DAT>CDR; via Rick Martin; Seeded to etree by Willy	Source Detail
11/20/71	Pauley Pavilion, UCLA	Los Angeles	CA	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/01/71	Music Hall	Boston	MA	set 2; sbd; via Mike Lai	Source Detail
12/01/71	Music Hall	Boston	MA	flac16; Recording Info: SBD -> Reel Master -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; upgrade in circulation	Source Detail
12/01/71	Music Hall	Boston	MA	flac16; Partial Set 2 Matrix. Mix Ratio = +3 db sbd (shnid=76424) / -5.5 db aud (shnid=24765) via Matt Vernon	Source Detail	FLAC
12/01/71	Music Hall	Boston	MA	flac16; Set 2 Only; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; All Mastering done By Charlie Miller (This source fixes a flaw in the Big Boss Man on the previous source.)	Source Detail	FLAC
12/01/71	Music Hall	Boston	MA	Source: Unknown aud via David Minor. Likely Lineage: AUDMC > C > C > CDR > EAC > Pitch Correction / editing > SHN Pitch correction and general fixup by David Minches. Minor assistance by Matt Vernon	Source Detail	FLAC
12/02/71	Music Hall	Boston	MA	SBD> MR> R> DAT> CDR; see info file for flaw notes; via Mike Lai, with thanks to Paul B. (SBE fixed version via SIRMick, January, 2006.)	Source Detail
12/04/71	Felt Forum, Madison Square Garden	New York	NY	SBD> MR> DAT> C> DAT> CDR; missing JB Goode, Cumberland fades in; via Mike Lai, with thanks to Paul B.; note d2t2,3 had been misnumbered (reversed) intially- md5s for correctly named tracks are now shown here	Source Detail
12/04/71	Felt Forum, Madison Square Garden	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/04/71	Felt Forum, Madison Square Garden	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
12/04/71	Felt Forum, Madison Square Garden	New York	NY	flac16: aud reel master>reel>dat, taped by Marty Weinberg, Jerry Moore's copy transferred by Rob Berger	Source Detail	FLAC
12/05/71	Felt Forum, Madison Square Garden	New York	NY	Updated lineage: FM > MR > DAT > CD; (had been marked pre-FM) stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes	Source Detail
12/05/71	Felt Forum, Madison Square Garden	New York	NY	Updated lineage: FM>MR>DAT>CD>SHN (had been marked as pre-FM)	Source Detail
12/05/71	Felt Forum, Madison Square Garden	New York	NY	flac16; FM -> Master Reel -> CD -> EAC -> FLAC. This is a complete show and a real nice upgrade from the so-called Pre-FM.	Source Detail	FLAC
12/05/71	Felt Forum, Madison Square Garden	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/06/71	Felt Forum, Madison Square Garden	New York	NY	MSR> DAT> CD; via Seth Kaplan	Source Detail
12/06/71	Felt Forum, Madison Square Garden	New York	NY	flac16; Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/07/71	Felt Forum, Madison Square Garden	New York	NY	SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones	Source Detail
12/09/71	Fox Theatre	St. Louis	MO	MSR> LATVALA C> DAT> CDR; EAC> SHN by Seth Kaplan; upload by Darrin Sacks	Source Detail
12/10/71	Fox Theatre	St. Louis	MO	MR> DAT> Latvala's Cassette> D> CDR (slightly updated lineage); EAC/SHN, Ben Yerys; seed via Seth Kaplan, Jared Minkoff	Source Detail
12/10/71	Fox Theatre	St. Louis	MO	Source: MSR>C>DAT>CD; with FM patch	Source Detail	SHN
12/10/71	Fox Theatre	St. Louis	MO	flac16; Set 1 Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/14/71	Hill Auditorium	Ann Arbor	MI	7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs	Source Detail
12/14/71	Hill Auditorium	Ann Arbor	MI	SBD > Master Reel > PCM > DAT x3> CDR > SHN > WAV > Sound Forge Noise Reduction > SHN; 7" two track Betty Cantor Reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz / PCM501ES analog out > Fostex D5 @ 48 kHz; Mastered to CD using a Tascam DA302 > HHB 850; via jeffk; report by L. Orf- NR version lacking fullness relative to orig- more NR discussion	Source Detail	SHN
12/14/71	Hill Auditorium	Ann Arbor	MI	flac16; Source Info: Betty's 7" 2-track Master Soundboard Reels > PCM > PCM (14 bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
12/15/71	Hill Auditorium	Ann Arbor	MI	set 2; SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; see info file for flaws	Source Detail
12/15/71	Hill Auditorium	Ann Arbor	MI	both sets, 2 different SBD sources (see notes); via Walter Schnell; encoding and mastering by Jeff Cotsman	Source Detail
12/15/71	Hill Auditorium	Ann Arbor	MI	set 1; MR> ?> C> CD, from Hank Harrison cass, presumed lower-gen than previous versions (see notes); via Uli Teute, Hanno Bunjes & Carsten Baumann	Source Detail	SHN
12/15/71	Hill Auditorium	Ann Arbor	MI	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/15/71	Hill Auditorium	Ann Arbor	MI	flac16; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1	Source Detail	FLAC
12/15/71	Hill Auditorium	Ann Arbor	MI	flac24; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24	Source Detail	FLAC
12/31/71	Winterland Arena	San Francisco	CA	FM > Reel > Dat > CDR; via G. Lanum	Source Detail
12/31/71	Winterland Arena	San Francisco	CA	flac16; Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFil-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick	Source Detail	FLAC
12/31/71	Winterland Arena	San Francisco	CA	flac16/48 Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller; fixed version in circulation	Source Detail	FLAC
12/31/71	Winterland Arena	San Francisco	CA	flac1648 Recording Info: FM (KSAN-FM) > Master Reel (Teac/3.75ips) Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16	Source Detail	FLAC
12/31/71	Winterland Arena	San Francisco	CA	flac1648 FIXED Version Recording Info: FM (KSAN-FM) > Master Reel (Teac/3.75ips) Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16 (3 Discs Audio / 1 DVD FLAC) Recording and Transfer by Bob Menke Mastering by Charlie Miller	Source Detail	FLAC
??/??/71	Unknown Studio	Unknown	Unknown	flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC	Source Detail	FLAC
01/02/72	Winterland Arena	San Francisco	CA	updated lineage: SBD> Reel Master> Reel> CD> Sonic Solutions Workstation> CD; via Charlie Miller; Seeded to etree by eD	Source Detail
01/02/72	Winterland Arena	San Francisco	CA	flac16 Recording info: SBD > Master Reel > DAT source from Anon; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
03/05/72	Winterland Arena	San Francisco	CA	Partial 1st set and complete 2nd set; See info file for details and 'cuts'; sbd>cass>cass>cass>dat>cd; Seeded to etree by Jools	Source Detail
03/05/72	Winterland Arena	San Francisco	CA	AUD -> ? -> Reel (Mono) -> DAT -> WAV -> SHN Taper, mic, and deck unkown. Analog > DAT by Neil Sturtevant. DAT > SHN & final edits by Charlie Miller. Added to etree by Noah Weiner	Source Detail
03/05/72	Winterland Arena	San Francisco	CA	SBD -> ?m -> Cass -> Cass -> Cass -> Cass -> Dat -> SHN Patched w/AUD -> ? -> Reel (Mono) -> Dat -> Samplitude -> SHN via Charlie Miller; upgrade now in circulation	Source Detail
03/05/72	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/21/72	Academy Of Music	New York	NY	Set 2; SBD>MR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
03/21/72	Academy Of Music	New York	NY	Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD->EAC->SHN CD->EAC->SHN Done By Joe Samaritano; samaritano@adelphia.net, 2/5/03	Source Detail
03/21/72	Academy Of Music	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/21/72	Academy Of Music	New York	NY	flac16; Source: sbd > cassette master > dat(48k)	Source Detail	FLAC
03/22/72	Academy of Music	New York	NY	Partial Audience Recording via David Hollister. Lineage: A:?>Cass>Reel>CD>EAC>SHN	Source Detail
03/22/72	Academy of Music	New York	NY	flac16; Source: sbd > master reel > dat (48k)	Source Detail	FLAC
03/22/72	Academy of Music	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/23/72	Academy of Music	New York	NY	set II; Gans Betty; Source: ?>Jim Wise BBD (Betty Board)> Gans CD> Goodbear's Gans CD clone> SHN; via Teddy Goodbear to abgd, ~10/16; etreed ~10/29; more info; note slight buzz & a touch of hiss	Source Detail
03/23/72	Academy of Music	New York	NY	Lineage: Betty Board > Gans CD > CD > DAE > SHN SBEs fixed and seeking added with SHNTool. New MD5 generated with MD5Sum. By Gary Field (dark_hollow@comcast.net). No other changes made.	Source Detail
03/23/72	Academy of Music	New York	NY	flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/23/72	Academy of Music	New York	NY	flac16; Source: sbd > master reel > dat (48k)	Source Detail	FLAC
03/23/72	Academy of Music	New York	NY	flac2496 Source: Unknown audience cassette - from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24	Source Detail	FLAC
03/23/72	Academy of Music	New York	NY	flac1644 Source: Unknown audience cassette - from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > iZotope RX 9 Advanced > wav 16/44.1 > CD Wave > Flac 16	Source Detail	FLAC
03/25/72	Academy of Music	New York	NY	AUD composite- see notes in info file; via Hanno Bunjes, with thanks to Uli Teute	Source Detail
03/25/72	Academy of Music	New York	NY	flac16; source: aud reel; lineage: aud>?>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/29/09	Source Detail	FLAC
03/25/72	Academy of Music	New York	NY	flac16; Source: sbd > master reel > dat (48k)	Source Detail	FLAC
03/25/72	Academy of Music	New York	NY	flac16; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick	Source Detail	FLAC
03/26/72	Academy of Music	New York	NY	AUD C/3 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes	Source Detail
03/26/72	Academy of Music	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/27/72	Academy of Music	New York	NY	AUD C/? > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes	Source Detail
03/27/72	Academy of Music	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/27/72	Academy of Music	New York	NY	flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/28/72	Academy of Music	New York	NY	AUD C/5 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes	Source Detail
03/28/72	Academy of Music	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/07/72	Wembley Empire Pool	London	England	2 AUD sources: MR> C> CDR + M?> low-gen reel> CDR (see info file); mastered by Hanno Bunjes from compilation tape by Uli Teute; Hanno's notes	Source Detail
04/07/72	Wembley Empire Pool	London	England	flac16; source: mac (2 sources) > c > cdr + M? > low-gen reel > cdr > ??? > wav > shn > wav > flac; remaster of shnid 6161 by SIRMick	Source Detail	FLAC
04/08/72	Wembley Empire Pool	London	England	SBD; Discs 1 and 2: MR > DAT > CD > EAC > SHN; Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN; Extraction, retracking of discs 1 and 2, and SHN encoding by G.S. Hamilton, from Seth Kaplan's copy; d3 is identical to previously circulated shn; note 1/01: cleaned version of this now in shn	Source Detail
04/08/72	Wembley Empire Pool	London	England	SBD> MR (16 track)> DAT> [Disc 3 only: SS]> Sound Forge 4.5>CDR; remastering by Bill Giles, with disc 3 work by David Gans; EAC> SHN by Jeff M.; see detailed notes in info file	Source Detail
04/08/72	Wembley Empire Pool	London	England	flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/11/72	Newcastle City Hall	Newcastle	England	remastered by Bill Giles - source is SBD MC>D>CD>SoundForge>CD See info file for flaws & Bill's mastering notes	Source Detail
04/11/72	Newcastle City Hall	Newcastle	England	flac16; Source: SBD Lineage: MR(recorded by Rex Jackson)>R(JG)>R(WB)>CD transfer info:Maxell UD XL reel tape @ 3 3/4 ips>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD.	Source Detail	FLAC
04/11/72	Newcastle City Hall	Newcastle	England	SBD> MC> D> CD> SHN; some Soundforge editing; see info file for flaw notes; via thecore	Source Detail
04/14/72	Tivoli Theater	Copenhagen	Denmark	MSR> Cass> DATs> CDRs (not the previously circulating FM version); via D. Sacks; note silence track is presumably to mark set break midway through d2; note info file here updated to reflect reel splice d1t8-9; see flaw notes in public comments	Source Detail
04/14/72	Tivoli Theater	Copenhagen	Denmark	SBD>mR>C>D>CD; See info file for various patches; via Jack Warner; Jim Powell; seeded to etree by Greg Hurwitt	Source Detail
04/14/72	Tivoli Theater	Copenhagen	Denmark	flac16; SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Transfers and Mastering By Charlie Miller	Source Detail
04/14/72	Tivoli Theater	Copenhagen	Denmark	flac16 This is a pitch/speed fixed version of shn id 34552 The lineage is extended as follows: SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed	Source Detail	FLAC
04/14/72	Tivoli Theater	Copenhagen	Denmark	flac16; SBD > MR (16 Track) > Dat > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 34552	Source Detail	FLAC
04/16/72	Stakladen, Aarhus University	Aarhus	Denmark	Partial set 1 & 2; Mixed SBD sources; SBD>MR>?>C>Sound Forge>SHN; SBD>MR>D>CD>EAC>SHN; See info file for 'caveat'; via Walter Schnell, Mark Sweeney; Seeded to etree by J. Cotsman	Source Detail
04/16/72	Stakladen, Aarhus University	Aarhus	Denmark	Set 1: SBD>Rm>?>Cass>Sound Forge>SHN Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN Set 2 Conversion and Editing By Charlie Miller	Source Detail	SHN
04/16/72	Stakladen, Aarhus University	Aarhus	Denmark	set 1 from a slightly better sounding cassette source; via Uli Teute and Hanno Bunjes	Source Detail	SHN
04/16/72	Stakladen, Aarhus University	Aarhus	Denmark	Partial set 2; SBD>MR>??>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail	SHN
04/17/72	Tivoli Concert Hall	Copenhagen	Denmark	SBD>??>French TV Broadcast>C>DAT>CDR; Several missing tracks, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
04/17/72	Tivoli Concert Hall	Copenhagen	Denmark	flac16; SBD>16 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac	Source Detail
04/17/72	Tivoli Concert Hall	Copenhagen	Denmark	flac16; source: sbd > 16 track 2" MR>DAT4x > Delta Dio 2496 > Soundforge > wav > Cd Wave Editor > flac > wav > flac This is a further clean up of shn id 33802, which incorporates those already made on shn id 34302	Source Detail	FLAC
04/17/72	Tivoli Concert Hall	Copenhagen	Denmark	flac16/48kHz; Source: sbd > 14" 16 track Master Reel @15ips > DAT (48k)	Source Detail	FLAC
04/21/72	Beat Club	Bremen	Germany	SBD>FM>MR>PCM>DAT>CDR; Including soundcheck, missing 3 songs, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
04/21/72	Beat Club	Bremen	Germany	Source: SBD -> ? (Remaster of shinid 9380 soundcheck portion). Transfer: CDR>EAC>Adobe Audition 2.0 pitch adjusted +78 cents>CD Wave>FLAC. Seeded by Rob Berger.	Source Detail	FLAC
04/24/72	Rheinhalle	Düsseldorf	Germany	mixed SBD + AUD: RM> C> DAT> CD; see info file for notes	Source Detail
04/26/72	Jahrhundert Halle	Frankfurt	Germany	This is probably the original FM broadcast No generational info given with original shn set. See text file.	Source Detail
04/26/72	Jahrhundert Halle	Frankfurt	Germany	Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable) This is an upgrade to the previous shn set via Matt Vernon	Source Detail
04/26/72	Jahrhundert Halle	Frankfurt	Germany	flac16/48kHz; Source: Soundboard > Master Reel > Dat (48k)	Source Detail	FLAC
04/29/72	Musikhalle	Hamburg	Germany	AUD MR (poss. Uher Reel Machine at 4.75 cm/sec)> 2 reels> cass> SB Live!> .wav> .shn> CD-R; EAC > SHN (seekable) by Matt Vernon from eurodead.net seed disks	Source Detail
04/29/72	Musikhalle	Hamburg	Germany	SBD Source: MSR*>R>R>C>DAT>WAV>SHN (* Possibly Monitor Board See Notes Below); AUD Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* Believed to be Uher Reel Machine at 4.75 cm/sec); AUD seed disks provided by eurodead.net; SBD seed by Cousinit; SBD C>SHN Conversion by Cousinit; AUD SHN Conversion by mvernon54@home.com	Source Detail
04/29/72	Musikhalle	Hamburg	Germany	SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources	Source Detail
04/29/72	Musikhalle	Hamburg	Germany	This is a remaster of shnid 17026 by Sir Mick	Source Detail	FLAC
04/29/72	Musikhalle	Hamburg	Germany	flac16; Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/03/72	Olympia Theater	Paris	France	possible reDAE/reshn by unIDed person of previous shn set- md5s do not match; same info file with added note; noted at gdlive	Source Detail
05/03/72	Olympia Theater	Paris	France	flac16; fixed fly away channel problem on SHNid=21923. Soundboard->Master Reel (multi-track)->DAT x 5. DAT->Audiophile 2496->Samplitude v7.02 Professional->FLAC. Transfer and FLAC by Joe Samaritano	Source Detail
05/03/72	Olympia Theater	Paris	France	SBD > multitrack 2" MR > rough mix by J. Norman/D. Latvala> DAT > CDR > EAC > shn;?? Extraction, shortening, and uploading by Mike Masse; note "honeymoon theft" source: China-Rider, Jed spliced in from E72 album (they were snipped from master reel)	Source Detail
05/04/72	Olympia Theater	Paris	France	SBD > reel > DAT > CDR; via J. Serafin, C. Gannon; extraction, .shn by G.S. Hamilton; note d1t12 1:33-1:43 digi-noise; Casey Jones beginning cut (on master?)	Source Detail
05/04/72	Olympia Theater	Paris	France	flac16; SBD -> (16 Track) Master Reel -> Dat All Transfers and Mastering By Charlie Miller	Source Detail
05/07/72	Bickershaw Festival	Wigan	England	Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston	Source Detail
05/07/72	Bickershaw Festival	Wigan	England	flac16/48kHz; Set 1 Recording Info: SBD -> Master Reel (10 inch - 1/2 track) -> Dat/48k; Transfer Info: Dat -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/07/72	Bickershaw Festival	Wigan	England	flac16; Partial Set 2 Source Info: Betty's Master Soundboard Reel > PCM > PCM (14-bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
05/07/72	Bickershaw Festival	Wigan	England	flac16 This has been compiled from three different sources but I only know one of the tapers. The two unknown sources have been used for Set I and Simon Phillips' master for the whole of Set II edited and mastered SIRMick February 2022	Source Detail	FLAC
05/10/72	Concertgebouw	Amsterdam	Netherlands	S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in	Source Detail
05/11/72	Rotterdam Civic Hall	Rotterdam	Netherlands	10" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02.	Source Detail
05/11/72	Rotterdam Civic Hall	Rotterdam	Netherlands	Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN	Source Detail
05/13/72	Lille Fairgrounds	Lille	France	sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing	Source Detail
05/13/72	Lille Fairgrounds	Lille	France	SBD -> Rm -> Dat -> CD -> EAC -> SHN (1 Disc Audio / 1 Disc SHN); Converted To SHN BY Charlie Miller	Source Detail
05/16/72	Theatre Hall	Luxembourg	Luxembourg	SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN; Initial DAT Transfer via Panasonic 3700 DAT-> Tascam 122mkII (MX-S Cassette)-> Fostex D5-> Sony 59ES DAT-> DAT-Heads Tree Summer '96-> Sony D7-> Audiophile 2496 Soundcard@48kHz. Editing via Cool Edit: Normalized to 99; 44.1kHzSample rate conversion @ 350 quality; pitch correction: 102 ratio stretch. Tracks inserted via CDWave and SHN conversion via mkwACT; d1 tracked for 80 min	Source Detail
05/16/72	Theatre Hall	Luxembourg	Luxembourg	Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN Apparently, d1t06 is from etree seed 7089 and the rest of the show is from 10353. Seeded to Etree via Tol.	Source Detail	SHN
05/16/72	Theatre Hall	Luxembourg	Luxembourg	flac16; CD "Dead de luxe", Live in Luxembourg "European Bootleg" Source: Soundboard Transfer: CDR>EAC>Wave>Flac Frontend (Level 6)>Flac16 Transfered by: Scott Brown	Source Detail	FLAC
05/16/72	Theatre Hall	Luxembourg	Luxembourg	Shntool fix of previous sbd/reel source; SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN	Source Detail	SHN
05/16/72	Theatre Hall	Luxembourg	Luxembourg	flac16; Set 1 Source Info: Radio Luxembourg FM Broadcast > 1st generation Reel > PCM > Dat (16 bit/44.1 kHz); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 > dBpoweramp > Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
05/18/72	Kongressaal Deutsches Museum	München	Germany	MSR> ?> dat> cdr; via Mike Lai; see public comments for flaw notes	Source Detail
05/18/72	Kongressaal Deutsches Museum	München	Germany	MSR> ?> dat> cdr; Repaired version of previous shn set; See info file for details; via Mike (Unicorn) to abgd; Note- md5's/txt from shn set hosted on tol.etree.org added 4-27-03	Source Detail
05/18/72	Kongressaal Deutsches Museum	München	Germany	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC	Source Detail
05/18/72	Kongressaal Deutsches Museum	München	Germany	flac16; source info: Master Soundboard Reel (Rex Jackson) > Reel (Jerry Garcia)> Reel (Will Boswell) @ 3 3/4 ips) > CD; CDs copied in EAC and Repairs and Adjustments in Wavelab 6.0 on the **GEMS* Edit Station by Jamie Waddell	Source Detail	FLAC
05/23/72	Lyceum Ballroom	London	England	partial; sdb> MR> PCM> CD; via Mike Lai	Source Detail
05/23/72	Lyceum Ballroom	London	England	Another shn set claiming this lineage "lineage unknown, but believed to be 10" 2-track reel master>1 cassette generation>DAT> 1 cassette generation > circulation listed at www.resourcesfortraders.com" with different md5's than prior etree seeds with this info file	Source Detail
05/23/72	Lyceum Ballroom	London	England	Lineage (most likely):10" 2-track RM > C > D > C speed corrected, complete 4 disk version via Unicorn	Source Detail
05/23/72	Lyceum Ballroom	London	England	flac16; Set 2 partial; MSR>C>DAT>CD; EAC>WAV>FLAC by Sean Cribbs, from Lemieux source	Source Detail
05/23/72	Lyceum Ballroom	London	England	flac16; 2 track soundboard recording Transferred by Matt Smith Reels > Apogee Mini ME 24/96 > Apogee Mini DAC(monitoring) > Wavelab 5.0(dithered to 16/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station in Wavelab 6.1 with UA DSP FLAC Level8 in TLH MetaData in Tag and Rename	Source Detail
05/24/72	Lyceum Ballroom	London	England	AUD: mono crappy Pye cassette recorder with hand-held mike > Ampex R2R > CD-R > EAC > CEP > CDWAV > .shn & CD-R; Original recording by Chris Jones. Transferred (untracked) to CDR by Graham Harper; EAC> all subsequent modification by Alasdair Macdonald; see extensive notes in info file; d1 tracked for 80 min	Source Detail
05/24/72	Lyceum Ballroom	London	England	flac16; Partial Set 2, Source: MSR>DAT>CDR>EAC>.WAV>TLH>.FLAC	Source Detail	FLAC
05/24/72	Lyceum Ballroom	London	England	flac16; source : aud > Pye mono cassette recorder (crappy model) with hand-held mike > mac transfer : mac > ampex R2R > cdr > eac > cep > cdwav > shn taped by Chris Jones transferred (untracked) to CDR by Graham Harper. Remastered by Sir Mick from the raw wav files.	Source Detail	FLAC
05/25/72	Lyceum Ballroom	London	England	set 2 partial; MSBDR > 2 casstte gens > DAT > CDR > EAC > SHN; Dick cass leak; u/l via G. Hamilton; note fits on 1 shn disc w/ 6/24/73 disc; update: redundant material in Dark Star, patch of d1t3 circulates	Source Detail
05/25/72	Lyceum Ballroom	London	England	fix of d1t3 Dark Star in previous shn set to remove redundant material, by Sean Cribbs	Source Detail
05/25/72	Lyceum Ballroom	London	England	flac16; Recording Info: SBD -> Master Reel 10 inch reels recorded at 7.5 ips (1/2 track) -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat/0 (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/26/72	Lyceum Ballroom	London	England	S:MR> DATx5> CD, including patches (see info file for specifics; transfer by David Hollister; reported "superior to all circulating copies"	Source Detail
05/26/72	Lyceum Ballroom	London	England	flac16; SBD Reel > DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed TLH level 8	Source Detail	FLAC
05/26/72	Lyceum Ballroom	London	England	Master SBD reel > DAT > CD-R >EAC > CDR; D2T7 some music lost at start; splices in Sugaree, Dew; to etree via Matt Vernon; passes shntool check	Source Detail	SHN
05/26/72	Lyceum Ballroom	London	England	flac16; Source: Soundboard Lineage: MR(film crew feed) at 7 1/2 i.p.s.>R at 7 1/2 i.p.s (Don Wolfe) >CD transfer info:Maxell UD XL reel tape>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD by Matt Smith	Source Detail	FLAC
06/17/72	Hollywood Bowl	Hollywood	CA	set 1,2p; AUD C/?; pitch corrected; via Hanno Bunjes, Uli Teute and Carsten Baumann	Source Detail
06/17/72	Hollywood Bowl	Hollywood	CA	flac16; Recording Info: (FOB) Shure Unidyne III -> Cassette Master (Sony TC-40); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC/16; Recorded By Dave and Jim Melton in Box 52; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/16/72	Dillon Stadium	Hartford	CT	source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN the audience recording supplies: --all of disc 1, --on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home; See info file for details; via Glenn Gillis and Paul B; Seeded to etree by Tim O'Connel & J. Cotsman	Source Detail
07/16/72	Dillon Stadium	Hartford	CT	flac2448; Source: Lo-Fi Mono AUD (unknown gear) > unknown gen cassette (c.1990), kindly liberated from ebay by Seaweed1010. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.	Source Detail	FLAC
07/18/72	Roosevelt Stadium	Jersey City	NJ	SBD with Aud Patches (missing OMSN), see info file for details; via David Hollister; Seeded to etree by Sean Cribbs	Source Detail
07/18/72	Roosevelt Stadium	Jersey City	NJ	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
07/18/72	Roosevelt Stadium	Jersey City	NJ	sdb>>master reel>>reel>>pcm>>cdr; Likely a re-eac of the original Lai seed; Unknown seeder	Source Detail
07/18/72	Roosevelt Stadium	Jersey City	NJ	sdb> master reel> reel> pcm> cdr; via Mike Lai	Source Detail	shn
07/18/72	Roosevelt Stadium	Jersey City	NJ	AUD MC> ?> R> D> SHN> CDR, with change to A:MC> ?> C> D source toward end; A > D transfer by Noah Weiner; via Audience Devotional Tree	Source Detail	FLAC
07/21/72	Paramount Northwest Theater	Seattle	WA	SBD> MR> CX3(?)> D> CD> EAC> SHN; edits (pitch corrected, normalized), encoding, vined by J. Cotsman, with thanks to Mark Sweeney	Source Detail
07/21/72	Paramount Northwest Theater	Seattle	WA	flac16/48kHz; Source Info: Bear's Master Soundboard Cassettes > 1st generation Cassettes > 2nd generation Cassettes > Tim Dalton's Dat (16/48); Transfer Info: Dat (Sony PCM-R500) (16/48) > Tascam DA-3000 (16/48)> Adobe Audition CC 2019 > TLH flac1648	Source Detail	FLAC
07/22/72	Paramount Northwest Theater	Seattle	WA	SBD MR>PCM>D>CD via Hanno	Source Detail
