|
Date |
Venue |
Media |
Source |
Format |
Notes |
Lineage |
07/16/66
|
Fillmore Auditorium
San Francisco, CA |
Source Detail |
SBD |
Flac |
|
flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> EAC -> SHN -> WAV -> FLAC; Transferred and Edited By Charlie Miller. This is a fix of shn id 21063 |
|
01/14/67
|
Polo Field, Golden Gate Park
San Francisco, CA |
Source Detail |
SBD |
SHN |
|
SBD>MR >?>CDR; The great human be-in; via Raoul Duke; Seeded to etree by Matt Vernon |
|
03/18/67
|
Winterland Arena
San Francisco, CA |
Source Detail |
SBD |
SHN |
|
SBD > MR > ? > CD; Seeded to etree by A.J. Fink |
|
05/05/67
|
Fillmore Auditorium
San Francisco, CA |
Source Detail |
SBD |
SNH |
|
SBD> unknown analog gens> D; via Ben Yerys |
|
11/10/67
|
Shrine Exposition Hall
Los Angeles, CA |
Source Detail |
SBD |
SHN |
|
MR> R> R> DAT> CD> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; with 7/23/67 Cassady rap filler; note source updated with extra reel gen, based on info from Rob Bertrando |
|
11/11/67
|
Shrine Exhibition Hall
Los Angeles, CA |
Source Detail |
SBD |
SHN |
|
MSR> R> R> DAT> CDR> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; note source updated with extra reel gen, based on info from Rob Bertrando |
|
02/14/68
|
Carousel Ballroom
San Francisco, CA |
|
SBD |
SHN |
Supplemental tracks; hiss reduction; Garrett Van Cleef |
|
|
02/14/68
|
Carousel Ballroom
San Francisco, CA |
Source Detail |
SBD |
SHN |
|
MR> DAT> DAT> CD> EAC> SHN, with portions from another source, probably FM; via Garrett Van Cleef, from Jim Douglas seed; includes supplemental hiss-reduced material (see info files); hosted by gdlive.com |
|
10/13/68
|
Avalon Ballroom
San Francisco, CA |
Source Detail |
SBD |
Flac |
|
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
|
10/30/68
|
The Matrix
San Francisco, CA |
Source Detail |
SBD |
SHN |
|
Hartbeats; most complete version; documented 1st gen reel on revox A-77 r2r deck> digitized @ 96khz/24 bits> downsampled to 44.1k/16bits for CD> EAC> SHN; transfer by Jim Wise; eac/shn by Darrin Sacks; note minor addition of tuning to d3 track list |
|
03/01/69
|
Fillmore West
San Francisco, CA |
Source Detail |
SBD |
SHN |
|
revised source info: SBD> cass master > 1 cass > DAT> ZA2> Soundforge> SHN; transfer by R. Nayfield; reel flip beginning Lovelight; 5/01 note upgrade now in circulation |
|
03/02/69
|
Fillmore West
San Francisco, CA |
Source Detail |
SBD |
SHN |
|
Multi-track reel master > DAT > CD > EAC > SHN; via Seth Kapln, Darrin Sacks; see info file for relation to previous seeds |
|
12/31/69
|
Boston Tea Party
Boston, MA |
Source Detail |
SBD |
Flac |
|
flac16; Recording Info:SBD -> Master Reel -> Dat -> CD;
Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
02/11/70
|
Fillmore East (late show)
New York, NY |
Source Detail |
SBD |
|
with Duane & Gregg Allman |
early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown |
|
02/11/70
|
Fillmore East (late show)
New York, NY |
Source Detail |
|
|
with Duane & Gregg Allman |
flac16; late show conclusion; Soundboard (except misc patches as noted): MSR> DAT> CDR> EAC> FLAC; Patched, remastered by Dave Greenberg; DAE> FLAC by Marc Evans; Project coordinated by Jim Powell with a special thanks to DW |
|
02/13/70
|
Fillmore East (Late Show)
New York, NY |
Source Detail |
SBD |
Flac |
|
flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613) |
|
02/14/70
|
Fillmore East
New York, NY |
Source Detail |
SBD |
Flac |
|
flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
05/15/70
|
Fillmore East (Late Show)
New York, NY |
Source Detail |
SBD |
SHN |
Full GD and NRPS show. |
New Master Reel transfer:
SBD:10" 1/2 track Master Reels @ 7.5 ips>Revox A700 playback deck>Alesis Masterlink ML 9600>CD.
