Grateful Dead 02/27/69
Fillmore West, San Francisco, CA
Source Summary
SBD 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN; via Aoxoa, R. Keshavan, Seth Kaplan; see info file for notes on patches and edits; d2 tracked for 80 min; note material from this date also appeared on Live Dead- go buy it
Grateful Dead
2/27/69
Fillmore West, San Francisco, CA

Source: SBD multitrack
Lineage: 16-Track Master Reel > Rough Mix DAT > DATx3 >
Digital Sound Card > WAV > SHN > WAV > Cool Edit >
CDWAV > SHN  

Seeded by Aoxoa =====> THANKS!
DAT conversion to CD and initial archiving by R. Keshavan
Subsequent editing and archiving by Seth Kaplan
Properly aligned sector boundaries verified via .shntool

Disc two requires an 80 minute disc

Disc 1
Set 1
1.  Bill Graham Intro >           0:10
2.  Good Morning Little School Girl 9:40
3.  Tuning >                       2:13
4.  Doin' That Rag                 6:27
5.  "Beyond the Pale..." >           2:28
6.  Cryptical Envelopment >         1:55
7.  Drums >                         0:11
8.  That's it for the Other One > 8:32
9.  Cryptical Envelopment         9:05
10. Stage Banter                 0:54
Total time:                                    41:40

Disc 2
Set 2
1.  Dupree's Diamond Blues         4:02
2.  Mountains of the Moon >       4:35
3.  Prelude >                     1:22
4.  Dark Star >                          21:44
5.  Saint Stephen >               5:22
6.  William Tell >               1:08
7.  The Eleven >                        14:21
8.  Turn On Your Love Light                    17:53
Encore:
9.  Cosmic Charlie                 6:27
Total time:                                    76:56



Notes:

D2t07 (The Eleven): splice @ 9:50

The following edits were performed:          

24:865 seconds (the 00:10 second Bill Graham Intro
and 14:865 seconds of GMLSG) were patched from a
previously circulating alternate SBD source with
lineage of SBD > ? > C > CD. The multi-track volume
was sampled where the track fades in and the patch
was normalised and pitch corrected to match the multi-
track's levels.

The Eleven has a brief splice in which 1) a 9.5
second silent gap was removed and 2) the volume on the
section following the splice was normalised to
match the levels of the sampled section preceding the
splice.

The show was then re-tracked as indicated by the
track timings per the setlist.

**
shntool report:
C:\burning>shntool -len *.shn
     0:10              1914572      -    gd69-02-27d1t01.shn
     9:40            102392012      -    gd69-02-27d1t02.shn
     2:13             23520044      -    gd69-02-27d1t03.shn
     6:27             68412668      -    gd69-02-27d1t04.shn
     2:28             26154284      -    gd69-02-27d1t05.shn
     1:55             20368364      -    gd69-02-27d1t06.shn
     0:11              2001596      -    gd69-02-27d1t07.shn
     8:32             90441500      -    gd69-02-27d1t08.shn
     9:05             96295628      -    gd69-02-27d1t09.shn
     0:54              9537404      -    gd69-02-27d1t10.shn
    41:40            441038072 B         (totals for 10 files)

C:\burning>shntool -len *.shn
     4:02             42712364      -    gd69-02-27d2t01.shn
     4:35             48552380      -    gd69-02-27d2t02.shn
     1:22             14488364      -    gd69-02-27d2t03.shn
    21:44            230065628      -    gd69-02-27d2t04.shn
     5:22             56890220      -    gd69-02-27d2t05.shn
     1:08             11995244      -    gd69-02-27d2t06.shn
    14:21            151953356      -    gd69-02-27d2t07.shn
    17:53            189331340      -    gd69-02-27d2t08.shn
     6:27             68405612      -    gd69-02-27d2t09.shn
    76:56            814394508 B         (totals for 9 files)