07/22/72	Paramount Northwest Theater	Seattle	WA	flac16; Sound Board Master Reel>DAT 16/48 > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav	Source Detail	FLAC
07/22/72	Paramount Northwest Theater	Seattle	WA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/22/72	Paramount Northwest Theater	Seattle	WA	flac16; Recording Info: Betty's 7" 2-track Master Soundboard Reels > PCM (Sony beta HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this is a fixed version of source ID 141122	Source Detail	FLAC
07/25/72	Paramount Theater	Portland	OR	SBD> MR> C> D> CD> EAC> SHN; encoding, vined by J. Cotsman; with thanks to Mark Sweeney	Source Detail
07/25/72	Paramount Theater	Portland	OR	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/26/72	Paramount Theater	Portland	OR	nearly complete; updated info: Master Soundboard Reel > PCM> DAT > ZA2 > CDR x2; DAT seed via Jeff Tiedrich, original DAT>CD transfer by David Hollister; subsequent CD remastering and SHN by Scott Clugston; see info file and pub comments for notes	Source Detail
07/26/72	Paramount Theater	Portland	OR	flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007 Mastering By Jamie Waddell on the GEMS Edit Station. Trac'ed cdwave,Flac'ed TLH level 8	Source Detail	FLAC
08/12/72	Sacramento Memorial Auditorium	Sacramento	CA	SBD Reel master > DAT > CDR > EAC > SHN; seed via Seth Kaplan; Retracked (Cool Edit/CDWav) by G.S. Hamilton; see info file for listening notes	Source Detail
08/12/72	Sacramento Memorial Auditorium	Sacramento	CA	flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Apogee DAC> Apogee Mini Me > Wavelab 5.0 @ 24 bit 96kHz Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1kHz tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net)	Source Detail	FLAC
08/12/72	Sacramento Memorial Auditorium	Sacramento	CA	flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transferred by Matt Smith March 2014	Source Detail	FLAC
08/20/72	San Jose Civic Auditorium	San Jose	CA	Set 1 SBD; source SBD>?>CDR>WAV>CE2k (*Serious* cleanup)>SHN; Missing Bertha; see notes	Source Detail
08/20/72	San Jose Civic Auditorium	San Jose	CA	SBD>MC>R>C>C>C>D>CD>EAC>SHN (?) see notes on lineage via Chuck Kiefe edits/encoding by Jeff Cotsman	Source Detail
08/20/72	San Jose Civic Auditorium	San Jose	CA	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
08/20/72	San Jose Civic Auditorium	San Jose	CA	flac16; Recording by Olaf Schiappacasse (using Gene Taback's equipment): Master Audience Cassette; Sony TC-124 with Sony Stereo Mic (Pacific Stereo Cassettes) Transfer and FLAC encoding by David Minches: Master cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; L3 Multimaximizer>Waves Z-Noise; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded	Source Detail
08/20/72	San Jose Civic Auditorium	San Jose	CA	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/21/72	Berkeley Community Theater	Berkeley	CA	S:MR > PCM > DAT > CD > EAC > SHN; via D. Hollister, G. Hamilton; see info file for list of minor flaws	Source Detail
08/21/72	Berkeley Community Theater	Berkeley	CA	flac16; Source: SBD > Master Reels @ 7.5ips (10 Inch half-track ) > PCM > DAT (44.1k) - Recorded by Betty Cantor-Jackson, provided by Charlie Miller; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017; the original version of this had pitch correction incorrectly applied	Source Detail	FLAC
08/22/72	Berkeley Community Theater	Berkeley	CA	2nd Set; S:MR > PCM > DAT > CDR > EAC > SHN via Seth Kaplan; NFA end cuts off; passes shntool check	Source Detail
08/22/72	Berkeley Community Theater	Berkeley	CA	SBD>MR>?>CD>EAC>SHN: (low gen); (set 1) SBD>MR>PCM>D>CD>EAC>SHN: (set 2); Missing first 3 1/2 songs; See info file for details; via Mike Dolgushkin & Seth Kaplan; Seeded to etree by J. Cotsman	Source Detail
08/22/72	Berkeley Community Theater	Berkeley	CA	mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Miller	Source Detail
08/24/72	Berkeley Community Theater	Berkeley	CA	SBD> ?> DAT> CDR> SHN; d3t5,6 duplic fixed 5/24; note d1t1 only 4 sec	Source Detail
08/24/72	Berkeley Community Theater	Berkeley	CA	SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller	Source Detail
08/24/72	Berkeley Community Theater	Berkeley	CA	flac16 Source: Master SBD Reel > DAT from ANON Mastered by Jamie Waddell and Jim Blackwood Pitch correction by Jason Chastain Listening assistance, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
08/25/72	Berkeley Community Theater	Berkeley	CA	set 1 partial; 7" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert); some Soundforge editing (see notes)	Source Detail
08/25/72	Berkeley Community Theater	Berkeley	CA	Partial Set 1: SBD> MR> PCM> DAT; Partial Set 2: FMSBD> ???	Source Detail
08/25/72	Berkeley Community Theater	Berkeley	CA	flac16; Recording Info:SBD -> Master Reel -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/27/72	Old Renaissance Faire Grounds	Veneta	OR	SBD MR> DAT> CDR> EAC> SHN; via S. Kaplan, G. Hamilton; known flaws: sound system disortion/buzziness at places; d1t7 d/o @ 11:14; d2t6 discontinuity @ 3:36, static @ 5:07; note least-flawed of several versions assayed (no clicks/pops in Dark Star); 12/00 update: an upgrade version is now circulating	Source Detail
08/27/72	Old Renaissance Faire Grounds	Veneta	OR	SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; see info file for details, fixes and flaw notes; note most banter edited out; Reel>DAT transfer by Dick Latvala; DAT clone supplied by Rob Eaton; DAT>SHN by Jamie Lutch; QC courtesy dankseeds	Source Detail
08/27/72	Old Renaissance Faire Grounds	Veneta	OR	SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM> (PCM) > D > SSSB; via Jay Serafin to gdlive; see info file for extensive notes	Source Detail
08/27/72	Old Renaissance Faire Grounds	Veneta	OR	Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels)	Source Detail
08/27/72	Old Renaissance Faire Grounds	Veneta	OR	SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed	Source Detail	FLAC
09/03/72	Folsom Field, U of Colorado	Boulder	CO	primary source: SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3); secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3); aud source is pretty weak (see caveat); Thanks to John Steinhaus, Uli Teute, and Hanno Bunjes	Source Detail
09/03/72	Folsom Field, U of Colorado	Boulder	CO	Composite aud/sbd - entire show speed corrected, static removed; includes encore. via Carsten Baumann and Hanno Bunjes	Source Detail
09/03/72	Folsom Field, U of Colorado	Boulder	CO	flac16; Composite sources: MR>cass, MR>cass>cass and multi generation sources; transfers were TascamMKII >Korg MR1000 at 1bit/5.6mHZ and cass> Apogee Mini Me>apogeeDAC>LynxOne at 24/96 PCM WAV; all edits and mastering by Jamie Waddell on the **GEMS** Edit Station at 32bitfloat/88.2kHz Weiss Saracon for SRC and POW-r3 dither to 16 bit/44.1 kHz	Source Detail	FLAC
09/03/72	Folsom Field, U of Colorado	Boulder	CO	flac1648; Recording info: SBD > Bear's Master Reels > Cassette; Transfer info: Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Recorded by Augustus Owsley Stanley III (aka Bear); 2023 transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
09/09/72	Hollywood Palladium	Hollywood	CA	Sbd: MR>DAT>CDR>SHN Audio discs provided by Dyer O' Connor eac>mkw>shn by popi n. feeldz	Source Detail
09/09/72	Hollywood Palladium	Hollywood	CA	flac16; Main source: mac > cass (u/k gen) > wav > flac > wav > flac transfer: nak dr3 > audacity > cdwav. Second source: sbd: mr> dat > cdr > shn > wav > flac via SirMick	Source Detail	FLAC
09/09/72	Hollywood Palladium	Hollywood	CA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Cool Edit Pro v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/09/72	Hollywood Palladium	Hollywood	CA	flac16; AUD MR> Cassette (unknown gen) > WAV > FLAC speed-corrected of prior seed ; by Zeb	Source Detail	FLAC
09/09/72	Hollywood Palladium	Hollywood	CA	flac24; lineage: MAR > R > R > R; master taped by Bruce Harvie; sony ecm 22p's > sony tc-770; transfer: maxell ud-35-90 7" reel @ 3.75 ips, dolby b: technics rs-1506 > teac an-180 > benchmark adc1 24/96 > tascam hd-p2, adobe audition cs6 > cd wave > flac; transfer & seeded by Rob Berger 2014	Source Detail	FLAC
09/09/72	Hollywood Palladium	Hollywood	CA	flac16; Recording Info: MC (Uher deck) > Will Boswell's reel @3.75 ips reel; Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith, April 2015	Source Detail	FLAC
09/09/72	Hollywood Palladium	Hollywood	CA	flac16/48kHz; Source Info: Master Soundboard Cassettes (Uher deck) > Will Boswell's 1st generation reels @3.75 ips; Transfer Info: 1st generation reels (Technics 1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/10/72	Hollywood Palladium	Hollywood	CA	SBD > [MR > C > DAT(s) ??] > CDR(s) > EAC > SHN > SHNTOOL (fix sector boundaries by sets) > mkwact (seekable); via Mike Lai, Matt Vernon; boundary fixed version of previous shn set	Source Detail
09/10/72	Hollywood Palladium	Hollywood	CA	sdb; via Mike Lai; note boundary-fixed version of this shn set also circulates	Source Detail
09/10/72	Hollywood Palladium	Hollywood	CA	MSR>C>CD patched with MSR>C>D>C>D; Patches & remaster by Dave Greenberg.	Source Detail
09/10/72	Hollywood Palladium	Hollywood	CA	flac16; Soundboard Master-Reel > Reel (1st gen) > DAT 2x (44.1 kHz)	Source Detail	FLAC
09/10/72	Hollywood Palladium	Hollywood	CA	flac16; Vault master SBD reel source (with assumed DAT generation) provided by Charlie Miller; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
09/15/72	Music Hall	Boston	MA	partial set 2; SBD: MR > cassette > DAT > CD > SHN; SHNed by Seth Kaplan; via G.S. Hamilton to BUDD	Source Detail
09/15/72	Music Hall	Boston	MA	MAC > Reel > Cassette > DAT > CD; Lower quality aud provides many patches, see info file for details; via Noah Weiner; Jack Warner; Seeded to etree by Matt Vernon	Source Detail
09/15/72	Music Hall	Boston	MA	flac16; this is a remaster by SirMick of shnid 7924. Source 1: MAC > Reel > Cassette > DAT > CD Recorded by Bill Degen from balcony front row. Source 2: MAC > ? > DAT (supplied by Dave Minor) > CD provides additional patch and missing material	Source Detail
09/15/72	Music Hall	Boston	MA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/16/72	Music Hall	Boston	MA	mixed source (AUD>MC>) and (SBD>MR>) C> D> CD> EAC> SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Mark Sweeney and unIDed patcher	Source Detail
09/16/72	Music Hall	Boston	MA	AUDMC > C > DAT > CD > SHN recorded by Bill Degen from orchestra seats mic and deck unknown. A > D & shn conversion by Noah Weiner	Source Detail
09/16/72	Music Hall	Boston	MA	flac 16; Sick Bits Vol. 20 - SBD/AUD Matrix: SBD (shnid=6683) + AUD (shnid=12932); edited, mixed and converted by Chris Chappell	Source Detail
09/16/72	Music Hall	Boston	MA	Flac 24/44.1 Vault Master Reel to DAT Provided by ANON WAV > Samplitude Pro X5 > Flac24 Mastered by Jim Blackwood with assistance provided by Jamison Waddell Speed Correction by Jason Chastain	Source Detail	FLAC
09/17/72	Baltimore Civic Center	Baltimore	MD	SBDMR > Cass > DAT > SonicSolutions > CD > EAC > SHN; Extraction and SHN encoding by G.S. Hamilton, from D. Hollister seed; known flaws: Missing Saturday Night; small digi-snit during UJB; update: show is now DP23- go buy it	Source Detail
09/17/72	Baltimore Civic Center	Baltimore	MD	Audience Recording (taper Cary Wolfson) > Cassette > DAT > SHN; Extraction and SHN encoding by David Minches	Source Detail
09/19/72	Roosevelt Stadium	Jersey City	NJ	AUD>MC>?>D>CD; Many songs are clipped due to taper conservation, though almost all such cuts are minor; See info file for details; via Paul Hartman; Seeded to etree by JCotsman	Source Detail
09/19/72	Roosevelt Stadium	Jersey City	NJ	flac2448; s1-s2p; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021	Source Detail	FLAC
09/19/72	Roosevelt Stadium	Jersey City	NJ	flac16/44 Source Info: Ed Deal's Master Audience Cassettes (Sony C-90); Unknown equipment Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini-Me (24-bit/96k) > WaveLab (16-bit/44.1k) > Adobe Audition CC 2022 > TLH flac16	Source Detail	FLAC
09/21/72	The Spectrum	Philadelphia	PA	SBD > reel > DAT > CDR > EAC > shn; via Mike Masse; see flaw notes in info file; a clean-up of d1t11 also circulates; see public comments for details	Source Detail
09/21/72	The Spectrum	Philadelphia	PA	flac16; Recording Info: SBD > Master Reel (7-inch 7.5ips 1/2trk) > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
09/21/72	The Spectrum	Philadelphia	PA	flac16/44 Source: uknown audience cassette from the collection pf Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick May 2021	Source Detail	FLAC
09/21/72	The Spectrum	Philadelphia	PA	flac16/44 Source: uknown audience cassette from the collection pf Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick May 2021	Source Detail	FLAC
09/23/72	Palace Theater	Waterbury	CT	SBD> MR> Cass> DAT> CDR> EAC> SHN; via Jeff M.; see listening notes in revised info file	Source Detail
09/23/72	Palace Theater	Waterbury	CT	flac16; Recording Info: SBD > MR > C > DAT > CDR > SHN; Transfer Info: SHN > WAV > Sound Forge 10 > TLH > FLAC; Sonically enhanced, remastered, retracked upgrade of shnid 2201; Mastered and tracked by Bill Guarneri, July 25, 2014	Source Detail	FLAC
09/23/72	Palace Theater	Waterbury	CT	flac16; Source: SBD>MR>Cass>DAT>CDR>EAC>SHN; This is a flac encoded & tagged restoration of shnid 2201; Restoration done with Diamond Cut Forensics 10 (beta1 through RC3)	Source Detail	FLAC
09/23/72	Palace Theater	Waterbury	CT	flac1648 Analog Audience Source: Unknown mic/deck/generation Medium Stock Brands: Maxell UD90 (120 uS EQ) Analog Sound Preservation: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) AUD Source from: unknown Tape provided by Doug Lamarre Transfer By: Matt Vernon Mastering by AndrewF	Source Detail	FLAC
09/24/72	Palace Theater	Waterbury	CT	SBD> MR> CASS> DAT> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes	Source Detail
09/24/72	Palace Theater	Waterbury	CT	Source:SBD Lineage: Reel master > ? > cassette > DAT > CDR > EAC > SHN Edits by Sean Cribbs - see info file for details	Source Detail
09/24/72	Palace Theater	Waterbury	CT	flac16; Recording Info: SBD > MR > ? > C > DAT > SHN; Transfer Info: SHN > TLH > WAV > Sound Forge 10 > TLH > FLAC; Tracked, patched and mastered by Bill Guarneri, July 28, 2014	Source Detail	FLAC
09/26/72	Stanley Theatre	Jersey City	NJ	SBD > MR > DAT(48kHz) > za2 > CD; See user comments for flaw notes	Source Detail
09/26/72	Stanley Theatre	Jersey City	NJ	SBD Reel> unknown dat gens> digital noise reduction> 3dat gens> za/2 48-41; for flaws see revised info file; note next night 9/27/72 is available as Dick's Picks 11- go buy it	Source Detail
09/26/72	Stanley Theatre	Jersey City	NJ	Splice upgrade (d1t7,d3t1) to previous source Splice source: MAC > Cx > DAT > WAV >SHN; Cassette> DAT transfer by J.Powell: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II; DAT> WAV> SHN transfer by C.Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)> sector boundaries confirmed (shntool) > SHN (mkwact).	Source Detail
09/26/72	Stanley Theatre	Jersey City	NJ	Cleaned up disc 3 of previous SBD by Charles Wier; d1 & d2 are unchanged. See text file for details.	Source Detail	SHN
09/26/72	Stanley Theatre	Jersey City	NJ	flac16 Soundboard Master-Reel > Reel (1st gen) > DAT (44.1 kHz)	Source Detail	FLAC
09/27/72	Stanley Theatre	Jersey City	NJ	SBD Reel>Reel>PCM>DAT from "People's Choice tree" via Jeff Blaney, encoded by Matt Vernon	Source Detail
09/27/72	Stanley Theatre	Jersey City	NJ	flac1648; Composite; Source-A: Unknown AUD > ? > TDK-AD (normal bias) cassette, via the Doug Lamarre collection. Source-A transfer: (1) Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM), transfer by Matt Vernon. (2) WAV2496 > Wavelab > R8Brain > WAV1648 > CD-Wave > TLH > FLAC1648, AndrewF 03/2025. Source-B: Unknown AUD > ? > 7-inch reel @3.75ips, rescued from Ebay. Source-B transfer: Reel > Technics RS-1506 > Focusrite Scarlett 6i6 > WAV1648 > Wavelab > combined with Source-A.	Source Detail	FLAC
09/28/72	Stanley Theatre	Jersey City	NJ	SBD (probably sbd>mr>dat>cdr) Seeded by Bill from Monterey to clone.etree.org 9/02 any setlist help send to nick@burgis.org	Source Detail
09/28/72	Stanley Theatre	Jersey City	NJ	flac16; Primary Source: SBD> MR> DAT> CDR> WAV> SHN; patches and missing track from Unknown audience > C > ? > DAT >WAV > FLAC (level 8); AUD material courtesy Uli Teute via Jim Powell; via Chris Ladner?	Source Detail
09/28/72	Stanley Theatre	Jersey City	NJ	set 2; master reel> pcm> dat> cdr; via M. Lai; note previous night 9/27/72 is available as Dick's Picks 11- go buy it	Source Detail
09/28/72	Stanley Theatre	Jersey City	NJ	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/28/72	Stanley Theatre	Jersey City	NJ	flac16; source: aud; lineage: aud>?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac	Source Detail	FLAC
09/28/72	Stanley Theatre	Jersey City	NJ	flac16; Bear's Cassette Copies Nakamichi Dr-1 > Lynx Studio Interface at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1 kHz Transfered and Lightly Mastered by Jamie Waddell	Source Detail	FLAC
09/28/72	Stanley Theatre	Jersey City	NJ	flac2448; Partial AUD; Source: Unknown AUD from the tape collection of Rich Petrunis & with thanks to John Petrunis. Transfer: TDK SD-90 (c.1975) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit) > TLH > FLAC 2448 tagged.	Source Detail	FLAC
09/30/72	American University	Washington	DC	Master 7" Soundboard Reels @ 7 1/2 ips > Cassette > DAT> CDR; CD Mastering by Scott Clugston; EAC'ed / SHN'ed by Scott Clugston to abgd via Wyatt Earp	Source Detail
09/30/72	American University	Washington	DC	SB> MR> Cassette> DAT> CD; except OMSN SB> MR>cass(2)> DAT> CD; CD> cleanup> SHN; see info file for fixes and flaw notes; via Matt Vernon	Source Detail	FLAC
10/02/72	Springfield Civic Center	Springfield	MA	master reel sdb> cass> dat> cdr; via M. Lai; listeners report hiss level sounds closer to 2 cass gens	Source Detail
10/02/72	Springfield Civic Center	Springfield	MA	flac16; Recording Info:SBD -> Master Reel -> Dat -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/09/72	Winterland Arena	San Francisco	CA	SBD > MR > C > DAT > CDR; EAC > Cool Edit (remove some pops, see info file) > SHN (seekable); SHN Conversion by Matt Vernon from Paul B. seed discs	Source Detail
10/09/72	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD > MR > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC	Source Detail	FLAC
10/17/72	Fox Theatre	St. Louis	MO	MSR> C> DATs> CDRs> EAC> SHN; via Darrin Sacks, from Jack Warner's seed; previously uncirculated	Source Detail
10/18/72	Fox Theatre	St. Louis	MO	SBD > MR > Cass > DAT > CDR; see flaw notes in info file; Note- d2 fix now circulates via Charles Weir; See info file for details	Source Detail
10/18/72	Fox Theatre	St. Louis	MO	flac16; Unknown SBD source (probably shnid 7295) CD > wav > cool edit 2000 > flac	Source Detail	FLAC
10/18/72	Fox Theatre	St. Louis	MO	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/18/72	Fox Theatre	St. Louis	MO	flac1644 gd72-10-18.sbd.wier.7295.sbeok.shnf - Patched & Remastered by Brian Flegel	Source Detail	FLAC
10/19/72	Fox Theatre	St. Louis	MO	SBD > MR > Cass > DAT > CDR; via DES; cuts into Promised	Source Detail
10/21/72	Alumni Lawn, Vanderbilt University	Nashville	TN	flac16; Partial Set 2 Source: MSR>DAT>CDR>EAC>.WAV>TLH>.FLAC	Source Detail	FLAC
10/21/72	Alumni Lawn, Vanderbilt University	Nashville	TN	flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/23/72	Milwaukee Performing Arts Center	Milwaukee	WI	AUD>MR>?>D>CD; See info file for 'warning'; via Paul Hartman; seeded to etree by J. Cotsman	Source Detail
10/23/72	Milwaukee Performing Arts Center	Milwaukee	WI	flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-124/BASF Normal Bias 120 Min Tapes); Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD; Mastering Info:CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller	Source Detail	FLAC
10/24/72	Milwaukee Performing Arts Center	Milwaukee	WI	Set 2, Truckin' through Johnny B. Goode; MR > 1 cass. > DAT > CDR 2x; DAE/.shn conversion by G. Hamilton	Source Detail
10/24/72	Milwaukee Performing Arts Center	Milwaukee	WI	flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-153/BASF Normal Bias 120 Min Tapes) Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD Mastering Info: CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller	Source Detail	FLAC
10/24/72	Milwaukee Performing Arts Center	Milwaukee	WI	flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/26/72	Cincinnati Music Hall	Cincinnati	OH	SBD -> Rm -> Cass -> Cass -> Dat -> Samplitude -> SHN (1 Disc SHN / 2 Discs Audio); Seeded to etree by Charlie Miller	Source Detail
10/26/72	Cincinnati Music Hall	Cincinnati	OH	flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
10/27/72	Veterans' Memorial Hall	Columbus	OH	Set 1: SBD>?>C>SHN; Set 2: AUD>MR>C>D>CD; See info file for 'warning'; via Paul Hartman, Chris Masciangelo; Seeded to etree by J. Cotsman	Source Detail
10/27/72	Veterans' Memorial Hall	Columbus	OH	SBD C/? upgrade of first set; via Hanno Bunjes and Uli Teute	Source Detail
10/27/72	Veterans' Memorial Hall	Columbus	OH	Sources: SBD(a) Source: MSR>R>C>DAT>WAV>SHN SBD(b) Source: MSR>Many Gens??>C>DAT>WAV>SHN AUD Source: MAR>C>D>CD>EAC>SHN SBD conversions by Cousinit AUD portion from previously circulating shn set from Paul Hartman edited/encoded by J. Cotsman	Source Detail
10/28/72	Cleveland Public Hall	Cleveland	OH	Partial; 2 songs; See info file for details; SBD>MR>D>Sonic Solutions>CD	Source Detail
10/28/72	Cleveland Public Hall	Cleveland	OH	Complete SBD>MC>D>CD>EAC>SHN Ampex C-90 cassette master via King Bee and Andy Lemieux, encoding etc. by Cotsman	Source Detail	SHN
10/30/72	Ford Auditorium	Detroit	MI	AUD>MR>C>C>C>D>CD; via John Steinhaus; Seeded to etree by J. Cotsman	Source Detail
11/12/72	Soldiers' and Sailors' Memorial Hall	Kansas City	KS	SBD>MC>C>D>CD; This recording has 'mix problems'; See info file for details; via Mark Sweeney; Seeded to etree by J. Cotsman	Source Detail
11/13/72	Soldiers and Sailors Memorial Hall	Kansas City	KS	partial; AUD> MR> C> D> CD> EAC> SHN; via J. Cotsman, with thanks to Jeff Cook; see notes in info file	Source Detail
11/13/72	Soldiers and Sailors Memorial Hall	Kansas City	KS	master #1: AUD MR>C>D>CD recorded by Bear (//Playing through Casey Jones// is all that circulates from this source) master #2: low generation AUD (supplies the rest of the show); via Uli and Julian; Seeded to etree by Hanno B	Source Detail	SHN
11/13/72	Soldiers and Sailors Memorial Hall	Kansas City	KS	AUD(unknown mics) > C(x3) > Nak > Fostex D5 A/D @ 44.1 > CD by Kevin Weil, encoded by Matt Vernon. Note this aud will appeal chiefly to completists and audience tape collectors. It is almost complete except for tape flips and includes more between song banter/crowd than the other sources already circulating.	Source Detail
11/13/72	Soldiers and Sailors Memorial Hall	Kansas City	KS	flac16; Dick's copy of Owsley's AUD; Transfer is Apogeee DAT > Tascan DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz TLH Flac Level 8 Tag & Rename for Meta-Data SBE FREE	Source Detail	FLAC
11/13/72	Soldiers and Sailors Memorial Hall	Kansas City	KS	flac1648 Karl Ryan's Master Audience Reels (unknown mics-deck); Tim Welch's 1st generation cassettes > DAT (16-48kHz) Transfer Info: 1st generation cassettes (Harmon Kardon TD392) > DAT Sony 59ES)(16-48kHz); DAT 16-48kHz (Sony PCM-R500) > Tascam DA-3000 (.wav 16-48kHz) > Adobe Audition 2022 > TLH 1648 This appears to be the same as master #2 of shnid10089, albeit complete and several analog generations closer to the master. Mastered by Scott Clugston,November 2022.	Source Detail	FLAC
11/14/72	Civic Center Music Hall	Oklahoma City	OK	SBD>Rm>Cass>Dat>CD; Seeded to etree by Charlie Miller	Source Detail
11/14/72	Civic Center Music Hall	Oklahoma City	OK	Recording Info: Source One: SBD -> Master Reel -> Cassette x 3 -> Dat (d1t01 -> d2t09) Source Two: SBD -> Master Reel -> Cassette -> Dat (d2t10 -> d3t07) Transfer Info: Dat (Sony R500) -> M-Audio Dio 2448 -> Samplitude v6.0 -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net 1/30/04 Notes: --I forgot to make shn's off of my Dats which is why I had to use EAC. --This is a new conversion since the last one was missing GSET.	Source Detail
11/14/72	Civic Center Music Hall	Oklahoma City	OK	SBD>MC>C>D>CD>EAC>SHN (?); May be a MC; See info file for details and flaw notes; via Jeff Cook, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail	shn
11/15/72	Civic Center Music Hall	Oklahoma City	OK	Partial; SBD>MR>C>C>C>D>CD; Pitch corrected; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman	Source Detail
11/15/72	Civic Center Music Hall	Oklahoma City	OK	flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/15/72	Civic Center Music Hall	Oklahoma City	OK	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/17/72	Century II Convention Hall	Wichita	KS	Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN; with patches Master Audience Cassette > ? > Cassette > CD; Upgrade to existing SHN copy	Source Detail
11/17/72	Century II Convention Hall	Wichita	KS	sdb> reel master> cassette> dat> cdr; via Mike Lai; note Jeff Tiedrich reports this is more likely MR> C> C> DAT	Source Detail
11/18/72	Hofheinz Pavilion	Houston	TX	2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus	Source Detail
11/18/72	Hofheinz Pavilion	Houston	TX	set 2 (listed as d2,d3); Owsley MC> ?> D> CD; via Mike Lai with thanks to Wayne Gucwa	Source Detail
11/19/72	Hofheinz Pavilion	Houston	TX	SBD; sound adjustments during Bertha, minor digi-noise at the end of Jack Straw; Transferred and seeded to etree by Mike Lai, from Bruce Fried DAT	Source Detail
11/19/72	Hofheinz Pavilion	Houston	TX	flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
11/19/72	Hofheinz Pavilion	Houston	TX	Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN (Note that there is speculation that this source may contain only one reel generation.) Cool Edit 200 was used to correct various flaws from previously circulating versions.	Source Detail