No PCM generation in GD/NRPS sets. No analog gens in NRPS sets. Upgrade from previously circulating source. Seeded to etree 5/31/2005 by Chuck Reynolds and Seth Kaplan. |
|
06/24/70
|
Capitol Theater (Late)
Port Chester, NY |
Source Detail |
SBD |
SHN |
|
early and late shows (see discussion in txt and pub comments); Sony TC124 with unknown Sony dynamic mics |
|
09/20/70
|
Fillmore East
New York, NY |
Source Detail |
SBD |
Flac |
First set acoustic; with David Grisman and David Nelson on mandolin |
flac16; MR > R Heavily Edited > R @ 71/2ips > CD * Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16 |
|
11/08/70
|
Capitol Theater
Port Chester, NY |
Source Detail |
Aud |
SHN |
|
The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details. |
|
12/31/70
|
Winterland Arena
San Francisco, CA |
|
SBD |
SHN |
|
|
|
02/18/71
|
Capitol Theater
Port Chester, NY |
Source Detail |
SBD |
Flac |
|
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. |
|
02/21/71
|
Capitol Theater
Port Chester, NY |
Source Detail |
SBD |
Flac |
|
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner. |
|
02/24/71
|
Capitol Theater
Port Chester, NY |
Source Detail |
SBD |
Flac |
|
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner. |
|
04/05/71
|
Manhattan Center
New York, NY |
Source Detail |
SBD |
Flac |
|
flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros. |
|
04/17/71
|
Dillon Gym, Princeton University
Princeton, NJ |
Source Detail |
SBD |
Flac |
|
flac16; source: soundboard lineage: MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav |
|
04/26/71
|
Fillmore East
New York, NY |
Source Detail |
|
|
with Duane Allman |
GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's covers |
|
04/27/71
|
Fillmore East
New York, NY |
Source Detail |
SBD |
SHN |
with the Beach Boys |
MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead |
|
04/28/71
|
Fillmore East
New York, NY |
SBD Source Detail |
|
SHN |
with Tom Constanten |
MSR > (Reel post-Bird Song) >Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead |
|
04/29/71
|
Fillmore East
New York, NY |
Source Detail |
SBD |
Flac |
|
flac16; matrix of SBD: shnid=33565 and AUD: shnid=26568 by hansokolow using ProTools |
|
07/02/71
|
Fillmore West
San Francisco, CA |
Source Detail |
SBD |
SHN |
|
sdb (suspected FM); via Mike Lai; Sector boundaries fixed, files renamed correctly and txt file
cleaned up by Dave Backus |
|
10/30/71
|
Taft Auditorium
Cincinnati, OH |
Source Detail |
SBD |
SHN |
|
mixed sources; primary: Pre-FM MR (1/2 track, 7.5 ips), Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWave > Goldwave (resample to 44.1 and edits) > CDwave > mkwACT, Primary source supplied by Josh Braveman; Secondary: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD, Conversion: Kenwood TrueX > EAC > shn v3 (seekable); edited (patching, pitch correction, d/o repair) by Doug Nawrocki et al (see notes) |
|
12/05/71
|
Felt Forum, Madison Square Garden
New York, NY |
Source Detail |
SBD |
SHN |
|
Updated lineage: FM > MR > DAT > CD; (had been marked pre-FM) stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes |
|
12/31/71
|
Winterland Arena
San Francisco, CA |
Source Detail |
SBD |
SHN |
|
FM > Reel > Dat > CDR; via G. Lanum |
|
05/11/72
|
Rotterdam Civic Hall
Rotterdam, Netherlands |
Source Detail |
SBD |
SHN |
|
10" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02. |
|
07/22/72
|
Paramount Northwest Theater
Seattle, WA |
Source Detail |
SBD |
Flac |
|
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller |
|
07/26/72
|
Paramount Theater
Portland, OR |
Source Detail |
SBD |
Flac |
|
flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007
Mastering By Jamie Waddell on the GEMS Edit Station.
Trac'ed cdwave,Flac'ed TLH level 8 |
|
08/21/72
|
Berkeley Community Theater
Berkeley, CA |
Source Detail |
SBD |
SHN |
|
S:MR > PCM > DAT > CD > EAC > SHN; via D. Hollister, G. Hamilton; see
info file for list of minor flaws |
|
08/24/72
|
Berkeley Community Theater
Berkeley, CA |
Source Detail |
SBD |
SHN |
|
SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller |
|
08/27/72
|
Old Renaissance Faire Grounds
Veneta, OR |
Source Detail |
SBD |
SHN |
|
SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM> (PCM) > D > SSSB; via Jay Serafin to gdlive; see info file for extensive notes |
|
09/28/72
|
Stanley Theatre
Jersey City, NJ |
Source Detail |
|
Flac |
|
flac16; Primary Source: SBD> MR> DAT> CDR> WAV> SHN; patches and missing track from Unknown audience > C > ? > DAT >WAV > FLAC (level 8); AUD material courtesy Uli Teute via Jim Powell; via Chris Ladner? |
|
11/19/72
|
Hofheinz Pavilion
Houston, TX |
Source Detail |
SBD |
SHN |
|
Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN
(Note that there is speculation that this source may contain only one reel generation.)
