Source Summary
flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3
Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky January 1, 2009, Green Mountain Bros.
Grateful Dead
Boston Music Hall
Boston, Massachusetts
April 8, 1971 - Thursday
Source: Betty Cantor 7" two track reel @ 7 1/2 ips>
PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz
Jace Crouch's original source WBOTB DAT via trailmix and Tim Deibert
Transfer: Panasonic SV-3700 > Cardas cable S/PDIF >
Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz]
Mastering: In WaveLab with iZotope Ozone 3
Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac
Transfer and Mastering by Bill Koucky January 1, 2009, Green Mountain Bros.
1st set:
1. Tuning
2. Truckin'
3. Bertha
4. Next Time You See Me
5. Playing In The Band
6. Loser
7. Tuning
8. Beat It On Down The Line
9. I Second // That Emotion
10. Sugar Magnolia
11. China Cat Sunflower >
12. I Know You Rider
13. Tuning
14. Casey Jones
Time: 81:10
2nd Set:
1. Dark Star >
2. Saint Stephen >
3. Not Fade Away >
4. Goin' Down The Road Feelin' Bad >
5. Not Fade Away
6. Sing Me Back Home
7. Cumberland Blues
8. Greatest Story Ever Told >
9. Johnny B. Goode
Encore:
10. Good Lovin'
Time: 81:13
First I Second That Emotion
Source / Mastering Notes:
- There were multiple edits made for reel changes. Some were crossfaded and others were edited out.
- Cuts were during I Second That Emotion, In Dark Star, during the Jam at the end of GDTBFB and
in the beginning of Good Lovin'.
- There are many audible conversations between Ramrod and others between tunes.
Which may indicate that this is a monitor mix.
- A buzz is intermittent in the right channel that was reduced Steinberg Denoiser.
- Speed adjustments were made for the first set as the beginning portion was fast
and after the cut in I Second That Emotion was slow.