11/19/72	Hofheinz Pavilion	Houston	TX	flac16; Source: SBD > Master Reel > 1st Gen Reel > DAT (44.1k) - Provided by Tim Dalton; Lineage: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac16; edited and mastered SIRMick June 2018; the original version of this source was missing s2t13	Source Detail	FLAC
11/19/72	Hofheinz Pavilion	Houston	TX	flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122783	Source Detail	FLAC
11/19/72	Hofheinz Pavilion	Houston	TX	flac16; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
11/22/72	Austin Municipal Auditorium	Austin	TX	sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min	Source Detail
11/22/72	Austin Municipal Auditorium	Austin	TX	flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC. fix of shnid 115730	Source Detail	FLAC
11/22/72	Austin Municipal Auditorium	Austin	TX	flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/22/72	Austin Municipal Auditorium	Austin	TX	flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
11/24/72	Dallas Memorial Auditorium	Dallas	TX	SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs	Source Detail
11/26/72	San Antonio Civic Auditorium	San Antonio	TX	SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B.	Source Detail
11/26/72	San Antonio Civic Auditorium	San Antonio	TX	flac16; This is a restored version of SHNID 9248 combined with SHNID 123022 to produce the full show. It is not based on any new sources. Modifications by Dan McDonald (droncit@yahoo.com).	Source Detail	FLAC
11/26/72	San Antonio Civic Auditorium	San Antonio	TX	flac1644 SBD > Master Reel > Reel > PCM > DAT (44.1k)	Source Detail	FLAC
12/10/72	Winterland Arena	San Francisco	CA	MSR > Cass x 3 > DAT > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Justin Cucci, Mark Perini	Source Detail
12/10/72	Winterland Arena	San Francisco	CA	flac16; Restored version of source ID 5801 (MSR > Cass x 3 > DAT > CDR > EAC > SHN) by Droncit; Diamond Cut 8.5 Forensics was used for equalization and virtual valve simulation, an enhancer and some slight noise reduction.	Source Detail	FLAC
12/10/72	Winterland Arena	San Francisco	CA	flac16/48kHz; Partial Show Source Info: Master Soundboard Reels > 2 cassette generations > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) (16-bit/48k)> Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/48k)> Adobe Audition 3.0 > TLH flac1648	Source Detail	FLAC
12/11/72	Winterland Arena	San Francisco	CA	SBD > MR > ?? > CDR; EAC > Cool Edit (remove some pops, see info file) > CD Wave (split tracks) > SHN (seekable) by Matt Vernon, from Paul B. seed discs; missing some songs; see info file for other flaw notes	Source Detail
12/11/72	Winterland Arena	San Francisco	CA	flac16; Source: SBD>MR>R>C>WAV>FLAC Patch Source: Unknown AUD>??>C>WAV>FLAC; C>FLAC Conversion by Cousinit	Source Detail	FLAC
12/11/72	Winterland Arena	San Francisco	CA	flac16; Lineage: 7" MR @ 7 1/2 ips.>R@ 3 3/4 ips.>R @ 3 3/4 ips>DVD Tape stock: Black Maxell UDII reel tape. Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering) >> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz; All transfers, edits and mastering done in the 24 bit realm Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDWAV | Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8	Source Detail	FLAC
12/11/72	Winterland Arena	San Francisco	CA	flac16; Taped from balcony External Stereo Mic >> Sony TC-124 >> MAC; MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke	Source Detail	FLAC
12/11/72	Winterland Arena	San Francisco	CA	flac16/48 Primary Source Info: Master 7" Soundboard Reels @ 7 1/2 ips > Reel to Reel @ 3 3/4 ips (Kidd dub for Jerry) > Reel to Reel @ 3 3/4 ips(Will Boswell) Secondary Source Info: Master Soundboard Reels > Taper's Section Stream Transfer Info: 2nd generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2021 > TLH flac2496	Source Detail	FLAC
12/12/72	Winterland Arena	San Francisco	CA	partial; mixed source SBD, AUD: MR > ? > DAT > CDR > EAC > SHN; Aud: Mcass > DAT > ZA2 > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Mark Wienke, Mark Perini; to CDead vine	Source Detail
12/12/72	Winterland Arena	San Francisco	CA	SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC Transfered and Edited By Charlie Miller	Source Detail
12/15/72	Long Beach Arena	Long Beach	CA	SBDmR> C> D> CDR; via Ben Yerys, M. Weinke; reportedly stemming from David Gans; includes possibly extraneous Box of Rain, JGB repeats in d3?	Source Detail
12/15/72	Long Beach Arena	Long Beach	CA	Lineage: S:MR>Cass>DAT>PCM>DAT>CD, w/ patches from S:MR>R>R>DAT copy. Remastered, transferred to CD, and encoded to SHN by David Hollister	Source Detail	SHN
12/15/72	Long Beach Arena	Long Beach	CA	flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT	Source Detail	FLAC
12/31/72	Winterland Arena	San Francisco	CA	Pre-FM KSAN Reel > DAT > .SHN; to abgd; note out of order tracking	Source Detail
12/31/72	Winterland Arena	San Francisco	CA	Main Source: Vault pre-FM reels > DAT Patch Source: pre-FM KSAN reel (/shninfo_detail.php?shnid=6340) DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol WAV > SHN editing, encoding & patching by Matt Vernon	Source Detail
12/31/72	Winterland Arena	San Francisco	CA	cleaned up version of previous shn set, by Charles Weir; tracked in as-played order; sector boundaries corrected with shntool; d1,d3 now tracked for 80 min	Source Detail	SHN
12/31/72	Winterland Arena	San Francisco	CA	flac16; Recording of FM Broadcast on KSAN > ? > DAT provided and transferred by Stuccoholmes; Mastering & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm	Source Detail	FLAC
12/31/72	Winterland Arena	San Francisco	CA	flac16/48kHz; Source Info: Vault Master Soundboard Reels > Dat (16/48k); Transfer Info: Dat (Sony PCM-R500) 16/48k > Tascam DA-3000 (16-bit/48k) > Adobe Audition 3.0 (16/48k)> TLH flac1648; the original source had errors in track 6	Source Detail	FLAC
??/??/72	Alembic Studios	San Francisco	CA	flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC	Source Detail	FLAC
02/09/73	Roscoe Maples Pavilion, Stanford University	Palo Alto	CA	SBD> MR> R> DAT> CD; Show SHNed by Bob Allred; md5 / shn renaming and txt file by Patrick Hitt, who notes that "slightly different edit times indicate a different dat source or editor" than previous shn set	Source Detail	FLAC
02/09/73	Roscoe Maples Pavilion, Stanford University	Palo Alto	CA	MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR; via D Finney; Seeded to etree by Popi; Note- This is another eac of the same original Finney seed discs according to Popi	Source Detail
02/09/73	Roscoe Maples Pavilion, Stanford University	Palo Alto	CA	flac16; Recording Info: MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith	Source Detail	FLAC
02/09/73	Roscoe Maples Pavilion, Stanford University	Palo Alto	CA	flac16; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA>>SHN>>COOL EDIT PRO>>SHN; Speed-corrected using Celemony Capstan done for each track individually; Reencoded to flac (level 8); SBE's fixed using Trader's Little Helper	Source Detail	FLAC
02/09/73	Roscoe Maples Pavilion, Stanford University	Palo Alto	CA	flac16; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (44.1k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
02/15/73	Dane County Coliseum	Madison	WI	MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion)	Source Detail
02/15/73	Dane County Coliseum	Madison	WI	flac16; Lineage: sbd>?>?>CDR(s)(borrowed) & aud>?>?>cassette(s)(my tape); Transfer: audience tapes>Sony TD-C690 (heads aligned to each tape segment)> Phillips CDR-765>CDDA-R80 X 3>EAC>flac level 8> flacs & checksums with traderslittlehelper CDR > CDR and Analog > CDR transfer October 1999 by arfarf CDR > flac 2011-04-10 by arfarf	Source Detail	FLAC
02/15/73	Dane County Coliseum	Madison	WI	flac16; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith	Source Detail	FLAC
02/15/73	Dane County Coliseum	Madison	WI	flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC	Source Detail	FLAC
02/17/73	St. Paul Auditorium	St. Paul	MN	SBD:MR> PCM> DAT> CD; retracking etc of previous shn set, by Randy Carman	Source Detail
02/17/73	St. Paul Auditorium	St. Paul	MN	flac16; SBD -> Master Reel -> PCM -> Dat -> CD All Transfers and Mastering By Charlie Miller	Source Detail
02/17/73	St. Paul Auditorium	St. Paul	MN	flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC	Source Detail	FLAC
02/19/73	International Amphitheatre	Chicago	IL	set 2 partial; SBD> MC> C> DAT> CDR> WAV> SHN; Jeffrey Williams, Jim	Source Detail
02/19/73	International Amphitheatre	Chicago	IL	SBD : MC > C > DAT > SS > CDR > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Thanks to Paul B. for the seeds. Seeded to etree on 3/2/03	Source Detail
02/21/73	Assembly Hall, Univ. Of Illinois Urbana-Champaign	Urbana	IL	complete; MR > DAT > 1 cass > DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, esp d1; 4-disc set with 2/22	Source Detail
02/21/73	Assembly Hall, Univ. Of Illinois Urbana-Champaign	Urbana	IL	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/22/73	Assembly Hall, Univ. Of Illinois Urbana-Champaign	Urbana	IL	reworking of previous shn set, by Randy Carman (see notes in info file)	Source Detail
02/22/73	Assembly Hall, Univ. Of Illinois Urbana-Champaign	Urbana	IL	Partial; According to Deadlists this is missing the 4 songs after Playin' in Set 1, and Around from Set 2; See info file for details; SBD:MR>Cas>DAT>CD; Seeded to etree by Julian Elliot	Source Detail	SHN
02/22/73	Assembly Hall, Univ. Of Illinois Urbana-Champaign	Urbana	IL	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/24/73	Field House, University Of Iowa	Iowa City	IA	Partial Set I - Last four songs SBD> MR> DAT> CDR by Sly_Wow Thanks to Raoul Duke	Source Detail
02/24/73	Field House, University Of Iowa	Iowa City	IA	Single track jam segment; see info file for details; SBD>?>GDH CD; seeded to etree by Jools	Source Detail	SHN
02/26/73	Pershing Municipal Auditorium	Lincoln	NE	S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25	Source Detail
02/28/73	Salt Palace	Salt Lake City	UT	SBD:MR>?>DAT>CD; Missing several songs at the end of show; See info file for details; Seeded to etree by Jools	Source Detail
02/28/73	Salt Palace	Salt Lake City	UT	Multiple sources SBMR via Noah Weiner and David Gans encoded by Noah Weiner (see info file for details). Upgrade to previous copies with complete EOTW & AWBYGN.	Source Detail
03/15/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	composite source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN via JackeySack, Matt Vernon, and Paul Hartman edits/encoding by JCotsman	Source Detail
03/15/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	Source (~complete): Unknown AUD > ? cdr via JackeySack, converted by Matt Vernon	Source Detail
03/15/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Source: Soundboard > Reel Master > Cassette > DAT (48k)	Source Detail	FLAC
03/15/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 02-27-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac	Source Detail	FLAC
03/16/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	SBD, complete; Set 1: Betty MSR > PCM > DAT > CDR > EAC > SHN; Set 2: MSR > Reel > DAT > CD > EAC > SHN; see info file for misc flaws; via G.S. Hamilton	Source Detail
03/16/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	fixup by Seth Jackson of 5 tracks from the previous shn set	Source Detail
03/16/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	Source: Audience Lineage: ? > C > CDR > EAC > CE Pro > CDWAV > FLAV (level 8) Thanks to Dave Minor for the source. EAC etc by Matt Vernon	Source Detail
03/16/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC	Source Detail
03/16/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 03-01-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac	Source Detail	FLAC
03/19/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools	Source Detail
03/19/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Taper Gerry Moskal Sony Stereo ECM x 2 -->SONY TCD126 Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion: Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac	Source Detail
03/19/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac24/96 Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in track 16 (Playing In The Band)	Source Detail	FLAC
03/19/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in thrack 16 (Playing In The Band)	Source Detail	FLAC
03/21/73	Utica Memorial Auditorium	Utica	NY	SBD> MR> ?> D> CD> SHN; shn EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Krakowka; see listening notes in info file	Source Detail
03/21/73	Utica Memorial Auditorium	Utica	NY	Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm	Source Detail
03/21/73	Utica Memorial Auditorium	Utica	NY	flac16/44 Source: Audience Cassette (low gen) - from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick March 2021	Source Detail	FLAC
03/21/73	Utica Memorial Auditorium	Utica	NY	flac16/48 Source Info: Kevin Ryan's Audience source of unknown provenance; low gen Cassette (Maxell UDXL-II) Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496	Source Detail	FLAC
03/22/73	Utica Memorial Auditorium	Utica	NY	MSR> DATs> CDRx1> EAC> SHN; via Darrin Sacks	Source Detail
03/22/73	Utica Memorial Auditorium	Utica	NY	flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell 16 bit 44.1kHz	Source Detail	FLAC
03/22/73	Utica Memorial Auditorium	Utica	NY	flac 16; Source: 10" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's Tape) > disk; Transferred by Tim Deibert 6-10-2002	Source Detail
03/22/73	Utica Memorial Auditorium	Utica	NY	flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell 16 bit 44.1kHz	Source Detail	FLAC
03/22/73	Utica Memorial Auditorium	Utica	NY	flac1644 Unknown audience recording > Cassettes (low gen) * - from the collection of Doug Lamarre Transfer: Cassettes > Nakamichi CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor > wav 24/96 Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX10 Advanced > iZotope Neutron 4 > iZotope Ozone 11 > iZotope RX10 Advanced > wav 16/44.1 CD Wav > flac16 edited and mastered SIRMick March 2024	Source Detail	FLAC
03/24/73	The Spectrum	Philadelphia	PA	S:MR > cassette > DAT > CDR; note updated source info- actually only 1 cass gen, not 2; via Mike Bryan, Greg Hamilton; see info file for listening notes	Source Detail
03/24/73	The Spectrum	Philadelphia	PA	SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN	Source Detail
03/24/73	The Spectrum	Philadelphia	PA	flac16; 10" Betty Board Reel > PCM501ES > Fostex D5 (Jace's tape) optical S/PDIF out > disk Transferred by Tim Deibert 5-18-02	Source Detail	FLAC
03/24/73	The Spectrum	Philadelphia	PA	Source: SBD - gd73-03-24.sbd.hamilton.1216.sbeok.shnf Lineage S:MR > cassette > DAT > CDR > wav > shn [note update- 1 cass gen, not 2] Thanks to Mike Bryan for this great show! All sound editing work was done using Roxio Sound Editor (2009). All post work done by Brian Flegel	Source Detail	FLAC
03/26/73	Civic Center	Baltimore	MD	SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes	Source Detail
03/26/73	Civic Center	Baltimore	MD	flac16; Recording: SBD > Master Reel > Dat (44.1k) Transfer: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional v8.01 > FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
03/26/73	Civic Center	Baltimore	MD	flac1648 Partial Set 2. Analog Audience Source: Unknown mic/deck/generation/taper Medium Stock Brands: Maxell Epitaxial XLII-90 (70 uS EQ) Dolby Not specified Tape provided by Doug Lamarre Analog Sound Preservation: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) Transfer By: Matt Vernon Mastering by Andrew F. (pitch correction, patching, miscellaneous improvements)	Source Detail	FLAC
03/26/73	Civic Center	Baltimore	MD	flac1644 Patched set 2 soundboard	Source Detail	FLAC
03/28/73	Springfield Civic Center	Springfield	MA	set 2 partial; MSR> DATs> CDRs> EAC> SHN; without steady whine that marred previously-circulating copies; via Jack Warner, Darrin Sacks	Source Detail
03/28/73	Springfield Civic Center	Springfield	MA	Discs 1&2; AUD>MC>R>D>CD; Disc 3; SBD>MR>D>CD; Seeded to etree by J Cotsman	Source Detail
03/28/73	Springfield Civic Center	Springfield	MA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
03/28/73	Springfield Civic Center	Springfield	MA	flac16; Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail
03/28/73	Springfield Civic Center	Springfield	MA	flac16; SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/28/73	Springfield Civic Center	Springfield	MA	flac16; Matrix 2 Source Mix - SBD (shn id 86459) SBD -> Master Reel -> Dat (44.1k) + AUD (shn id 74682) Beyer Mics -> Cassette Master - matrix mixing by Kevin Tobin	Source Detail	FLAC
03/28/73	Springfield Civic Center	Springfield	MA	AudMC > R > DAT > WAV > SHN; taper: Andy Nourse - equipment unknown; via Noah Weiner; see background in txt	Source Detail	FLAC
03/30/73	Rochester Community War Memorial	Rochester	NY	AUD>MR>?>CD (disc 1); SBD>MR>C>D>CD (remainder); See info file for details; via Paul Hartman & Michael Dixon; Seeded to etree by J. Cotsman	Source Detail
03/30/73	Rochester Community War Memorial	Rochester	NY	flac1644; Source: Unknown mono AUD, composite source, see notes below. Transfer Source-1: ID-11616 AUD tracks > SHN > TLH > WAV > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Transfer Source-2: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
03/30/73	Rochester Community War Memorial	Rochester	NY	flac16/44.1khz Recording Info: SBD > Reel Master (10in 7.5ips 1/2trk) > Apogee AD-500 > DAT (Panasonic SV-3700/48k) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k)	Source Detail	FLAC
03/31/73	Buffalo Memorial Auditorium	Buffalo	NY	Master Soundboard Reel > Cassette > DAT > CD-R; via Morgan Evans, Ben Yerys; see info file for listening notes; note some offbeat tracking	Source Detail
03/31/73	Buffalo Memorial Auditorium	Buffalo	NY	flac16; SBD > MC > CASS > DAT > CDA > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2	Source Detail
04/02/73	Boston Garden	Boston	MA	mSR > cassette > DAT > CDR; via B. Yerys	Source Detail
04/02/73	Boston Garden	Boston	MA	Master 7.5 ips 2 Track reel> DAT> DAT> SONIC SOLUTIONS> CD> CD > EAC[secure] > SHN	Source Detail
04/02/73	Boston Garden	Boston	MA	Bertha remaster of the Master Reel Soundboard source. SBD>>MR>>DAT>>SS>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+	Source Detail
04/02/73	Boston Garden	Boston	MA	SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source.	Source Detail
05/13/73	Iowa State Fairgrounds	Des Moines	IA	Complete; d1,2,3,5-SBD : MR > R > DAT > CDR via Paul B.; d4-SBD : MR > ? > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN via David Minches	Source Detail
05/13/73	Iowa State Fairgrounds	Des Moines	IA	Source: MSR>R>?>C>DAT>WAV>SHN except for 4th disc/end of second set which is from previously circulated SHN set (see below).	Source Detail	SHN
05/13/73	Iowa State Fairgrounds	Des Moines	IA	flac16; Lineage-MR>??>TDK C90 cassettes(3)>R>Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs by Jamie Waddell on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH	Source Detail	FLAC
05/13/73	Iowa State Fairgrounds	Des Moines	IA	flac16; Set 3 Recording Info:SBD -> Master Reel -> Dat -> CD -> EAC -> FLAC; EAC -> FLAC conversion By Charlie Miller; fixed version now in circulation	Source Detail	FLAC
05/13/73	Iowa State Fairgrounds	Des Moines	IA	flac16; Set 3 Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 100239	Source Detail	FLAC
05/20/73	Campus Stadium, UCSB	Santa Barbara	CA	AUD (Sony Condenser): MC> R> C> DAT> HD> SHN> CD; see notes in info file; via Audience Devotional Tree	Source Detail
05/20/73	Campus Stadium, UCSB	Santa Barbara	CA	7" Master Reels at 7.5ips half-track > Panasonic SV-3700 DAT > Panasonic SV-3800 DAT > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
05/20/73	Campus Stadium, UCSB	Santa Barbara	CA	flac16; SBD > Master Reel (7 inch reels @ 7.5ips 1/2trk) > Dat > CD > EAC > Samplitude Professional v9.11 > FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/26/73	Kezar Stadium	San Francisco	CA	Re-eac of previous shn set; Betty Board SBD> Reel> PCM> DAT> Digi I/O> wav; via "Datsit, Other1 and Ripple"; note some low levels, brief d/o's; Row Jimmy splice	Source Detail
05/26/73	Kezar Stadium	San Francisco	CA	MSR>DAT>CD>EAC>WAV>SHN CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003	Source Detail
05/26/73	Kezar Stadium	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
05/26/73	Kezar Stadium	San Francisco	CA	flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES (Beta HiFi) ( @ 44.055 kHz) > PCM501ES analog out > analog in Fostex D5 ( @ 48kHz) > Fostex D5 optical S/PDIF out (Jace's tape) > Sound Forge 5.0 > wav/shn Transferred by Tim Deibert 12-15-01	Source Detail
05/26/73	Kezar Stadium	San Francisco	CA	flac16; Source: SBD Reel Master > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered (Adobe Audition) by Joe Noel; original version had flaws	Source Detail	FLAC
05/26/73	Kezar Stadium	San Francisco	CA	flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard> HD; Editing performed in Adobe Audition; Flac Encoded	Source Detail	FLAC
05/26/73	Kezar Stadium	San Francisco	CA	flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
05/26/73	Kezar Stadium	San Francisco	CA	flac1644; Partial; Sources: Matrix of SBD ID-83438 & AUD ID-154514. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
05/26/73	Kezar Stadium	San Francisco	CA	Flac16; 2 Source Matrix by dusborne; Soundboard:(shnid:83535)SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC;Transfers and Mastering By Charlie Miller. Audience (shnid:147312)Recording by Gene Taback:Master Audience Cassette; Sony TC-124 with Sony Stereo Mic;Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard> HD Editing performed in Adobe Audition	Source Detail	FLAC
06/09/73	Robert F. Kennedy Stadium	Washington	DC	SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted, (although info file at Hamiltons' CDR list has apparently always been correct)- sorry!	Source Detail
06/09/73	Robert F. Kennedy Stadium	Washington	DC	AUDMR > DAT > SHN - Recorded by Adam Grow with an Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips. Added to etree by Noah Weiner	Source Detail
06/09/73	Robert F. Kennedy Stadium	Washington	DC	flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft, w/arm raised up FOB center infield, between sbd platform and stage platform Lineage: MR cassette > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry; Upgrade in circulation	Source Detail	FLAC
06/09/73	Robert F. Kennedy Stadium	Washington	DC	Original SBD Source (shnid = 172); Monte Barry patched Sugar Magnolia w/his AUD source (shnid = 91236). (This is a pitch corrected version of the previous patched SBD source.)	Source Detail	SHN
06/10/73	Robert F. Kennedy Stadium	Washington	DC	SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available"	Source Detail
06/10/73	Robert F. Kennedy Stadium	Washington	DC	flac16; Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC patched and speed corrected	Source Detail	FLAC
06/10/73	Robert F. Kennedy Stadium	Washington	DC	flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. A fixed version now circulates	Source Detail	FLAC
06/10/73	Robert F. Kennedy Stadium	Washington	DC	flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640	Source Detail	FLAC
06/10/73	Robert F. Kennedy Stadium	Washington	DC	flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin	Source Detail	FLAC
06/10/73	Robert F. Kennedy Stadium	Washington	DC	flac16; Matrix 3 Source Mix - SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin	Source Detail	FLAC
06/10/73	Robert F. Kennedy Stadium	Washington	DC	flac16; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg 200 series mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger	Source Detail	FLAC
06/22/73	P.N.E. Coliseum	Vancouver	BC	Master Sounbdoard Reel > PCM > DAT > CDR and likely MSR> C> D> CD, plus AUD patches from 2 sources; d4 tracked for 80 min; some crackle; CD Mastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
06/22/73	P.N.E. Coliseum	Vancouver	BC	AUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60). A > D by Matt Williams and Noah Weiner, encoded by Noah Weiner	Source Detail
06/22/73	P.N.E. Coliseum	Vancouver	BC	composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs	Source Detail
06/22/73	P.N.E. Coliseum	Vancouver	BC	flac16; partial set 1: Lineage: Master cassette > reel @ 3.75 ips > cassette > HD Encoding: CDWave > flac frontend > flac Taped by: ? Transfered by: Pantagruel; reportedly fixed some flaws in the previous SBD source.	Source Detail	FLAC
06/22/73	P.N.E. Coliseum	Vancouver	BC	flac16; Main source MSR>PCM>DAT>CD>EAC>WAV; re-patched and re-tracked version of shn id 17270. See info file for details	Source Detail	FLAC
06/22/73	P.N.E. Coliseum	Vancouver	BC	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/22/73	P.N.E. Coliseum	Vancouver	BC	flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)	Source Detail	FLAC
06/24/73	Memorial Coliseum	Portland	OR	set 2 partial; MSBDR > 1 cass > CD > EAC > SHN; u/l via G. Hamilton; note fits on 1 shn disc w/ 5/25/72 disc	Source Detail
06/24/73	Memorial Coliseum	Portland	OR	partials of both sets; set 1: SBD> ?>C> CD> EAC> SHN (unknown analog generations); set 2: SBD> MR> C> D> CD> EAC> SHN, edited from previous shn set; the first set is a degraded SBD; Thanks to S. Milewski, G. Hamilton; edits/encoding by JCotsman	Source Detail
06/24/73	Memorial Coliseum	Portland	OR	flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/26/73	Seattle Center Arena	Seattle	WA	Complete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon	Source Detail
06/26/73	Seattle Center Arena	Seattle	WA	AUDMC > Reel > Reel > DAT > WAV > SHN. Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D and shn encoding by Noah Weiner	Source Detail
06/26/73	Seattle Center Arena	Seattle	WA	flac16; Recorded by Don Amick; Lineage: MAC(Sony TC-126)>R@7.5 ips.(Don's edited copy)>R@3.3/4 ips(Matt Williams reel)>FLAC	Source Detail	FLAC
06/26/73	Seattle Center Arena	Seattle	WA	flac16:Taped and Transferred By: JEMS; Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic; Lineage: Master Reels @ full track mono>Tandberg Model 11>>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac. Originally seeded at Dime-A-Dozen ~ 2/4/2010	Source Detail	FLAC