Cool Edit 200 was used to correct various flaws from previously circulating versions. |
|
12/31/72
|
Winterland Arena
San Francisco, CA |
Source Detail |
SBD |
SHN |
with David Crosby |
Main Source: Vault pre-FM reels > DAT
Patch Source: pre-FM KSAN reel (/shninfo_detail.php?shnid=6340)
DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol
WAV > SHN editing, encoding & patching by Matt Vernon |
|
02/09/73
|
Roscoe Maples Pavilion, Stanford University
Palo Alto, CA |
Source Detail |
SBD |
SHN |
|
Jay Ashley (Bertha) remaster of previous MR source;
SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA |
|
02/15/73
|
Dane County Coliseum
Madison, WI |
Source Detail |
SBD |
SHN |
|
MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion) |
|
03/31/73
|
Buffalo Memorial Auditorium
Buffalo, NY |
Source Detail |
SBD |
Flac |
|
flac16; SBD > MC > CASS > DAT > CDA > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 |
|
05/26/73
|
Kezar Stadium
San Francisco, CA |
Source Detail |
SBD |
Flac |
|
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller |
|
06/09/73
|
Robert F. Kennedy Stadium
Washington, DC |
Source Detail |
SBD |
SHN |
|
SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and
Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in
Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly
error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted,
(although info file at Hamiltons' CDR list has apparently always been correct)- sorry! |
|
06/10/73
|
Robert F. Kennedy Stadium
Washington, DC |
Source Detail |
SBD |
Flac |
w/ The Allman Brothers Band & Merl Saunders |
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640 |
|
06/22/73
|
P.N.E. Coliseum
Vancouver, BC |
Source Detail |
|
|
|
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller |
|
07/27/73
|
Grand Prix Racecourse
Watkins Glen, NY |
Source Detail |
|
|
|
flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller |
|
07/28/73
|
Grand Prix Racecourse
Watkins Glen, NY |
Source Detail |
|
|
|
Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches.
Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another. |
|
09/12/73
|
College Of William & Mary Hall
Williamsburg, VA |
Source Detail |
|
|
with Martin Ffero and Joe Ellis on horns |
SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow |
|
09/17/73
|
Onondaga County War Memorial
Syracuse, NY |
Source Detail |
|
|
with Martin Ffero and Joe Ellis on horns |
SBD>MR>D>CD>EAC>SHN (all but tracks d1t01-->d1t09));
SBD>MR>C>C>D>CD>EAC>SHN (tracks d1t01-->d1t09);
Thanks to Peter Braverman;
edits/encoding by JCotsman; Note- Fixed d3 now circulates, see public comments for details |
|
10/21/73
|
Omaha Civic Auditorium
Omaha, NE |
Source Detail |
|
|
|
SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller |
|
11/17/73
|
Pauley Pavilion, UCLA
Los Angeles, CA |
Source Detail |
|
|
|
SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected) |
|
12/19/73
|
Curtis Hixon Convention Hall
Tampa, FL |
Source Detail |
SBD |
SHN |
|
"DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- go
buy it |
|
02/22/74
|
Winterland Arena
San Francisco, CA |
Source Detail |
|
|
|
mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller |
|
02/23/74
|
Winterland Arena
San Francisco, CA |
Source Detail |
|
|
|
complete; Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min |
|
02/24/74
|
Winterland Arena
San Francisco, CA |
Source Detail |
|
|
|
SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional?
PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)>
SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated
in accompanying info file, and thus does not require overburning (possibly
was EZCD artifact?); no flaws noticed |
|
05/19/74
|
Portland Memorial Coliseum
Portland, OR |
Source Detail |
|
|
|
complete; Master Soundboard Reel > PCM > DAT> CDR; EAC'ed / SHN'ed by Scott Clugston |
|
05/25/74
|
Campus Stadium, UCSB
Santa Barbara, CA |
|
|
|
|
|
|
06/16/74
|
Des Moines State Fair Grandstand
Des Moines, IA |
Source Detail |
|
|
|
mixed SBD sources: Set 1: MSR> C> DAT> CD Set 2 & 3: MSC> DAT> CD (except for patch in Wharf Rat which is MSR> ?> DAT> CD), lineage reported by Andy Lemieux; assembled/fixed by Sean Cribbs from Alan Fink's, Steve Windsor's and Andy's source material (see notes in txt) |
|
06/18/74
|
Freedom Hall
Louisville, KY |
Source Detail |
|
|
|
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller |
|
06/23/74
|
Jai-Alai Fronton
Miami, FL |
Source Detail |
|
|
|
MSR>DAT>CD w/ MAC>DAT patches |
|
06/26/74
|
Providence Civic Center
Providence, RI |
Source Detail |
|
|
|
AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoding by Noah Weiner, gdADT Round 17. Complete with Seastones.
