Grateful Dead 06/24/70
Capitol Theater (Late), Port Chester, NY
Source Summary
early and late shows (see discussion in txt and pub comments); Sony TC124 with unknown Sony dynamic mics
Ken & Judy Lee Proudly Present
The Port Chester Resurrection Project
GD-NRPS1970-6-24PCRP#005.flacf

The Grateful Dead and
The New Riders of the Purple Sage
June 24th 1970 Early & Late
Capitol Theatre, Port Chester N.Y

Disc1-Dead-NRPS1970-6-24E
-Dead Acoustic-
D1T01 - Direwolf.flac
D1T02 - DontEase.flac
D1T03 - Attics.flac
D1T04 - FOTD.flac
D1T05 - 83968.flac
D1T06 - Candyman.flac
D1T07 - UncleJohns.flac
-NRPS-
D1T08 - Intro.flac
D1T09 - WorkinManBlues.flac
D1T10 - WatchaGonnaDo.flac
D1T11 - LiveAndLetLive.flac
D1T12 - IfYouHearMe.flac
D1T13 - Henry.flac
D1T14 - PortlandWoman.flac
D1T15 - DirtyBusiness.flac
Total = 74:35.53

Disc2-Dead-NRPS1970-6-24E partial
D2T01 - TruckDrivinMan.flac
D2T02 - LastLonelyEagle.flac
D2T03 - HonkeyTonkWomen.flac
Total = 16:10.32
-Dead Electric- (missing*)
*D2T04-CaseyJones.flac
*D2T05-BlackPeter.flac
*D2T06-GoodLovin.flac
*D2T07-MamaTried.flac
*D2T07-HighTime.flac
*D2T08-Cryptical.flac
*D2T09-Drums.flac
*D2T10-OtherOne.flac
*D2T11-Cryptical.flac
*D2T12-CosmicCharlie.flac
*D2T13-Minglewood


Disc3-Dead-NRPS1970-6-24L partial
-Dead Acoustic- (missing*)
*D3T01-Intros
*D3T02-BigRRBlues
*D3T03-DeepElem
*D3T04-TheRub
*D3T05-SilverThreads
*D3T06-FOTD
*D3T07-Candyman
*D3T08-Cumberland
*D3T09-ColdJordan
-NRPS-
D3T11 - Intros.flac
D3T12 - 6DaysOnTheRoad.flac
D3T13 - Superman.flac
Total = 9:04.00

Disc4-Dead-NRPS1970-6-24L
D4T01 - IDontKnowYou.flac
D4T02 - TogetherAgain.flac
D4T03 - FairChanceToKnow.flac
D4T04 - PortlandWoman.flac
D4T05 - GardenOfEden.flac
D4T06 - Henry.flac
D4T07 - AllIEverWanted.flac
D4T08 - Delia.flac
D4T09 - LouisianaLady.flac
D4T10 - HonkeyTonkWomen.flac
-Dead Electric-
D4T11 - Intro.flac
D4T12 - NFA.flac
D4T13 - EasyWind.flac
Total = 74:44.58

Disc5-Dead-NRPS1970-6-24L
D5T01 - MeAndMyUncle.flac
D5T02 - MickeysGong.flac
D5T03 - DarkStar.flac
D5T04 - Attics.flac
D5T05 - DarkStar.flac
D5T06 - SugarMag.flac
D5T07 - DarkStar.flac
D5T08 - StStephen.flac
D5T09 - ChinaCat.flac
D5T10 - Rider.flac
D5T11 - UncleJohns.flac
D5T12 - ExitMusic.flac
D5T13 - SwingLowSweetChariot.flac
Total = 66:59.12


This is the best sounding yet from the Ken & Judy Lee collection.
The late show has long been regarded as one the Dead's finest, and to hear it, in what is up till now the cleanest source available, is truly awesome. There are four TDK 120 cassettes from this night, however we have only three. Tape 1, 3 and 4. Tape 2 is missing. We will have to fill in the puzzle as the pieces emerge. And this poses a problem. We naturally want to bring you the complete show, but we have no idea when the missing piece will be found, so it was decided to release what we have. I included a text file for the missing sets in the torrent for the sake of continuity. This will have to do until the last tape is found.
Noise Reduction was applied to the acoustic Dead set only. Some deterioration on the master tape during 83968 (D1T05), and some other small glitches, none of which should detract from enjoying this show.