06/29/73	Universal Amphitheatre	Universal City	CA	Partial; SBD>MR>R>D>CD; Missing first 11 songs and Around and Casey Jones; via Mark Sweeney; Seeded to etree by JCotsman	Source Detail
06/30/73	Universal Amphitheatre	Universal City	CA	SBD> ?> DAT> CD> EAC> SHN; (note Tiedrich's site lists a circulating? SBD> reel master> 1 reel gen> DAT> 1 cass gen> DAT> circulation); Known Flaws: Some digi-noise beginning d1t1, Reel flip middle d1t6,? Reel flip beginnning d3t2; via A. Jerugim; note "E2 USB" is not listed in databases as an encore- may be filler? (has 2 drummers?)- thanks to J. Grimes for alert	Source Detail
06/30/73	Universal Amphitheatre	Universal City	CA	flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell	Source Detail
06/30/73	Universal Amphitheatre	Universal City	CA	flac16; AudMR(C?) > ? > DAT > WAV > FLAC : Alternate copy originating from same original master recording as source ID 6019. Transferred by Noah Weiner	Source Detail	FLAC
06/30/73	Universal Amphitheatre	Universal City	CA	flac16; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8)	Source Detail	FLAC
06/30/73	Universal Amphitheatre	Universal City	CA	SBD>?>DAT>CD>EAC>SHN patched with AudMR>R>DAT>WAV>SHN. This is a patched and re-tracked version of the previously circulating soundboard source.	Source Detail	SHN
06/30/73	Universal Amphitheatre	Universal City	CA	flac16; remaster of shn id 6019: AudMR > R > DAT	Source Detail	FLAC
07/01/73	Universal Amphitheatre	Universal City	CA	daud> Sony ec M22P mics >Sony 770 MR> R1> DAT> CDR; via M. Lai; note info file lists as 2 CDs but shn set is tracked for 3 CDs	Source Detail
07/01/73	Universal Amphitheatre	Universal City	CA	flac16 Source: SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA	Source Detail
07/01/73	Universal Amphitheatre	Universal City	CA	flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)	Source Detail	FLAC
07/01/73	Universal Amphitheatre	Universal City	CA	flac16; Recording Info: SBD -> Master Reel -> Sound Devices 744T (24bit/96k); Transfer Info: WAV (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	no regular info file (covers only); see 2 "history" posts; reported flaws: d2t3 (jam > wharf rat) has pops at 4:37, 9:22, 23:42; see pub comments for other flaw notes; circulated with 7/28/73	Source Detail
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller	Source Detail
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; Lineage: cassette (unknown gen) > HD Encoding: CDWave > flac frontend > flac Taped by: Unknown Transfered by: Pantagruel	Source Detail
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; source: aud (unknown gen) > ??? > wav > flac; remaster of shn id 28882	Source Detail	FLAC
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith	Source Detail	FLAC
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger 3/2016	Source Detail	FLAC
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	flac24; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger 3/2016	Source Detail	FLAC
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	Soundcheck: Recording by Jeffrey Siniawsky and Joel Smith front row, 15' from stage, mic attached to top of lean-to tent via Noah Weiner Audience Devotional Tree Round 11 - Note: Soundcheck separated from 7/28/73	Source Detail	FLAC
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	no regular info file (covers only); see 2 "history" posts; reported flaw: d2t6 (truckin) has pop at 2:15; see pub comments for other flaw notes; circulated with 7/27/73	Source Detail
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another.	Source Detail
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel; via Jeffrey Siniawsky and Joel Smith; Seeded to etree by Noah Weiner. [Note: Circulates with 7/27 Soundcheck which has a separate entry]	Source Detail
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; taped by Jerry Moore source: aud cassette master, lineage: aud>akg d1000e>sony tc-110, tdk c-120sd cassettes, no nr nak dragon>hd-p2 24/48>hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 8/11/09	Source Detail	FLAC
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	flac16: AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96) Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8)	Source Detail	FLAC
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger	Source Detail	FLAC
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (48k)	Source Detail	FLAC
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; Composite of 1. Source: SBD > Master Reels > DAT (Master Reels transferred by Rob Eaton); Mastering Info: DAT> Adobe Audition 3.0 24/96 > TLH > flac16; 2. Source: sony ecm22p’s > hitachi trq-232 > MAC; taped by Jim Cooper; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred by Rob Berger; 3. shnid 14196; Soundboard Master Reel > ? > Cassette > DAT > CDR > SHN; see info file for more details	Source Detail	FLAC
07/31/73	Roosevelt Stadium	Jersey City	NJ	FOB>CM>C>DAT>CDR; via Greg Weister; seeded to etree by Willy	Source Detail
07/31/73	Roosevelt Stadium	Jersey City	NJ	AudMC > DAT > CD > EAC > SHN Recorded by Jerry Moore with AKG 1000 mic > Sony 110 deck. TDK C-120SD master cassettes EAC & SHN transfer by Noah Weiner	Source Detail
07/31/73	Roosevelt Stadium	Jersey City	NJ	flac16; taped by Monte Barry, Nakamichi 550 portable stereo cassette recorder, taped with Dolby NR on Maxell UD C90 normal bias cassettes, Sony ECM-99 single-point stereo mic, mic is mounted on a 12-foot pole, FOB. Lineage: transferred by Matt Smith, mastered by Monte Barry. MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag	Source Detail	FLAC
07/31/73	Roosevelt Stadium	Jersey City	NJ	flac16; source: aud cassette master; taped by Jerry Moore; mastered: AKG 1000e > Sony TC-110; TDK c-120sd’s (re-shelled for transfer); Nakamichi Dragon > Benchmark ADC1 24/96 > Tascam HD-P2, compact flash > Mac > Adobe Audition CC > Flac; transferred and seeded by Rob Berger	Source Detail	FLAC
08/01/73	Roosevelt Stadium	Jersey City	NJ	Soundboard > 7.5ips Master Reel > Cassette > 20 bit A/D > CDR; CD Mastering by D. Gans; EAC and encoding by M. Jungeblut	Source Detail
08/01/73	Roosevelt Stadium	Jersey City	NJ	AudMR > R > DAT > WAV > SHN; via ADT; Seeded to etree by Noah Weiner	Source Detail
08/01/73	Roosevelt Stadium	Jersey City	NJ	complete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook	Source Detail
08/01/73	Roosevelt Stadium	Jersey City	NJ	flac16; This is a remaster of shnid 12222 remastered by SIRMick June 2008	Source Detail
08/01/73	Roosevelt Stadium	Jersey City	NJ	aud cassette master, akg d1000e>sony tc-110, taped by Jerry Moore, transfer by Rob Berger	Source Detail	FLAC
08/01/73	Roosevelt Stadium	Jersey City	NJ	flac16; Complete show AUD: source - ElectroVoice RE-15 mic > Nakamichi 550 cassette recorder w/ Dolby NR > Maxell UD C90 Chromium Tapes. Taped, transferred, and remastered by Monte Barry. lineage - MR cassette > Nakamichi LX-3 > Lexicon Alpha > 24-bit / 48KHz > USB > Samplitude > 16-bit / 44.1KHz WAV > TLH > Flac-16 SBE fixed > CD Tag.	Source Detail	FLAC
08/01/73	Roosevelt Stadium	Jersey City	NJ	flac16; Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder; taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag	Source Detail	FLAC
08/01/73	Roosevelt Stadium	Jersey City	NJ	AudMR > C > C > C > CD; Reported upgrade to previous Weiner seed, see info file for details; Seeded to etree by Noah Weiner	Source Detail	FLAC
08/01/73	Roosevelt Stadium	Jersey City	NJ	flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transfer & seeded by Rob Berger	Source Detail	FLAC
08/??/73	Record Plant	Sausalito	CA	Wake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F.	Source Detail
08/??/73	Record Plant	Sausalito	CA	Betty> BCM> DAT> DAT> DIO 2448> SHN	Source Detail	FLAC
08/??/73	Record Plant	Sausalito	CA	flac16; Source: SBD Master Reels > PCM - Recorded by Betty Cantor and provided by Tim Dalton; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k) - Transferred by Charlie Miller; Lineage: Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick February 2018	Source Detail	FLAC
09/07/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	Sbd, Reel M->Cass 1->Dat 0 -> DAT 1(?) -> CD; 7inch Master Reel: 7.5ips 1/2trk->Tascam 122mkIII 1st Gen Cass->DAT 1(?); via Teddy GoodBear to abgd; later to etree; see flaw notes in pub comments	Source Detail
09/07/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; sourced from previous seeds	Source Detail
09/07/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	AUDMC > DAT > CD > EAC > SHN: Recorded by Jerry Moore, AKG 1000 mic > Sony 110 deck. TASCAM 112MKII cassette deck (MC playback) > Sony PCM-500 DAT deck > HHB800 stand alone burner (CD) > EAC (secure) > mkwact (SHN). Added to etree by Noah Weiner.	Source Detail	FLAC
09/08/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf: Tascam DA20> coax> rme digi96 PCI card> centered the waves and edited and smoothed the track boundaries. Only? minor corrections were applied; no crossfading, no hiss or noise reduction; from Honey Vine #14 via T. Wulf, to etree via M. Bolen (who made .md5s)	Source Detail
09/08/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf:(original shn 183) - pitch correction and patches by Kevin Tobin	Source Detail	FLAC
09/08/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger	Source Detail	FLAC
09/08/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger	Source Detail	FLAC
09/11/73	College Of William & Mary Hall	Williamsburg	VA	MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes	Source Detail
09/11/73	College Of William & Mary Hall	Williamsburg	VA	flac16; source: aud; Jimmy Warburton's reel; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96>cd wave>adobe audition 2.0>flac; patched/seeded by Rob Berger 2011-03-03	Source Detail	FLAC
09/11/73	College Of William & Mary Hall	Williamsburg	VA	flac16; Original source: AUD Jimmy Warburton's reel; Lineage: AUD>?>7" Reel @ 3.75 ips, No NR Technics RS-1506>hd-p2 24/96>CD Wav>Adobe Audition 2.0>flac Transferred/Seeded by Rob Berger; Patch source 1: Lineage: MAUD>?>R>C>WAV>FLAC Transferred and Encoded by Cousinit; Patch source 2: Lineage: Unknown Provided by Micgram	Source Detail	FLAC
09/11/73	College Of William & Mary Hall	Williamsburg	VA	flac16; SBD:MR>C1>DAT>Edit (see info file)>CD	Source Detail	FLAC
09/11/73	College Of William & Mary Hall	Williamsburg	VA	flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1)	Source Detail	FLAC
09/11/73	College Of William & Mary Hall	Williamsburg	VA	flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots. Transfer Information: Mastering by Jamie Waddell and Jim Blackwood Speed corrections by Jason Chastain Listening assistance and track, FLAC and pack by Steve Gravel FLAC Level 8 at 16 bit 44.1kHz	Source Detail	FLAC
09/12/73	College Of William & Mary Hall	Williamsburg	VA	SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow	Source Detail
09/12/73	College Of William & Mary Hall	Williamsburg	VA	flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots. Transfer Information: Mastering by Jamie Waddell and Jim Blackwood Speed corrections by Jason Chastain Listening assistance and track, FLAC and pack by Steve Gravel FLAC Level 8 at 16 bit 44.1kHz	Source Detail	FLAC
09/12/73	College Of William & Mary Hall	Williamsburg	VA	flac1644 Source: Cassettes (unknown gens) from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Nectar 3 > iZotope Ozone 9 Maximiser > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > Flac 16 Edited and Mastered SIRMick February 2023	Source Detail	FLAC
09/15/73	Providence Civic Center	Providence	RI	set 2; SBD :Master Reel> DAT> Sonic Solutions workstation> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy	Source Detail
09/15/73	Providence Civic Center	Providence	RI	set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman	Source Detail
09/15/73	Providence Civic Center	Providence	RI	flac1648 Analog Audience Source: Unknown mic/deck/generation Medium Stock Brands: Maxell UDXL-I C90 (120 uS EQ) Dolby On Analog Sound Preservation: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) dbpoweramp used for 2496 -> 1648 conversion AUD Source from: unknown Tape provided by John Lebrun to Doug Lamarre Transfer by: Matt Vernon Mastering by: Andrew F	Source Detail	FLAC
09/17/73	Onondaga County War Memorial	Syracuse	NY	SBD>MR>D>CD>EAC>SHN (all but tracks d1t01-->d1t09)); SBD>MR>C>C>D>CD>EAC>SHN (tracks d1t01-->d1t09); Thanks to Peter Braverman; edits/encoding by JCotsman; Note- Fixed d3 now circulates, see public comments for details	Source Detail
09/17/73	Onondaga County War Memorial	Syracuse	NY	Source:MSR>C>DAT>DAT Conversion: DA-40>U2A>CDWave>MkW with seek tables appended	Source Detail	SHN
09/17/73	Onondaga County War Memorial	Syracuse	NY	flac16; Source:MR>C>DAT>DAT provided by Jeff Tiedrich>Andrew Gustin Conversion: DA-40>U2A>CDWave>MkW with seek tables appended Transferred by Tyler Jensen tylerlundby@yahoo.com	Source Detail	FLAC
09/17/73	Onondaga County War Memorial	Syracuse	NY	Recording Info: SBD > Reel Master (7in 7.5ips 1/2trk) > DAT (Panasonic SV-3700/44.1k) > DAT (Panasonic SV-3700/44.1k) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC	Source Detail	FLAC
09/20/73	The Spectrum	Philadelphia	PA	Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman	Source Detail
09/20/73	The Spectrum	Philadelphia	PA	Partial; Master Soundboard Reel > Reel to Reel > PCM > CDR; CD Re-Mastering, EAC'ed & SHN'ed by Scott Clugston; To fungus and abgd via Charlie Connor	Source Detail
09/21/73	The Spectrum	Philadelphia	PA	SBD; via Mike Lai from Bruce Fried DAT; encore missing	Source Detail
09/21/73	The Spectrum	Philadelphia	PA	SBD -> Rm -> Reel -> PCM -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller	Source Detail
09/21/73	The Spectrum	Philadelphia	PA	flac16; Lineage is most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriends house done by Will Boswell was done back in the Spring of '79; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
09/21/73	The Spectrum	Philadelphia	PA	flac16; analog>cd recorder on stereo>pc>goldwave>flac I used goldwave to only take the pop/clicks out. Casey Jones with Joe Ellis on trumpet and Martin Fierro on saxophone, last song of the 2'nd set right before the encore This is missing from all other copies out there. I got it from the tape I bought years ago.	Source Detail
09/21/73	The Spectrum	Philadelphia	PA	flac16; Source: Most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriend's house done by Will Boswell back in the Spring of '79; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018; This file set is 16 bit @ 44.1	Source Detail	FLAC
09/21/73	The Spectrum	Philadelphia	PA	flac1644; Partial; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021	Source Detail	FLAC
09/24/73	Civic Arena	Pittsburgh	PA	Mixed AUD/SBD sources; See info file for details; via Michael Dixon, Alan Fink, & Dan Stephens; Seeded to etree by JCotsman	Source Detail
09/24/73	Civic Arena	Pittsburgh	PA	flac16; MAR>R>CD CD's supplied by Matt Smith; Edited and Mastered by Jamie Waddell as a GEMS production; audio patches by Kevin Tobin	Source Detail
09/24/73	Civic Arena	Pittsburgh	PA	partial sets 1,2; Unknown gen SBD > PCM > DAT > WAV > SHN DAT > WAV > SHN by Dan Stephens; Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Tool	Source Detail
09/24/73	Civic Arena	Pittsburgh	PA	flac16; Mixed SBD\AUD with new sbd material to make a more complete show MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD; CD's supplied by Matt Smith; audio patches by Kevin Tobin	Source Detail	FLAC
09/24/73	Civic Arena	Pittsburgh	PA	flac16; SBD (shnid=95740) patched with the vault master reel from dead.net taper's section lossy stream; All remastering was done by Charlie Miller	Source Detail	FLAC
09/26/73	Community War Memorial Auditorium	Buffalo	NY	SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN; DAE(EAC0.9 beta 4)> tracking(cdwav)> SHN (MKWAct.96f)> FTP by Tripp; with thanks to Darryl Hinko, Tommy Brame	Source Detail
09/26/73	Community War Memorial Auditorium	Buffalo	NY	flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller. This is a re-patch of the original source (it's a more complete version). On 11/23/2006 a version of this source was circulated without the patches in d1t14 and d2t01.	Source Detail
09/26/73	Community War Memorial Auditorium	Buffalo	NY	DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> Dat (48k) and AUD:Unknown lineage transferred by SIRMick; mixed by kevtobin	Source Detail
09/26/73	Community War Memorial Auditorium	Buffalo	NY	flac16; Matrix 2 Source Mix - SBD (shnid 80198) + AUD (shnid 80665) mixed by Kevin Tobin	Source Detail	FLAC
10/19/73	Oklahoma City Fairgrounds Arena	Oklahoma City	OK	mR> DAT> CDR; complete; E2 is tracked for d2, but could fit on 80min d3; via JW Norris, R. Nayfield; update 10/23/00: this date is now released as Dick's Picks 19- go buy that	Source Detail
10/19/73	Oklahoma City Fairgrounds Arena	Oklahoma City	OK	flac2496 Unknown audience cassettes from the collection of by Doug Lamarre. Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Mastering: Wavelab (at 24/96) was used for reconstituting original mono, gain & speed adjustments, and added small fades by AndrewF.	Source Detail	FLAC
10/21/73	Omaha Civic Auditorium	Omaha	NE	MSR->C->D->CD; Some static in spots, see info file for details; via Jeff Fishman; Steve Barbella	Source Detail
10/21/73	Omaha Civic Auditorium	Omaha	NE	SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller	Source Detail
10/23/73	Metropolitan Sports Center	Bloomington	MN	partial of set 1 and set 2; source:MR>Dat>cdr using EAC v0.9 prebeta 11 in secure mode to extract, and mkw ver 0.97 beta1 to create shn's conversion to .shn done by Todd Norman norma023@tc.umn.edu	Source Detail
10/23/73	Metropolitan Sports Center	Bloomington	MN	MSR>D>CD via M. Goetz encoded by Morgan Evans. Note: Has additional OMSN (see info file for discussion) compared to previous etree shn sets.	Source Detail
10/23/73	Metropolitan Sports Center	Bloomington	MN	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/25/73	Dane County Coliseum	Madison	WI	SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon.	Source Detail
10/25/73	Dane County Coliseum	Madison	WI	flac16; MSR > D > CD > EAC > WAV > CD > EAC > WAV > FLAC; DAE(EAC) of shn id 29668 by Sean Cribbs (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73)	Source Detail	FLAC
10/25/73	Dane County Coliseum	Madison	WI	flac16; Original source: /shninfo_detail.php?shnid=188 MSR>D>CD Disc One patched and re-tracked by Sean Cribbs 7/2003; present source added crossfades at reel splices between Let It Grow and GDTRFB and between OMSN and UJB; removed two spots of static at end of Let It Grow; (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73)	Source Detail
10/25/73	Dane County Coliseum	Madison	WI	SBD MR> DAT> Sound Forge> CDR; set 2; (shn discs have 10/19/73 filler); a few brief volume drops/noises in Let It Grow; via G. Hamilton; see public comments for a few more flaw notes	Source Detail
10/25/73	Dane County Coliseum	Madison	WI	Unsure if this is the "best in circ", but it is the most complete. SBD:MR>DAT>CD	Source Detail
10/25/73	Dane County Coliseum	Madison	WI	flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k)	Source Detail	FLAC
10/27/73	Indianapolis State Fair Coliseum	Indianapolis	IN	Source: MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier From the Deadlists vine	Source Detail
10/27/73	Indianapolis State Fair Coliseum	Indianapolis	IN	flac16; Unknown Mics >> Unknown Deck >> MAC >> Reel 7.5 ips Revox A77 Reel @ 7.5 ips >> Revox A77 >> Akai GX636>Apogee Mini Me(24/96)>Apogee Mini Dac(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>FLAC Taped By: David Boswell	Source Detail	FLAC
10/29/73	Kiel Auditorium	St. Louis	MO	MSR> C> DAT> Circulation> EAC> SHN; no El Paso, otherwise complete show; Source disks from Bob Murphy, eac/shn by Darrin Sacks; Analog anomalies between CRS and BIODTL and between Eyes and China Doll digitally removed with Soundforge. Track boundary error between Bertha and GSET automatically corrected by Exact Audio Copy; Bob Murphy reports seed sounds cleaner than corresponding 10/30/73	Source Detail
10/29/73	Kiel Auditorium	St. Louis	MO	Source: MSR > C > D > CD patched with AUD Conversion: CD > EAC > WAV > retracking (shntool) > SHN Complete show in SBD w/ AUD patches (including AUD El Paso) via Dave Greenberg and Jim Powell. Retracked from CDA seed of this source circulated 3/2003 (incorporated brief separate crowd tracks into song tracks). Sector boundaries verified w/ shntool.	Source Detail
10/29/73	Kiel Auditorium	St. Louis	MO	flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC	Source Detail
10/29/73	Kiel Auditorium	St. Louis	MO	flac16; Taper: Unknown; Source: Unknown Mics and Deck>??>C>WAV>FLAC; Transferred and Encoded by Cousinit	Source Detail	FLAC
10/30/73	Kiel Auditorium	St. Louis	MO	Reel master > 1 cassette gen > DAT > CD > EAC > SHN; seed via J. Merdler, DAE>SHN by G.S. Hamilton, retracking of d2 by A. J. Fink; some editing between songs; known flaws: d1t1 split-second cut into beginning, d1t6 cuts at 1:21, d2t1 volume change at 3:39, d3t3 cut/splice at 6:27	Source Detail
10/30/73	Kiel Auditorium	St. Louis	MO	Source: MSR > D > PCM > D > CD patched with AUD Conversion: CD > EAC > WAV > retracking (shntool) > SHN Complete show with AUD patches via Dave Greenberg and Jim Powell. Retrack of CDA seed circulated 3/2003 to incorporate separate crowd tracks into song tracks. Different lineage from previous seed. Cut to start Me & My Uncle patched w/ AUD, no cut in Mexicali. Does have anomolies in China Cat & Eyes noted in that seed.	Source Detail
10/30/73	Kiel Auditorium	St. Louis	MO	flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC	Source Detail
10/30/73	Kiel Auditorium	St. Louis	MO	flac1644; 1st Set; Source: Unknown AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021	Source Detail	FLAC
10/30/73	Kiel Auditorium	St. Louis	MO	flac1644 Source: Audience recording (low gen) from the collection of Doug Lamarre Transfer: Cassette > Nakamichi CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - transfer by Matt Vernon Lineage: wav 24/96 > iZotope RX 11 Advanced > iZotope Neutron 5 > iZotope RX 11 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick February 2025	Source Detail	FLAC
11/01/73	McGaw Memorial Hall, Northwestern University	Evanston	IL	2nd set only; SBDMR> Cass> DAT> CDR> EAC> Soundforge> DePopper> SHN; via Howling Bob; Seeded to etree by Mike Parrillo	Source Detail
11/01/73	McGaw Memorial Hall, Northwestern University	Evanston	IL	Source: Set 2 MR > C1 > DAT > CD > Toast Audio Extractor (overlap) > WAV > SHN SHNed and seeded by Jon Seff (jon@seff.net)	Source Detail
11/01/73	McGaw Memorial Hall, Northwestern University	Evanston	IL	flac16; Set 2 only MR>C1>DAT>SHN (shnid=2178)>CD>EAC>CoolEdit Pro hiss reduction & minor other edits	Source Detail
11/01/73	McGaw Memorial Hall, Northwestern University	Evanston	IL	flac16; Set 2 Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k)	Source Detail	FLAC
11/09/73	Winterland Arena	San Francisco	CA	SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes	Source Detail
11/10/73	Winterland Arena	San Francisco	CA	MSR> reel > PCM > DAT > CD; see info file for listening notes	Source Detail
11/11/73	Winterland Arena	San Francisco	CA	Source: Disks 1-2 MSR> Cass> Cass> DATs> CDRs> EAC> SHN; Disk 3 MSR> Cass> DATs> CDRs> EAC> SHN; via Bob Murphy, Darrin Sacks; see pub comment for flaw note; note apparent upgrade with patch now circulating	Source Detail
11/11/73	Winterland Arena	San Francisco	CA	Shntool fix (by Tony Gardner) of previous Tony Gardner 'patched eyes' seed; See info file for details; Disks 1-2 MSR>Cass>Cass>DATs>CDRs; Disk 3 MSR>Cass>DATs>CDRs; With Eyes patched from MSR>?>DAT>CDR	Source Detail
11/11/73	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
11/11/73	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> Cool Edit Pro v2.01 -> FLAC (Pitch correction of shn id 83318) All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/11/73	Winterland Arena	San Francisco	CA	flac1648; Recorded by Charles Conner from dead center 10 rows back with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer and mastering of re-shelled master cassettes by Jim Blackwood on November 11, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Speed/pitch adjusted by Jason Chastain	Source Detail	FLAC
11/14/73	San Diego Sports Arena	San Diego	CA	Updated lineage: SBD > MR > cass > DAT > CD > EAC (secure) > SHN (seekable); EAC> SHN by Matt Vernon, from Eurodead Vine source discs; see tracking suggestions in info file	Source Detail
11/14/73	San Diego Sports Arena	San Diego	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC	Source Detail
11/14/73	San Diego Sports Arena	San Diego	CA	edit of previous shn set by Bob Clevenger; see info file for notes	Source Detail	FLAC
11/14/73	San Diego Sports Arena	San Diego	CA	flac1648; Recorded by Charles Conner from center right with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 12, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 13, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain	Source Detail	FLAC
11/17/73	Pauley Pavilion, UCLA	Los Angeles	CA	SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected)	Source Detail
11/17/73	Pauley Pavilion, UCLA	Los Angeles	CA	SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN via Jay Ashley	Source Detail
11/17/73	Pauley Pavilion, UCLA	Los Angeles	CA	This is a FLAC composite of different sources that all have cassette/reel flip cuts at various points of the show. See text document for further info.	Source Detail	FLAC
11/17/73	Pauley Pavilion, UCLA	Los Angeles	CA	flac1648; Recorded by Charles Conner from floor level seats on the right side with a Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain	Source Detail	FLAC
11/20/73	Denver Coliseum	Denver	CO	S:MR > DAT > CD > EAC > SHN; via David Hollister, G. S. Hamilton; note UJB may be from different source?; note portions of set 2 on these discs are in "SBD order" vs. "true" order- see public comments for details	Source Detail