|
|
07/19/74
|
Selland Arena
Fresno, CA |
Source Detail |
SBD |
Flac |
|
flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat |
|
07/31/74
|
Dillon Stadium
Hartford, CT |
Source Detail |
SBD |
Flac |
|
flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC |
|
08/06/74
|
Roosevelt Stadium
Jersey City, NJ |
Source Detail |
SBD |
SHN |
One of the best versions of Eyes |
fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" |
|
10/16/74
|
Winterland Arena
San Francisco, CA |
Source Detail |
SBD |
Flac |
|
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller |
|
10/17/74
|
Winterland Arena
San Francisco, CA |
Source Detail |
SBD |
SHN |
|
MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon |
|
10/18/74
|
Winterland Arena
San Francisco, CA |
Source Detail |
SBD |
SHN |
|
sets 2,3; SBD MR > PCM > DAT 44.1kHz > CD > shn; via Jack Romanski to gdlive |
|
10/19/74
|
Winterland Arena
San Francisco, CA |
Source Detail |
SBD |
SHN |
|
SBD; via D. Finney, stemming from Frank's Picks tree- more info;
note some material from show appears on album Steal Your Face- go
buy it; see public comments for flaw notes |
|
10/20/74
|
Winterland Arena
San Francisco, CA |
|
|
|
|
|
|
02/28/75
|
Bob Weir's Studio
Mill Valley, CA |
|
|
|
|
|
|
03/17/75
|
Ace's
Mill Valley, CA |
|
|
|
|
|
|
03/21/75
|
Ace's studio
Mill Valley, CA |
|
|
|
|
|
|
03/23/75
|
Kezar Stadium
San Francisco, CA |
|
|
|
|
|
|
03/26/75
|
Ace's Studio
Mill Valley, CA |
|
|
|
|
|
|
04/02/75
|
Ace's Studio
Mill Valley, CA |
|
|
|
|
|
|
04/17/75
|
Ace's Studio
Mill Valley, CA |
|
|
|
|
|
|
06/05/75
|
Club Front
San Rafael, CA |
|
|
|
|
|
|
06/17/75
|
Winterland Arena
San Francisco, CA |
|
|
|
|
|
|
06/17/75
|
Winterland Arena
San Francisco, CA |
|
|
|
|
|
|
06/17/75
|
Winterland Arena
San Francisco, CA |
|
|
|
|
|
|
06/17/75
|
Winterland Arena
San Francisco, CA |
|
|
|
|
|
|
07/07/75
|
Ace's Studio
Mill Valley, CA |
|
|
|
|
|
|
09/28/75
|
Lindley Meadows, Golden Gate Park
San Francisco, CA |
|
|
|
|
|
|
09/28/75
|
Lindley Meadows, Golden Gate Park
San Francisco, CA |
|
|
|
|
|
|
09/28/75
|
Lindley Meadows, Golden Gate Park
San Francisco, CA |
|
|
|
|
|
|
09/28/75
|
Lindley Meadows, Golden Gate Park
San Francisco, CA |
|
|
|
|
|
|
06/09/76
|
Boston Music Hall
Boston, MA |
|
|
|
|
|
|
06/14/76
|
Beacon Theatre
New York, NY |
|
|
|
|
|
|
06/15/76
|
Beacon Theatre
New York, NY |
|
|
|
|
|
|
06/26/76
|
Auditorium Theatre
Chicago, IL |
|
|
|
|
|
|
12/31/76
|
Cow Palace
Daly City, CA |
|
|
|
|
|
|
02/26/77
|
Swing Auditorium
San Bernardino, CA |
|
|
|
|
|
|
05/04/77
|
The Palladium
New York, NY |
|
|
|
|
|
|
05/05/77
|
Veterans Memorial Coliseum
New Haven, CT |
|
|
|
|
|
|
05/07/77
|
Boston Garden
Boston, MA |
|
|
|
|
|
|
05/08/77
|
Barton Hall, Cornell University
Ithaca, NY |
|
|
|
|
|
|
05/09/77
|
Buffalo Memorial Auditorium
Buffalo, NY |
|
|
|
|
|
|
05/11/77
|
St. Paul Civic Center
St. Paul, MN |
|
|
|
|
|
|
12/31/77
|
Winterland Arena
San Francisco, CA |
|
|
|
|
|
|
07/07/78
|
Red Rocks Amphitheatre
Morrison, CO |
|
|
|
|
|
|
07/08/78
|
Red Rocks Amphitheatre
Morrison, CO |
Source Detail |
|
|
Werewolves of London |
flac16; SBD> [?]> DAT> CDR; via Jeff Hoelter - patched and pitch correction by Kevin Tobin |
|
09/15/78
|
Gizah Sound and Light Theater
Cairo, Egypt |
|
|
|
|
|
|
10/22/78
|
Winterland Arena
San Francisco, CA |
|
|
|
|
|
|
08/13/79
|
McNichols Sports Arena
Denver, CO |
|
|
|
|
|
|
10/27/79
|
Cape Cod Coliseum
South Yarmouth, MA |
|
|
|
|
|
|
12/31/79
|
Oakland Auditorium Arena
Oakland, CA |
|
|
|
|
|
|
03/30/80
|
Capitol Theater
Passaic, NJ |
|
|
|
|
|
|
10/11/80
|
Warfield Theater
San Francisco, CA |
|
|
|
|
|
|
10/31/80