e6cc7102f63e876a346d2dfff647783b *gd69-02-27d1t01.shn
466052bc7910e96b93bbaeb32fe13f32 *gd69-02-27d1t02.shn
98c248c8623edf9906aac36bad930fe6 *gd69-02-27d1t03.shn
7182e56481f108ed21ddb59081415b86 *gd69-02-27d1t04.shn
b1e8b19cfafd0f8a6036b338030f76fb *gd69-02-27d1t05.shn
866e856f7d7a2e3a8ced0eda14d69158 *gd69-02-27d1t06.shn
738b8f3712855f7132062ab35c6c9c98 *gd69-02-27d1t07.shn
3ee2b1121ba67fc7e60beabc44c82f0d *gd69-02-27d1t08.shn
810a3176bcdd888d56159f3ee0b83aaf *gd69-02-27d1t09.shn
eb06148d6535d545805c2df7c360c613 *gd69-02-27d1t10.shn
048be35947911204d44427222cfa9880 *gd69-02-27d2t01.shn
d41359a2ca1d2c3f3bde745f6756ca64 *gd69-02-27d2t02.shn
f5599e01e779ca78f29d8e2564e52423 *gd69-02-27d2t03.shn
f07d3bc44a04a413d5701e1836dd1071 *gd69-02-27d2t04.shn
7bc3a7903a0012cfd2fdd2144bad946d *gd69-02-27d2t05.shn
47fcb638c1e9b3bcad498088514ad429 *gd69-02-27d2t06.shn
c2cb1c13cc28dc8604ef2b938a8dd048 *gd69-02-27d2t07.shn
b5b2323d2b6e1d7a07d1e3523e0a3790 *gd69-02-27d2t08.shn
8c4549a9c846bb3e43423c597e9e6236 *gd69-02-27d2t09.shn
st5
9d00914751a6942e30ac281fb9d4e7af [shntool] gd69-02-27d1t01.shn
3daac6891ee98da2ebbfa5174b337ef8 [shntool] gd69-02-27d1t02.shn
1a9eb507b95f75c80d512c7901bf029f [shntool] gd69-02-27d1t03.shn
8c958384bec0129b4bf52fd1ff29fec0 [shntool] gd69-02-27d1t04.shn
e06578bc670ae117f7d4b99f9b62022a [shntool] gd69-02-27d1t05.shn
d505e6fc99d5e9c8ef606a295bba9fc0 [shntool] gd69-02-27d1t06.shn
de1c77156c908d80936036d6e9738fec [shntool] gd69-02-27d1t07.shn
cc7f45bf7df3c4acbd2a04baf9ce1595 [shntool] gd69-02-27d1t08.shn
4a57e7eb5502487332733e3eca86fda6 [shntool] gd69-02-27d1t09.shn
db7153ef768348444d9be6cfeff9f7a1 [shntool] gd69-02-27d1t10.shn
fea36f96993bf941120a78f33d139db2 [shntool] gd69-02-27d2t01.shn
b1061cb3404388b38d1cdfd85bd29c83 [shntool] gd69-02-27d2t02.shn
9dd7e89ec6fcd0e23a1a090cef9fa522 [shntool] gd69-02-27d2t03.shn
22f5eae9f8e1682d9e4c5efa4a954bdd [shntool] gd69-02-27d2t04.shn
59ce35fb59ef9f75d3c7dc7782a1371d [shntool] gd69-02-27d2t05.shn
3a4ac3936355d6da32bd6f7395a0921f [shntool] gd69-02-27d2t06.shn
fc58372315b1b3788444cf3366f1dcc2 [shntool] gd69-02-27d2t07.shn
4fffd5ed888c2d3c01fecc78367db324 [shntool] gd69-02-27d2t08.shn
90c6c5dd0824fbdd95b1abdd7619a60f [shntool] gd69-02-27d2t09.shn

Comments
Other Sources (comments)
SBD reels > PCM > DAT >... (1) 16 track RTR (multiple... (1) flac16 ; Ampex MM-1000 16... (0) flac16 : Source: AUD > Low... (0) flac16 ; Patched & Pitch... (0) flac16 ; Matrix 2 Source... (0) DTS-Audio-CD 5.1 Mix; -... (0) flac16/44kHz ; 5.1 LPCM... (0)
Date User Comment
05/08/2003 Rob Berg This show sounds terrific: crystal clear sound, full range, and lots of presence. It's a very "on-stage" soundboard, as opposed to some sbd recordings in which the audience is more noticeable. The listener definitely appreciates the sound improvement after the alternate-sbd patch that completes the first 20 seconds or so of the recording.
08/17/2005 Quality Control There are glitches (clicks or moments of discontinuity) at the following track changes:

d1t01 -> d1t02
d1t03 -> d1t04
d1t05 -> d1t06
d1t06 -> d1t07
d1t08 -> d1t09
d2t03 -> d2t04
d2t06 -> d2t07

shntool does not report them so they must be from a previous DAE gen, which is not listed in this seed's source info :(
08/17/2005 Joe Jupille So, your shns match the db, and these glitches are audible on the shns themselves? I have listened to this source many times and don't recall hearing it. Oh, and the lineage is almost certainly correct, i.e., no DAE, which leads me to suspect either a) that you don't have db-matching shns, 2) that this is an artifact of the software you use to playback your shns, or 3) that I have missed these glitches all of these times.
08/20/2005 Slim Pickins What's dumbfounding is that Rango didn't notice these glitches. :)
08/20/2005 dw Nice one sli! But, how true!!!

