(13570) View Source
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Sony ECM200T>SonyTCD5>C>NakDR1>PCM>
PC>CoolEditBass Boost>DAT>CDR via Rick Martin, encoding by Willy, The Miami SHn Machine
(28382) View Source
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flac16; MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); A > D by Steven Martin, EAC> FLAC by Jack Warner
(28732) View Source
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Recorded by Rango Keshavan
6th row center:
Sony ECM 220T mics on hats >
Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On
Playback by Rango Keshavan
Nak DR1 EQ Type II, Dolby B On >
Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable >
Turtle Beach Montego II Digital I/O card >
PC (CDWav used to record and break up tracks)
(94395) View Source
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flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
(136426) View Source
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flac 16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
(149019) View Source
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flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(149020) View Source
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flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
(151131) View Source
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flac16/48khz Source : Nak CM700 > TC-D5 > MAC > This copy
Taped by: Gesine Lohr
Transfer by : Matt Vernon
Lineage: This copy
> Nak CR-7A (azimuth adjusted)
> Tascam DA-3000 (DSF 1-bit/5.6 MHz)
> Tascam Hi Res Editor (DSF concatenate & 2496 PCM)
> Audacity (Trim, tracking, amplification)
> dbpoweramp > 1648
(151132) View Source
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flac24/96khz Source : Nak CM700 > TC-D5 > MAC > This copy
Taped by: Gesine Lohr
Transfer by : Matt Vernon
Lineage: This copy
> Nak CR-7A (azimuth adjusted)
> Tascam DA-3000 (DSF 1-bit/5.6 MHz)
> Tascam Hi Res Editor (DSF concatenate & 2496 PCM)
> Audacity (Trim, tracking, amplification)
(156326) View Source
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flac2448; Source: BeyerDynamic mics > Sony TC-D5M > Maxell-MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022