|
Radio City Music Hall
New York, NY |
|
|
|
|
|
|
12/06/80
|
Mill Valley Recreation Center
Mill Valley, CA |
|
|
|
|
|
|
12/31/80
|
Oakland Auditorium Arena
Oakland, CA |
|
|
|
|
|
|
12/31/81
|
Oakland Auditorium Arena
Oakland, CA |
|
|
|
|
|
|
08/07/82
|
Alpine Valley Music Theatre
East Troy, WI |
|
|
|
Music> Sugaree> Music opener |
|
|
12/31/82
|
Oakland Auditorium
Oakland, CA |
|
|
|
|
|
|
04/09/83
|
Hampton Coliseum
Hampton, VA |
|
|
|
|
|
|
10/17/83
|
Olympic Center
Lake Placid, NY |
|
|
|
|
|
|
04/26/84
|
Providence Civic Center
Providence, RI |
|
|
|
|
|
|
07/04/84
|
Five Seasons Center
Cedar Rapids, IA |
|
|
|
|
|
|
07/13/84
|
Greek Theatre, U. Of California
Berkeley, CA |
|
|
|
|
|
|
12/31/84
|
San Francisco Civic Auditorium
San Francisco, CA |
|
|
|
|
|
|
06/28/85
|
Hershey Park Stadium
Hershey, PA |
|
|
|
|
|
|
07/04/86
|
Rich Stadium
Buffalo, NY |
|
|
|
|
|
|
07/07/86
|
Robert F. Kennedy Stadium
Washington, DC |
|
|
|
|
|
|
12/15/86
|
Oakland-Alameda County Coliseum
Oakland, CA |
|
|
|
|
|
|
12/31/86
|
Henry J. Kaiser Convention Center
Oakland, CA |
Source Detail |
SBD |
Flac |
Jerry's return |
Pre-FM SBD > PCM > CDR > WAV > SHNv3; DAE (EAC> shntools> ftp) by neo_levo |
|
03/31/87
|
The Spectrum
Philadelphia, PA |
|
|
|
|
|
|
05/10/87
|
Laguna Seca Recreation Area
Monterey, CA |
|
|
|
|
|
|
06/13/87
|
Ventura County Fairgrounds
Ventura, CA |
|
|
|
|
|
|
07/02/87
|
Silver Stadium
Rochester, NY |
|
|
|
|
|
|
07/10/87
|
John F Kennedy Stadium
Philadelphia, PA |
|
|
|
|
|
|
07/12/87
|
Giants Stadium
East Rutherford, NJ |
|
|
|
|
|
|
08/22/87
|
Calaveras County Fairgrounds
Angels Camp, CA |
|
|
|
|
|
|
08/23/87
|
Calaveras County Fairgrounds
Angels Camp, CA |
|
|
|
|
|
|
09/12/87
|
Capital Centre
Landover, MD |
|
|
|
|
|
|
09/18/87
|
Madison Square Garden
New York, NY |
|
|
|
|
|
|
09/19/87
|
Madison Square Garden
New York, NY |
|
|
|
|
|
|
09/24/87
|
The Spectrum
Philadelphia, PA |
|
|
|
|
|
|
10/02/87
|
Shoreline Amphitheatre
Mountain View, CA |
|
|
|
|
|
|
10/03/87
|
Shoreline Amphitheatre
Mountain View, CA |
|
|
|
|
|
|
10/04/87
|
Shoreline Amphitheatre
Mountain View, CA |
Source Detail |
|
|
Devil With The Blue Dress-> Good Golly Miss Molly-> Devil With The Blue Dress |
SBD> CM> DAT> CD> EAC> SHN (mkwACT); DAT>CD Transfer By David Hollister; see notes in info file; this version circulated by Keith Bode, but is distinct from previous Hollister/Bode seeds of this date |
|
11/14/87
|
Long Beach Arena
Long Beach, CA |
|
|
|
|
|
|
12/31/87
|
Oakland-Alameda County Coliseum
Oakland, CA |
|
|
|
|
|
|
07/02/88
|
Oxford Plains Speedway
Oxford, ME |
|
|
|
|
|
|
09/24/88
|
Madison Square Garden
New York, NY |
|
|
SBD |
Rain Forrest Benefit; with Mick Taylor, Suzanne Vega, Daryl Hall and John Oats, Baba Olatunji, Hornsby and Jack Cassady. |
|
|
12/31/88
|
Oakland-Alameda County Coliseum
Oakland, CA |
|
|
|
|
|
|
02/12/89
|
Great Western LA Forum
Inglewood, CA |
|
|
|
with Spencer Davis & Bob Dylan |
|
|
03/31/89
|
Greensboro Coliseum
Greensboro, NC |
|
|
|
|
|
|
05/06/89
|
Frost Amphitheatre
Palo Alto, CA |
|
|
|
|
|
|
06/21/89
|
Shoreline Amphitheatre
Mountain View, CA |
|
|
|
|
|
|
07/02/89
|
Sullivan Stadium
Foxboro, MA |
|
|
|
|
|
|
07/07/89
|
John F. Kennedy Stadium
Philadelphia, PA |
|
|
|
|
|
|
07/09/89
|
Giants Stadium
East Rutherford, NJ |
Source Detail |
|
|
First show |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
07/10/89
|
Giants Stadium
East Rutherford, NJ |
|
|
|
|
|
|
10/08/89
|
Hampton Coliseum
Hampton, VA |
|
|
|
|
|
|
10/09/89
|
Hampton Coliseum
Hampton, VA |
Source Detail |
|
|
Return of Dark Star & Attics; Billed as The Warlocks |
SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates |
|
10/12/89
|
Meadowlands Arena
East Rutherford, NJ |
Source Detail |
|
|
|
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
10/15/89
|
Meadowlands Arena
East Rutherford, NJ |
|
|
|
|
|
|
10/16/89
|
Meadowlands Arena
East Rutherford, NJ |
|
|
|
|
|
|
10/18/89
|
The Spectrum
Philadelphia, PA |
|
|
|
|
|
|
10/20/89
|
The Spectrum
Philadelphia, PA |
|
|
|
|
|
|
10/23/89
|
Charlotte Coliseum
Charlotte, NC |
Source Detail |
SBD |
Flac |
California Earthquake |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
10/26/89
|
Miami Arena
Miami, FL |
|
|
|
|
|
|
12/06/89
|
Oakland-Alameda County Coliseum
Oakland, CA |
|
|
|
|
|
|
12/10/89
|
Great Western LA Forum
Inglewood, CA |
|
|
|
|
|
|
12/27/89
|
Oakland-Alameda County Coliseum
Oakland, CA |
|
|
|
|
|
|
12/31/89
|
Oakland-Alameda County Coliseum
Oakland, CA |
|
|
|
|
|
|
02/27/90
|
Oakland-Alameda County Coliseum
Oakland, CA |
|
|
|
|
|
|
03/14/90
|
Capital Centre
Landover, MD |
|
|
|
|
|
|
03/18/90
|
Hartford Civic Center
Hartford, CT |
|
|
|
|
|
|
03/19/90
|
Hartford Civic Center
Hartford, CT |
|
|
|
|
|
|
03/22/90
|
Copps Coliseum
Hamilton, ON |
|
|
|
|
|
|
03/24/90
|
Knickerbocker Arena
Albany, NY |
|
|
|
|
|
|
03/24/90
|
Knickerbocker Arena
Albany, NY |
|
|
|
|
|
|
03/25/90
|
Knickerbocker Arena
Albany, NY |
|
|
|
|
|
|
03/28/90
|
Nassau Coliseum
Uniondale, NY |
|
|
|
|
|
|
03/29/90
|
Nassau Coliseum
Uniondale, NY |
|
|
|
with Branford Marsalis |
|
|
03/30/90
|
Nassau Coliseum
Uniondale, NY |
|
|
|
|
|
|
06/15/90
|
Shoreline Amphitheatre
Mountain View, CA |
|
|
|
|
|
|
06/23/90
|
Autzen Stadium - University of Oregon
Eugene, OR |
|
|
|
|
|
|
06/24/90
|
Autzen Stadium, U. of Oregon
Eugene, OR |
|
|
|
|
|
|
07/04/90
|
Sandstone Ampitheatre
Bonner Springs, KS |
|
|
|
|
|
|
07/06/90
|
Cardinal Stadium
Louisville, KY |
|
|
|
|
|
|
07/10/90
|
Carter-Finley Stadium
Raleigh, NC |
|
|
|
|
|
|
07/12/90
|
Robert F. Kennedy Stadium
Washington, DC |
|
|
|
|
|
|
07/14/90
|
Foxboro Stadium
Foxboro, MA |
|
|
|
|
|
|
07/16/90
|
Rich Stadium
Orchard Park, NY |
|
|
|
|
|
|
07/18/90
|
Deer Creek Music Center
Noblesville, IN |
|
|
|
|
|
|
07/19/90
|
Deer Creek Music Center
Noblesville, IN |
|
|
|
|
|
|
07/21/90
|
World Music Theater
Tinley Park, IL |
|
|
|
|
|
|
07/22/90
|
World Music Theater
Tinley Park, IL |
|
|
|
|
|
|
07/23/90
|
World Music Theater
Tinley Park, IL |
|
|
|
Brent's last show |
|
|
09/14/90
|
Madison Square Garden
New York, NY |
|
|
|
|
|
|
09/15/90
|
Madison Square Garden
New York, NY |
|
|
|
|
|
|
09/18/90
|
Madison Square Garden
New York, NY |
|
|
|
To Lay Me Down; 20th aniversary of death of Jimi Hendrix |
|
|
09/19/90
|
Madison Square Garden
New York, NY |
|
|
|
|
|
|
09/20/90
|
Madison Square Garden
New York, NY |
|
|
|
|
|
|
10/20/90
|
Internationales Congress Centrum
Berlin, Germany |
|
|
|
|
|
|
10/27/90
|
The Zenith
Paris, France |
|
|
|
|
|
|
10/28/90
|
The Zenith
Paris, France |
|
|
|
|
|
|
10/31/90
|
Wembley Arena
London, England |
|
|
|
|
|
|
11/01/90
|
Wembley Arena
London, England |
|
|
|
|
|
|
12/04/90
|
Oakland-Alameda County Coliseum
Oakland, CA |
|
|
|
|
|
|
12/12/90
|
McNichols Sports Arena
Denver, CO |
|
|
|
|
|
|
12/14/90
|
McNichols Sports Arena
Denver, CO |
|
|
|
|
|
|
12/31/90
|
Oakland-Alameda County Coliseum
Oakland, CA |
|
|
|
|
|
|
03/17/91
|
Capital Centre
Landover, MD |
|
|
|
|
|
|
03/27/91
|
Nassau Veterans Memorial Coliseum
Uniondale, NY |
|
|
|
|
|
|
03/31/91
|
Greensboro Coliseum
Greensboro, NC |
|
|
|
|
|
|
04/01/91
|
Greensboro Coliseum
Greensboro, NC |
|
|
|
|
|
|
04/07/91
|
Orlando Arena
Orlando, FL |
|
|
|
|
|
|
04/28/91
|
Sam Boyd Silver Bowl, U.N.L.V.