The original audience master cassette was recorded on a Sony TC124 with unknown Sony dynamic mics, spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee,. The cassette was baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance. Noise Reduction by Peter G. Audio extraction via Peak 3.2.1 on a G4 Titanium Powerbook, Flac'd with xACT V 1.2 and seeded by BoldCaptain via BitTorrent 3.2.2a.

It was a night that was filled with magic. The kind of night that legends are made of. All of the elements were in place. The band was on, the crowd was on, the energy was on, the tape was on. The X factor at a high. Disc 1 opens with the Grateful Dead acoustic. This set has circulated only as a fragment, a few songs that Mark Cohen, Judy's brother and Ken's brother-in-law, had tacked on as filler to 4-4-71, sometime in 1976. Though short, only 30 minutes, it set the mood for the night. The New Riders of the Purple Sage take the stage as the sun is setting... No ordinary evening, indeed. There is an electric set of the grateful dead still to come, and thats only the early show. Unfortunately this electric set has yet to be uncovered, along with the acoustic set from the late show. The rest of the show is here, and what a show it is. There is endless banter from the band, as they seem to REALLY be enjoying themselves.The New Riders open the third disc with their second set for the night. Garcia on pedal steel here, as well as the early show, and he really shines. But the electric set from the Dead is the real payoff. Open Not Fade Away, slow segue into Easy Wind, broken string banter into Me & My Uncle. "Mickey needs to get his gong together, where gonna do Dark Star.." What an understatement ! Dark Star into the second Attics of the evening, back into Dark Star, into Sugar Magnolia, back into Dark Star, St. Steven into China Cat - I Know You Rider. The crowd reels in applause as the band exits the stage. They return for the encore, and you can tell there is no hurry as they ease into Uncle Johns Band.
He's come to take his children home...
But his children don't want to leave. And they roar as the house lights come up, and Joan Baez plays thru the PA. Judy Lee recalls, "There was this energy in the air. We were all stunned at what we had just witnessed. The lights were on. Everyone was standing, clapping, stomping and yelling. Nobody was leaving. I looked at Ken, we knew it wasn't over. So I flipped the tape." Several minutes of crowd chanting to the exit music, turns into an eruption as the band, with members of the New Riders re-emerge on the stage with acoustic guitars. The crowd quiets as they tune and respectfully offer a prayer of Swing Low, Sweet Chariot. And with that, they sent the disciples into the early morning...

---

To this Rob Berger adds:
Make no mistake about it, these NRPS sets are not those of an opening act. The Riders in June of 1970 were not an offshoot of the Grateful Dead, but rather a thread in the fabric of the trip. I think their music speaks for itself on these recordings. I was fortunate to have grown up in a neighboring town of Port Chester and the Howard Stein era concerts at the Capitol Theatre were actually not legendary, but rather more of a rock n roll rumor by the late 70's. Unlike Bill Graham's fabled Fillmore East a mere 35 minutes away, a gig at Port Chester's Capitol Theatre was considered a fill-in date. Not high profile by any means. But, as anyone who has seen a show at the Capitol at any point in time can attest to, that room generates an energy that is truly charged and special. Very East Coast. Rowdy, but attentive and knowledgeable. Shows at the Capitol were all marked by a freedom of the artist to let loose and take chances without being scrutinized by the New York City press and jaded big city audience. Most groups really seemed to thrive off the boisterous enthusiasm of the crowd. Between 1988 -1997 I was lucky enough to have made a living promoting shows at, and managing the Capitol Theatre. It blew my mind that the shows we were putting on were so reminiscent of those tapes I remember. So full of energy and abandon. In May of 1990 we hosted John Dawson and his Riders at the still standing Capitol. Backstage over a corn cob pipe, Marmaduke shared with stage manager Dave - O and me a wonderful story of how Howard Stein painted the stage purple for their first gig there in that warm June of 1970 and how the cops were ready for the Dead to come to town after they freely gave out acid at their recent March gigs there. Enjoy the music, the memories, and thank you Ken, Judy, John Jay, and all those who make the music go round.


