Show detail for Legion of Mary - 05/21/75
Show Date05/21/75
VenueKeystone
CityBerkeley
StateCA
Set 1That's The Touch I Like
I Feel Like Dynamite
Last Train From Poor Valley
(Finders) Keepers
Tough Mama
That's What Love Will Make You Do
set2I'll Take A Melody
You Can Leave Your Hat On
Mississippi Moon
The Harder They Come
Creepin' Instrumental
How Sweet It Is (To Be Loved By You)
set3 
CommentLegion of Mary. Notes from The Jerry Site: How Sweet It Is (To Be Loved By You) is cut on the master reel. Creepin' was previously labeled Jam #8. This is an instrumental version of Stevie Wonder's version which appears on his 1974 album "Fulfillingness' First Finale".
Jerry Garcia - guitar, vocals
Merl Saunders - keyboards, vocals
John Kahn - bass
Martin Fiero - saxophone, flute
Ron Tutt - drums
Show Added By:Shawnee
Last Update2021-05-29 10:56:14
Date Entered2002-07-05 19:39:00
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05/21/75 - LOM: flac16 MOTB Release: 0050 16bit/44.1Khz; MATRIX of 15 ips sbd reel and MOTB transfer of Menke-Falanga FOB aud sources. Matrix Mastering: Kevin Tobin.
User Media Type Media Count User Source Info Notes
Bill TetzeliFLAC2MATRIX of 15 ips sbd reel and MOTB transfer of Menke-Falanga FOB aud sources 
Bob Abrams    
bobbydata dvd   
Born Cross EyedFLAC1 Matrix - Menke
brett garveyFLAC3MATRIX of 15 ips sbd reel and MOTB transfer of Menke-Falanga FOB aud sourcesgarcia1975 6 of 15
Brett Healdflac2  
Brian Donohue  Matrix 
BrokedownHouse AudioCD2 MATRIX
CarlFLAC2LOM; flac16; DTS Audio 5.1; SBD (shn id 4479) SBD > 15ips reel > 15ips reel > DAT + AUD (shn id 87086) Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC by Bob Menke - dts mixing by Kevin Tobin  
Casey    
CDJonesFLAC/CDR2 87219 Matrix
Chris Daviscdr/flac2flac16 MOTB Release: 0050 16bit/44.1Khz; MATRIX of 15 ips sbd reel and MOTB transfer of Menke-Falanga FOB aud sources. Matrix Mastering: Kevin Tobin. matrix.
chris richardCDR3MOTB0050: Audience FOB Recording/SBD matrix 
Dan    
Danny MetzFLAC162 Legion Of Mary
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Fate Music  87219 
Gary Field    
hoptrip 3  
Jason Westerfeldflac2SBD/AUD mix 
JeffFLAC2matrix - see notesAT236





MOTB Release: 0050 16bit/44.1Khz
Release Date: 09/12/2007
Band: Legion Of Mary
Date: 05/21/1975 - Wednesday
Venue: Keystone
Location: Berkeley, CA

Sources:
-- SBD
Lineage: SBD > 15ips reel > 15ips reel > DAT
Transfer 1: DAT > Sony R500 > Genesis Digital Lens > Fostex CR200 > CD
Transfer 2: CD > EAC > WAV > SHN
-- Audience FOB Recording
Media: Maxell UD90
Lineage: Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC
Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV
Taper: Bob Menke and Louis Falanga
Transfer: Bob Menke
Mastering: Jamie Waddell

Matrix Mastering: Kevin Tobin

Set 1:
d1t01 - That's The Touch I Like
d1t02 - I Feel Like Dynamite
d1t03 - Last Train From Poor Valley
d1t04 - Finders Keepers
d1t05 - Tough Mama
d1t06 - That's What Love Will Make You Do

Set 2:
d2t01 - I'll Take A Melody
d2t02 - You Can Leave Your Hat On
d2t03 - Mississippi Moon
d3t01 - Harder They Come
d3t02 - Creepin'
d3t03 - How Sweet It Is (To Be Loved By You)