Las Vegas, NV |
|
|
|
with Carlos Santana |
|
|
06/06/91
|
Deer Creek Music Center
Noblesville, IN |
|
|
|
|
|
|
06/07/91
|
Deer Creek Music Center
Noblesville, IN |
|
|
|
|
|
|
06/16/91
|
Giants Stadium
East Rutherford, NJ |
|
|
|
|
|
|
06/17/91
|
Giants Stadium
East Rutherford, NJ |
|
|
|
Eyes opener |
|
|
06/25/91
|
Sandstone Ampitheatre
Bonner Springs, KS |
|
|
|
|
|
|
06/28/91
|
Mile High Stadium
Denver, CO |
|
|
|
|
|
|
08/16/91
|
Shoreline Amphitheatre
Mountain View, CA |
Source Detail |
|
|
1st Set Dark Star |
Source: SB DAT 48khz low-gen clone
Conversion: Sony PCM-1 (7-pin optical) > Zoltrix C-Media CMI8738/C3DX PCI (optical) > Ce2k pro record (48) > Ce2k pro convert sample (44.1, highest quality, pre-post filter) > CDWav > FLAC |
|
08/18/91
|
Shoreline Amphitheatre
Mountain View, CA |
|
|
|
|
|
|
09/04/91
|
Richfield Coliseum
Richfield, OH |
|
|
|
|
|
|
09/08/91
|
Madison Square Garden
New York, NY |
|
|
|
|
|
|
09/09/91
|
Madison Square Garden
New York, NY |
|
|
|
|
|
|
09/10/91
|
Madison Square Garden
New York, NY |
|
|
|
with Branford Marsalis |
|
|
09/12/91
|
Madison Square Garden
New York, NY |
|
|
|
|
|
|
09/13/91
|
Madison Square Garden
New York, NY |
|
|
|
|
|
|
09/14/91
|
Madison Square Garden
New York, NY |
|
|
|
|
|
|
09/16/91
|
Madison Square Garden
New York, NY |
|
|
|
|
|
|
09/17/91
|
Madison Square Garden
New York, NY |
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09/18/91
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Madison Square Garden
New York, NY |
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09/20/91
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Boston Garden
Boston, MA |
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09/26/91
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Boston Garden
Boston, MA |
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10/27/91
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Oakland-Alameda County Coliseum
Oakland, CA |
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10/31/91
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Oakland-Alameda County Coliseum
Oakland, CA |
Source Detail |
SBD |
Flac |
w/ Ken Kesey's rap about Bill Grahm |
flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko |
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12/28/91
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Oakland-Alameda County Coliseum
Oakland, CA |
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12/31/91
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Oakland-Alameda County Coliseum
Oakland, CA |
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03/09/92
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Capital Centre
Landover, MD |
Source Detail |
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Satisfaction encore |
SBD> DAT> C> PCM> DAT> CD; via Rob Harrison; Seeded to etree by Peter Braverman; Shntool fix by Tony G |
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05/31/92
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Sam Boyd Silver Bowl, U.N.L.V
Las Vegas, NV |
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06/12/92
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Knickerbocker Arena
Albany, NY |
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06/20/92
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Robert F. Kennedy Stadium
Washington, DC |
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Return of Casey Jones |
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06/28/92
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Deer Creek Music Center
Noblesville, IN |
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03/24/93
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Dean Smith Center
Chapel Hill, NC |
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03/27/93
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Knickerbocker Arena
Albany, NY |
Source Detail |
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Comes A Time |
SBD> DAT; via D. DiProsa; Transfer: D8> 7 pin/digi coax> Montego II
digi I/O> CDWAV by D. Nawrocki |
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04/12/93
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Candlestick Park
San Francisco, CA |
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SBD |
Flac |
Jerry, Bob, & Vince singing the Star Spangled Banner at the 1993 Giants home opener |
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06/05/93
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Giants Stadium
East Rutherford, NJ |
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06/23/93
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Deer Creek Music Center
Noblesville, IN |
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06/25/93
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Robert F. Kennedy Stadium
Washington, DC |
Source Detail |
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flac16; Audience: Master DATS - Recorded by James Young & Ron Keyser
AMS ST250 FOB DFC > AMS Control Box with the pattern on control box was set as close to ORTF(cardioids at 110 degrees) as possible > Modified Sony D10 Pro> Sony D10 Pro via Sony AES/EBU digital cable. (Both decks Modified By Bob Katz)
Transfer By Ron Keyser
Master DATS played back in a Sony D8 > M-Audio Auiophile USB > Sony PCV-RS410 Soundforge v 7.0 for resampling and fades. (Disc 2 & 3 are seamless) CD Wave Editor for tracking Flac Frontend. |
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06/26/93
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Robert F. Kennedy Stadium
Washington, DC |
Source Detail |
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sbd > dat > cass > dat > cd; via Brent Peich |
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09/13/93
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The Spectrum
Philadelphia, PA |
Source Detail |
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flac16;
SBD -> Master Dat (48k)
All Transfers and Mastering By Charlie Miller
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09/16/93