Ken & Judy Lee present the Port Chester Resurrection Project as a loving tribute to Mark Cohen.
A brother and friend to many in the community, his spirit lives on through the music.
ffp
Dead-NRPS1970-6-24ED1T10-WatchaGonnaDo.flac:ac6c95bfe3e222091ace5ebceab6c6b8
Dead-NRPS1970-6-24ED1T02-DontEase.flac:6bcee89ea9665766a422760a24b2955f
Dead-NRPS1970-6-24ED1T03-Attics.flac:732e439aa954f41f323a6a46b6d6da7f
Dead-NRPS1970-6-24ED1T04-FOTD.flac:a028db51c40596a3a1b66815d0a92b24
Dead-NRPS1970-6-24ED1T05-83968.flac:79bba6a2ab211deb45891fe07d03b676
Dead-NRPS1970-6-24ED1T06-Candyman.flac:8380e2ce6d15cc4e45c61684878cdc49
Dead-NRPS1970-6-24ED1T07-UncleJohns.flac:a19d0fb149cac5b7c9918d4eb3fd6841
Dead-NRPS1970-6-24ED1T08-Intro.flac:939d3c2775196760d4918555ffcbfbda
Dead-NRPS1970-6-24ED1T09-WorkinManBlues.flac:27cf1cc9303c26be872ac244e39890b5
Dead-NRPS1970-6-24ED1T01-Direwolf.flac:b75ea727975de4951c183472f1c4fc93
Dead-NRPS1970-6-24ED1T11-LiveAndLetLive.flac:45e57dbad74303d4b96216d5bcc26052
Dead-NRPS1970-6-24ED1T12-IfYouHearMe.flac:1b4383c4e806821e368aaee01b99263e
Dead-NRPS1970-6-24ED1T13-Henry.flac:e5574834dabbe121e11ae98ca6cbe5c1
Dead-NRPS1970-6-24ED1T14-PortlandWoman.flac:60669cb20ee9128ba2d3476fe13b3050
Dead-NRPS1970-6-24ED1T15-DirtyBusiness.flac:5a1203977cdae11cc0da47732b49d8f7
Dead-NRPS1970-6-24ED2T02-LastLonelyEagle.flac:b42f720e4e6122c740948625a763f5d9
Dead-NRPS1970-6-24ED2T01-TruckDrivinMan.flac:e7aada401588866479d29fa0f89b4aa3
Dead-NRPS1970-6-24ED2T03-HonkeyTonkWomen.flac:b6243b0f304728fece20cd2beb4c60e3
Dead-NRPS1970-6-24LD3T11-Intros.flac:f35e675d4a901a5450956e1d11f72da9
Dead-NRPS1970-6-24LD3T12-6DaysOnTheRoad.flac:c301a586d2e7a531ecb061352ac6880a
Dead-NRPS1970-6-24LD3T13-Superman.flac:aef5f4c6619f26f685ce4d8da1670f96
Dead-NRPS1970-6-24LD4T06-Henry.flac:c33bce25ee050118f5046d0aa4771d50
Dead-NRPS1970-6-24LD4T02-TogetherAgain.flac:1cbf2cc7145f05dd71890373372b0739
Dead-NRPS1970-6-24LD4T03-FairChanceToKnow.flac:cdeb02cd96976db5e4c7260cc8dadff9
Dead-NRPS1970-6-24LD4T04-PortlandWoman.flac:6c407e57739ab4c246b539e13c5dadf7
Dead-NRPS1970-6-24LD4T05-GardenOfEden.flac:d1ea5e424d39b7bf5502e5b3d6e5db52
Dead-NRPS1970-6-24LD4T01-IDontKnowYou.flac:698401d2dcbbc889b5b5ca3008d8a861
Dead-NRPS1970-6-24LD4T07-AllIEverWanted.flac:ddbca5d7e8969160f616f49c4454b40a
Dead-NRPS1970-6-24LD4T08-Delia.flac:6300aaa05f66ee0de236b2951542bec7
Dead-NRPS1970-6-24LD4T09-LouisianaLady.flac:2ad621aeea7fd1b4e5c39cf8e338cdd6
