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History| Source # | 139319 |
| Entered by | Matt Vernon |
| Checksums | ffp , flac-md5 |
| Disc Counts | 0 / 0 |
| Media Size | |
| Date Circulated
Date Added |
09/12/2017 |
Download Text | Download Zip
Other Sources
Other Sources
- (335) Master FOB Audience Cassette > Nak CM300 mics >...
- (2577) complete; marked sbd (see user comments...
- (18105) partial set 2 SBD>C or C1>D>CD>EAC>WAV>SHN via...
- (18985) Recording by Mark Cohen Nak 700s> Sony D5, A:D...
- (80770) flac16 ; Recording/Transfer Info: Set 1 -...
- (82184) DTS Audio 5.1 ; 4 Source Mix: SBD Set 1....
- (82208) flac16 ; SBD + AUD Matrix - 4 Source Mix...
- (91483) flac16 ; AUD: FOB, Sennheiser MD-421's > Sony...
- (99678) flac24 ; AUD: 3x Nakamichi CM300's > Nakamichi...
- (99679) flac16 ; AUD: 3x Nakamichi CM300's > Nakamichi...
- (99888) flac16 ; (FOB) Nakamichi CM-300's (CP-1) >...
- (111030) flac24 ; (FOB) Nakamichi CM-300's (CP-1) >...
- (119075) flac16 ; lineage: nakamichi 300 fob> d-5sony>...
- (135445) flac24 ; AUD: Nakamichi CM300/CP4 shotguns >...
- (135446) flac16 ; AUD: Nakamichi CM300/CP4 shotguns >...
- (139320) flac24 48khz Master: JVC HM 200E Binaural...
- (142823) flac16/48kHz ; Source Info: Jim Wise's Master...
- (142824) flac24 ; Source Info: Jim Wise's Master (FOB)...
- (144657) flac24 ; source: aud cassette master; taped by...
- (144658) flac16 ; source: aud cassette master; taped by...
- (152910) flac16; Matrix by Hunter Seamons using Final...
Source Summary
flac16 44.1khz Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on. Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac). Taped by: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager. Transferred by: Kyle Holbrook.
flac16 44.1khz Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on. Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac). Taped by: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager. Transferred by: Kyle Holbrook.
Grateful Dead
Date 1982-09-17
Cumberland County Civic Center
Portland ME
set 1
01. Bertha $
02. Promised Land
03. Candyman
04. C.C. Rider
05. Althea
06. Me and My Uncle
07. Big River //
08. crowd
09. Dupree's Diamond Blues
10. It's All Over Now
11. West L.A. Fadeaway
12. Throwin' Stones
13. Deal
set2
01. Touch of Grey *
02. Man Smart/Woman Smarter
03. High Time ->
04. Estimated Prophet ->
05. Eyes of the World ->
06. Drums // &
07. Space -> **
08. Spanish Jam
09. The Other One %
10. Goin' Down the Road Feelin' Bad #
11. Morning Dew %
12. Sugar Magnolia ^
encore
13. U.S. Blues + %
recording notes:
Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.
$ set opens with fluctuating levels
* taper says-"no left signal", when there was one, brief cut as deck was paused for about 1 second at start of song.
//tape flip
& some drums were not recorded; we started back when Jerry took stage and Space begins
** Crowd chanting Phil! Phil!Phil! just before the Spanish Jam
# slight cut @105:14 due to accidental pause button hit.
% distortion from the PA several times; noted on other AUD masters.
^ overall distortion on Tape AND PA
+ Bobby says "Hey listen, thanks for keeping us alive all these years"
Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on
Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48
Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)
Taped by: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager
Transferred by: Kyle Holbrook
Tour Notes:
So the story continues about a few college kids who had a thing for the Grateful Dead AND recording live music.