11/20/73	Denver Coliseum	Denver	CO	MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by David Minches EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet)	Source Detail
11/20/73	Denver Coliseum	Denver	CO	flac16; Partial set 2 matrix mix using Cary Wolfson AUD shnid=22879 and sbd shnid=1234 by Matt Vernon	Source Detail	FLAC
11/20/73	Denver Coliseum	Denver	CO	flac16; main source: S:MR > DAT > CD > EAC > SHN (shnid 1234) patch source: MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (shnid 22879)	Source Detail	FLAC
11/20/73	Denver Coliseum	Denver	CO	flac16/48kHz; Master Soundboard Cassettes > Will Boswell's 1st generation Reels @ 3.75 ips There is speculation that there may be an additional cassette generation before Will Boswell's Reels (Garcia's?); This is part of the Debbie Stash; Transfer Info: 1st (possibly 2nd) Generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
11/21/73	Denver Coliseum	Denver	CO	via D. Barrick (hurtsme2); B. Yerys reports digiprobs at d1t1 ~0:42, d1t4 ~1:10, d2t2 ~10:38	Source Detail
11/21/73	Denver Coliseum	Denver	CO	MSR > DAT > CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > CDWave v1.71 (tracking) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Patches: MAC (Taped Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4)	Source Detail
11/21/73	Denver Coliseum	Denver	CO	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes swapped channels on source id 88612.)	Source Detail
11/21/73	Denver Coliseum	Denver	CO	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation	Source Detail	FLAC
11/21/73	Denver Coliseum	Denver	CO	MAC (Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail	FLAC
11/23/73	County Coliseum	El Paso	TX	SBD > Reel > Cassette > Datx2 > CDR; via L. Orf; reel flips in d1t1, d1t7 (smoothed), d3t2; superior version relative to version circulated 3/8	Source Detail
11/23/73	County Coliseum	El Paso	TX	flac16; Recording Info:SBD -> Reel Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/25/73	Feyline Field	Tempe	AZ	MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01	Source Detail
11/25/73	Feyline Field	Tempe	AZ	flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/25/73	Feyline Field	Tempe	AZ	flac16/44.1khz Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC	Source Detail	FLAC
11/25/73	Feyline Field	Tempe	AZ	flac16/44khz 1Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC	Source Detail	FLAC
11/30/73	Music Hall	Boston	MA	sbd > ? > CDR; Some songs from this date are featured on Dick's Picks 14; go buy it	Source Detail
11/30/73	Music Hall	Boston	MA	unknown audience recording via David Minor encoded by Matt Vernon and Marc Pujol	Source Detail	FLAC
11/30/73	Music Hall	Boston	MA	flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2022	Source Detail	FLAC
12/01/73	Music Hall	Boston	MA	Master Soundboard Reels > PCM > DAT> CDR; CD Mastering by Scott Clugston	Source Detail
12/01/73	Music Hall	Boston	MA	flac16; Audience Analog Master>cdr>eac>flac; Joe Maloney Master Recording	Source Detail
12/01/73	Music Hall	Boston	MA	SBD> MR> DAT> Sonic Solutions> CDR; shn by Tony Gardner, from Paul B.'s discs; note more complete than previous shn versions	Source Detail
12/01/73	Music Hall	Boston	MA	flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.	Source Detail	FLAC
12/01/73	Music Hall	Boston	MA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/01/73	Music Hall	Boston	MA	flac1644 Source: Recorded using a Sony TC-110A deck with built in microphone by Joe Maloney. Transfer (2022): Audience analog master cassette>Nakamichi DR-1 (w/manual azimuth adjustment)>Creative Soundblaster X-Fi HD Model #SB1240 WAV(24/96kHz)>MAGIX Audio Cleaning Lab for KRW track marks, volume adjustment, and edits>WAV(16/44.1kHz)>Trader's Little Helper FLAC (level 8)	Source Detail	FLAC
12/02/73	Music Hall	Boston	MA	same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person?; hosted by Mike Lai	Source Detail	SHN
12/02/73	Music Hall	Boston	MA	Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston;a few seconds of overlap between d2,3; to abgd	Source Detail
12/02/73	Music Hall	Boston	MA	unknown audience tape via David Minor encoded by Matt Vernon and Marc Pujol	Source Detail
12/02/73	Music Hall	Boston	MA	flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassette, kindly provided by Tim Friend. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.	Source Detail	FLAC
12/02/73	Music Hall	Boston	MA	flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
12/04/73	Cincinnati Gardens	Cincinnati	OH	Partial; Last two songs and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools	Source Detail
12/04/73	Cincinnati Gardens	Cincinnati	OH	flac16; SET ONE ONLY SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller	Source Detail
12/04/73	Cincinnati Gardens	Cincinnati	OH	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839).	Source Detail	FLAC
12/06/73	Public Hall	Cleveland	OH	SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton	Source Detail
12/06/73	Public Hall	Cleveland	OH	partial; S:MR> Cass> SonicSolutions> DAT> ZA2> CD; via R. Nayfield (from Gans seed?); Reel Splice in Eyes from master	Source Detail
12/06/73	Public Hall	Cleveland	OH	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 4452	Source Detail	FLAC
12/06/73	Public Hall	Cleveland	OH	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/06/73	Public Hall	Cleveland	OH	flac16; Recording Info: SBD > Master Reel > Dat; Transfer Info: Dat > Samplitude Professional v11.2.1 > FLAC; Remastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/16	Source Detail	FLAC
12/06/73	Public Hall	Cleveland	OH	flac1644 Source: Unknown audience cassette from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick April 2023	Source Detail	FLAC
12/06/73	Public Hall	Cleveland	OH	flac1648 Recorded by Dave Cubbedge on a Sony portable stereo recorder with a stereo mic. LINEAGE: Master > TDK SA copy > WAV > FLAC	Source Detail	FLAC
12/08/73	Cameron Indoor Stadium, Duke University	Durham	NC	Stereo Soundboard > Master Reel > ? > CD > SHN; via unknown person; May be a re-eac of previous shn set	Source Detail
12/08/73	Cameron Indoor Stadium, Duke University	Durham	NC	SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source	Source Detail
12/08/73	Cameron Indoor Stadium, Duke University	Durham	NC	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 1811	Source Detail	FLAC
12/08/73	Cameron Indoor Stadium, Duke University	Durham	NC	flac16; Sbd > MR > C > DAT > CD Re-master of shnid 1811	Source Detail	FLAC
12/08/73	Cameron Indoor Stadium, Duke University	Durham	NC	flac16; source: aud 1st gen reel* taped by Jerry Moore mastered on sony tc-110 lineage: aud cassette master>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 2496>pc>adobe audition 2.0(levels, dc offset)>cd wave>16/44.1>flac transferred & seeded by Rob Berger	Source Detail	FLAC
12/08/73	Cameron Indoor Stadium, Duke University	Durham	NC	flac16/44 Source: Unknown Audience Cassette (high gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick June 2021	Source Detail	FLAC
12/08/73	Cameron Indoor Stadium, Duke University	Durham	NC	flac16 Source1: Recording Info: Master Soundboard Reel > Dat (16 K)(dick Latvala) Transfer Info: Dat (panasonic Sv-3800) > Pro Tools (.wav 16 K) > Samplitude Professional V> Adobe Audition> Tlh Flac16 Source: Unknown Audience Cassette (high Gen) - From The Collection Of Doug Lamarre. Transfer: Cassette > Nak Cr-7a > Tascam Da-3000 #2 (dsf 1-bit Mhz) > Tascam Hi Res Editor >wav 24 Transferred By Matt Vernon Lineage: Wav 24 > Adobe Audition 3 > Izotope Rx8 Advanced > Izotope Neutron 2 Advanced > Izotope Rx8 Advanced > Wav 16 > Cd Wave > Flac16	Source Detail	FLAC
12/10/73	Charlotte Coliseum	Charlotte	NC	Partial; Half of last song and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools	Source Detail
12/12/73	The Omni	Atlanta	GA	nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs	Source Detail
12/12/73	The Omni	Atlanta	GA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 6023; Upgrade in circulation	Source Detail	FLAC
12/12/73	The Omni	Atlanta	GA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 105561	Source Detail	FLAC
12/18/73	Curtis Hixon Convention Hall	Tampa	FL	SBD Reel master > cassette > DAT > CDR (unknown gens); info file circulating with the shn set falsely says this is via G.S. Hamilton- it is not. Please use md5s to ID copies in circulation. This copy has 7 tracks in d2, Greg's real shn set has 9. Reel change in Wharf Rat (d3t04) @ 6:36; reported noise reduction on this copy- see comments	Source Detail
12/18/73	Curtis Hixon Convention Hall	Tampa	FL	SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry	Source Detail
12/18/73	Curtis Hixon Convention Hall	Tampa	FL	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail
12/18/73	Curtis Hixon Convention Hall	Tampa	FL	further retracking and slight editing of previous retracked shn set, by Bob Clevenger	Source Detail	FLAC
12/18/73	Curtis Hixon Convention Hall	Tampa	FL	flac16; Audience Cassette->Nakamichi Dragon->Sony PCMR300 Dat (16/44.1)->Sound Forge eq and normalization	Source Detail	FLAC
12/19/73	Curtis Hixon Convention Hall	Tampa	FL	"DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- go buy it	Source Detail
12/19/73	Curtis Hixon Convention Hall	Tampa	FL	Audience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; go buy it	Source Detail
12/19/73	Curtis Hixon Convention Hall	Tampa	FL	flac16; Recording Info:SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
12/19/73	Curtis Hixon Convention Hall	Tampa	FL	flac16; soundboard source shnid=97361: (Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC); Patch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-faded and cut on sector boundaries. Converted to flac with trader's little helper	Source Detail	FLAC
12/19/73	Curtis Hixon Convention Hall	Tampa	FL	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
??/??/73	Studio Rehearsals	Various	CA	flac16; Lineage: Unknown Studio Recording -> Sonic Solutions -> CD Transfer: CD -> EAC ->FLAC by Joe Samaritano	Source Detail	FLAC
??/??/73	Record Plant	Sausalito	CA	Flac1648 Dead Net Mixer > Tascam SS-CDR200 (16-bit/48k) > Samplitude Pro X6 Suite > FLAC/16 Mixed and Mastered by charliemiller87@earthlink.net 2023-10-03	Source Detail	FLAC
02/22/74	Winterland Arena	San Francisco	CA	SBD > ? > SHN; Missing Sugar Mag's & UJB; Unknown seeder	Source Detail
02/22/74	Winterland Arena	San Francisco	CA	mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller	Source Detail
02/22/74	Winterland Arena	San Francisco	CA	Lineage: SBD > D > CD > SSSB *12-14-2002* Files were run through shntool to correct sector boundary errors. The date was also corrected as the soundcheck does not circulate from the 24th, because there wasn't one....FLAC encoding and shntool processing done by Mr. Marmar 12/2002 Converted from flac to shn by SIRMick (thedarkstar@btinternet.com)	Source Detail	SHN
02/22/74	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/22/74	Winterland Arena	San Francisco	CA	flac1648 Audience source (a Louis Falanga master?); Unknown Equipment; Don Wolfe's Low Gen Reels (2nd/3rd generation?) Transfer Info: Low Gen Reels (Technics RS-1506) > Apogee Mini-Me > .wav 24/96 > Adobe Audition 2023 > TLH flac2496	Source Detail	FLAC
02/23/74	Winterland Arena	San Francisco	CA	incomplete; SBD > Reel > PCM > DAT > CD > EAC > SHN; via Jay Serafin, Seth Kaplan, G.S. Hamilton; missing Big River, Ramble On Rose, Me And My Uncle, Casey Jones; note complete copy now in shn	Source Detail
02/23/74	Winterland Arena	San Francisco	CA	complete; Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min	Source Detail
02/23/74	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/23/74	Winterland Arena	San Francisco	CA	flac16/44 Fixed version of Recording Info: SBD > Master Reel > Dat Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2 > FLAC	Source Detail	FLAC
02/24/74	Winterland Arena	San Francisco	CA	SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed	Source Detail
02/24/74	Winterland Arena	San Francisco	CA	soundcheck, reportedly this date although mislabeled as 2/24/74 on shn set; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive	Source Detail
02/24/74	Winterland Arena	San Francisco	CA	Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums; SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD	Source Detail	FLAC
02/24/74	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/24/74	Winterland Arena	San Francisco	CA	flac16; Unknown Audience Recording > PCM; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Pitch Corrected By Kevin Tobin In Adobe Audition; Mastering in Wavelab 7.1 by Jamie Waddell; 16bit 44.1kHz Track, FLAC and Pack by John Wenzel	Source Detail	FLAC
02/24/74	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/23/74	Cow Palace	Daly City	CA	Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it	Source Detail
03/23/74	Cow Palace	Daly City	CA	flac16; Master Audience Cassette > Dat (or PCM?) Edits & Tracking in Wavelab 6.0 by **__** : BBE processing, Crystal Sample Rate converter, L3 multimaximizer>dithered44.1k/16>FLACfrontend SBE FREE Patches by Michael Hughey in Adobe Audition	Source Detail
03/23/74	Cow Palace	Daly City	CA	modification of previously-circulating shn set- d2 retracked by Leigh Orf; update: portions of show are now DP24- go buy it	Source Detail	SHN
03/??/74	Mars Hotel Outtakes	San Francisco	CA	Mars Hotel Outtakes; SBD>?>CDR	Source Detail	FLAC
05/12/74	University Of Nevada	Reno	NV	MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks; previously uncirculated; see notes in info file	Source Detail
05/12/74	University Of Nevada	Reno	NV	Partial 2nd Set; AUD>?>CD; via Jack Warner; Seeded to etree by Matt Vernon	Source Detail	SHN
05/12/74	University Of Nevada	Reno	NV	flac16; Recording Info: SBD > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC	Source Detail	FLAC
05/14/74	Adams Field House, University Of Montana	Missoula	MT	MSR> cassette> DAT> CD-R> TAE> shn; via Bob Murphy	Source Detail
05/14/74	Adams Field House, University Of Montana	Missoula	MT	flac16; Recording Info: Set 1: SBD -> Master Reel -> Cassette -> Dat (48k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professionl v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/14/74	Adams Field House, University Of Montana	Missoula	MT	flac1644 Source: Audience Cassettes (up to El Paso described on j-card as 7th gen and the rest of show 8th gen) from collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope Neutron 3 > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2023	Source Detail	FLAC
05/17/74	P.N.E. Coliseum	Vancouver	BC	updated source: Andy Gustin and Jay Ashley report this could be the SBD cass master>1 cass> DAT> 1 cass gen> DAT version noted on Tiedrich's site (had been marked mSR> DAT> CDR> Toast Audio Extraction> SHN); via Andy Gustin; 9/11/73 filler	Source Detail
05/17/74	P.N.E. Coliseum	Vancouver	BC	flac16; set 1,2p; hand-held external stereo mic> portable Sony cassette deck> BASF LH C120 MC> [1 cass gen for Promised only] > HD> CDWave > flac frontend > flac; Taped by: Mike Kent, transferred by Pantagruel	Source Detail	FLAC
05/17/74	P.N.E. Coliseum	Vancouver	BC	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/19/74	Portland Memorial Coliseum	Portland	OR	SBDMR -> DAT; DAT -> CD -> EAC -> SHN; via A. Jerugim; 5/21: copy retracked on sector boundaries by J. Kempka; see public comments for detailed flaw notes	Source Detail
05/19/74	Portland Memorial Coliseum	Portland	OR	complete; Master Soundboard Reel > PCM > DAT> CDR; EAC'ed / SHN'ed by Scott Clugston	Source Detail
05/19/74	Portland Memorial Coliseum	Portland	OR	flac16; Remastered version of shn id 6957: Master Soundboard Reel > PCM > DAT> CDR with tweaks to the spectrum (Waves REQ 4-band), light compression (Waves R-Comp), slight warmth enhancement to the low-end (BBE2 lo-contour) and digitally maximized with the Waves L3 Multimaximizer.	Source Detail	FLAC
05/19/74	Portland Memorial Coliseum	Portland	OR	flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C); Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957); Source 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
05/19/74	Portland Memorial Coliseum	Portland	OR	flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C) Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957) Source 3: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/19/74	Portland Memorial Coliseum	Portland	OR	flac16; Source: Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee; Lineage: MAC>R>R>C>WAV>FLAC; Transferred and Encoded by Cousinit	Source Detail	FLAC
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	flac16; Matrix 2 Source Mix - SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV + AUD (shn id 10150) AudMC > WAV > SHN - matrix mixing by Kevin Tobin	Source Detail	FLAC
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	flac16; Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)	Source Detail	FLAC
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of previous shn set, courtesy Josh Belkin	Source Detail
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner	Source Detail
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496 (shn id 2597) patched with AudMC > WAV > SHN (10150) via Charles Wier	Source Detail	SHN
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	flac16; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee	Source Detail	FLAC
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	flac16; Updated source: Audience recording by Don Amick; Transcription Pathway: Maxell XLII-90 cassettes (unknown generation) ? Nakamichi DRAGON (no Dolby, EQ 120 µsec) ? ADC Sound Shaper Two Mk II stereo frequency equalizer ? Edirol UA-5 T-MOD PLUS (custom-modified by the Oade Brothers) (driven by MME, in advanced mode; set to Red Book Standard for LPCM streaming) ? USB 2.0 ? Audacity 1.2.6 (set to 32-bit float/44.1kHz resolution for recording LPCM stream; set to Red Book Standard and, with snap-to on, to cdda min:sec:frames 75 fps for cutting tracks on sector boundaries and exporting them as .wav’s); Transcribed by George M. Prescott Jr. on October 14, 2010	Source Detail	FLAC
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	flac16/48khz Source Info: Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
05/25/74	Campus Stadium, UCSB	Santa Barbara	CA	flac16; Soundboard Reel >DAT >CDR >FLAC Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o by OldNeumanntapr	Source Detail	FLAC
05/25/74	Campus Stadium, UCSB	Santa Barbara	CA	MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track	Source Detail
05/25/74	Campus Stadium, UCSB	Santa Barbara	CA	MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn; via Jonathan Miller, Adam Roux; David Hollister reports problems on USB track	Source Detail
05/25/74	Campus Stadium, UCSB	Santa Barbara	CA	flac16; Recording Info: FOB Audience Recording by Jeremy Witt Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free	Source Detail	FLAC
05/25/74	Campus Stadium, UCSB	Santa Barbara	CA	flac16; Matrix: 60%sbd/40% aud; Sources: Master Soundboard Reel > Dick Latvala's Cassette > DAT > mastered to CD-R on an HHB CDR-850 > .shn (shnid 2635) Originally seeded to phlash.etree.org by Johnathan Miller. FOB Audience Recording by Jeremy Witt (shnid 111301) Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free	Source Detail	FLAC
06/08/74	Oakland-Alameda County Coliseum	Oakland	CA	Master Audience Reel > Reel to Reel > PCM > DAT, plus Master Soundboard Reel > DAT (Playin' > Wharf Rat> Playin', plus Eyes); mastered and seeded by Scott Clugston with thanks to Skankweed; d3 tracked for 80 min; Ship cut on master	Source Detail
06/08/74	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> Audition 3.0 >> Wavelab 5.0 >> Izotope Ozone3(dithering) >> CDWave >> TLH >> Flac 1644 Taped By: Louis Falanga Transfer By: Bob Menke Mastering By: Paul Gilbert Tagged By: Jeff Thomas	Source Detail	FLAC
06/08/74	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC; Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; Re-mastered By Charlie Miller	Source Detail
06/08/74	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Set 1 & encores MR>R(JG)>R(WB & Pat Lee)@ 3 3/4 ips. Set 2 Lineage: MR>DAT Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH	Source Detail
06/16/74	Des Moines State Fair Grandstand	Des Moines	IA	SBD (could be MR> C> D); complete version via M. Bryan, G. Hamilton; Bertha- splice @ 4:04- serious mix problems prior to this; Sugaree- MR flip @ 3:59; Playin'- d/o @0:01, d/o @3:16; T.Jed- <1 sec. digi-noise @0:02; W.Rat- MR flip @2:50	Source Detail
06/16/74	Des Moines State Fair Grandstand	Des Moines	IA	mixed SBD sources: Set 1: MSR> C> DAT> CD Set 2 & 3: MSC> DAT> CD (except for patch in Wharf Rat which is MSR> ?> DAT> CD), lineage reported by Andy Lemieux; assembled/fixed by Sean Cribbs from Alan Fink's, Steve Windsor's and Andy's source material (see notes in txt)	Source Detail
06/16/74	Des Moines State Fair Grandstand	Des Moines	IA	flac16; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger	Source Detail	FLAC
06/18/74	Freedom Hall	Louisville	KY	SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed 11/8	Source Detail
06/18/74	Freedom Hall	Louisville	KY	Bertha Remaster of the digitized Master Reel source. SBD>>MR>>DAT>>ZA2>>SHN>>DAW(Bertha) - Sound A	Source Detail
06/18/74	Freedom Hall	Louisville	KY	flac16; Speed Corrected Version of the SBD>MR>1 cass>DAT>ZA2>SHN source Additional lineage for this version: SHN (id=209) > WAV > Cool Edit Pro (see notes) > FLAC(8)	Source Detail
06/18/74	Freedom Hall	Louisville	KY	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
06/20/74	The Omni	Atlanta	GA	Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR; uploaded by Scott Clugston; via "the usual"; to abgd, later to etree; note d1 tracked for 80 min	Source Detail
06/20/74	The Omni	Atlanta	GA	Set II, E; SBD reel -> ??? -> CD; t4 8:50 small reel blip; via D. Finney; additional source info not forthcoming	Source Detail
06/22/74	Jai-Alai Fronton	Miami	FL	MR> C> DAT2> CDR3> EAC> SHN; via Darrin Sacks	Source Detail
06/22/74	Jai-Alai Fronton	Miami	FL	AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002 Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track ids) > SHNTOOL (SBE fix) > MKW (shn)	Source Detail
06/22/74	Jai-Alai Fronton	Miami	FL	flac 16; Sick Bits Vol. 21a - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=212) + AUD (shnid=14193). Matrixed by Chris Chappell.	Source Detail
06/22/74	Jai-Alai Fronton	Miami	FL	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/22/74	Jai-Alai Fronton	Miami	FL	flac16; source: aud cassette master; taped by Jerry Moore; new "master" created with the original shn #105825 files; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details	Source Detail	FLAC
06/23/74	Jai-Alai Fronton	Miami	FL	SBD, with patches (see updated info file for details, including about "blank" tracks); "painstakingly complete" version assembled by J. Belkin; also see additional comments from D. Sacks: contrary to original info file, primary SBD was not subject to NR; report from Skank: only discs 1&2 were posted? to abgd at first, fixed d3 before completing; to etree via A. Stern 2/2; pre-fixed d3 may have been etreed earlier- note fixed d3 has 10 tracks	Source Detail
06/23/74	Jai-Alai Fronton	Miami	FL	MSR>DAT>CD w/ MAC>DAT patches	Source Detail
06/23/74	Jai-Alai Fronton	Miami	FL	flac16; source: aud cassette master akg d1000e's>Sony TC-152 taped by Jerry Moore lineage: aud c.m.>dat>cdr>eac>cd wave>flac transfered by Rob Berger '99, tracking by John Tallmadge	Source Detail	FLAC
06/23/74	Jai-Alai Fronton	Miami	FL	Remaster of sbd w/ aud patches by Owens Brothers	Source Detail
06/23/74	Jai-Alai Fronton	Miami	FL	AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON.	Source Detail
06/23/74	Jai-Alai Fronton	Miami	FL	flac16; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010; 16 bit 44.1 khz version	Source Detail	FLAC
06/23/74	Jai-Alai Fronton	Miami	FL	flac16; sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith	Source Detail	FLAC
06/23/74	Jai-Alai Fronton	Miami	FL	AudMC > DAT>CD>DC6>CD Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT, DAT > SHN/CD Editing and Mastering by The Wizard, see info file for details	Source Detail	FLAC
06/23/74	Jai-Alai Fronton	Miami	FL	flac16; source: aud cassette master; taped by Jerry Moore; new "master" created from the original files from shn #105755; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details	Source Detail	FLAC
06/26/74	Providence Civic Center	Providence	RI	MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2); seeded by J. Oleynick; note original d1 contains some static blemishes from 'River through Row Jimmy; fixed d1 provided by S. Agan, 2/28, with different source info: SBD> MR> C> DAT> CDR; note most of set II is available as Dick's 12- go buy it	Source Detail
06/26/74	Providence Civic Center	Providence	RI	AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoding by Noah Weiner, gdADT Round 17. Complete with Seastones.	Source Detail
06/26/74	Providence Civic Center	Providence	RI	flac16; source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger	Source Detail	FLAC
06/26/74	Providence Civic Center	Providence	RI	flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Brian Mandel gdplusmore@aol.com Master Cassette Nakamichi BX-150 Transfer->Nakamichi BX300 Cassette Maxell XL11-S90 x3 circa 1984 Wave/ Flac Conversion & Editing 2-20-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac Edits Tape Flips - Audacity	Source Detail	FLAC
06/28/74	Boston Garden	Boston	MA	set 1; SBD> MR> DAT> Sonic Solutions> CD> ?> EAC> SHN; EAC'ed / SHN'ed by Tom Snider, Jr., with thanks to Jeff Cook; other material from show is featured on Dick's Picks 12 itself, go buy it	Source Detail
06/28/74	Boston Garden	Boston	MA	complete; AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoded by Noah Weiner gdADT Round 18	Source Detail
06/30/74	Springfield Civic Center	Springfield	MA	SBD> MR> cass> DATx2> ZA2> CDRx1> EAC> SHN; via Andy, Tiedrich, Skank, A. Stern; to abgd and etree	Source Detail
06/30/74	Springfield Civic Center	Springfield	MA	AudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT by Mark Cohen encoding Noah Weiner gdADT Round #16	Source Detail
