Source #	9079
Entered by	dr.unclear
Checksums	shn-md5 , st5
Disc Counts	2 / 2
Media Size
Date Circulated Date Added	04/22/02 05/25/2005

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Source Summary
Complete; SBD MR> R> D> CD + AUD low-gen; patched by Hanno Bunjes, with thanks to Paul B. and Uli

Grateful Dead 6/13/70 Red Vest, Oahu, HI

SBD MR>R>D>CD + AUD low-gen

CD 1

1. Cold Rain & Snow 5:56
2. Easy Wind 8:25
3. Uncle John's Band 7:48
4. Candyman 6:24
5. Me & My Uncle 4:05
6. Good Lovin' *        14:45
7. China Cat Sunflower > 4:34
8. I Know You Rider 5:21

CD 2

1. New Speedway Boogie 9:01
2. Casey Jones 4:40
3. Turn On Your Lovelight* //  24:26

* with Gary Duncan and Dino Valenti

The AUD is spliced in to supply the following segments:
- beginning through D1T2 (Easy Wind) 3:16
- D2T1 (Speedway) 2:24 through the end

The difference in mix & ambience between the AUD + SBD sources is enormous.
(The same is not necessarily true for the actual sound quality, in terms of
listening pleasure. The AUD may not be very clean and up front; but the SBD is
flat and lifeless.) That's why I played around with the sources I had and
produced a few "bonus tracks" which are included here.

4. Easy Wind 9:05

   complete in almost untouched SBD - there was no right channel
   signal on the source from 0:05 to 1:05. I put the left channel
   onto both stereo channels. Generally the first 4 minutes suffer
   from very bad mix. This track includes the banter before the
   song; missing on the AUD.

5. Uncle John's Band 6:54

   The complete song from the AUD tape.

6. Easy Wind   7:23

   soundboard/audience mixes: both sources can be heard.
   The idea behind this was to take two completely
   opposite-sounding recordings of the same performance, both
   tapes being of suboptimal quality, and produce a combination
   that would be more enjoyable to listen to than either source.
   Whether or not I succeeded, you'll be the judge.
    
   This process required lots of "trial & error" synchronization of
   the two source recordings. There are two minor cuts in the AUD
   tape which were just too minor for me to care about.

   I'll be the first to admit that it is not perfect. Much of this
   is actually due to the first half of the song not having enough
   instruments in the SBD mix.
   The second half, however, is to me a "warmer" recreation of what
   might have been the actual hall sound on 6/13/70, than either of
   the two source recordings.

   For another example of an SBD/AUD combination, check out
   Scarlet Begonias on 9/11/74 ("the third version").

patched by H.B.; 4/02
thanks to Paul B. for the SBD and Uli for the AUD source!