After the summer tour we listened avidly to all the tapes, but also were just savvy enough to realize we should not play the master recordings too many times. We made copies of all the masters, many copies and would keep one or two on hand which we termed "safety copies". Those would go on Maxelll XL-II or XL-IIs tapes and be the ones we would spin multiple copies of. BY this time, we were all 3rd/4th year students so we lived in a 3 bedroom flat in a large house off campus. We must have had as many as 8 to 10 cassette decks in there by the spring of '83 and were constantly spinning copies, of either our masters or other's masters and prized audience recordings from the time.
We decided we had to do several things, one of which was try to never patch into people again as that almost guaranteed you some cuts in the recording.Through our interest in the multi-dimensional aspects of stereo recording we had found that utilizing a type of microphone configuration named Binaural would simulate what the brain heard especially when played back through headphones. So between the second week of August, the starting of school, and the onset of the Dead's Fall tour with two shows near us we found a set of binaural headphone/microphones made by JVC. Somehow Mike located them in either Boston or Portland ME, so we drove there to purchase the mics and use them at the Cumberland County Civic Center Grateful Dead concert.
The recording is not anywhere close to the best or finest we ever made. But it is pretty even acoustically with only a few glitches on the master. Listen to it with headphones to enhance the experience as the binaural recording is intended to be heard. You can adjust your EQ for loudspeaker playback to make it a bit less "airy". The post drums sound quality is marred a bit by distortion coming from the PA along with a bit of oversaturation on our master. Overall though, for a taste of 1982 Dead, and the Duprees Diamond Blues, the first set Throwing Stones we labeled as "Ashes, Ashes" since the band had yet to tell us the proper title, and the Spanish Jam>Other One I would say this one is worth at least one listen.
The backstory to this show will be continued on the next memory blast- 9-24-1982, Carrier Dome in Syracuse. The teaser is, at the Portland show, Mike had to go to the Soundboard after the show to hand an acoustic plot of the Carrier Dome to Dan Healy during which time a naked guy chased our friend Karen around the floor near the soundboard and security had to be called to "collect" him.
- - - - - - - - - -
length expanded size cdr WAVE problems fmt ratio filename
6:36.68 70014380 B --- -- ---xx flac 0.6326 gd1982-09-17jvcbinaural16d1t01.flac
3:59.30 42230204 B --- -- ---xx flac 0.6491 gd1982-09-17jvcbinaural16d1t02.flac
7:57.01 84145196 B --- -- ---xx flac 0.5695 gd1982-09-17jvcbinaural16d1t03.flac
7:48.46 82663436 B --- -- ---xx flac 0.6005 gd1982-09-17jvcbinaural16d1t04.flac
7:36.33 80516060 B --- -- ---xx flac 0.5843 gd1982-09-17jvcbinaural16d1t05.flac
3:09.56 33471356 B --- -- ---xx flac 0.6128 gd1982-09-17jvcbinaural16d1t06.flac
5:22.28 56866700 B --- -- ---xx flac 0.6237 gd1982-09-17jvcbinaural16d1t07.flac
1:06.20 11689484 B --- -- ---xx flac 0.5005 gd1982-09-17jvcbinaural16d1t08.flac
5:41.64 60302972 B --- -- ---xx flac 0.6231 gd1982-09-17jvcbinaural16d1t09.flac
6:56.54 73509452 B --- -- ---xx flac 0.6533 gd1982-09-17jvcbinaural16d1t10.flac
7:42.65 81649724 B --- -- ---xx flac 0.5987 gd1982-09-17jvcbinaural16d1t11.flac
5:37.70 59611484 B --- -- ---xx flac 0.6236 gd1982-09-17jvcbinaural16d1t12.flac
5:42.08 60347908 B -b- -- ---xx flac 0.6429 gd1982-09-17jvcbinaural16d1t13.flac
7:22.50 78086444 B --- -- ---xx flac 0.6310 gd1982-09-17jvcbinaural16d2t01.flac
5:53.07 62285708 B --- -- ---xx flac 0.6268 gd1982-09-17jvcbinaural16d2t02.flac
7:52.45 83366684 B --- -- ---xx flac 0.5412 gd1982-09-17jvcbinaural16d2t03.flac