Comments: How Sweet It Is (To Be Loved By You) is cut on the master reel.
Recordings: SBD>15 ips reel>15ips reel>DAT>Sony R500>Genesis Digital Lens>
Fostex CR200>CD>WAV(EAC)>SHN

note: Disc 2 Track #5 was originally labeled Jam #8, but according to
www.thejerrysite.com this is in fact Creepin', an instrumental version
of Stevie Wonder's version which appears on his 1974 album
"Fulfillingness' First Finale". tsl@volition.org

patched with Bob Menke/Louis Falanga's MAC just released by MOTB (shnid=87086)

I matched the speed of this recording to the MAC - it was slightly faster overall (about 1/2 a second per minute) and more consistent than the sbd recording.

Audio Patches:
1) Between The Touch I Like I Like and I Feel Like Dynamite, 48.033 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.

2) Aprox 4 minutes into I Feel Like Dynamite, 19.564 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

3) Between I Feel Like Dynamite and Last Train From Poor Valley, 27.500 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.

4) Between I Feel Like Dynamite and Last Train From Poor Valley, another 35.900 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better. Note: This includes the first few notes of Last Train From Poor Valley.

5) Aprox 7 minutes into Last Train From Poor Vallery, 21.273 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

6) Between Last Train From Poor Valley and Finders Keepers, 33.900 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.

7) Between Finders Keepers and Tough Mama, 12.007 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

8) Aprox 7 minutes into That's What Love Will Make You Do, 36.803 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

9) At the end of That's What Love Will Make You Do, 11.116 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

10) Before I'll Take A Melody, 17.000 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.

11) Between I'll Take A Melody and You Can Leave Your Hat On, 21.423 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

12) Aprox 4 minutes into You Can Leave Your Hat On, 22.372 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

13) Between You Can Leave Your Hat On and Mississippi Moon, 18.883 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.

14) Aprox 4 minutes into Mississippi Moon, 24.773 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

15) Between Mississippi Moon and Harder They Come, 16.966 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

16) Between Mississippi Moon and Harder They Come, another 1.593 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

17) Aprox 8 minutes into Harder They Come, 02.139 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

18) Aprox 11 minutes into Harder They Come, 20.807 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

19) Between Harder They Come and Creepin', 18.339 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

20) Aprox 4 minutes into Creepin', 22.035 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

21) Between Creepin' and How Sweet It Is (To Be Loved By You), 15.893 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

22) Aprox 3 minutes into How Sweet It Is (To Be Loved By You), 5 minutes and 36.666 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.



FLAC FINGERPRINTS:
lom1975-05-21.motb.0050.d1t01.flac:e77cca1af0f5866fa54a82608a0766db
lom1975-05-21.motb.0050.d1t02.flac:b5e850c9561f0ae10d13fecb9029ff27
lom1975-05-21.motb.0050.d1t03.flac:44dcef4d479183eee4b78d9be0b37a4f
lom1975-05-21.motb.0050.d1t04.flac:4f90fde3457069f142e203120a8cc76f
lom1975-05-21.motb.0050.d1t05.flac:1e464ba817ec082d48a5119a2d807989
lom1975-05-21.motb.0050.d1t06.flac:2b3ec158a1e47722b938cca455556d2f
lom1975-05-21.motb.0050.d2t01.flac:141853fda9bfbc37a1c66f13fee0ce4d
lom1975-05-21.motb.0050.d2t02.flac:fc43e39c35a6968b203959b398ac097a
lom1975-05-21.motb.0050.d2t03.flac:4949a2add5e2ec741fe28f1fc63529e5
lom1975-05-21.motb.0050.d3t01.flac:68b16b12e080551524fbca6e48b62641
lom1975-05-21.motb.0050.d3t02.flac:228c987696c0bcfc30d10b76b9a59b5c
lom1975-05-21.motb.0050.d3t03.flac:21e10643f35c64e56779988ee0568385