Dead-NRPS1970-6-24LD4T10-HonkeyTonkWomen.flac:8c56deee805998607b738aaa95dcc44b
Dead-NRPS1970-6-24LD4T11-Intro.flac:54578c559abeeaedccf72d27b283280a
Dead-NRPS1970-6-24LD4T12-NFA.flac:e704833bb716b6e7856c6dfa1f78035d
Dead-NRPS1970-6-24LD4T13-EasyWind.flac:3aa53ead3c1fa566ea80bd9889065b27
Dead-NRPS1970-6-24LD5T06-SugarMag.flac:5a1a5d1006099c8ebb927e4ff834659b
Dead-NRPS1970-6-24LD5T02-MickeysGong.flac:54895c2e5eb67454c33c78c1e520df27
Dead-NRPS1970-6-24LD5T03-DarkStar.flac:5051ba20f55b84c236e93941033c6beb
Dead-NRPS1970-6-24LD5T04-Attics.flac:18b73d90641478cd4a1dfd3becbee1d8
Dead-NRPS1970-6-24LD5T05-DarkStar.flac:390663bfeb72828aae0cc091fd320ece
Dead-NRPS1970-6-24LD5T01-MeAndMyUncle.flac:63de0ad38b41c647d8c6a03b874a6e9d
Dead-NRPS1970-6-24LD5T07-DarkStar.flac:966a3ba168fdd2a5d7efc86da280a6c7
Dead-NRPS1970-6-24LD5T08-StStephen.flac:64e188423282629ad8e3394dfab8eb5e
Dead-NRPS1970-6-24LD5T09-ChinaCat.flac:587542d7b9b0a40641fcb99751eb1972
Dead-NRPS1970-6-24LD5T10-Rider.flac:68023ba463bd80fcf878e600f103564b
Dead-NRPS1970-6-24LD5T11-UncleJohns.flac:0c9f63b44fc0cf372918f75dbc77adb3
Dead-NRPS1970-6-24LD5T12-ExitMusic.flac:1f20b6d3c4f3250e0fff365ec412b76d
Dead-NRPS1970-6-24LD5T13-SwingLowSweetChariot.flac:68b08cd195084b80aee627e97ab2206d
1eeaf883559eea392d7a6cad05d31fa2 *Dead-NRPS1970-6-24ED1T01-Direwolf.flac
039369cb34b32932bd646b74e0dd7f6d *Dead-NRPS1970-6-24ED1T02-DontEase.flac
3298396c65eafba10a81fe7d6dfa8b98 *Dead-NRPS1970-6-24ED1T03-Attics.flac
be6cc11e3af9c4cc911b273035c7cac5 *Dead-NRPS1970-6-24ED1T04-FOTD.flac
fccdf4f617b06fc8185542a0a6e7e96f *Dead-NRPS1970-6-24ED1T05-83968.flac
f1c15b237373edff12433c2ef46dd41d *Dead-NRPS1970-6-24ED1T06-Candyman.flac
b0c06db02e3f26e696e9eda2854065bb *Dead-NRPS1970-6-24ED1T07-UncleJohns.flac
d988eee1434463513e3748be02304bc2 *Dead-NRPS1970-6-24ED1T08-Intro.flac
80e87db95f7b3d2e03097e3b26cd2b6c *Dead-NRPS1970-6-24ED1T09-WorkinManBlues.flac
f4affeb1a01692991541a83e58461eff *Dead-NRPS1970-6-24ED1T10-WatchaGonnaDo.flac
4e9e739f25d886542404443fd159beff *Dead-NRPS1970-6-24ED1T11-LiveAndLetLive.flac
a2035d9f0a11ae47b08915e9c8ffad46 *Dead-NRPS1970-6-24ED1T12-IfYouHearMe.flac
3a4de40c00f55e631f0fe80e85da5e64 *Dead-NRPS1970-6-24ED1T13-Henry.flac
014d6804622ed5a6871ad878a4291ad2 *Dead-NRPS1970-6-24ED1T14-PortlandWoman.flac
759348e1568417bdba91dd02892a4efb *Dead-NRPS1970-6-24ED1T15-DirtyBusiness.flac