12:07.50 128360444 B --- -- ---xx flac 0.5896 gd1982-09-17jvcbinaural16d2t04.flac
9:01.29 95500652 B --- -- ---xx flac 0.6005 gd1982-09-17jvcbinaural16d2t05.flac
4:06.43 43495580 B --- -- ---xx flac 0.5182 gd1982-09-17jvcbinaural16d2t06.flac
5:24.06 57167756 B --- -- ---xx flac 0.4797 gd1982-09-17jvcbinaural16d2t07.flac
3:06.21 32859836 B --- -- ---xx flac 0.4974 gd1982-09-17jvcbinaural16d2t08.flac
6:20.58 67168460 B --- -- ---xx flac 0.6453 gd1982-09-17jvcbinaural16d2t09.flac
5:09.58 54644060 B --- -- ---xx flac 0.6307 gd1982-09-17jvcbinaural16d2t10.flac
8:56.23 94604540 B --- -- ---xx flac 0.5859 gd1982-09-17jvcbinaural16d2t11.flac
8:45.41 92706476 B --- -- ---xx flac 0.6729 gd1982-09-17jvcbinaural16d2t12.flac
5:12.00 55036372 B -b- -- ---xx flac 0.6415 gd1982-09-17jvcbinaural16d2t13.flac
164:36.74 1742301368 B 0.6040 (26 files)
Date 1982-09-17
Cumberland County Civic Center
Portland ME
set 1
01. Bertha $
02. Promised Land
03. Candyman
04. C.C. Rider
05. Althea
06. Me and My Uncle
07. Big River //
08. crowd
09. Dupree's Diamond Blues
10. It's All Over Now
11. West L.A. Fadeaway
12. Throwin' Stones
13. Deal
set2
01. Touch of Grey *
02. Man Smart/Woman Smarter
03. High Time ->
04. Estimated Prophet ->
05. Eyes of the World ->
06. Drums // &
07. Space -> **
08. Spanish Jam
09. The Other One %
10. Goin' Down the Road Feelin' Bad #
11. Morning Dew %
12. Sugar Magnolia ^
encore
13. U.S. Blues + %
recording notes:
Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.
$ set opens with fluctuating levels
* taper says-"no left signal", when there was one, brief cut as deck was paused for about 1 second at start of song.
//tape flip
& some drums were not recorded; we started back when Jerry took stage and Space begins
** Crowd chanting Phil! Phil!Phil! just before the Spanish Jam
# slight cut @105:14 due to accidental pause button hit.
% distortion from the PA several times; noted on other AUD masters.
^ overall distortion on Tape AND PA
+ Bobby says "Hey listen, thanks for keeping us alive all these years"
Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on
Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48
Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)
Taped by: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager
Transferred by: Kyle Holbrook
Tour Notes:
So the story continues about a few college kids who had a thing for the Grateful Dead AND recording live music.
After the summer tour we listened avidly to all the tapes, but also were just savvy enough to realize we should not play the master recordings too many times. We made copies of all the masters, many copies and would keep one or two on hand which we termed "safety copies". Those would go on Maxelll XL-II or XL-IIs tapes and be the ones we would spin multiple copies of. BY this time, we were all 3rd/4th year students so we lived in a 3 bedroom flat in a large house off campus. We must have had as many as 8 to 10 cassette decks in there by the spring of '83 and were constantly spinning copies, of either our masters or other's masters and prized audience recordings from the time.
We decided we had to do several things, one of which was try to never patch into people again as that almost guaranteed you some cuts in the recording.Through our interest in the multi-dimensional aspects of stereo recording we had found that utilizing a type of microphone configuration named Binaural would simulate what the brain heard especially when played back through headphones. So between the second week of August, the starting of school, and the onset of the Dead's Fall tour with two shows near us we found a set of binaural headphone/microphones made by JVC. Somehow Mike located them in either Boston or Portland ME, so we drove there to purchase the mics and use them at the Cumberland County Civic Center Grateful Dead concert.