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Madison Square Garden
New York, NY |
Source Detail |
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Flac |
Rain opener |
flac16; Recording Info:Set 1: SBD -> Dat -> Master Cassette -> Dat -> CD; Set 2: SBD -> Dat (48k); All Transfers and Mastering By Charlie Miller |
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09/20/93
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Madison Square Garden
New York, NY |
Source Detail |
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with Edie Brickell |
flac16; Soundboard->Master DAT->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano |
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09/22/93
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Madison Square Garden
New York, NY |
Source Detail |
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with David Murray |
DSBD> DAT> CDR> EAC> WAV> SHN; Seeded by an anonymous source with DATs
provided by D. Murray, who sat in; EAC/SHN, u/l by Rich (yubah); stemming
from Winter
Oak tree; see pub comments for flaw note |
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12/09/93
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Sports Arena
Los Angeles, CA |
Source Detail |
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with Ornette Coleman |
flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller |
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12/10/93
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Sports Arena
Los Angeles, CA |
Source Detail |
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with Branford Marsalis |
flac16; DFOB: Schoeps MK-4 Cardiod Capsule in Hat > Panasonic sv255 > DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav > Adobe Audition 2.0 edited > Flac Frontend level 8 |
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03/30/94
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The Omni
Atlanta, GA |
Source Detail |
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Recording Info:
SBD -> Dat
Transfer Info:
Dat (Sony R500) ->
Prodif Plus ->
Samplitude v6.0 ->
SHN
Transfered By Charlie Miller. |
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06/26/94
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Sam Boyd Silver Bowl, U.N.L.V.
Las Vegas, NV |
Source Detail |
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Source: SBD > CASSETTE > DAT @48k
Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction)
Transferred, SHNed and seeded by Jon Seff (jon@seff.net).
This represents the SHNTOOL FIXED and STRIPPED version of the previous seed which had sector boundary errors on all tracks and noncanonical headers on the first disc. Distributed via candyman FTP. |
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07/02/94
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Shoreline Amphitheatre
Mountain View, CA |
Source Detail |
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DSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW, by Dan Stephens (dms@well.com) |
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10/14/94
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Madison Square Garden
New York, NY |
Source Detail |
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flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC |
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10/15/94
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Madison Square Garden
New York, NY |
Source Detail |
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SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; Cleaned up copy of SHNid=27249; Clean up by Darryl Hinko |
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10/17/94
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Madison Square Garden
New York, NY |
Source Detail |
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DSBD>DAT>CDR shn encoding by Dan Carr |
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12/16/94
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Sports Arena
Los Angeles, CA |
Source Detail |
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with Branford Marsalis |
AUD(Nak 300 Shotguns)>Aiwa DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo |
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03/18/95
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The Spectrum
Philadelphia, PA |
Source Detail |
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Visions of Johana |
flac16; Recordist : unknown Source: Soundboard > ? > DAT[x] Recorded Format: 16 bit, 48 kHz Conversion: DAT[x] > Tascam DA-45HR [digital coaxial output] > Oade ACM Marantz PMD671 [digital coaxial input] > CF card > IBM ThinkPad T41 Editing: Voxengo r8brain free v1.9 [resample at "very high" quality setting]Dither: none Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.2, FLAC Frontend v1.7.0.1, Level 8, Sector Boundaries Aligned DAT transfer and DSP performed by Tim Burke |
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03/23/95
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Charlotte Coliseum
Charlotte, NC |
Source Detail |
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Bruce Hornsby on grand piano |
Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (44.1k) Set 2: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
(3 Discs Audio / 2 Discs FLAC) |
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06/21/95
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Knickerbocker Arena
Albany, NY |
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Soundcheck only |
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07/09/95
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Soldier Field
Chicago, IL |
Source Detail |
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The Last One |
DSBD (pre FM) (@48kHz); Conversion: D8 > Waveterminal 2496 (@44.1kHz - Real Time Resample) > Soundforge 5.0 > CD Wave > mkwACT (saeeking); see info file for version comparison and editing notes; tracked for 2x80; via Jason Brantley |
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