2249113453222b79ed30bb27fe716cf5 *Dead-NRPS1970-6-24ED2T01-TruckDrivinMan.flac
8ebdaae946134aa8e2babf8f86345787 *Dead-NRPS1970-6-24ED2T02-LastLonelyEagle.flac
2c8d43b030d65416fedaf624b4995882 *Dead-NRPS1970-6-24ED2T03-HonkeyTonkWomen.flac
6bd68aefda360ac10913001c9e39788d *Dead-NRPS1970-6-24LD3T11-Intros.flac
7485a8d5598fbd85f30a029140185fee *Dead-NRPS1970-6-24LD3T12-6DaysOnTheRoad.flac
afa5bc1b842306887b798a3fcfca4b7f *Dead-NRPS1970-6-24LD3T13-Superman.flac
11142403064ef97f98364dc8323f1cbe *Dead-NRPS1970-6-24LD4T01-IDontKnowYou.flac
1ad9a5532e1d9aa2a01529900555026f *Dead-NRPS1970-6-24LD4T02-TogetherAgain.flac
96ef048b260890851727a284ee9f51d8 *Dead-NRPS1970-6-24LD4T03-FairChanceToKnow.flac
aeb4f2a06c6fee7350cb3a9d2563bc98 *Dead-NRPS1970-6-24LD4T04-PortlandWoman.flac
55bd620ffba3dbb238adb856361e7459 *Dead-NRPS1970-6-24LD4T05-GardenOfEden.flac
c324dfcb1e45aaf644310549e4872ebe *Dead-NRPS1970-6-24LD4T06-Henry.flac
f031a734f8d71ff78c6db878b84c9e36 *Dead-NRPS1970-6-24LD4T07-AllIEverWanted.flac
43d619794678757b509e1a219f3e4e87 *Dead-NRPS1970-6-24LD4T08-Delia.flac
ca9df066113ebbab2c0ddf70006c79ba *Dead-NRPS1970-6-24LD4T09-LouisianaLady.flac
8a1a0999df669b6e0b1c0ae3dbf11c8c *Dead-NRPS1970-6-24LD4T10-HonkeyTonkWomen.flac
f112af7aa1d6f9dcc2b04fd0649da75d *Dead-NRPS1970-6-24LD4T11-Intro.flac
c7f6b6e94e2f4f424783b40c92de2aee *Dead-NRPS1970-6-24LD4T12-NFA.flac
9063bddb3c92f3eb339ad1df5f2d1275 *Dead-NRPS1970-6-24LD4T13-EasyWind.flac
3c931813fcfdfadebe6731d667a12df0 *Dead-NRPS1970-6-24LD5T01-MeAndMyUncle.flac
f07cb64e47fbc6ff7d0f86100fd5bb39 *Dead-NRPS1970-6-24LD5T02-MickeysGong.flac
c80973f089d7e82b8e72e35af98fa0ff *Dead-NRPS1970-6-24LD5T03-DarkStar.flac
f51c92c0e10d29501a9c2c071f80b480 *Dead-NRPS1970-6-24LD5T04-Attics.flac
652345126f2f927afb19f8fbe5621e66 *Dead-NRPS1970-6-24LD5T05-DarkStar.flac
da65d793bfd874f94c86f492e350433d *Dead-NRPS1970-6-24LD5T06-SugarMag.flac
db40a5552746c00e025f08b0a57f2919 *Dead-NRPS1970-6-24LD5T07-DarkStar.flac
5bb79cb8e0f762ce4b2f20f6e60f9928 *Dead-NRPS1970-6-24LD5T08-StStephen.flac
d4a0f7feb07f68afa9f86ce40e150ad8 *Dead-NRPS1970-6-24LD5T09-ChinaCat.flac
89c90cdffac35a149f6dcdd73cc4464d *Dead-NRPS1970-6-24LD5T10-Rider.flac
65c7e6636427ac245b16a73d880e9ab4 *Dead-NRPS1970-6-24LD5T11-UncleJohns.flac
11a5215466274fe059487192d196f29e *Dead-NRPS1970-6-24LD5T12-ExitMusic.flac
54524005f24602125cce6d065b494f1a *Dead-NRPS1970-6-24LD5T13-SwingLowSweetChariot.flac