The recording is not anywhere close to the best or finest we ever made. But it is pretty even acoustically with only a few glitches on the master. Listen to it with headphones to enhance the experience as the binaural recording is intended to be heard. You can adjust your EQ for loudspeaker playback to make it a bit less "airy". The post drums sound quality is marred a bit by distortion coming from the PA along with a bit of oversaturation on our master. Overall though, for a taste of 1982 Dead, and the Duprees Diamond Blues, the first set Throwing Stones we labeled as "Ashes, Ashes" since the band had yet to tell us the proper title, and the Spanish Jam>Other One I would say this one is worth at least one listen.
The backstory to this show will be continued on the next memory blast- 9-24-1982, Carrier Dome in Syracuse. The teaser is, at the Portland show, Mike had to go to the Soundboard after the show to hand an acoustic plot of the Carrier Dome to Dan Healy during which time a naked guy chased our friend Karen around the floor near the soundboard and security had to be called to "collect" him.
- - - - - - - - - -
length expanded size cdr WAVE problems fmt ratio filename
6:36.68 70014380 B --- -- ---xx flac 0.6326 gd1982-09-17jvcbinaural16d1t01.flac
3:59.30 42230204 B --- -- ---xx flac 0.6491 gd1982-09-17jvcbinaural16d1t02.flac
7:57.01 84145196 B --- -- ---xx flac 0.5695 gd1982-09-17jvcbinaural16d1t03.flac
7:48.46 82663436 B --- -- ---xx flac 0.6005 gd1982-09-17jvcbinaural16d1t04.flac
7:36.33 80516060 B --- -- ---xx flac 0.5843 gd1982-09-17jvcbinaural16d1t05.flac
3:09.56 33471356 B --- -- ---xx flac 0.6128 gd1982-09-17jvcbinaural16d1t06.flac
5:22.28 56866700 B --- -- ---xx flac 0.6237 gd1982-09-17jvcbinaural16d1t07.flac
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7:42.65 81649724 B --- -- ---xx flac 0.5987 gd1982-09-17jvcbinaural16d1t11.flac
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5:42.08 60347908 B -b- -- ---xx flac 0.6429 gd1982-09-17jvcbinaural16d1t13.flac
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859c71192fc926fc2afea46e26634be1 *gd1982-09-17jvcbinaural16d2t03.flac
d806dfa53dfef55fe5b2c402a41c2fb0 *gd1982-09-17jvcbinaural16d2t04.flac
a79ead4ba8374ca2cb69db2f2a15f561 *gd1982-09-17jvcbinaural16d2t05.flac
c54755bd2bc7b726853a832d8673712c *gd1982-09-17jvcbinaural16d2t06.flac
2ca1fc88b6142638c56e82122de8c3ba *gd1982-09-17jvcbinaural16d2t07.flac
362cec5a275516fe39e3c4fa0092e31e *gd1982-09-17jvcbinaural16d2t08.flac
48be3db30f4baa929518d0bb0d596faf *gd1982-09-17jvcbinaural16d2t09.flac
89ce005b9add5aa8aa899a0bd1a0dc16 *gd1982-09-17jvcbinaural16d2t10.flac
fe676c9c7c134528111ad2e27e4e50f3 *gd1982-09-17jvcbinaural16d2t11.flac
3f033b388373b50d46c2d0e64101b264 *gd1982-09-17jvcbinaural16d2t12.flac
