Source #	99154
Entered by	dr.unclear
Checksums	ffp , flac-md5
Disc Counts	1 / 2
Media Size
Date Circulated Date Added	05/27/2009 05/27/2009

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Other Sources

• (90) early and late shows; MSR> DATs> CDRs> EAC>...
• (28292)  flac16 ; portions of early and late shows;...
• (28402)  flac16 ; late show conclusion; Soundboard...
• (33335) SBD> RR> RR> DAT (tapers John Chester and Alan...
• (99052)  flac16 ; Audience master > ?? > Reel(Mono,...
• (99152) MAR > ? > R @ 3 ¾ ips.  > DAT > CD > EAC > WAV...
• (127482)  flac24 ; Partial Set 2 Lineage SBD MR -...

Source Summary
flac16; SBD MR w/ AUD Patches * > DAT > CD > EAC > WAV > FLAC

Grateful Dead
Fillmore East
New York, New York
Feb 11 1970

SBD MR w/ AUD Patches * > DAT > CD > EAC > WAV > FLAC

--- mastered to CD by Matt Smith --- Transfer info.:  AKAI GX 625 > Apogee Mini Me(24/96) >Apogee MiniDac(monitoring/mastering) > Wavelab 5.0(dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH)

--- SBD MR > DAT (source for disc 1 through the first part of Dark Star)

--- MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight)

--- SBD MR > A77 > A77@ 71/2 ips. (primary source for disc 2)



Disc 1 Early Show

01 // The Other One >
02 Cryptical Envelopment
03 Dire Wolf
04 Casey Jones

Late Show

05 Intro by Keeva Krystal > Not Fade Away
06 Cumberland Blues
07 Cold Rain and Snow
08 High Time
09 Me and My Uncle


Disc 2 Late Show Continued

01 Dark Star >
02 Spanish Jam >
03 Turn on Your Lovelight
04 Encore: Uncle John's Band (Acoustic)


notes:

Huge thanks go to Matt Smith for these wonderful sources and his masterful transfer and patch work!!!

The aud reel is courtesy of Don Wolfe and the second board reel is from Pat Lee.  Huge thanks guys!!!

* as Matt puts it, "the first part of Dark Star is MR>D>CD, then it goes into the AUD which is MAR>?>R@3 @ ips.,  and then into the MR>A77>A77@ 71/2 ips>CD.  The term A77 in the lineage denotes a Revox A77 reel to reel deck. There is also a patch in Lovelight at the end with the AUD. This is a perfect example how a reel transfer despite its lineage can blow away a MR>D>CD source.  The reel version is so much richer than the circulating version."