Comments
Other Sources (comments)
late electric; Aud >... (3) late show, plus 7/10/70... (7) Late Show--Electric Set;... (8) Audience tape recorded by... (0) flac16 ; Late Show partial... (0) flac16 ; Audience master >... (0) flac16 ; source: AUD... (0) flac16 ; Source: Sony... (0)
Date User Comment
03/25/2004 Paul McFadyen Pasted here are my updated comments on another board, re the veracity of the setlists for the "early" (sic) shows, acoustic set(s) and NRPS:

"the txt file states that the Dead's early electric set and late acoustic set are missing. Isn't this because there was only ONE show that night? the setlist previously assumed to be 6/24/70 early electric is as follows,

1. Cold Rain & Snow (6:08)
2. Me & My Uncle--> (3:21)
3. //Easy Wind (8:55)
4. //New Minglewood Blues (4:04)
5. Alligator--> (3:57)
6. Drums--> (6:27)
7. Jam--> (1:55)
8. The Other One--> (4:38)
9. Attics of My Life--> (6:32)
10. The Other One--> (4:28)
11. Cryptical Envelopment--> (1:08)
12. Cosmic Charlie (7:20)

Disc 2 (29:24)
electric set continued:
1. Good Lovin'--> (2:55)
2. Drums--> (2:27)
3. China Cat Sunflower--> (5:38)
4. I Know You Rider--> (4:33)
5. Good Lovin' (2:10)
6. crowd chatter (1:24)
encore:
7. Not Fade Away (10:13)

and is now widely accepted to be Fillmore east, 7/10/70
(http://db.etree.org/shninfo_detail.php?shnid=17351)

The setlist given on the txt file for the "early" electric set of 6/24/70 is, in fact, the setlist for the early electric set at Fillmore East, 5/15/70 (see
http://db.etree.org/shninfo_detail.php?shnid=96 for confirmation)

Little wonder that the audience tapes for this set haven't been found - they don't exist!


Moving on, the setlist for the "missing" late acoustic set is correct - this set is already available on etree as
http://db.etree.org/shninfo_detail.php?shnid=7467.

The setlist for the early acoustic that they do have here is an oddity - there are no matches for this in Deadbase or etree; is it genuine?

