Source #	121031
Entered by	Matt Vernon
Checksums	flac-md5 , ffp
Disc Counts	0 / 0
Media Size	Compressed: 6.29 GB (6755802130 bytes)
Date Circulated Date Added	07/02/2012 07/03/2012

Download Text | Download Zip

Other Sources

• (174) SBD MR (10'' reels)> DAT > CD > EAC > SHN; via...
• (89640)  flac16 ; Recording Info: SBD -> Master Reel ->...
• (89681)  flac16 ; partial Set 1 & 2: Recording Info:...
• (89730)  flac16 ; Recording Info: SBD -> Master Reel ->...
• (90351)  flac16 ; Source: Sony TC 110 cassette deck...
• (90771)  flac16 ; Matrix 3 Source Mix - SBD (shn id...
• (90794)  DTS Audio 5.1 ;  SBD (shn id 89730) Recording...
• (90796)  flac16 ; Composite Audience - AUD1 (shn id...
• (90979)  flac16 ; Original SBD (shnid = 89730)...
• (121030)  flac16 ; taped and remastered by Monte Barry;...
• (131065)  flac16 ; 2 Source Matrix by Dusborne;...
• (136252)  flac24 ; Partial Sets 1 & 2; source: aud...
• (136253)  flac16 ; Partial Sets 1 & 2; source: aud...

Source Summary
flac24; Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag

Grateful Dead
RFK Stadium
Washington, DC
June 10, 1973

Source:
-- taped and remastered by Monte Barry
-- Sony TC 2850SD portable stereo cassette recorder
-- Sony ECM 99 single-point stereo mic
-- mic is hand-held on mic-stand shaft, with arm raised up
-- FOB center infield, between sbd platform and stage platform

Lineage:
-- transferred by Matt Smith

MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag

Set 1:
t01 - Morning Dew
t02 - Beat It On Down The Line
t03 - Ramble On Rose
t04 - Jack Straw
t05 - Wave That Flag
t06 - Looks Like Rain
t07 - Box Of Rain
t08 - They Love Each Other
t09 - The Race Is On
t10 - Row Jimmy
t11 - El Paso
t12 - Bird Song
t13 - Playing In The Band

Set 2:
t14 - Eyes Of The World >
t15 - Stella Blue
t16 - Big River
t17 - Here Comes Sunshine
t18 - Around And Around
t19 - Dark Star >
t20 - He's Gone >
t21 - Wharf Rat >
t22 - Truckin'
t23 - Sugar Magnolia

Set 3: jam with Dickey Betts, Butch Trucks, and Merl Saunders
t24 - It Takes A Lot To Laugh It Takes A Train To Cry
t25 - That's All Right, Mama
t26 - The Promised Land
t27 - Not Fade Away >
t28 - Goin' Down The Road Feeling Bad >
t29 - Drums >
t30 - Not Fade Away
t31 - Johnny B. Goode

Notes:
-- this is a major upgrade in sound quality
-- replaces Monte's shnid 90351
-- these transfers are fixed up pretty good

patch list:
-- Morning Dew has SBD patch from 07:02.5 until 07:14.2, due to accidental pause/unpause by taper
-- PITB has AUD patch from 05:30.8 until 06:10, due to reel change
-- PITB set-ending announcement has SBD patch
-- Eyes Of The World has AUD patch at start until 14:52.5, due to taper getting stoned during break
-- Big River has AUD patch at start until 00:02.6
-- Around And Around has SBD patch at end from 05:13.9 to 05:41, "We're gonna tune up real good"
-- He's Gone has SBD patch from 14:30.2 to 14:48.2 (ending), due to reel flip
-- Wharf Rat has SBD patch from the start to 00:12.5, due to reel flip
-- That's Alright Mama has SBD patch from 06:11.2 to 08:59.5, due to tape damage
-- GDTRFB has SBD patch from 04:42.3 to 5:05.3, due to reel flip
-- I cleaned up most of the glitches, and I tagged the files

SBD patch Source and Lineage: shnid 90979
transferred by David Hollister and G.S. Hamilton
MR > PCM > cassette > DAT > CD > EAC > SHN

AUD patch Source and Lineage: shnid 89681
taped by Bill Gadsden
(FOB) Unknown Mics > Cassette Master > Reel (1/4 Track - 7.5 ips)
transferred and mastered by Charlie Miller
Reel (Sony TC-366) > Korg MR-1000 > Samplitude Pro 10.02 > FLAC

This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The  prototype Wall of Sound is nailed by Alembic and the sound crew for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. This sound delay adds a touch of ear candy as it rolls around the stadium. June 9 was my first time taping. June 10 was a Modal Spectacle. These shows at RFK Stadium were by far the best sound I ever heard come out of a PA System, period. It was a sensational orgy of sound.

Matt Smith did a great job transferring these tapes of mine! Thank you!