Source Summary
Original recording: Neumann TLM170s (subcard @ lip of stage, clamped to Donald Harrison's mic stand)->Apogee AD1000 (soft limit, UV22 on @ 48khz, 16 bit)-> Teac DAP20 DAT(m)
Transfer: Sony R500->Sound Devices 722
Mastered: Soundforge Audio Studio 10.0a . FLAC
Robert Walter, Johnny Vidacovich, James Singleton, Donald Harrison
Preservation Hall
New Orleans, LA
4/30/2008
Original recording: Neumann TLM170s (subcard @ lip of stage, clamped to Donald Harrison's mic stand)->Apogee AD1000 (soft limit, UV22 on @ 48khz, 16 bit)-> Teac DAP20 DAT(m)
Transfer: Sony R500->Sound Devices 722
Mastered: Soundforge Audio Studio 10.0a - slight volume normalization. Sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter. All file manipulation in Soundforge done at 24 bits, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav.
Set 1
1. intro (truncated on DAT master, but cuts back in just before 1st tune)
2. Maple Plank
3. Corry's Snail and Slug Death
4. banter - for Little Robert
5. 34 Small
6. banter - going to attempt to play the piano
7. Coupe
8. Parts And Holes
9. Hardware *
10. Dr. Watson
11. By The Rivers Of Babylon
12. banter - set break announcement
Set 2
1. crowd, 2nd set intro
2. Snakes And Spiders
3. banter - my favorite Mexican restaurant in San Diego
4. El Cuervo
5. banter - inviting up Scott Amendola on drums
6. The Weasel *+
7. Yodel
8. Juju *
9. encore break
10. Hey Pocky Way * (Donald Harrison vocals)
11. 2nd encore break
12. Instant Karma
13. banter - new record, thanks
* = w/Donald Harrison on saxophone
+ = w/Scott Amendola on drums
Original DAT recording by Scott Bernstein.
Transferred and mastered by Scott Bernstein, 12/25-26/2009.