As for the Riders sets, the "late" setlist is true (check etree above), but the "early" is a mystery to me - there is a separate audio only entry on etree for this, but no shn set."
03/29/2004 OBIE this is a new source and is correct, it came from the taper who taped it.

just because you never heard of it doesn't mean it isn't really what it says.

this is the real deal.
03/30/2004 Paul McFadyen If you will cross-refer with other source information, you will see that there is a strong body of evidence that there was only ONE show that night (see http://db.etree.org/shninfo_detail.php?shnid=4510 for more discussion) and, therefore, the lists supplied for the sets under query are likely to be bogus - certainly the listing for the Dead's "early" show shown here is definitely false, as it without question the setlist for the 5/15/70 early show, for which SBD tapes have widely circulated for many years..

I'm prepared to keep an open mind on the "early" acoustic & NRPS sets though, given the above, I don't believe they are from 6/24/70 at all - has anyone heard them & can offer more insight?
03/30/2004 scottz for those who have heard this - is it a sound upgrade from previous copies out there - esp. the one that JWise dug up a few years back?
03/30/2004 John Hance To all the experts out there. There is no doubt that two shows happened that night! point# 1)I know 4 different people that attended that night.2)There are newa paper adds promoting this show.3) the tapes dont lie.
There is a tape missing,not lost! We are confident that it will show up along with a misplaced box of Lee recordings.
Marty Weinberg's reel was mislabled.It has been brought to my attentsion that Marty wasnt big on labeling.It is a very similar set so it would be easy to confuse the shows.
I have in my possesion the missing tape's , labeled box.
How could one dipute an acoustic set that doesnt match any other?
If you look at the set list to 5/15/70 early electric, it infact does not match.Where is the electric attics and Easywind?
I think that any archivist would examine all the facts before rushing to judgement.
Lastly it was I who set up the meeting with Jim Wise and the late Mark Cohen of Bellmore,N.Y. who had the only copies from his sister and brother inlaws tapes. Thats where and how Jim got it.
I hope this will clear up all mystery.

03/30/2004 David Djirikian Thanks for the info John. Regardless of whether it's a duplicate entry or not, the sound on this rocks! Thanks for all the hard work you guys did on this.
03/31/2004 Joe Jupille John, I'll second that emotion. There are countless people who are grateful for the work that you and the others are doing (and Ken & Judy Lee did) re: these tapes. Thanks so much!
03/31/2004 jb This source sounds awesome - a 1000% upgrade on any copy I've heard (although I have not heard the Jim Wise seed).

As for the assertion that the set list for the early show is actually 5/15/70, that is ludicrous. The only similarities are that they opened with Casey Jones and played TIFTOO > Cosmic Charlie, which were two conventions that were commonplace in 1970.

Plus, the review of the show in Deadbase by a person who attended the late show mentions getting to the theater in time to talk to the people leaving the early show. I think that's pretty definitive evidence of an early show.
04/01/2004 Paul McFadyen I'll go away suitably chastened on this - John has rightly pointed out that the setlists DON'T match (there is a superficial resemblance, but no more). Mea culpa...

Actually, nothing would make me happier than to hear a "real" recording of the early show on this night - consider this an open plea!
04/03/2004 The crowd reels in applause as the band exits the stage. They return for t...

could the rest of the notes be added?
04/20/2004 oobie cont' of the txt file:

They return for the encore, and you can tell there is no hurry as they ease into Uncle Johns Band.
He's come to take his children home...
But his children don't want to leave. And they roar as the house lights come up, and Joan Baez plays thru the PA. Judy Lee recalls, "There was this energy in the air. We were all stunned at what we had just witnessed. The lights were on. Everyone was standing, clapping, stomping and yelling. Nobody was leaving. I looked at Ken, we knew it wasn't over. So I flipped the tape." Several minutes of crowd chanting to the exit music, turns into an eruption as the band, with members of the New Riders re-emerge on the stage with acoustic guitars. The crowd quiets as they tune and respectfully offer a prayer of Swing Low, Sweet Chariot. And with that, they sent the disciples into the early morning...
04/20/2004 oobie txt file cont.
---

