Source #	4283
Entered by	dr.unclear
Checksums	shn-md5 , st5
Disc Counts	2 / 2
Media Size
Date Circulated Date Added	6/20/01 06/21/2001

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Other Sources

• (3862) SBD; Monitor Noise throughout show; noted at...
• (114569)  flac24 ; SBD MR>R>FLAC; Monitor Noise...
• (114616)  flac16 ; SBD MR>R>FLAC; Converted to 16 bit...
• (119118)  flac16 ; MR>R>FLAC (shnid: 114616) Used...
• (141217)  flac24 ; Source: Soundboard Master Reel > Reel...
• (141224)  flac16 ; Source: Soundboard Master Reel > Reel...
• (141361)  flac24 ; Source: Soundboard Master Reel > Reel...
• (144890)  flac16 ; Source: Soundboard Master Reel > Reel...
• (154482)  flac16/44  Source: Reel Master (7 inch Master...

Source Summary
SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via thecore@core.com

Grateful Dead

4/3/70
Field House, University of Cincinnati

SBD from bootleg "Cincinnati 1970"

Disc 1

    electric set I
1. //Casey Jones
2. China Cat Sunflower-->
3. I Know You Rider
4. Hard To Handle
5. Dancing In The Streets
6. Me & My Uncle

    acoustic set II (disc 1 cont.)

7. Friend Of The Devil
8. Deep Elem Blues
9. Candyman
10. Wake Up Little Susie-->
11. Black Peter

Disc 2 (acoustic set cont.)

1. Uncle John's Band
2. Katie Mae

    electric set II (disc 2 cont.)

3. //Good Lovin'
4. Cryptical Envelopment-->
5. Drums-->
6. The Other One-->
7. Cryptical Envelopment-->
8. Cosmic Charlie
9. Not Fade Away-->
10. Lovelight%


notes: missing encore (We Bid You Goodnight).  Casey Jones fades in at
"...at trouble junction."  Good Lovin' fades in about 30 seconds
before the drum solo, during the chorus.  There is a minor splice in
Lovelight during Pigpen's rap.  This is the first known Candyman.  As
this show is from a bootleg, no source info was given, though the
sound indicates that at least one, and probably two analog generations
occurred before being transferred to digital.  The pitch was corrected
using Sound Forge as the original recording was flat. Retracking was
done with CDWave. There are occasional, very faint pops in the
recording as well as occasional oversaturation.  Lastly, and
significantly, an intermittent buzz occurs throughout the show from a
bad connection somewhere. It is most evident during the acoustic set.

thecore@core.com