Source #	98917
Entered by	Matt Vernon
Checksums	ffp , orig-ffp , flac-md5
Disc Counts	3 / 3
Media Size
Date Circulated Date Added	05/10/2009 05/09/2009

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Other Sources

• (293) SBD> MR> PCM> DAT, from Betty Board; DAT> CD>...
• (18700) Source: FOB-MAR>C>C>DAT>WAV>SHN SBD Patch...
• (33817) Fix of shnid 293 - SBD> MR> PCM > DAT; DAT> CD>...
• (82931)  flac16 ; AUD Source: Recording by Bob Wagner....
• (91793)  flac16 ; MOTB Release: 0071 16/44.1 Analog...
• (134374)  flac16 ; Mono Soundboard; lineage from shnid...
• (157698)  flac2448  Source: Unknown mics & deck (up...

Source Summary
flac16; 3-Source SBD/AUD Matrix Mix by OctopusRider

Grateful Dead
Red Rocks Amphitheater
Morrison, CO
7-7-78


3-Source SBD/AUD Matrix Mix by OctopusRider


Disc 1 Set I   Total 72:46

01. Jack Straw 06:28
02. Candyman 07:48
03. Me & My Uncle > 02:58
04. Big River 06:51
05. Friend Of The Devil 10:41
06. Cassidy 05:13
07. Tennessee Jed 09:27
08. Passenger 05:36
09. Peggy-O 09:26
10. The Music Never Stopped 08:12


Disc 2  Set II   Total 53:17

01. Cold Rain And Snow 08:17
02. Beat It On Down The Line 04:19
03. Scarlet Begonias > 10:12
04. Fire On The Mountain 11:06
05. Dancing In The Streets > 08:43
06. Drums > 10:37


Disc 3 Set II (cont.)   Total 48:51

01. Space > 05:05
02. Not Fade Away > 11:43
03. Black Peter > 11:35
04. Around And Around 08:38
05. A Big Hand For The Weather 01:19
06. E: U.S. Blues 06:05
07. E: Johnny B. Goode 04:21


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Source Info


SBD:   shnid=293
SBD> MR> PCM> DAT, from Betty Board;
DAT> CD> EAC> SHN conversion & upload by Adam Jerugim

AUD 1: shnid=82931
Recording by Bob Wagner.
Sony ECM-54P's > Sony TC-158.
Transfer: MAC > Teac AN-180 outboard Dolby unit > Sony TC 755 open reel deck > Scotch Classic reels at 7.5 IPS, Dolby-B, by Jerry Moore.
Reels > Sony TC 850 open reel deck > Teac AN-180 Dolby unit > Sony SBM-1 (super bit mapper) > Tascam CD-Rw4U stand alone burner, by Rob Berger.
CDR > EAC > WavMerge > CD-Wave (new track ID's) > TLH (SBE-OK, lossless compression, and checksums) > FLAC, Feb 2007

AUD 2: shnid=91793
Analog Audience Source: FOB Master Cassettes (MAC)
Medium Stock Brands: MAC = 3 x Maxell UD XL II C90
Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC
Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taped By: Timothy Knight
Transfer By: Adam Egert
Mastering By: Derek McCabe


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Tech Notes

SHNs/FLACs decoded to WAV using Trader's Little Helper. Cakewalk Home Studio 2004 was used to align & sync all of the sources. CHS 2004 was used for mixdown and track separation. TLH was used to convert each track back to FLAC. TLH was used to fix all SBEs. Artwork designed by OctopusRider using MediaFACE 5.0.


Original Sources SHNs/FLACs > WAV > CHS 2004 > WAV > FLAC(8)


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Notes

3-Source SBD/AUD Matrix Mix by OctopusRider - May 2009

The well known SBD source has one major flaw.  It is not stereo.  The same channel is spread over both channels using a splitter technique.  The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible.  This is the only SBD source available.

The Wagner recording is very nice quality.  Once aligned with the SBD the whole sound spectrum can be heard.  Bobby is no longer drowning out the others and Jerry's sound is much richer and fuller.  The biggest difference is that Keith can be heard.

The SBD and the Wagner recording have many cuts primarily between songs.  I used the FOB to fill in most of these gaps where possible.  I went into this project with the intension of constructing a 2-source Matrix between the SBD and Wagner sources.  I found the cuts and fades between tracks very annoying so I added the FOB to fill in between the cuts only.  I did not align the FOB with the other two sources through the songs because I felt it did not add to the overall quality of the Matrix.  I also fixed drop outs, static, level fluctuations and clicks throughout.

The results are a big improvement for this show.  This is the most complete version of this concert since all 3 recordings have different cuts and it is now seamless with the exception of the break between sets.  Everybody in the band can be heard clearly and evenly.