MD5 CHECKSUMS:
adb3b66679a048b4f884e6200b135ca7 *lom1975-05-21.motb.0050.d1t01.flac
f85ef0bf899574c8bd74077b6c0acf08 *lom1975-05-21.motb.0050.d1t02.flac
b18b2bdea08fa61359b7fdb03d0ad02a *lom1975-05-21.motb.0050.d1t03.flac
8ed16d1196d100ed27bb4188136c9ed8 *lom1975-05-21.motb.0050.d1t04.flac
340fb27e82eb203c7c1e9acbb8633d83 *lom1975-05-21.motb.0050.d1t05.flac
44b4c46435392e1d92f83407270abf4a *lom1975-05-21.motb.0050.d1t06.flac
dd57d77e5d1f7cf13abab3881f8596ca *lom1975-05-21.motb.0050.d2t01.flac
e14a8c1f2f43346ef2835d5b213f8d36 *lom1975-05-21.motb.0050.d2t02.flac
7dde32c07d03c1f06a062ee74d537e0e *lom1975-05-21.motb.0050.d2t03.flac
c456b8e6f93b47a17f256063ab4e51fe *lom1975-05-21.motb.0050.d3t01.flac
4f84f35c48c7931879d55b3b6d3fb708 *lom1975-05-21.motb.0050.d3t02.flac
b9d40c06a8beab9ebd3b0cc0c7cfa014 *lom1975-05-21.motb.0050.d3t03.flac

SHNTOOL OUTPUT:
length expanded size cdr WAVE problems filename
12:33.60 132970364 --- -- ---xx lom1975-05-21.motb.0050.d1t01.flac
14:30.69 153630332 --- -- ---xx lom1975-05-21.motb.0050.d1t02.flac
11:44.09 124206812 --- -- ---xx lom1975-05-21.motb.0050.d1t03.flac
13:17.48 140703740 --- -- ---xx lom1975-05-21.motb.0050.d1t04.flac
9:46.07 103386908 --- -- ---xx lom1975-05-21.motb.0050.d1t05.flac
12:21.39 130804172 --- -- ---xx lom1975-05-21.motb.0050.d1t06.flac
10:26.65 110579324 --- -- ---xx lom1975-05-21.motb.0050.d2t01.flac
17:09.23 181569740 --- -- ---xx lom1975-05-21.motb.0050.d2t02.flac
9:30.70 100712684 --- -- ---xx lom1975-05-21.motb.0050.d2t03.flac
21:36.19 228659132 --- -- ---xx lom1975-05-21.motb.0050.d3t01.flac
14:04.35 148963964 --- -- ---xx lom1975-05-21.motb.0050.d3t02.flac
8:23.57 88863308 --- -- ---xx lom1975-05-21.motb.0050.d3t03.flac
155:25.51 1645050480 B (totals for 12 files, 0.6397 overall compression ratio)


Size: 970 MB
Jeff KaisershotFLAC2Matrix 
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LossLess LegsCDR3MATRIX 9/14/2007 - kevtobin
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Manfred Jungeblut    
Mark Gay   87219
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Michael Mersand    
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Mike In BooneCDR2Matrix (87219) 
Minor HibbsCDR3Matrix 
openpathFLAC LOM: flac16 MOTB Release: 0050 16bit/44.1Khz; MATRIX of 15 ips sbd reel and MOTB transfer of Menke-Falanga FOB aud sources 
quimboFLAC Matrix 
Rhodes    
Richard Markleyflac2 DVD579
shakedown80    
SIRMickFLAC2  
SpiralLightofVenusFLAC  MTX TB3
thegreatdivide6flac SBD Lineage: SBD > 15ips reel > 15ips reel > DAT

Audience FOB Recording Lineage: Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC
sbd matrix
thrakflac3LOM: flac16 MOTB Release: 0050 16bit/44.1Khz; MATRIX of 15 ips sbd reel and MOTB transfer of Menke-Falanga FOB aud sources. Matrix Mastering: Kevin Tobin.MOTB0050
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