b6b708857db997e8fe8b1d4a797fafb8 *gd1982-09-17jvcbinaural16d2t13.flac
cca803916c479abc4607df6564f74102 *gd1982-09-17jvcbinaural16d1t02.flac
009fa7aebb95524ab4c4196af997c795 *gd1982-09-17jvcbinaural16d1t03.flac
7aa3821b2566aced14581d9011657682 *gd1982-09-17jvcbinaural16d1t04.flac
314d8980b7ce497668a25933974e11dc *gd1982-09-17jvcbinaural16d1t05.flac
dd4953bbe14b2a7aeaa6552ce6230f64 *gd1982-09-17jvcbinaural16d1t06.flac
285963a663525dac2fe145dadfa7c877 *gd1982-09-17jvcbinaural16d1t07.flac
685f3cb6ca7a3a1f2d8f2e28408489b6 *gd1982-09-17jvcbinaural16d1t08.flac
3ffbe2c4ebb0a431b7808e68df9cc002 *gd1982-09-17jvcbinaural16d1t09.flac
29bd362d6e2e7782e0411dae9d24a846 *gd1982-09-17jvcbinaural16d1t10.flac
61931a2f2c8ed6614ebda97a4d2584e1 *gd1982-09-17jvcbinaural16d1t11.flac
fafa535d3021a6579a55f56bd6643bdf *gd1982-09-17jvcbinaural16d1t12.flac
dd9567741df886552830dc02f7fcbbcc *gd1982-09-17jvcbinaural16d1t13.flac
dcb22fd48c1059822cf34d319dfc163e *gd1982-09-17jvcbinaural16d2t01.flac
d4f7f3185da1c70a800ad38993b4ed6c *gd1982-09-17jvcbinaural16d2t02.flac
859c71192fc926fc2afea46e26634be1 *gd1982-09-17jvcbinaural16d2t03.flac
d806dfa53dfef55fe5b2c402a41c2fb0 *gd1982-09-17jvcbinaural16d2t04.flac
a79ead4ba8374ca2cb69db2f2a15f561 *gd1982-09-17jvcbinaural16d2t05.flac
c54755bd2bc7b726853a832d8673712c *gd1982-09-17jvcbinaural16d2t06.flac
2ca1fc88b6142638c56e82122de8c3ba *gd1982-09-17jvcbinaural16d2t07.flac
362cec5a275516fe39e3c4fa0092e31e *gd1982-09-17jvcbinaural16d2t08.flac
48be3db30f4baa929518d0bb0d596faf *gd1982-09-17jvcbinaural16d2t09.flac
89ce005b9add5aa8aa899a0bd1a0dc16 *gd1982-09-17jvcbinaural16d2t10.flac
fe676c9c7c134528111ad2e27e4e50f3 *gd1982-09-17jvcbinaural16d2t11.flac
3f033b388373b50d46c2d0e64101b264 *gd1982-09-17jvcbinaural16d2t12.flac
b6b708857db997e8fe8b1d4a797fafb8 *gd1982-09-17jvcbinaural16d2t13.flac
Comments
Other Sources (comments) Master FOB Audience... (1)
complete; marked sbd (see... (4)
partial set 2 SBD>C or... (1)
Recording by Mark Cohen... (0)
flac16 ;... (0)
DTS Audio 5.1 ; 4 Source... (0)
flac16 ; SBD + AUD Matrix... (1)
flac16 ; AUD: FOB,... (0)
flac24 ; AUD: 3x Nakamichi... (1)
flac16 ; AUD: 3x Nakamichi... (1)
flac16 ; (FOB) Nakamichi... (0)
flac24 ; (FOB) Nakamichi... (0)
flac16 ; lineage:... (1)
flac24 ; AUD: Nakamichi... (0)
flac16 ; AUD: Nakamichi... (0)
flac24 48khz Master: JVC... (0)
flac16/48kHz ; Source... (0)
flac24 ; Source Info: Jim... (0)
flac24 ; source: aud... (0)
flac16 ; source: aud... (0)
flac16; Matrix by Hunter... (0)
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For administrative requests email contact@etreedb.org
This website written by Tom H Anderson and maintained by the etreedb.org community.
Cached: Wed, 24 Apr 2024 04:26:06 EDT