06/30/74	Springfield Civic Center	Springfield	MA	flac16; Set II matrix sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537)	Source Detail
06/30/74	Springfield Civic Center	Springfield	MA	flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/30/74	Springfield Civic Center	Springfield	MA	flac24; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018	Source Detail	FLAC
06/30/74	Springfield Civic Center	Springfield	MA	flac16; source: aud cassette master taped by Jerry Moore; lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac; transferred & seeded by Rob Berger; This file set is 16 bit @ 44.1	Source Detail	FLAC
06/30/74	Springfield Civic Center	Springfield	MA	flac16; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44.1	Source Detail	FLAC
06/30/74	Springfield Civic Center	Springfield	MA	flac1644; 1st Set, Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2021	Source Detail	FLAC
07/19/74	Selland Arena	Fresno	CA	set 2 partial; MR> DAT> CDR; seed via D. Gans, D. Finney; md5s for shns and wavs given (complete show now in circulation (Upgrade now in circulation.)	Source Detail
07/19/74	Selland Arena	Fresno	CA	complete; Master Reel> Cassette(1)> DAT@44.1K> DAT> WAV> Soundforge 4.0> CDWAV> SHN w/seek tables appended; DAT> WAV via Sony SDT-9000 DDS Drive using VDat DAT seed from Rob Eaton, DAT>SHN by Jamie Lutch, QC by dankseeds; see info file for flaw and editing notes; see pub comments for d2 md5 notes (Upgrade now in circulation.)	Source Detail
07/19/74	Selland Arena	Fresno	CA	flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat	Source Detail
07/19/74	Selland Arena	Fresno	CA	flac 16 Source: Recorded by AS and friends with borrowed UC Santa Cruz AV gear; 2 Shure omni mics > Sony portable (152 possibly) cassette recorder; Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact; Pitch corrected -72 cents from master playback	Source Detail	FLAC
07/21/74	Hollywood Bowl	Los Angeles	CA	Sony ECM-22p > Sony TC-152 master cassette > reel > DAT > CDR; taper Rob Bertrando; via Andy Gustin, Tony Gardner; end of Scarlet cut	Source Detail
07/21/74	Hollywood Bowl	Los Angeles	CA	flac16; (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152) -> Reel -> Dat All transfers and Remastering By Charlie Miller	Source Detail
07/21/74	Hollywood Bowl	Los Angeles	CA	flac16; MOTB Release: 0056 16/44.1 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe	Source Detail	FLAC
07/21/74	Hollywood Bowl	Los Angeles	CA	Rob Bertrando's Sony ECM-22P mics > Sony TC-152 Cassette Master; AudMC >Reel > DAT > CD; Seeded to etree by Noah Weiner	Source Detail	FLAC
07/25/74	International Amphitheater	Chicago	IL	SBD MR > CASS > DAT > CD; original seed via Jim Wise; via Jon Miller, Alan J. Fink, Greg Hamilton; see info file and addendum for notes	Source Detail
07/25/74	International Amphitheater	Chicago	IL	SBD -> Rm -> Dat -> Sonic Solutions -> CD seeded by Charlie Miller	Source Detail
07/25/74	International Amphitheater	Chicago	IL	flac16 Source: SBD -> Vault Master Reel -> Dat -> Sonic Solutions -> CD Remastered by Jim Blackwood Pitch Correction by Jason Chastain	Source Detail	FLAC
07/27/74	Roanoke Civic Center	Roanoke	VA	SBD> MR> C> DAT> CDR; via Seth Kaplan	Source Detail
07/27/74	Roanoke Civic Center	Roanoke	VA	flac16; unknown gen audience recording > ? > FLAC	Source Detail	FLAC
07/27/74	Roanoke Civic Center	Roanoke	VA	flac16; Source: Audience Recording > AKG D200e's > Sony TCC152 SD > mac > rr > dat > cdr; Lineage: cdr > eac > wav > Adobe Audition 1.5 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16	Source Detail	FLAC
07/27/74	Roanoke Civic Center	Roanoke	VA	flac1644 SBD > Master Reel > Cassette > Dat > CD Transfer Info: CD > Adobe Audition v3.0 > Samplitude Professional v11.03 > FLAC	Source Detail	FLAC
07/29/74	Capital Centre	Landover	MD	SBD:MR> C1> DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II 350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD; some diginoise was fixed, some smaller diginoise was not; tracked for 2x80 plus encore for filler elsewhere, but can fit on 3x74; via Teddy Good Bear, Doug Johnson to abgd	Source Detail
07/29/74	Capital Centre	Landover	MD	flac16; Sick Bits Vol. 8 - SBD/AUD Matrix of 2 previously circulating sources: (SBD - SHN ID# 2277, and AUD - SHN ID# 17968); edited and transfered by Chris Chappell	Source Detail
07/29/74	Capital Centre	Landover	MD	AudMC > DAT > WAV > SHN. Recorded by Jerry Moore(see notes), 1st level off floor, audience left, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON, Analog > DAT transfer by Mark Cohen, DAT > SHN/CD by Noah Weiner	Source Detail	SHN
07/29/74	Capital Centre	Landover	MD	AudMC > DAT > WAV > SHN. Recorded by Jerry Moore(see notes), 1st level off floor, audience left, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON, Analog > DAT transfer by Mark Cohen, DAT > SHN/CD by Noah Weiner	Source Detail	SHN
07/29/74	Capital Centre	Landover	MD	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/29/74	Capital Centre	Landover	MD	flac16; Source: 2nd Set Mono AUD, 3rd Gen tape, kindly provided by Seaweed1010. Transfer: MX-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. Feb 2013	Source Detail	FLAC
07/29/74	Capital Centre	Landover	MD	flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut (2496) > AIFF CD tracking via Audacity [w/dither] > FLAC1644 via xAct)	Source Detail	FLAC
07/31/74	Dillon Stadium	Hartford	CT	SBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks; see info file for minor anomalies	Source Detail
07/31/74	Dillon Stadium	Hartford	CT	flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC	Source Detail
07/31/74	Dillon Stadium	Hartford	CT	flac16; source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac	Source Detail	FLAC
07/31/74	Dillon Stadium	Hartford	CT	flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger	Source Detail	FLAC
08/04/74	Philadelphia Civic Arena	Philadelphia	PA	MSR> DATs> CDRs> EAC> SHN; small aud patches in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; via Bob Fishman, Darrin Sacks	Source Detail
08/04/74	Philadelphia Civic Arena	Philadelphia	PA	AUDMC > DAT > WAV > SHN Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen DAT > SHN/CD by Noah Weiner	Source Detail
08/04/74	Philadelphia Civic Arena	Philadelphia	PA	SBD> MR> DAT> CDR; transfer by Stephen Agan; via Bob Allred to vines, offer; tracked differently from Sacks shn set, but with same AUD patches: in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; see pub comments for additional notes	Source Detail
08/04/74	Philadelphia Civic Arena	Philadelphia	PA	I: AudMC > DAT > WAV > SHN II: AudMC > R? > Beta Hi-Fi PCM > CASS > WAV > CD > EAC > SHN; Seeded to etree by Noah Weiner	Source Detail	FLAC
08/05/74	Philadelphia Civic Arena	Philadelphia	PA	MSR> C> C> DATs> CDRs> EAC, with AUD patches from Jerry's Moore's MC>D>CD (AKG D1000s>Sony TC-152); via Darrin Sacks	Source Detail
08/05/74	Philadelphia Civic Arena	Philadelphia	PA	AUDMC > DAT > WAV > SHN - Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Added to etree by Noah Weiner.	Source Detail
08/05/74	Philadelphia Civic Arena	Philadelphia	PA	flac16; Source: MSR>C>C>DAT Conversion : DAT @ 48k - > HT OMega 7.1 Soundcard (Optical Inputs)>WAV (48)> Syntillium Cool Edit Downsample to 44.1 WAV>CD WAV (Track Split)>FLAC	Source Detail	FLAC
08/05/74	Philadelphia Civic Arena	Philadelphia	PA	flac16; Recording Info: Soundboard > ?? > PCM (16 bit) (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16. Note this originally circulated as a soundcheck for 6/22/1974 but was identified as the jam from 8/5/1974 and has been moved to the correct date.	Source Detail	FLAC
08/05/74	Philadelphia Civic Arena	Philadelphia	PA	flac16/44.1khz Recording Info: SBD > Reel Master (7in 7.5ips 1/2trk) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamkichi Dragon) > DAT (Panasonic SV-3800/48k) > Avid MBox Pro > Pro Tools 12 > WAV (44.1k)	Source Detail	FLAC
08/06/74	Roosevelt Stadium	Jersey City	NJ	fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy"	Source Detail
08/06/74	Roosevelt Stadium	Jersey City	NJ	flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transfer & seeded by Rob Berger	Source Detail	FLAC
08/06/74	Roosevelt Stadium	Jersey City	NJ	flac1644; Recording info: Master reel > DAT (via Anon); Transfer info: Tascam DA-302 > Sound Devices 722 (digital transfer); Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
09/09/74	Alexandra Palace	London	England	SBD>MR>DAT(X2)>CDR; Note- Missing 6 of last 8 songs; Seeded to etree by Sly_Wow	Source Detail
09/09/74	Alexandra Palace	London	England	flac 16; Source: sbd > mr > dat (x2) > cdr > eac > mkwact > wav > flac	Source Detail	FLAC
09/09/74	Alexandra Palace	London	England	Dick's Picks Vol 7 Outtakes by Sir Mick	Source Detail	FLAC
09/09/74	Alexandra Palace	London	England	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/09/74	Alexandra Palace	London	England	flac16; Partial SBD > ? > flac	Source Detail	FLAC
09/09/74	Alexandra Palace	London	England	flac16/44 Unknown audience with unknown lineage via Brian Flegel	Source Detail	FLAC
09/10/74	Alexandra Palace	London	England	SBD>?>CD; May be missing up to three first set songs; See info file for details; Note- Many tracks appear on DP7, Buy it here ; via Craig Reimer; Seeded to etree by Willy	Source Detail
09/10/74	Alexandra Palace	London	England	Vault Soundboard Reels->Cassette->DAT->PCM->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano	Source Detail
09/10/74	Alexandra Palace	London	England	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/11/74	Alexandra Palace	London	England	complete; SBD Reel master > DAT > CDR > EAC > SHN; Extraction and .shn encoding by Seth Kaplan; Slight retracking of discs 2 and 3 (CoolEdit/CDWav) and re-shn (v2) by G.S. Hamilton; to BUDD and etree; note parts of the run are on Dick's Picks 7- go buy it	Source Detail
09/11/74	Alexandra Palace	London	England	Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's	Source Detail
09/11/74	Alexandra Palace	London	England	flac16; Partial SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC	Source Detail	FLAC
09/11/74	Alexandra Palace	London	England	flac16; Recorded by unknown taper; Gen 2 Cassettes; Transferred on a NakCr7a	Source Detail	FLAC
09/11/74	Alexandra Palace	London	England	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version in circulation	Source Detail	FLAC
09/11/74	Alexandra Palace	London	England	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes the flaws in source ID 135802	Source Detail	FLAC
09/14/74	Olympiahalle	Munich	Germany	AUD MR> D> CD; via Hanno Bunjes; Sugar Magnolia has dropout (seems to be on all copies); Hanno's notes	Source Detail
09/14/74	Olympiahalle	Munich	Germany	flac16; Set 2, plus Phil/Ned; SBD> Master Reel (7in @ 7.5ips 1/2tr)> Dat (3700/44.1k)> Dat (3800/44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller	Source Detail
09/14/74	Olympiahalle	Munich	Germany	flac16; Recording Info: SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller	Source Detail
09/14/74	Olympiahalle	Munich	Germany	Philips mic> Telefunken reel deck, taper Gerhard Schinzel; master AUD reel > CD with "safety cass" patch in WRS, transferred to CD by Uli Teute and were re-mastered by Dave Greenberg; SHN conversion by Jay Gerland, with thanks to Jason Chastain; circulated via Deadlists Project; see listening notes in info file	Source Detail	FLAC
09/18/74	Parc Des Expositions	Dijon	France	SBD> MR> ?> DAT> CDR> EAC> SHN; DAE(EAC) and SHN Encoding By Jeff M.; Phil & Ned and Encore are missing	Source Detail
09/18/74	Parc Des Expositions	Dijon	France	Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) SHN'd By Charlie Miller from Pre-FM GDH Production Discs charliemiller87@earthlink.net 11/19/03	Source Detail
09/18/74	Parc Des Expositions	Dijon	France	Bertha Remaster of the master reel source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B+	Source Detail
09/18/74	Parc Des Expositions	Dijon	France	flac16: **SOUNDCHECK ONLY** Lineage: SBD -> Master Reel -> Dat Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Mastered By Charlie Miller	Source Detail
09/20/74	Palais Des Sports	Paris	France	SBD > master reel > reel to reel > DAT > CD > SoundForge > CD; stemming from Marcello Gasperini?s and Julian's source material; see info file for various fixes and flaws; to a tree?, runs a bit slow? (see notes in info for companion 9/21/74 shns)	Source Detail
09/20/74	Palais Des Sports	Paris	France	flac1644; 1st Set; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021	Source Detail	FLAC
09/21/74	Palais Des Sports	Paris	France	sets 2,3; SBD > master reel > reel to reel > DAT > CD > SoundForge > CD, plus patches; see info file for fixes and flaws; d2 tracked for 80 min; to a tree?; reportedly runs a bit fast; includes 1/24/69 filler	Source Detail
09/21/74	Palais Des Sports	Paris	France	flac16; SBD -> Master Reel -> Reel -> Dat Transferred and Edited By Charlie Miller	Source Detail
09/21/74	Palais Des Sports	Paris	France	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/16/74	Winterland Arena	San Francisco	CA	SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; PITB split into 2 tracks at d/o removal (md5 version d2b); d2a.md5 likely reflects pre-split PITB and may not circulate	Source Detail
10/16/74	Winterland Arena	San Francisco	CA	Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman	Source Detail
10/16/74	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/16/74	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/16/74	Winterland Arena	San Francisco	CA	flac16; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > iZotope RX5 Advanced > wav 16/44.1 > CD Wave > TLH > flac16; edited and mastered SIRMick	Source Detail	FLAC
10/17/74	Winterland Arena	San Francisco	CA	MSR>DAT>CDR; Seeded to etree by Carl Royer	Source Detail
10/17/74	Winterland Arena	San Francisco	CA	MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon	Source Detail
10/17/74	Winterland Arena	San Francisco	CA	flac16; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for SRC POWr3 Dither 16bit/44.1 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData	Source Detail	FLAC
10/18/74	Winterland Arena	San Francisco	CA	sets 2,3; SBD MR > PCM > DAT 44.1kHz > CD > shn; via Jack Romanski to gdlive	Source Detail	SHN
10/18/74	Winterland Arena	San Francisco	CA	SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN. SHN'd By Charlie Miller	Source Detail
10/18/74	Winterland Arena	San Francisco	CA	Recording Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude -> CD -> EAC -> SHN All Transfers Done By Charlie Miller	Source Detail
10/18/74	Winterland Arena	San Francisco	CA	set 2 (d1) seeded 3/00, set 3 (d2) seeded 4/00; SBD MR > PCM > DAT > CDR; via A. Fink, R. Nayfield, M. Ferguson; 12/26/69 filler; known flaws: d2 Cut in Promised Land @ 2:29, Filler Black Peter cuts after 2:06; note some material from show appears on album Steal Your Face- go buy it; see public commnets for flaw note on d2t5	Source Detail	FLAC
10/18/74	Winterland Arena	San Francisco	CA	flac16; Recording Info: Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Set 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/18/74	Winterland Arena	San Francisco	CA	flac16; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell	Source Detail	FLAC
10/18/74	Winterland Arena	San Francisco	CA	flac24; Multi-track SBD reels > ? > reel > ? > FLAC; Presented by Jamie Waddell; A **GEMS** Production January 2011	Source Detail	FLAC
10/19/74	Winterland Arena	San Francisco	CA	SBD multitrack > DAT > CD; via A. Fink, M. Ferguson; known flaw: d3 Beginning of Sugar Magnolia is cut; note some material from show appears on album Steal Your Face- go buy it	Source Detail
10/19/74	Winterland Arena	San Francisco	CA	Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04	Source Detail
10/19/74	Winterland Arena	San Francisco	CA	flac24; 24 bit 88.2kHz SBD Reel > cass Recorded by the Immortal Owsley Stanley;	Source Detail	FLAC
10/19/74	Winterland Arena	San Francisco	CA	flac16; reel > cass recorded by Owsley Stanley cass > 24bit/88.2kHz by Blackwood/Waddell dithered/tracked by SteveSw	Source Detail	FLAC
10/19/74	Winterland Arena	San Francisco	CA	flac16; Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick; Fixed version in circulation	Source Detail	FLAC
10/19/74	Winterland Arena	San Francisco	CA	flac1644; Source: Unknown AUD from the collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021	Source Detail	FLAC
10/19/74	Winterland Arena	San Francisco	CA	flac1648; Recording: Sony ECM-22P mic (mono) > Sony TC-55 > Maxell UD C-90 cassettes; Transfer: Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC; Recorded by Charles Conner; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
10/20/74	Winterland Arena	San Francisco	CA	mixed sources (see info file, and for flaws); via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for quality note	Source Detail
10/20/74	Winterland Arena	San Francisco	CA	flac16; SBD>7" 1/2 track 7 1/2 IPS MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac	Source Detail	FLAC
10/20/74	Winterland Arena	San Francisco	CA	flac16; Lineage: Multitrack MR>2 track mixdown>?R>R>CD Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs>Trac'ed Cdwave Flac'ed level 8 TLH	Source Detail
10/20/74	Winterland Arena	San Francisco	CA	flac16; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel(Garcia's) > R @ 3 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered December 2014 by Matt Smith	Source Detail	FLAC
10/20/74	Winterland Arena	San Francisco	CA	flac1648; Recording info: Sony ECM-22P mic (mono) > Sony TC-55 > Maxell UD C-90 cassettes; Transfer info: Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC; Recorded by Charles Conner; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
??/??/74	China-Rider Compilation	Various	Various	Mars Hotel Outtakes; SBD>?>CDR	Source Detail
01/??/75	Ace's	Mill Valley	CA	flac16; Source: Studio Reel - Bob Gurman's TDK LX 35/90B @7.5ips; Lineage: Studio Master Reel -> ?-> Reel @7.5ips (TEAC A-4010 SL playback)-> Lexicon Lambda-> Logic 24/96 AIFF -> wav conversion to 16bit-44.1k-> xAct -> flac	Source Detail	FLAC
02/28/75	Bob Weir's Studio	Mill Valley	CA	flac16; SBD MR > R > R > CD * > EAC > WAV > FLAC	Source Detail	FLAC
03/17/75	Ace's	Mill Valley	CA	SBD>MR>DAT>CDR; David Crosby and the Dead from weir's Studio; via Raoul Duke; seeded to etree by Matt Vernon	Source Detail
03/17/75	Ace's	Mill Valley	CA	flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)	Source Detail	FLAC
03/21/75	Ace's studio	Mill Valley	CA	SNACK rehearsals, poss compilation of dates; ??> cass> cooledit> mkw> shn; Tracking/ re-shn (v3) from original single shn file, by terrapinstation	Source Detail
03/23/75	Kezar Stadium	San Francisco	CA	SBD>FM>?>DAT>CDR Only flaw listed: One small d/o in the 1st Blues for Allah (Track 2) @ 4:36	Source Detail
03/23/75	Kezar Stadium	San Francisco	CA	SBD>Pre-FM SBD MR>DAT>Digi-Remaster>CD>CD>EAC>MKW>SHN	Source Detail	SHN
03/23/75	Kezar Stadium	San Francisco	CA	flac16; FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Pat Lee)* > CD. Reel to reel transfer by Taper Pat - (R copied @ 7.5 ips using a Revox A-77>A-77) --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)	Source Detail	FLAC
03/23/75	Kezar Stadium	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/23/75	Kezar Stadium	San Francisco	CA	Unknown SBD Note: This is disc 1 of a 5 disc set containing all of the sets from the 3/23/1975 SNACK Benefit. Other artists were Tower of Power, Santana, Doobie Brothers, Jefferson Starship, Joan Baez and, finally, Neil Young, Bob Dylan & The Band.	Source Detail	FLAC
03/23/75	Kezar Stadium	San Francisco	CA	flac24; FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
03/26/75	Ace's Studio	Mill Valley	CA	rehearsals; sbd> ?> PCM> SEK'D Prodif96Pro> wav> SHN; 1-disc portion of 6 discs seeded to abgd, with seeking reshn on t1,2 by terrapinstation	Source Detail
03/??/75	Studio (Blues for Allah Outtakes)	Unknown	CA	liberated bootleg CD-> EAC-> WAV-> SHN; via Dave Backus	Source Detail
03/??/75	Bob Weir's Studio	Mill Valley	CA			FLAC
04/02/75	Ace's Studio	Mill Valley	CA	rehearsals; 1st Gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; There's some question as to the accuracy of this date; via terrapinstation to etree	Source Detail
04/17/75	Ace's Studio	Mill Valley	CA	rehearsals; sbd> ? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; SBEs fixed with shntool, renamed to fit Etree standards and re-shn'ed by terrapinstation	Source Detail
04/17/75	Ace's Studio	Mill Valley	CA	flac16; Straight from my reel to reel masters	Source Detail	FLAC
06/03/75	Ace's Studio	Mill Valley	CA	flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)	Source Detail	FLAC
06/04/75	Ace's Studio	Mill Valley	CA	flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)	Source Detail	FLAC
06/05/75	Club Front	San Rafael	CA	rehearsals; SBD: 2nd gen cass> PCM>SEK'D Prodif96Pro> wav> SHN; SBEs fixed (with shntool), files renamed, re-shn'ed, text file created by terrapinstation	Source Detail
06/05/75	Club Front	San Rafael	CA	rehearsal sessions from June 3, 4 & 5, 1975 from low-generation cassette. via Hanno Bunjes, Uli Teute	Source Detail
06/07/75	Bob Weir's Studio	Mill Valley	CA	flac16; "Blues Ruffs" : SBD MR > R > Rs > CD * > EAC > WAV > FLAC via Matt Smith	Source Detail	FLAC
06/17/75	Winterland Arena	San Francisco	CA	AUD CM>DAT>CD> EAC> SHN; Recorded by Rob Bertrando: Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the? left of dead center; via Alan Fink, Mark Ferguson	Source Detail
06/17/75	Winterland Arena	San Francisco	CA	flac24; 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033	Source Detail	FLAC
06/17/75	Winterland Arena	San Francisco	CA	flac16; 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033	Source Detail	FLAC
06/17/75	Winterland Arena	San Francisco	CA	sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN via David Backus	Source Detail
06/17/75	Winterland Arena	San Francisco	CA	flac16; AUD/SBD Matrix of 2 previously circulating sources: AUD - (shn ID #233) and SBD - (shn ID #20084). Edited and converted by Chris Chappell.	Source Detail
06/17/75	Winterland Arena	San Francisco	CA	flac16; Sony ECM-280's > Sony TC-152SD playback on Nak Dragon > Sony PCM 601ES > Beta Beta > Sony R500 DAT >HHb-850 CDR Pitch correction and slight EQ in Audacity	Source Detail	FLAC
06/17/75	Winterland Arena	San Francisco	CA	flac16; SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station	Source Detail	FLAC
06/17/75	Winterland Arena	San Francisco	CA	flac1648 Sbd > Master Reel > Wav	Source Detail	FLAC
07/07/75	Ace's Studio	Mill Valley	CA	sbd>? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; via terrapinstation to etree	Source Detail
07/23/75	Club Front Studio	San Rafael	CA			FLAC
07/24/75	Club Front Studio	San Rafael	CA			FLAC
08/13/75	Great American Music Hall	San Francisco	CA	FM Source: SBD>FM>MC>DAT>WAV>SHN SBD Source: MSR>R(2)>C>DAT>WAV>SHN With full intro and tunings- these are missing from the OFTV release.	Source Detail
08/13/75	Great American Music Hall	San Francisco	CA	Pitch corrected version of FM broadcast originally seeded by CousinIt by Matt Vernon	Source Detail
08/13/75	Great American Music Hall	San Francisco	CA	flac16/44 (Bootleg Tape - from FM broadcast - 9/1/75) via Brian Flegel	Source Detail	FLAC
09/01/75	Club Front Studio	San Rafael	CA	flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac	Source Detail	FLAC
09/16/75	Club Front Studio	San Rafael	CA			FLAC
09/28/75	Lindley Meadows, Golden Gate Park	San Francisco	CA	sbd> reel (mic mix)> DAT> CD; via Mike Lai; modified info file courtesy Dave Laesser; note TLEO not included	Source Detail
09/28/75	Lindley Meadows, Golden Gate Park	San Francisco	CA	SBD : MR > DAT > CDR (HHb850); DAT > CDR transfer by Dan Sisler; Seeded to etree by Alan J. Fink	Source Detail
09/28/75	Lindley Meadows, Golden Gate Park	San Francisco	CA	flac16; Source: On Stage Mic's (BY Band) > ? > Dat @ 44.1 Transfer: Fostex D5 > Zoltrix > Sf 6.0 (fades,normalized,patches) > Cd Wave > Flac 16/44.1	Source Detail	FLAC
09/28/75	Lindley Meadows, Golden Gate Park	San Francisco	CA	flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UD 120 Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke and Louis Falanga Transfer By: Bob Menke Mastering By: Derek McCabe	Source Detail
09/28/75	Lindley Meadows, Golden Gate Park	San Francisco	CA	Source: ?? > Turtle Tree > CD > SHN; via B. Beggs; note some confusion on this etreed material, needs sorting out	Source Detail
??/??/75	Ace's Studio	Mill Valley	CA	flac16 Studio Recording-> ?-> Cassette Maxell UDXL2 C90 with Dolby B (playback on Nakamichi Dragon with Dolby B)-> Lexicon Lambda-> Logic-> wav 16/44.1 -> flac	Source Detail	FLAC
04/20/76	Mickey's Barn	Novato	CA			FLAC
05/28/76	Orpheum Theatre	San Francisco	CA	Studio Rehersal Tapes; SBD>?>CD; Actually a compilation of material recorded on 5-28,29,30-76; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
05/28/76	Orpheum Theatre	San Francisco	CA	flac16; Lineage R2 > D Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell (compilation of material recorded on 5-28,29,30-76; See info file for details)	Source Detail
06/03/76	Paramount Theatre	Portland	OR	last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive	Source Detail
06/03/76	Paramount Theatre	Portland	OR	SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation	Source Detail
06/03/76	Paramount Theatre	Portland	OR	Bertha Remaster of the Master Reel/Reel source. SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ ; upgrade in circulation	Source Detail
06/03/76	Paramount Theatre	Portland	OR	SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.	Source Detail
06/03/76	Paramount Theatre	Portland	OR	SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07)	Source Detail	SHN
06/03/76	Paramount Theatre	Portland	OR	flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/03/76	Paramount Theatre	Portland	OR	flac16; Updated Recording Info: Sony ECM-280 -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller	Source Detail	FLAC
06/03/76	Paramount Theatre	Portland	OR	MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008	Source Detail	SHN
