Source #	139599
Entered by	Matt Vernon
Checksums	ffp , flac-md5
Disc Counts	0 / 0
Media Size	Compressed: 1.27 GB (1363463848 bytes)
Date Circulated Date Added	10/25/2017 10/25/2017

Download Text | Download Zip

Other Sources

• (1954) Recording by Jim Wise. Master AUD (Sony...
• (101427)  flac16 ; Recording Info: (FOB) Sony ECM-280 ->...
• (120537)  flac16 ; Loge Dead front center; Nak 700 >...

Source Summary
flac16; Source: 10Ó 1/4 track SBD Feed Master Reels @ 7.5ips; Lineage: 10Ó 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac; Transfer (November 2009) and mastering (October 2017) by Alan Bershaw

Grateful Dead
October 30, 1980
Radio City Music Hall, New York, NY

Source: 10Ó 1/4 track SBD Feed Master Reels @ 7.5ips
(Total Running Time: 03:36:03)

Lineage: 10Ó 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac

Transfer (November 2009) and mastering (October 2017) by Alan Bershaw

Personnel:
Jerry Garcia - guitar, vocals
Bob Weir - guitar, vocals
Brent Mydland - keyboards, vocals
Phil Lesh - bass, vocals
Bill Kruetzman - drums, percussion
Mickey Hart  - drums, percussion
guest:
Billy Cobham - drums (on drums, space & The Other One)

Set 1 (acoustic)
101 John Scher Introduction 00:36
102 banter & tuning 02:33
103 Deep Elum Blues 04:59
104 banter & tuning 01:30
105 Dark Hollow 04:10
106 banter & tuning 01:23
107 I've Been All Around This World 04:57
108 banter & tuning 02:01
109 On The Road Again 03:07
110 banter & tuning 02:08
111 To Lay Me Down 08:39
112 banter & tuning 01:59
113 Heaven Help The Fool 06:33
114 banter & tuning 01:25
115 Ripple 04:42

Set 2 (electric)
201 banter & tuning 03:07
202 Alabama Getaway -> 04:44
203 Promised Land 04:23
204 banter & tuning 01:41
205 Peggy-O 07:28
206 banter & tuning 01:58
207 Mama Tried -> 02:34
208 Mexicali Blues 04:37
209 banter & tuning 02:07
210 Loser 08:16
211 banter & tuning 00:30
212 New New Minglewood Blues 06:58
213 banter & tuning 02:13
214 Althea -> 08:03
215 Lost Sailor -> 06:33
216 Saint Of Circumstance 06:29
217 break announcement 00:35

Set 3 (electric)
301 banter & tuning 04:18
3302 Shakedown Street 12:54
303 Samson And Delilah 06:55
304 banter & tuning 01:31
305 He's Gone -> jam -> 14:12
306 TruckinÕ -> 09:36
307 drums (with Billy Cobham) -> 10:55
308 space -> 02:39
309 The Other One -> 06:11
310 Wharf Rat -> 09:29
311 Good LovinÕ 06:46
312 encore applause & tuning 01:52
313 Johnny B. Goode 04:18
314 applause & PA music 01:06


Notes:
This is a previously uncirculated soundboard direct recording of this show. It was recorded in mono onto two 10" 1/4 track reels at 7.5ips. It is 100% complete, from John Scher's introduction prior to the acoustic set right through to the P.A. music following the 3rd set encore. All three sets run seamlessly with nothing missing.

This was recorded surreptitiously from a monitoring feed in one of the executive offices at RCMH. This entire recording is a single source, with the lone exception of a 29 second sequence (during Althea 4:28 -> 4:57), where the reels were changed. My old friend Kieth Gatto's audience recording (id 120537) was used to patch that song to completion.

The only other downside is that Garcia's vocal could be brighter and louder at times. It is otherwise a very clear recording that captures everything relatively well, including a lot of stage banter between songs. You can even hear the hilarious off-mic banter between band members. I usually don't bother tracking out the downtime, but since its not just crowd noise and at times lengthy, I did in this case.

I've wanted to share this recording for a long time, but a track or two was officially released and the bonus tracks on the Dead Ahead DVD are also sourced from this show, so it prevented me from sharing this at the usual places. My nephew Stu, who often shares my recordings for me, tried making a case for it being an alternate source and different mix than anything that was officially issued, but it was a no go.

I'd like nothing better than to get this to anyone who'd enjoy it, especially since only audience recordings seem to circulate, but maybe sharing it now will at least get that ball rolling.   Alan - October 2007