:-))
08/26/2005 Quality Control Joe, my shns match the md5sums here. The glitches are definitely in the shns and not from playback. When the files are decompressed to wavs and opened in Cool Edit Pro you can see the glitches when using a spectral view.
08/26/2005 Joe Jupille Thanks for confirming, QC. That is very strange ...
08/27/2005 sport Computers & music hhmmnn hmmnn
09/05/2005 Seth Kaplan There are no additional or unlisted DAE gens in this lineage. The initial unedited .shns were decompressed to audio, edited in a couple of spots and then re-tracked in CDWAV, a program designed to cut tracks on correct sector boundaries without resulting in digital artifacts. The resulting final audio tracks were then re-.shn'd and tested for correct sector boundaries prior to circulation. An audio copy off the final .shns was also tested in EAC and reflected zero gaps across the board.
09/06/2005 Charles Wier QC, you raised my curiosity, since I've never noticed a problem with this seed. I have looked at d1t01-07 in Cool Edit Pro and find absolutely NO glitches or discontinuities in any of the transitions you have cited. I have viewed the files in both spectral & waveform views. In fact, I joined these 7 tracks into a single WAV to make sure I wasn't missing a discontinuity between the tracks. It may be possible that there has been some crowd noise cut out, but it's not too clear; even if it was, the transitions were patched quite seamlessly. I don't know what you define as a glitch or discontinuity, but there are definitely no dropouts, level shifts, pops, or digital artifacts, which is what I typically might describe as a glitch. Care to offer any specifics?
01/15/2006 Josh Dougherty Quality Control is right. There are little digi-pops at or just before the track markers exactly where he said. I also see them looking in CEP's spectral view. You have to zoom in pretty close to see them, which is perhaps why Charles didn't see them. You can hear them too, though many people probably wouldn't even notice them.

However, I don't think they're from a missing DAE. I suspect they're from where the wav files were "edited in a couple of spots" by Seth. If you look at the d1t01>d1t02 transition, the pop occurs just before the track marker at the very end of d1t01. You'll also notice that it looks like d1t01 (the spoken intro) was amplified. The spot where the click occurs is the spot where that amplification ends.

Making volume changes or other changes in wav editors can unknowingly introduce little pops at the spots where the change is introduced, because it creates an abrupt change in the wav form at that location, which can produce a little micro-second digi-click/pop, and which you wouldn't even see unless you were looking in spectral view and were zoomed in really close.

I'm just speculating about the cause, but regardless, Quality Control is correct about the glitches/pops, and their locations. Though most appear to be just before the track markers, not right on them.
01/15/2006 Josh D Well, I just fixed my copy, and on second thought, the problem does seem like it's from a missing CDR gen somewhere before the source shn's that Seth used. It doesn't seem like there's volume or other wav edits at all the spots, so I think I was wrong about that being the cause. It looks like a tracking issue before it got to Seth.

Since Seth retracked after his edits, this explains why the pops aren't on the current track markers, but are mostly a little before or after them, which is probably where the original track markers were in the source shn's.

It also probably explains why they aren't at every track. There is no click at the d1t02>d1t03 transition. t03 is just "tuning" which makes me guess that there just wasn't a separate track for that in the source shn's. It was just part of d1t02.

The same thing would explain why there's no pop at d1t04>d1t05. "Beyond the Pale" was probably just part of t04 in the source shn's. (There is a weird little anomoly about a second into t05, but it doesn't look or sound like the other digi-pops. It seems like something else, probably in the analog source.)

Also, there is one at d1t07>d1t08 which quality control missed. It's a little before the track marker, and it's harder to see/hear than the others, but it's there.

So there's a pop all d1 tracks except t2->t3 and t9->t10. So it looks "tuning" and "stage banter" just weren't separate tracks in the source shn's, but were new tracks added by Seth.

As for disc 2, this theory suggests that d2t01-02-03 was originally just one track, and Seth split them. The first split in the original source was at the current t03-04, and there we find a pop just after the current marker.

Quality Control missed another one at t04-05, but it's again very hard to see/hear, and occurs just before the current track marker.

He also missed one for t05-06, occuring about a half-second before the current track marker.

There's no pop at t07-t08, so again, suggesting this was one track in the source shn's, and Seth split them.
01/20/2006 Charles Wier Josh, can you please provide exact timings for at least a few of the pops? I have looked very closely at the beginnings and ends of d1t01, & d1t03-6, and still can't find any indication of a problem.
01/21/2006 Josh D Charles, are you looking in _Spectral View_??? You won't see them in Waveform View but they are obvious in Spectral View. You just have to be zoomed in close to see them.

I can't give exact timings because I already fixed my version and deleted the original files. They're all near the track markers, usually a little before. I recall the d1t01 click being less than a second before the track marker. Zoom in to just before the track marker using spectral view and you'll see it.

Once having located it you can just highlight the click (the vertical red line) itself and use CEP's "Fill Single Click Now" under Effects>NoiseReduction>Click/PopEliminator. This will fill in just the little click seamlessly.
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Cached: Fri, 19 Apr 2024 11:42:50 EDT