06/03/76	Paramount Theatre	Portland	OR	flac16; aud 1st gen reel; unknown equipment/taper; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac	Source Detail	FLAC
06/03/76	Paramount Theatre	Portland	OR	Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003]	Source Detail	FLAC
06/04/76	Paramount Theatre	Portland	OR	SBD>MR>?>D>CD; With aud patches for several songs; See info file for details; via Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail
06/04/76	Paramount Theatre	Portland	OR	unknown aud > ? > DAT; via Dale Shepherd; Seeded to etree by Matt Vernon	Source Detail
06/04/76	Paramount Theatre	Portland	OR	flac16; unknown equipment/taper; source: aud 1st gen reel; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac	Source Detail	FLAC
06/04/76	Paramount Theatre	Portland	OR	flac24; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
06/04/76	Paramount Theatre	Portland	OR	flac1644Analog Audience Source: ECM 280 mics Front row Loge on 152SD Medium Stock Brands: MAC = Maxell UD c 120's Analog Sound Preservation: MAC > Nak Dragon -> Audio Techica ATM 400 Line Amp/ Mixer-> Korg at 5.6 mhz	Source Detail	FLAC
06/09/76	Boston Music Hall	Boston	MA	set 1 SBD>MR>R>D>CD>EAC>SHN with patches from AUD>MC>D>CD>EAC>SHN by J. Cotsman	Source Detail
06/09/76	Boston Music Hall	Boston	MA	FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes.	Source Detail
06/09/76	Boston Music Hall	Boston	MA	set 2; SBD> MR> DAT> SS> CDR> EAC> SHN; via Tony Gardner, from Paul B. seed discs	Source Detail
06/09/76	Boston Music Hall	Boston	MA	flac16; SBD/AUD Matrix of 3 previously circulated seeds (SBD I - SHN ID# 12382, SBD II - SHN ID# 5426, AUD - SHN ID #5982); prepared by Chris Chappell	Source Detail
06/09/76	Boston Music Hall	Boston	MA	flac16; Recording Info: Set 1: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/09/76	Boston Music Hall	Boston	MA	flac16; source: aud 1st gen reel lineage: mac>reels @ 7.5 ips, dolby b set I on maxell 7" reel, set II on ampex 10.5" (baked), technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac; master taped by Steve Maizner; transferred & seeded by Rob Berger	Source Detail	FLAC
06/09/76	Boston Music Hall	Boston	MA	flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK SD C90 & C120 (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021	Source Detail	FLAC
06/10/76	Boston Music Hall	Boston	MA	FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min.	Source Detail
06/10/76	Boston Music Hall	Boston	MA	Bertha Remaster of the Master Reel source. SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN	Source Detail
06/10/76	Boston Music Hall	Boston	MA	flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell	Source Detail
06/10/76	Boston Music Hall	Boston	MA	flac16; Matrix 2 Source Mix - SBD (shnid 82891) + AUD (shnid 18425) by Kevin Tobin	Source Detail	FLAC
06/10/76	Boston Music Hall	Boston	MA	Recorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches.	Source Detail	FLAC
06/10/76	Boston Music Hall	Boston	MA	Recorded by Jimmy Warburton AKG 1000Es> Sony TC-152. Reel -> DAT conversion by Mark Cohen. DAT -> SHN conversion by David Minches.	Source Detail	FLAC
06/10/76	Boston Music Hall	Boston	MA	flac16; Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log; Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018; This file set is 16 bit @ 44.1	Source Detail	FLAC
06/10/76	Boston Music Hall	Boston	MA	flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
06/11/76	Boston Music Hall	Boston	MA	SBD> ?> liberated bootleg; via Alan McCarty	Source Detail
06/11/76	Boston Music Hall	Boston	MA	Recorded by Jerry Moore; AKG 200Es> Sony TC-153, mics split along front of loge. AUDMC > DAT conversion by Mark Cohen, DAT > SHN conversion by David Minches	Source Detail
06/11/76	Boston Music Hall	Boston	MA	MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates]	Source Detail
06/11/76	Boston Music Hall	Boston	MA	FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades/sbd splice with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min.	Source Detail	FLAC
06/11/76	Boston Music Hall	Boston	MA	flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; the original version of this source had an error in Looks Like Rain (track 08); Fixed Version in circulation	Source Detail	FLAC
06/12/76	Boston Music Hall	Boston	MA	FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d3 tracked for 80 min.	Source Detail
06/12/76	Boston Music Hall	Boston	MA	SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file	Source Detail
06/12/76	Boston Music Hall	Boston	MA	flac16; Recording Info: Stereo Microphone -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller	Source Detail	FLAC
06/12/76	Boston Music Hall	Boston	MA	flac16; Source: FM Reel Master taped by Jerry Moore Sony TC-755 reel/Teac AN-180 dolby unit Maxell UD 35-180 tape; lineage: WBCN simulcast>10.5" reels @ 7.5 ips, dolby b Technics RS1506>Teac AN-180>HD-P2 24/96>hd>cd wave 16/44>flac transferred & seeded by Rob Berger 7/27/09	Source Detail	FLAC
06/12/76	Boston Music Hall	Boston	MA	flac16; aud 1st gen reel, akg d1000e's>sony tc-152, taped by Jimmy Warburton, transfer by Rob Berger	Source Detail	FLAC
06/12/76	Boston Music Hall	Boston	MA	flac16/48kHz; FM Broadcast; Master Reel to Reel > Jim Warburton's 1st generation 7" reels @ 3 3/4 ips Transfer Info: 1st generation reels (baked)(Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/14/76	Beacon Theatre	New York	NY	Sony TC 153 Sony SCM 99A Mikes > Cassette x 2; See info file for transfer notes; via Dave Minor and Dale Shepherd; Seeded to etree by Matt Vernon	Source Detail
06/14/76	Beacon Theatre	New York	NY	SBD Reels> D> CD-R ; via Leigh Orf; caution: d2 t2,4 may be switched?; note md5s here were submitted 7/2001, not sure if originals- see pub comments; upgrade in circulation	Source Detail
06/14/76	Beacon Theatre	New York	NY	S:MR>PCM>DAT>CD>EAC>SHN Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with the complete encore (previously on end of disk 2) and removing it from end disk 2	Source Detail
06/14/76	Beacon Theatre	New York	NY	flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell	Source Detail
06/14/76	Beacon Theatre	New York	NY	flac16; Source Info: Primary Source: Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM > Dat (16-bit/44.1k); Secondary Source: Betty's 7" two track Master Soundboard Reel @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: Primary Source: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16; Secondary Source: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16	Source Detail	FLAC
06/15/76	Beacon Theatre	New York	NY	flac16; Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16	Source Detail	FLAC
06/15/76	Beacon Theatre	New York	NY	SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596> CDWave>SHN; See txt file for details on splices; to abgd via BUG	Source Detail
06/15/76	Beacon Theatre	New York	NY	Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD	Source Detail
06/15/76	Beacon Theatre	New York	NY	SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes	Source Detail
06/15/76	Beacon Theatre	New York	NY	Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon	Source Detail	SHN
06/15/76	Beacon Theatre	New York	NY	flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/17/76	Capitol Theater	Passaic	NJ	Sony TC 153 Sony ECM 99A Mikes Master Cassette > Reel > DAT; via Dave Minor, Raoul Duke; Transfer by Dale Shepherd; Seeded to etree by Matt Vernon	Source Detail
06/17/76	Capitol Theater	Passaic	NJ	flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
06/17/76	Capitol Theater	Passaic	NJ	MATRIX MIX: SBD/AUD (About 60%/40%) by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN)	Source Detail	SHN
06/17/76	Capitol Theater	Passaic	NJ	flac1648 Source Info: Master Audience Cassettes (unknown mics/deck); Bob Wagner's 1st generation cassettes Transfer Info: 1st generation cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496	Source Detail	FLAC
06/18/76	Capitol Theater	Passaic	NJ	Aud3> CDR> EAC> Pristine Sounds NR> SHN; SHN'd and seeded by Seth Jackson to abgd	Source Detail
06/18/76	Capitol Theater	Passaic	NJ	AUDCM>C>DAT>CDR; via Raoul Duke and Dave Minor; Seeded to etree by Matt Vernon; upgrade in circulation	Source Detail
06/18/76	Capitol Theater	Passaic	NJ	Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD. Taper: Jimmy Warburton,30-35 rows right center. A/D Transfer, editing and tracking by David Minches, shn encoding Matt Vernon	Source Detail
06/18/76	Capitol Theater	Passaic	NJ	flac1644 Recording Info: (FOB) Sony ECM-99 > Cassette Master (Sony TC-152) > Cassette (Maxell UDXLI-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 155902 2496 > 1644	Source Detail	FLAC
06/18/76	Capitol Theater	Passaic	NJ	flac2496 Recording Info: (FOB) Sony ECM-99 > Cassette Master (Sony TC-152) > Cassette (Maxell UDXLI-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
06/19/76	Capitol Theater	Passaic	NJ	FM > ? > DAT; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > SHN; via Jon Seff	Source Detail
06/19/76	Capitol Theater	Passaic	NJ	PRE-FM; SBD master reel > DAT > CD (x2); Unknown seeder	Source Detail
06/19/76	Capitol Theater	Passaic	NJ	Source: FM>MC>DAT>WAV>SHN via Cousinit	Source Detail
06/19/76	Capitol Theater	Passaic	NJ	flac16; Recording Info:SBD -> Master Cassette (Nakamichi 550); Transfer Info:Master Cassette (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info:AIFF -> Samplitude Professional v10.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller	Source Detail	FLAC
06/19/76	Capitol Theater	Passaic	NJ	PRE-FM SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable)	Source Detail	shn
06/19/76	Capitol Theater	Passaic	NJ	flac16; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44.1	Source Detail	FLAC
06/21/76	The Tower Theatre	Upper Darby	PA	flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
06/21/76	The Tower Theatre	Upper Darby	PA	flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller	Source Detail	FLAC
06/21/76	The Tower Theatre	Upper Darby	PA	Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson	Source Detail
06/22/76	The Tower Theatre	Upper Darby	PA	flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/22/76	The Tower Theatre	Upper Darby	PA	Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson	Source Detail
06/22/76	The Tower Theatre	Upper Darby	PA	flac16; Source: audience 1st generation reel; AKG D1000es>sony tc-152sd cassette Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches	Source Detail	FLAC
06/22/76	The Tower Theatre	Upper Darby	PA	flac16; Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller	Source Detail	FLAC
06/23/76	The Tower Theatre	Upper Darby	PA	Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min	Source Detail
06/23/76	The Tower Theatre	Upper Darby	PA	AudMC > HD > WAV > SHN Recorded by Jerry Moore from 1st row loge, w/ a pretty good spread on mikes with 2 hand held Sony ECM-33Ps > Sony TC-152 deck with Dolby B ON. Analog > Digital transfer David Minches, encoded by Matt Vernon	Source Detail
06/23/76	The Tower Theatre	Upper Darby	PA	flac16; Recording Info: Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/24/76	The Tower Theatre	Upper Darby	PA	flac16; Matrix 3 Source Mix - SBD Set 1 (shn id 25478) WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN + SBD Set 2 (shn id 14498) SBD>MR>DAT>CDR>EAC + AUD (shn id 6682) [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC - matrix mixing by Kevin Tobin	Source Detail	FLAC
06/24/76	The Tower Theatre	Upper Darby	PA	Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min	Source Detail
06/24/76	The Tower Theatre	Upper Darby	PA	Set 2 only ; SBD>MR>DAT>CDR ; Via PT. ; Seeded to etree by T. Wiley	Source Detail
06/24/76	The Tower Theatre	Upper Darby	PA	Note: This is a remastered version of the 2 prior seeds by Dave Bachkus and Tim Wiley. Source one (Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN ; Source two (Set 2 only) : SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) ; Remastering : SHN>WAV>Steinberg Mastering Edition Enhanced>Nuendo2>SHN ; seeded by dudeman 08/25/2004	Source Detail
06/24/76	The Tower Theatre	Upper Darby	PA	flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; All Mastering By Charlie Miller	Source Detail	FLAC
06/26/76	Auditorium Theatre	Chicago	IL	Aud > ??? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon	Source Detail
06/26/76	Auditorium Theatre	Chicago	IL	flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)	Source Detail	FLAC
06/26/76	Auditorium Theatre	Chicago	IL	flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/26/76	Auditorium Theatre	Chicago	IL	flac16; Set 2, Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller	Source Detail	FLAC
06/26/76	Auditorium Theatre	Chicago	IL	flac16; 2nd set; Source: Lo-fi mono AUD of unknown lineage > ? > cassette. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644	Source Detail	FLAC
06/26/76	Auditorium Theatre	Chicago	IL	flac2448 Recording Info: AKG D200E > Cassette Master (Sony TC-153SD) > Cassette (TDK SA-C90/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24	Source Detail	FLAC
06/27/76	Auditorium Theatre	Chicago	IL	aud > ?? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon	Source Detail
06/27/76	Auditorium Theatre	Chicago	IL	flac16; Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches Thanks to Joe B. Jones for pitch correction	Source Detail	FLAC
06/27/76	Auditorium Theatre	Chicago	IL	flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller	Source Detail	FLAC
06/28/76	Auditorium Theatre	Chicago	IL	AUDMR > ? > DAT > SHN with patches from the Weiner seed; See info file for details; via Dale Shepherd; Seeded to etree by Matt Vernon	Source Detail
06/28/76	Auditorium Theatre	Chicago	IL	flac16;Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller	Source Detail	FLAC
06/28/76	Auditorium Theatre	Chicago	IL	Recorded with Shure 545s> Nak 550 via Bob Wagner. Lineage: AUDMC > Reel > WAV > SHN conversion by David Minches.	Source Detail	FLAC
06/29/76	Auditorium Theatre	Chicago	IL	CD (Left In The Vaults Vol. 1) -> EAC-> SHN; liberated bootleg?; note all tracks are labelled as 10/29/77, but this date is 6/29/76, as marked within info file; noted 1/01 at gdlive	Source Detail
06/29/76	Auditorium Theatre	Chicago	IL	7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness	Source Detail
06/29/76	Auditorium Theatre	Chicago	IL	flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller	Source Detail	FLAC
06/29/76	Auditorium Theatre	Chicago	IL	flac16; Set 2 Recording Info: SBD -> Cassette Master (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller	Source Detail	FLAC
06/29/76	Auditorium Theatre	Chicago	IL	flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)	Source Detail	FLAC
06/29/76	Auditorium Theatre	Chicago	IL	flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44	Source Detail	FLAC
07/12/76	Orpheum Theatre	San Francisco	CA	Soundcheck - SBD-> Master VHS-> DAT-> CD; Set One - SBD-> RM-> Reel-> Reel-> Reel-> DAT-> CD; Set Two - SBD-> RM-> DAT-> Sonic Solutions-> CD; Tennessee Jed from Set One patched from Bob Menke's Aud Recording AUD->RM->DAT->CDCD->EAC (in secure mode)-> SHN conversion by AJ; with thanks to Charlie Miller, David Gans; shn branch of KPFA tree	Source Detail
07/12/76	Orpheum Theatre	San Francisco	CA	Includes Soundcheck; Soundcheck, SBD>VHS Master>DAT>CDR; Disc 1 SBD>MR>R>R>R>DAT>CDR; Disc 2 SBD>MR>DAT>Sonic Solutions>CDR; Disc 3 SBD>MR>DAT>Sonic Solutions>CDR;	Source Detail	SHN
07/12/76	Orpheum Theatre	San Francisco	CA	flac16; Sony ECM 270's => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]	Source Detail	FLAC
07/12/76	Orpheum Theatre	San Francisco	CA	flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/12/76	Orpheum Theatre	San Francisco	CA	Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches.	Source Detail	FLAC
07/12/76	Orpheum Theatre	San Francisco	CA	flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell XLII/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC (24-bit/48k); except Soundcheck: SBD > VHS > DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC	Source Detail	FLAC
07/12/76	Orpheum Theatre	San Francisco	CA	flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell XLII/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC (24-bit/48k); except Soundcheck: SBD > VHS > DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC, This file set is 16 bit @ 44.1	Source Detail	FLAC
07/13/76	Orpheum Theatre	San Francisco	CA	Jay Ashley (Bertha) Remaster of Multi-Gen Reel source; SBD>>MR>>Reel>>Reel>>Reel>>Dat>>CDA>>DAW(Bertha)>>CDA	Source Detail
07/13/76	Orpheum Theatre	San Francisco	CA	MSR>?(1st or 2nd gen.Cass.)> CDR with AUD Patch source: MAC w/ Sony ECM 270s>Reel>DAT>CDR via Andy Lemieux, encoded by Matt Vernon	Source Detail	shn
07/13/76	Orpheum Theatre	San Francisco	CA	flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/13/76	Orpheum Theatre	San Francisco	CA	Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches.	Source Detail	FLAC
07/13/76	Orpheum Theatre	San Francisco	CA	flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; the original version has a dropout in s1t05	Source Detail	FLAC
07/13/76	Orpheum Theatre	San Francisco	CA	flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller; This is from a different source tape than source ID 150753	Source Detail	FLAC
07/13/76	Orpheum Theatre	San Francisco	CA	flac16/44.1khz reMaster of shnid 150867 by Ray Ackerman & Joe Noel Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 (1 DVD FLAC) Patch Info: Sony ECM-270 > Cassette Master > DAT (shnid=123475) supplies: Crazy Fingers (13:44-14:07) The Music Never Stopped (0:19-1:07) Saint Stephen (9:02-9:43) Transfer & Mastering by Charlie Miller November 11, 2020 Notes: -- This is a Dolby decoded version of shnid=150847 -- Thanks to Dennis Koda for the cassettes -- Thanks to Bob Menke for the patch source -- Thanks to Joe B. Jones for the pitch correction settings - Dither info: WAV (24-bit/48k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Nov 27, 2020	Source Detail	FLAC
07/13/76	Orpheum Theatre	San Francisco	CA	flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller - 150847 24 -> 16 @ 44.1	Source Detail	FLAC
07/13/76	Orpheum Theatre	San Francisco	CA	flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - 150867 24 -> 16 @ 44.1	Source Detail	FLAC
07/14/76	Orpheum Theatre	San Francisco	CA	SBD MR > ??? > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus; upgrade in circulation	Source Detail
07/14/76	Orpheum Theatre	San Francisco	CA	SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24	Source Detail	FLAC
07/14/76	Orpheum Theatre	San Francisco	CA	MAR > Reels > DAT > CD recorded by Bob Menke with Sony ECM-280 mics into a Sony TC-152. Patch Source: SBD>MR>C>DAT>CDR. Thanks to David Minches for the disks and Jeff Cotsman for the pitch corrections. Encoding and patching by Matt Vernon.	Source Detail
07/14/76	Orpheum Theatre	San Francisco	CA	SBD>MR>C>DAT>CDR patched with the Bob Menke audience recording via Raoul Duke encoding/patching by Matt Vernon	Source Detail
07/14/76	Orpheum Theatre	San Francisco	CA	flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/14/76	Orpheum Theatre	San Francisco	CA	flac1644; SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - This is 153042 2448 > 1644	Source Detail	FLAC
07/16/76	Orpheum Theatre	San Francisco	CA	AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 -update: taped by Bob Menke using Rob Bertrando's mics) > R > DAT > DAW (Bertha by Jay Ashley) > CD	Source Detail
07/16/76	Orpheum Theatre	San Francisco	CA	flac16; SBD + AUD Matrix Mix (50% SBD/50% AUD), seeded by Dan	Source Detail
07/16/76	Orpheum Theatre	San Francisco	CA	Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs	Source Detail	SHN
07/16/76	Orpheum Theatre	San Francisco	CA	Sony ECM 280 Sony TC-152 Cm (update: taped by Bob Menke using Dr. Rob Bertrando's mics - Front of Balcony) > R > C > DAT; via Dave Minor, Dale Shepherd; Seeded to etree by Matt Vernon	Source Detail
07/16/76	Orpheum Theatre	San Francisco	CA	flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/17/76	Orpheum Theatre	San Francisco	CA	SBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker	Source Detail
07/17/76	Orpheum Theatre	San Francisco	CA	Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches	Source Detail
07/17/76	Orpheum Theatre	San Francisco	CA	Fix of shn id 243 - patch in Eyes of the World smoothed out (MSR>DAT>CD>EAC>SHN)	Source Detail	SHN
07/17/76	Orpheum Theatre	San Francisco	CA	flac16; Matrix: SBD Source: shnid=34708; AUD Source: shnid=18389 : Matrix created by Chris Chappell. Final matrix seed discs provided by Rob Betrando. EAC > FLAC by Noah Weiner (May 2008)	Source Detail	FLAC
07/17/76	Orpheum Theatre	San Francisco	CA	flac Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) Recorded By Bob Menke All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/17/76	Orpheum Theatre	San Francisco	CA	flac1644 Analog Soundboard Source: gd76-07-17.sbd.34708 Analog Audience Source: ECM 280's 152 Medium Stock Brands: MAC = TDK SA c90's Analog Sound Preservation: MAC > Nak DR-1 > Korg at 5.6 mhz	Source Detail	FLAC
07/18/76	Orpheum Theatre	San Francisco	CA	S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.	Source Detail
07/18/76	Orpheum Theatre	San Francisco	CA	SBD > ??? > CDR > CDR > SHN (via EAC and mkwACT); via M. Ferguson; no digiflaws, some amplifier hum, "dead air" spaces cut	Source Detail
07/18/76	Orpheum Theatre	San Francisco	CA	flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
07/18/76	Orpheum Theatre	San Francisco	CA	flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; This is a remastered version of source ID 150187 (fixes previous issues)	Source Detail	FLAC
07/18/76	Orpheum Theatre	San Francisco	CA	flac16/44.1khz --This is a Flying -M- remaster reducing the buzz and hum with iZotope RX8 advanced (Oct. 29, 2020) Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k) Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16 (3 Discs Audio / 1 DVD FLAC)	Source Detail	FLAC
08/02/76	Colt Park	Hartford	CT	K. Gatto's AUD (Sony tc-152 cassette> DAT> CD); seed via J. Wise, T. OConnell et al; EAC, shn, upload by A. Jerugim	Source Detail
08/02/76	Colt Park	Hartford	CT	flac24/96; Taper: E. Singer Source: FOB (mics ??? either Senn441s or AKG ???) Uher CR-134 > Maxell UD-XL1 C90min. Lineage: Transfer: MAC > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak (24/96 WAV) by D.McCabe. Mastering: SIRMick	Source Detail
08/02/76	Colt Park	Hartford	CT	flac16; Source: Audience FOB Recording Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick	Source Detail
08/02/76	Colt Park	Hartford	CT	flac16; Cassette Audience Master recorded By Keith Gatto; Shure SM 94 microphones-Sony TC 152sd Cassette Recorder; Analog to Digital:Cassette Masters played back on Sony TC 152sd-DAT; Transfer by Keith Gatto; DAT-CD JW; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6); CD-WAV-FLAC(dBpoweramp music converter)-Tagging(Tag & Re-name) by Jim Wise	Source Detail	FLAC
08/02/76	Colt Park	Hartford	CT	flac16; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; 24 > 16 by Norm	Source Detail	FLAC
08/02/76	Colt Park	Hartford	CT	flac2448 ; Source: Mono Sony hand-held recorder (model unknown) > Memorex MRX-2 C90's (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021	Source Detail	FLAC
08/04/76	Roosevelt Stadium	Jersey City	NJ	MSR-> C-> DAT-> CDR-> EAC-> SHN V.3; via Dave of Terrapin Station FTP; see info file for flaw notes; upgrade in circulation	Source Detail
08/04/76	Roosevelt Stadium	Jersey City	NJ	flac16; SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin	Source Detail
08/04/76	Roosevelt Stadium	Jersey City	NJ	flac16; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe 16/44>flac	Source Detail	FLAC
08/04/76	Roosevelt Stadium	Jersey City	NJ	flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-SD (normal bias) back-up tapes. Concert recording by Rich Petrunis. Transfer: 1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021	Source Detail	FLAC
08/26/76	Club Front Studio	San Rafael	CA	flac16; source/lineage: studio reel -> ? -> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda -> Logic Pro -> wav -> xAct -> flac	Source Detail	FLAC
09/23/76	Cameron Indoor Stadium, Duke University	Durham	NC	Primary source - SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN Aud patch sources: AUD: Cm->?-> C-> DAT-> CDR. DAE and shn encoding done by D.Backus	Source Detail
09/23/76	Cameron Indoor Stadium, Duke University	Durham	NC	flac16; This is a restored version of shnid=14687. It did not involve an upgrade in the source material. A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations).	Source Detail	FLAC
09/24/76	College Of William & Mary Hall	Williamsburg	VA	AUD Reel > 48kDATs > midiman delta dio 2496 > cooledit2000 > wav >shn	Source Detail
09/25/76	Capital Centre	Landover	MD	SBDMR> CASS/1> DAT> CD> EAC> SHN; via A. Jerugim; known flaws: 1 sec distortion d3t3 6:22; Sunshine Daydream cuts @0:27; 4/26 update- error in d1- reseeded ~4/27; this date later released as part of Dick's Picks 20	Source Detail
09/25/76	Capital Centre	Landover	MD	flac16/48kHz; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/27/76	Community War Memorial Auditorium	Rochester	NY	Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN; via Mike "dankstar" Parrillo; to etree and abgd; update- not taped by Jerry Moore	Source Detail
09/27/76	Community War Memorial Auditorium	Rochester	NY	flac16; Matrix 2 source mix - SBD (shn id 87664): SBD -> Master Reel -> Dat (48k) + AUD: (shn id 3821): Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN - matrix mixing by Kevin Tobin	Source Detail	FLAC
09/27/76	Community War Memorial Auditorium	Rochester	NY	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/27/76	Community War Memorial Auditorium	Rochester	NY	flac1644 Source Info: FOB Sony ECM-33Ps-> Sony TC-152-> Cassette-> DAT Unknown Taper Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1)	Source Detail	FLAC
09/28/76	Onongada County War Memorial	Syracuse	NY	Source: Unknown aud (FOB) via Dave Minor patched with SBD. DAT > SHN transfer by Dale Shepherd, shn encoding, pitch correction and patching by Matt vernon	Source Detail
