Show detail for Grateful Dead - 02/19/71 | |
---|---|
Show Date | 02/19/71 |
Venue | Capitol Theatre |
City | Port Chester |
State | NY |
Set 1 | Truckin' Loser Cumberland Blues It Hurts Me Too Bertha Playing In The Band Dark Hollow Smokestack Lightning China Cat Sunflower > I Know You Rider |
set2 | Greatest Story Ever Told > Johnny B. Goode Bird Song * Easy Wind Deal * That's It For The Other One > Wharf Rat Good Lovin' Casey Jones |
set3 | |
Comment | Officially released as 'Three From The Vault' in 2007 on Rhino Records. New Riders Of The Purple Sage opened. First time performed * Jerry Garcia - Guitar Bob Weir - Guitar Ron "Pigpen" McKernan - Hammond B3, Harmonica Phil Lesh - Bass Bill Kreutzmann - Drums |
Show Added By: | aikox2 |
Last Update | 2023-12-20 20:29:34 |
Date Entered | 2002-07-17 12:16:09 |
List users with this show | Add this show to your list | Add to want list | Users Who Want This | Covers / J-Cards | Add cover / J-Card link |
Users that own this source | |||||
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02/19/71 - 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers) | |||||
User | Media Type | Media Count | User Source Info | Notes | |
*.* | SHN | 2 | |||
- j | SHN | 2 | see shn link... -- get your copy from GDLive -- | ||
Aaron | SHN | 2 | 7 | ||
Aaron Starke | cdr | 3 | 7" 2 track bbd reel w/dolby A @7 1/2 ips | first "bird song,deal" | |
Aaron Wiener | CDR/SHN | 3 | 7 | 3 audio / 2 shn | |
Ada Banasik | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files | SBD (Betty) | |
adam | cd | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES | ||
Adam Heckelsmiller | .shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips | ||
Adam Weiss | SHN | 2 | |||
al zeffer | SHN | 2 | BBD | ||
Alan (Slydell) | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz | ||
ALAN J FINK | |||||
AlanZ | SHN | 2 | |||
Albix | shn | 2 | 7 inch two-track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | ||
Alec | CD | 3 | SBD | ||
aloha mrj | hd 5 | ||||
Amir | 2 | ||||
Amy & Chewie's SHNs | cdr | 2 | |||
Andrew Long | shn | 2 | SBD (Betty) | 888MB | |
Andy | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES | Killer show, killer Betty Board.The recording is in mono, and reflects very occasional analog tape flaws such as bursts of flutter. These flaws are from the master. The lineage information available states that Dolby A decoding was not performed, but the sound is nevertheless very good and does not sound compressed. As with the other Port Chester recordings, a slight whine comes and goes throughout the recording. We have applied a very light notch filter as needed. The filtering was accomplished using Cool Edit Pro, and consisted of a sequence of notch filters at and around 8k, approx 1k wide and only 2db in depth. The filtering was mainly during the in-between banter but also on the songs where required - more so the 2nd set. In The Other One there were two short bursts of static that appear to have come from the stage, and these were reduced in level. No other filtering was performed. As indicated in the set list, Bird Song is cut. There are also several cuts on the master during crowd noise before Truckin' starts the first set, but who cares? | |
andy bradford | CDR | 3 | |||
Andy Gold | CD-R | 3 | |||
animist | CDR | 3 | Betty Board | *3 Audio/2 SHN* | |
AoXoMoXoA | SHN | 2 | 7 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files | |
BigBeahner | CD Audio | 3 | 7 | ||
BigBeahner | CD Audio | 3 | 7 | ||
Bill | SHN | 2 | |||
bill c | shn | 2 | |||
Bill d'Angelo | CDR/shn | 3 | |||
Bill H | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed) | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers) | |
Bill Kelly | shn | ||||
Bill Tetzeli | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN | ||
Blair Waldron | |||||
Bob Abrams | |||||