To this Rob Berger adds:
Make no mistake about it, these NRPS sets are not those of an opening act. The Riders in June of 1970 were not an offshoot of the Grateful Dead, but rather a thread in the fabric of the trip. I think their music speaks for itself on these recordings. I was fortunate to have grown up in a neighboring town of Port Chester and the Howard Stein era concerts at the Capitol Theatre were actually not legendary, but rather more of a rock n roll rumor by the late 70's. Unlike Bill Graham's fabled Fillmore East a mere 35 minutes away, a gig at Port Chester's Capitol Theatre was considered a fill-in date. Not high profile by any means. But, as anyone who has seen a show at the Capitol at any point in time can attest to, that room generates an energy that is truly charged and special. Very East Coast. Rowdy, but attentive and knowledgeable. Shows at the Capitol were all marked by a freedom of the artist to let loose and take chances without being scrutinized by the New York City press and jaded big city audience. Most groups really seemed to thrive off the boisterous enthusiasm of the crowd. Between 1988 -1997 I was lucky enough to have made a living promoting shows at, and managing the Capitol Theatre. It blew my mind that the shows we were putting on were so reminiscent of those tapes I remember. So full of energy and abandon. In May of 1990 we hosted John Dawson and his Riders at the still standing Capitol. Backstage over a corn cob pipe, Marmaduke shared with stage manager Dave - O and me a wonderful story of how Howard Stein painted the stage purple for their first gig there in that warm June of 1970 and how the cops were ready for the Dead to come to town after they freely gave out acid at their recent March gigs there. Enjoy the music, the memories, and thank you Ken, Judy, John Jay, and all those who make the music go round.


Ken & Judy Lee present the Port Chester Resurrection Project as a loving tribute to Mark Cohen.
A brother and friend to many in the community, his spirit lives on through the music.
09/22/2004 Diana Thanks all, I've pasted in the truncated parts of the txt from the comments area. Note the setlist record is labelled "Late" just because there happens to be a separate one for "Early" too- a common occurrence in the GD db.
04/24/2005 Christian Harper Just pointing out that D1T05 "83968" may really be called "Let Me In" - see link below. I was curious about the song, Googled it and came up with the following:

http://www3.clearlight.com/~acsa/introjs.htm?/~acsa/songfile/LETMEIN.HTM



03/13/2006 A Dude Much of the missing (*) material was taped by Jim Cooper and his transfer has been uploaded to a major private BT tracker, including all of the Dead Early Electric (minus a cut portion - one can assume a tape flip), plus the last 3 songs from the Dead Late Acoustic (Candyman,Cumberland,ColdJordan) and still missing the first 6 tracks of Dead Late Acoustic (Intro and first 5 songs).
The taper writes: " The sound is crude, but I wanted to contribute my piece to total complete posterity....." .
I assume that a shn set ID will be created by someone in the near future for this.
03/23/2013 KenLeeNYC I like the copy of our tapes that night that can be gotten from Archive.org.
This show remains my all time favorite show, what's described as flashpots were in fact pyrotechnics that were thrown from the stage by a dude with a denim jacket that said "Boots Pyrotechnics", who walked in the back door that night. Only saw him that one night.
I left a pretty detailed comment on archive which explains much of the sound. Glad you kids are still shaking your bones to our tapes.

Ken
03/23/2013 KenLeeNYC The Archive.org version is COMPLETE, it can be streamed or downloaded, sounds good to me.

http://archive.org/details/gd_nrps70-06-24.aud.pcrp5.23062.sbeok.flacf

Everything's there, tape flips were performed flawlessly by Judy, as well as the shushing

Rock on

Ken
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Cached: Thu, 25 Apr 2024 06:43:32 EDT