09/28/76	Onongada County War Memorial	Syracuse	NY	Source: SBD > ? > SHN > Cool Edit(see notes) > CDWAV > mkwact(seekable). shn encoding and patching (unkown FOB aud)by Matt Vernon	Source Detail	SHN
09/28/76	Onongada County War Memorial	Syracuse	NY	flac16; Set 2 only Source: AUD of unknown lineage, Transfer: TDK SA-90 (c1979) > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
09/30/76	Mershon Auditorium, Ohio State University	Columbus	OH	FOB - AUD master cass > Cass > DAT > CD; Scarlet from: SBD master reel > PCM > cass > CD; See info file for details; via Jonathan Miller; Seeded to etree by Dave Backus	Source Detail
09/30/76	Mershon Auditorium, Ohio State University	Columbus	OH	Partial Set 1,2 SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN via Charlie Miller	Source Detail	SHN
09/30/76	Mershon Auditorium, Ohio State University	Columbus	OH	SBD>MR>DAT>CD; Disc 1&3; Disc 2 = SHNid=18107	Source Detail	SHN
10/01/76	Market Square Arena	Indianapolis	IN	flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; Transferred and Mastered by David Gans; Re-tracked and converted to FLAC By Charlie Miller	Source Detail	FLAC
10/01/76	Market Square Arena	Indianapolis	IN	AudMC > DAT > WAV > SHN -- Recorded by Jerry Moore about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON.	Source Detail
10/01/76	Market Square Arena	Indianapolis	IN	flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/01/76	Market Square Arena	Indianapolis	IN	flac1644; Recording info: Vault master reel sourced files (via anon); Mastered by Jim Blackwood; Pitch adjustment by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
10/02/76	Riverfront Coliseum	Cincinnati	OH	AudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner.	Source Detail
10/02/76	Riverfront Coliseum	Cincinnati	OH	flac16; restored version of source ID 14560: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details	Source Detail	FLAC
10/03/76	Cobo Arena	Detroit	MI	complete; 1st set: AUD> ?> CD> EAC> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; with patches in second set from the audience recording as well as an FM SBD; Thanks to Jeff Cook, Doug Moog; edits/encoding by JCotsman	Source Detail
10/03/76	Cobo Arena	Detroit	MI	flac16; Set 2 Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascm SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/03/76	Cobo Arena	Detroit	MI	flac16; Set 2 Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascm SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/03/76	Cobo Arena	Detroit	MI	SET ONE: AUD > ? > CD > EAC > SHN edits/encoding by JCotsman. Taken from this version. SET TWO: AUD > ? > CASS > DAT > WAV > SHN A > D by Noah Weiner - August, 2003. Added to etree by Noah Weiner.	Source Detail	FLAC
10/09/76	Oakland-Alameda County Coliseum	Oakland	CA	Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller	Source Detail
10/09/76	Oakland-Alameda County Coliseum	Oakland	CA	partial; S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN; No noise reduction on disc 2; via D. Hollister, J. Ayers; w/ 5/1/70 filler; etreed 3/24/00; 5/1/70 filler	Source Detail
10/09/76	Oakland-Alameda County Coliseum	Oakland	CA	Unknown aud > ? > DAT; via Dave Minor; Transfer by Marc Pujol; Seeded to etree by Matt Vernon	Source Detail
10/09/76	Oakland-Alameda County Coliseum	Oakland	CA	flac16; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 16/44>flac agfa reel baked/transferred/seeded by Rob Berger	Source Detail	FLAC
10/10/76	Oakland-Alameda County Coliseum	Oakland	CA	Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80	Source Detail
10/10/76	Oakland-Alameda County Coliseum	Oakland	CA	Reinhardt Hollwein Sony ECM-220 + Sony ECM-280>Sony TC-15; via JackySack; Seeded to etree by Matt Vernon	Source Detail	SHN
10/10/76	Oakland-Alameda County Coliseum	Oakland	CA	Recording Info: (FOB) Unknown Mics > Cassette Master (Uher Deck) Mastering Info: WAV (16-bit/44.1k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/16	Source Detail	FLAC
10/14/76	Shrine Auditorium	Los Angeles	CA	Source: MAC>R>D > ? > D, Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152; via Dave Minor; Dat transfer by Marc Pujol; Seeded to etree by Matt Vernon	Source Detail
10/14/76	Shrine Auditorium	Los Angeles	CA	composite and patched: AUD> MC> R> D> ?> D> CD> EAC> SHN (Bertrando recording) plus SBD> MR> D> CD> EAC> SHN; see notes; via Jeff Cotsman	Source Detail	shn
10/14/76	Shrine Auditorium	Los Angeles	CA	SBD MR > C1 > DAT	Source Detail	FLAC
10/14/76	Shrine Auditorium	Los Angeles	CA	Flac16: Analog Audience Source: Sony ECM 270 Microphones -> Sony TC 152SD Medium Stock Brands: Nakamichi CRO-2 tapes X 3 Analog Sound Preservation: MAC -> CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg MR 2000 at 5.6 mhz Recorded by: Bob Menke, Transferred by: Bob Menke, Mastering by: Derek McCabe	Source Detail	FLAC
10/14/76	Shrine Auditorium	Los Angeles	CA	flac2496 Sony ECM-280's on balcony ledge right center> Sony TC-152SD > Sony TC-755 @3.75 ips Playback on Technics 1506 > Tascam DA-3000 @24/96 > AA 3.01 (editing and mastering)	Source Detail	FLAC
10/15/76	Shrine Auditorium	Los Angeles	CA	Source: Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152 Lineage: MAC>D>CD; via JackySack; Seeded to etree by Matt Vernon	Source Detail
10/15/76	Shrine Auditorium	Los Angeles	CA	MSR> DATs> CDRs> EAC> SHN; via D. Sacks; Flaws: Slight digi-static at beginning of Might as well; Mama Tried Cut at beginning; reel flip at @ 2:18 in Lazy Lightning; Splice @ 2:00 in Samson	Source Detail
10/15/76	Shrine Auditorium	Los Angeles	CA	flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/15/76	Shrine Auditorium	Los Angeles	CA	MSR>DATs>CDRs>EAC>SHN Fixed SBE of shnid=251	Source Detail	shn
10/15/76	Shrine Auditorium	Los Angeles	CA	flac2496 Sony ECM-280 mics on balcony ledge next to SBD > Sony TC-152 (Sony chrome tape) > Sony TC-755 reel @ 3.75 ips playback on Technics RS-1506 > Tascam DA-3000 @24/96 > AA 3.01 (mastering) by Rob Bertrando	Source Detail	FLAC
10/15/76	Shrine Auditorium	Los Angeles	CA	flac16; Sony ECM 270's >> Sony TC 152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe	Source Detail	FLAC
12/31/76	Cow Palace	Daly City	CA	FM-SB (KSAN-FM)> ? > CDA; 2 encores missing; via Aaron Farnsworth; noted at gdlive 5/01	Source Detail
12/31/76	Cow Palace	Daly City	CA	PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) 2nd encores from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) [Note: A de-popped version created by Dave Winters for disk 3 also circulates. Check the .md5 for d3t03 to determine which version you have.]	Source Detail
12/31/76	Cow Palace	Daly City	CA	flac2448; Source: Mono Sony hand-held recorder (model unknown) > 3x TDK SD C90's (normal bias). Concert recording by Rich Petrunis, standing center floor about 30 feet out from the stage. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021	Source Detail	FLAC
02/17/77	Sound City	Van Nuys	CA	Source:SBD>Master Reel>DAT>CDR>SHN; Terrapin Station and Mars Hotel studio outtakes; DAE(EAC0.9 beta 4)>tracking(CDWAV)>SHN(MKWAct.96f)>FTP via Tripp	Source Detail
02/17/77	Sound City	Van Nuys	CA	flac16; Derived from the tagged version of source ID 16745; Source:SBD> Master Reel> DAT> CDR> SHN; DAE (EAC0.9 beta 4)> tracking(CDWAV)> SHN (MKWAct.96f)> FTP via Tripp; flac files from internet > xACT > WAV > Pro Tools LE > xACT > flac	Source Detail	FLAC
02/20/77	Sound City	Van Nuys	CA	Terrapin Station Outtakes; sbd>?>cdr; Seeded to etree by Paul Moreno	Source Detail
02/26/77	Swing Auditorium	San Bernardino	CA	SBD > Master Reel > PCM > DAT > CD-R; via DaveTree; Seeded to etree by AlphaDog	Source Detail
02/26/77	Swing Auditorium	San Bernardino	CA	From the Owen Brothers Vault. Main source: SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN. With AUD patches from: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR and between song tuning patches from: SBD>MR>C>C>CD.	Source Detail	SHN
02/26/77	Swing Auditorium	San Bernardino	CA	flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert) WBOTB	Source Detail
02/26/77	Swing Auditorium	San Bernardino	CA	Sony ECM-22P's > 153SD cassette (Maxell UDXLII Dolby) > Technics 1506 reel 3.75 ips Dolby > Tascam CDR > dbPoweramp > wav > FLAC. Recording and transfer by Rob Bertrando. Pitch adjustments, tracking and FLACing by Hunter Seamons.	Source Detail	FLAC
02/26/77	Swing Auditorium	San Bernardino	CA	flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)	Source Detail	FLAC
02/26/77	Swing Auditorium	San Bernardino	CA	flac16 This is a remaster & partial upgrade to shnid 83283 - Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020 - Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24/48 DAT transferred & provided by anonymous Edited & Mastered using Adobe Audition by Joe Noel February 16, 2020	Source Detail	FLAC
02/26/77	Swing Auditorium	San Bernardino	CA	flac1648 Bob Menke's Master Audience Cassettes; Sony ECM-270 mics > Sony 153SD (Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A (Dolby B) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) > Adobe Audition 2025 > DDi codec (Dolby B) > TLH flac2496	Source Detail	FLAC
02/27/77	Robertson Gym, U.C.S.B.	Santa Barbara	CA	Sony ECM-280> Sony TC-153SD ACM> R>DAT> CDR taped by Dr. Rob Bertrando; via Raoul Duke; Seeded to etree by Matt Vernon; Note- d2t06 does not exist, this was merely a naming error and the show is complete as is.	Source Detail
02/27/77	Robertson Gym, U.C.S.B.	Santa Barbara	CA	flac16/48kHz; Rob Bertrando's Master Audience Cassettes; Sony ECM-280 mics > Sony TC-153SD > Rob Bertrando's 1st generation reels @ 3.75 ips; Transfer Info: 1st generation reels (Akai GX636)> Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
02/27/77	Robertson Gym, U.C.S.B.	Santa Barbara	CA	flac16; Partial Set 2 Pitch Corrected Version Recording Info: SBD > Master Reel (7.5ips 1/2trk) > FLAC; Mastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Transferred by Rob Eaton; Mastered by Charlie Miller	Source Detail	FLAC
02/27/77	Robertson Gym, U.C.S.B.	Santa Barbara	CA	flac16; Partial Set 2 Recording Info: SBD > Master Reel (7.5ips 1/2trk) > FLAC; Mastering Info: FLAC > Samplitude Pro X3 Suite > FLAC/16; Transferred by Rob Eaton; Mastered by Charlie Miller	Source Detail	FLAC
02/27/77	Robertson Gym, U.C.S.B.	Santa Barbara	CA	flac1648 Source Info: Bob Menke's Master Audience Cassettes; Sony ECM-280 mics (patched out of Rob Bertrando) > Sony TC-158SD -------------- Revised via Rob Bertrando: "SET 1: Sony ECM-280's > Bob's TC-158 > Korg SET 2: Samson only; one ECM-280, one ECM-22p > Bob's 158 > Korg From St. Stephen on; one ECM-280, one ECM-22p > RB's 153 > Korg In all cases the cassette transfers are as indicated in the original text file Unfortunately my master cassettes are lost."" -------------- Transfer Info: First Set: Master Audience Cassettes (Nakamichi CR7-A) > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 > Adobe Audition CC 2024 > TLH flac2496 Second Set: Playback on Bob's Technics 1506 > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 > Adobe Audition CC 2024 > TLH flac2496	Source Detail	FLAC
02/27/77	Robertson Gym, U.C.S.B.	Santa Barbara	CA	flac1648 Source Info: Bob Menke's Master Audience Cassettes; Sony ECM-280 mics (patched out of Rob Bertrando) > Sony TC-158SD -------------- Revised via Rob Bertrando: "SET 1: Sony ECM-280's > Bob's TC-158 > Korg SET 2: Samson only; one ECM-280, one ECM-22p > Bob's 158 > Korg From St. Stephen on; one ECM-280, one ECM-22p > RB's 153 > Korg In all cases the cassette transfers are as indicated in the original text file Unfortunately my master cassettes are lost."" -------------- Transfer Info: Master Audience Cassettes (Nakamichi CR7-A) > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 > Adobe Audition CC 2024 > TLH flac2496	Source Detail	FLAC
03/18/77	Winterland Arena	San Francisco	CA	SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN; note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45; d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06	Source Detail
03/18/77	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/18/77	Winterland Arena	San Francisco	CA	flac16; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; fixed version of source ID 140916	Source Detail	FLAC
03/18/77	Winterland Arena	San Francisco	CA	flac16; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; 141163 24 > 16	Source Detail	FLAC
03/19/77	Winterland Arena	San Francisco	CA	SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree and covers; note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery flaws from master reel	Source Detail
03/19/77	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; Mastered By Charlie Miller	Source Detail	FLAC
03/19/77	Winterland Arena	San Francisco	CA	flac16/44 Recording Info: SBD > Reel Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC	Source Detail	FLAC
03/19/77	Winterland Arena	San Francisco	CA	flac1644; Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 152613 2496 > 1644	Source Detail	FLAC
03/20/77	Winterland Arena	San Francisco	CA	SBD > Reel(1) > ?? > DAT > WAV > SHN; Transfer via TB Fiji (S/PDIF) by J. Kempka; DAT seeded by T. Buller; no Terrapin encore on this source; some hiss. [Note: A version circulates with the sbe's fixed on set 1]; upgrade in circulation	Source Detail
03/20/77	Winterland Arena	San Francisco	CA	Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller	Source Detail
03/20/77	Winterland Arena	San Francisco	CA	flac16; Partial Second Set Audience Tape Unknown Gen TDK Cassette-> SB Audigy-> Audacity-> CD Wav-> Flac	Source Detail	FLAC
03/20/77	Winterland Arena	San Francisco	CA	flac16; Partial Recording by Gene Taback center-right balcony toward the front, deck and mics unlabeled and forgotten	Source Detail	FLAC
03/20/77	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD > Master Reel (7in 7.5ips 1/2trk dbx) > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Numerous flaws cleaned up	Source Detail	FLAC
03/20/77	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD > Master Reel (7in 7.5ips 1/2trk dbx) > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Fixed Version in circulation	Source Detail	FLAC
04/22/77	The Spectrum	Philadelphia	PA	Multiple sources; AUD>MC>D>CD; SBD>MR>D>CD; SBD>MR>?>CD; See info file for details; via Matt Vernon, Raoul Duke, & Jools; Seeded to etree by J. Cotsman	Source Detail
04/22/77	The Spectrum	Philadelphia	PA	flac16; SBD (7 inch Master Reels @ 7.5ips 1/2trk)> Dat> Dat (44.1k), plus patches from FOB Sony ECM99A> Cassette; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller	Source Detail
04/22/77	The Spectrum	Philadelphia	PA	FOB Sony ECM99A mics > Sony TC152 > Cass > DAT > CDR; Samson is missing due to a tape flip; Seeded to etree by Dave Luzenske	Source Detail	FLAC
04/22/77	The Spectrum	Philadelphia	PA	flac1644; Source: Mono Sony hand-held recorder (model unknown) > Maxell-UD Set 1 & TDK-SD Set 2 (normal bias). Recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2021	Source Detail	FLAC
04/23/77	Springfield Civic Center	Springfield	MA	SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim; upgrade in circulation	Source Detail
04/23/77	Springfield Civic Center	Springfield	MA	flac16; Recorded by Steve Hopkins Master Audience Cassette; Sony ECM-99a > Sony TC-152sd with dolby b encoding (see info file for details) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> Adobe Audition > Downsample/Dither> flac encoding > FLAC * Patch source; Recorded by Jerry Moore; Sony ECM-33Ps> Sony TC-152	Source Detail	FLAC
04/23/77	Springfield Civic Center	Springfield	MA	Recorded by Jerry Moore; Sony ECM-33Ps> Sony 153 pole mounted from floor back of center line. AUDMC > SHN by David Minches.	Source Detail	shn
04/23/77	Springfield Civic Center	Springfield	MA	flac16; SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/23/77	Springfield Civic Center	Springfield	MA	AUDMC(Sony ECM99A > Sony152TC) > DAT > CD taped by Steve Hopkins via David Minor encoded by Matt Vernon; upgrade in circulation	Source Detail	FLAC
04/23/77	Springfield Civic Center	Springfield	MA	flac16; Recording Info: (FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700); Transfer Info: CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Dave Weidner; fixed version in circulation	Source Detail	FLAC
04/23/77	Springfield Civic Center	Springfield	MA	flac16; Recording Info: (FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700); Transfer Info: CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Dave Weidner; fixed version of source ID 143220	Source Detail	FLAC
04/23/77	Springfield Civic Center	Springfield	MA	flac16/44 Source: Sony ECM-99a > Sony TC-152 > Master Cassettes - taped by Jimmy Warburton. The microphone was taped to a walking stick and held about 3 feet above my head. 1st transfer: Master Cassettes > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick July 2021	Source Detail	FLAC
04/25/77	Capitol Theater	Passaic	NJ	SBD:MR>?>DAT>CDR; Pitch corrected and de-clicked by Tim Symons; See info file for details	Source Detail
04/25/77	Capitol Theater	Passaic	NJ	AUD, via Teddy Good Bear's tree #1; note reported "unlistenable"	Source Detail
04/25/77	Capitol Theater	Passaic	NJ	flac24; Set 1 Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
04/26/77	Capitol Theater	Passaic	NJ	AUD, via Teddy Good Bear's tree #1; note quality reported on a par with 4/25 from same source	Source Detail
04/27/77	Capitol Theater	Passaic	NJ	sbd(fm)>mr>dat>cd; via Ray Hansen; Peter Braverman ; upgrade in circulation	Source Detail
04/27/77	Capitol Theater	Passaic	NJ	Pre-FM Master Reel Soundboard->DAT x ?. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Dan Lynch. DAT patch provided by Joe Samaritano. Transfer and SHN by Joe Samaritano	Source Detail
04/27/77	Capitol Theater	Passaic	NJ	flac16; source: FM reel master taped by Jerry Moore lineage: wnew simulcast>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger	Source Detail	FLAC
04/27/77	Capitol Theater	Passaic	NJ	flac1648 Barry Glassberg's Master FM Reel (Pioneer TX9500 tuner > TEAC A3300S Reel @ 7 1/2 ips, Maxell UD180B) > 1st Generation Reel @ 3 3/4 ips Transfer Info: 1st Generation Reel (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496	Source Detail	FLAC
04/29/77	The Palladium	New York	NY	AUD MC> D> CDR> SHN; Jerry Moore recording Sony ECM-33P/Sony TC-158; via CDead	Source Detail
04/30/77	The Palladium	New York	NY	Sony ECM-33p mics> Sony TC-152 deck, taper Jerry Moore; Conversion: MC> DAT/1> CD> EAC> SHN (mkw with seek tables appended); SHN and upload by Matt Vernon; CDRs supplied by Noah Weiner; see info file for listening notes; upgrade in circulation	Source Detail
04/30/77	The Palladium	New York	NY	Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon	Source Detail	shn
05/01/77	The Palladium	New York	NY	Set 2; MSR> DAT> CDR> EAC> SHN; via PJ to abgd	Source Detail
05/01/77	The Palladium	New York	NY	Aud Cass master > Reel > PCM > DAT > CD-R > EAC > .SHN: (Loge 1st row AUD center>Cm>Blake Reel (maxell ??? @ 3.75ips) > PCM R500 w/SBM > DAT @ 48 kHz > computer > DAT @ 44.1 kHz or CDRs. Originally taped by Barry Glassberg w/sony ecm 99p's > tc 152 sd deck.); Ending of Samson, 25:47 filler on CD2 & 20:10 filler on CD3 supplied by "Good Bear Source": Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> cass master -> computer -> CD > EAC > .SHN; See info file for extensive 'mastering' notes; Note- This shn set may circ with the abgd sbd of set 2; via Teddy "Good Bear", Jonathan Miller; Seeded to etree by Dave Backus	Source Detail
05/01/77	The Palladium	New York	NY	flac16; Set 2 Only, Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/01/77	The Palladium	New York	NY	Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D conversion by David Minches, EAC by Rango Keeshevan, shn encoding Matt Vernon	Source Detail	shn
05/01/77	The Palladium	New York	NY	flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
05/03/77	The Palladium	New York	NY	AUD> MR> DAT> CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky, with thanks to Ron Speer; d1 tracked for 80 min	Source Detail
05/03/77	The Palladium	New York	NY	Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge or orchestra row 6 or 8. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon	Source Detail	SHN
05/03/77	The Palladium	New York	NY	flac16; Source: Audience 1st Row Loge Media: TDK-SA 90 min. Lineage: Sony ECM XXX > Sony TCD5 X> MAC Mics spaced 30ft. Transfer: MAC > Nakamichi DR-1 (deck Guitar Tuned) > Grace Design Lunatec V3 > s/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Derek McCabe	Source Detail	FLAC
05/03/77	The Palladium	New York	NY	SBD -> Cm -> ? -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited And SHN'd By Charlie Miller	Source Detail	shn
05/03/77	The Palladium	New York	NY	flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
05/04/77	The Palladium	New York	NY	d1: SBD> CASSM?R?> DAT, except for BEW which is SBD> ?> CDR; d2: MASTER REEL> DAT> DAT> CD; via Joe McCarthy to vines; tracked for 2x80; assembled with help from various seeders; see info file for misc flaws and credits. [Note: An sbe-fixed-by-set version also circulates]; upgrade in circulation	Source Detail
05/04/77	The Palladium	New York	NY	Sony ECM-33Ps> Sony TC-152 taped by Jerry Moore from orchestra row 6 or 8. A>D conversion by David Minches, EAC by Rango Keeshevan, final shn encoding by Matt Vernon	Source Detail
05/04/77	The Palladium	New York	NY	Set 1 SBD S: MC > C > CDR patched with Jerry Moore audience tape. A>D Conversion and aud patches by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon	Source Detail	SHN
05/04/77	The Palladium	New York	NY	flac16; Set 2, Matrix About 55% SBD/45% AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)	Source Detail
05/04/77	The Palladium	New York	NY	flac16; Recording Info:Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC Set 2: CD -> EAC -> FLAC. All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/05/77	Veterans Memorial Coliseum	New Haven	CT	Betty Board master reels > dat tascam dap1 > zefiro za2 > soundforge >cdwave > shn; via Troy Wallwork; upgrade in circulation	Source Detail
05/05/77	Veterans Memorial Coliseum	New Haven	CT	Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details	Source Detail
05/05/77	Veterans Memorial Coliseum	New Haven	CT	Betty Board; reported flaws: d1: Small digi-snit during Sugaree at 8:53, Drop at 8:19 in T. Jed, Drop at 6:48 in Deal; d2: Snit during Bertha @ 5:29; listener Jason Palmer asserts that there may be NR applied to this version?; upgrade in circulation	Source Detail	shn
05/05/77	Veterans Memorial Coliseum	New Haven	CT	flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel	Source Detail	FLAC
05/05/77	Veterans Memorial Coliseum	New Haven	CT	flac24/96 Source Info: Audience source of unknown provenance; Doug Lamarre's 2nd gen cassettes Transfer Info: 2nd generation cassettes(Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
05/07/77	Boston Garden	Boston	MA	SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around)	Source Detail
05/07/77	Boston Garden	Boston	MA	Sony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing	Source Detail
05/07/77	Boston Garden	Boston	MA	SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.	Source Detail
05/07/77	Boston Garden	Boston	MA	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/07/77	Boston Garden	Boston	MA	flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel; fix of source ID 148736	Source Detail	FLAC
05/07/77	Boston Garden	Boston	MA	flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel	Source Detail	FLAC
05/07/77	Boston Garden	Boston	MA	Source: Shure Sm57 > Sony-tc158 (dolby ??) > Master Cassettes Transfer: Master Cassettes > Nak Cr-7a > Tascam Da-3000 (dsf 1-bit Mhz) > Dbpoweramp > Adobe Audition > Flac @ 2496 Master Audience Recording By Kathy Sublette Dsf Transfer By Mark Goldey Edited & Mastered By Joe Noel	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	w/AUD splices? to patch reel flips: Betty Board Soundboard sections (all but 47 seconds of the show): 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz.; Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES;? PCM501ES analog out > Fostex D5 @ 48 kHz >ZA2>CD; Audience Splices -- Panasonic AM/FM Stereo 'boom box' (w/condenser mics) >? CM (Cassette Masters) > various equalizers & editors > CD (teddy goodbear); EAC extracted and encoded by Darrin Sacks; note number of tracks on discs: 10-7-8; note SBD portion is clear, AUD portion is muddy; reportedly digital error-free; 5/01 note: fixed shn set now in circulation; upgrade in circulation	Source Detail
05/08/77	Barton Hall, Cornell University	Ithaca	NY	freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin	Source Detail
05/08/77	Barton Hall, Cornell University	Ithaca	NY	flac16; MAC> R> CD Audience Recording by Jerry Moore; seeded by clarson; possibly different source CDR> DAE compared to similar-looking shn set; upgrade in circulation	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	flac16; Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC Recording And Transfer:Jeff Stevenson	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	Source Info: "3 Source Matrix Mix, SBD + AUD1 + AUD2"	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	MAC> R> CD; recorded by Jerry Moore: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B ; Transfer by Rob Berger: Sony TC 850> Teac AN-180> Sony SBM1 super bit mapper> Tascam CD-Rw4U (see additional source notes in txt); EAC> WAV> SHN by Sean Cribbs	Source Detail	shn
05/08/77	Barton Hall, Cornell University	Ithaca	NY	flac16; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	Lineage: -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive by Karen Hicks	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	flac24; Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48; Edited & Mastered by Joe Noel; WAV > Abobe Audition > Flac 24/48	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	flac2448; Source: Mono Sony hand-held recorder (model unknown) > Maxell-LN Set 1 & Maxell-UD Set 2 (normal bias). Recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021	Source Detail	FLAC