Bob Allred | cdr | 3 | 7" 2-track BBD reel w/ Dolby A @ 7 1/2 ips> PCM501ES@44.056 | ||
bobbyandjerry | SHN | 2 | SBD | ||
Boisedeadhead | CDR | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files | February-19-1971 Complete show An ESP experiment show; the second Betty Board; first show without Mickey Hart. genealogy of this recording: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed) The recording is in mono, and reflects very occasional analog tape flaws such as bursts of flutter. These flaws are from the master. The lineage information available states that Dolby A decoding was not performed, but the sound is nevertheless very good and does not sound compressed. As with the other Port Chester recordings, a slight whine comes and goes throughout the recording. We have applied a very light notch filter as needed. The filtering was accomplished using Cool Edit Pro, and consisted of a sequence of notch filters at and around 8k, approximately 1 kHz wide and only 2 db in depth. The filtering was mainly during the in-between banter but also on the songs where required - more so in the 2nd set. In The Other One there were two short bursts of static that appear to have come from the stage, and these were reduced in level. No other filtering was performed. As indicated in the set list, Bird Song is cut. There are also several cuts on the master during crowd noise before Truckin' starts the first set, but who cares? Indicated timings are of the music, not of the track. SET 1 disc 1 Tuning Truckin' [7:57] Loser [5:50] Cumberland Blues [4:44] It Hurts Me Too [5:46] Bertha [4:52] Playing In The Band [4:48] Dark Hollow [3:01] Smokestack Lightnin' [14:42] China Cat Sunflower [5:14] > I Know You Rider [4:37] SET 2 disc 2 Tuning Greatest Story Ever Told [4:09] > Johnny B. Goode [3:12] Bird Song [6:09#] Easy Wind [8:17] Deal [4:08] Cryptical Envelopment [1:46] > Drums [2:23] > The Other One [11:34] > Wharf Rat [8:33] disc 3 Tuning Good Lovin' [18:29] Casey Jones [4:42] The SHN files require two data discs. The audio version is three discs. The SHN files were created from audio files on a PC. No step of DAE (Digital Audio Extraction) from an audio CD was performed. | |
Born Cross Eyed | FLAC | 1 | SBD - Orf | ||
Brad | cdr | 3 | |||
Brandon Johnston | SHN | 2 | Sbd> 7 | ||
brett garvey | SHN | 3 | 7 | gd1971 1 of 16 | |
Brian DeBadts | |||||
Brian Shaw | HP | 2 | |||
brothercrow (a.k.a. michael crow) | shn>cdr= | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz >PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >Cool Edit Pro (filtering and sample rate conversion) > SHN data files | The Other One>Wharf Rat is very nice . see tech notes for further info. | |
Bruce Warren | CD | 3 | Betty Board | ||
BudChief | cdr | 3 | |||
Built2Last | 3 | ||||
cbass | |||||
CDJones | SHN/CDR | 3 | 1029 | ||
chad | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | ||
Charles Bandrofcheck | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | See my other show notes for info on trading for this show. | |
Charles Camacho | shn | 2 | sbd - betty board | ||
Charlie Byrd | CD-R | 3 | GD7FLAC/SHN. First show without Mickey Hart. | ||
Charlie Connor | Shn | 3 | sbd.orf.1029.shntool.ok | ||
Charlie Earthman | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >Cool Edit Pro (filtering and sample rate conversion) > SHN data files | ||
Chewie | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips...>wav>Cool Edit Pro>shn (seed) | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips...>wav>Cool Edit Pro>shn (seed) | |
China_Rider88 | CDR | 3 | SBD | ||
chooglin | |||||
Chris Black | CDR | 3 | |||
Chris Bryant | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >Cool Edit Pro (filtering and sample rate conversion) > SHN data files | ||
Chris Davis | cdr | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine red | 2nd Betty Board | |
Chris Gilbransen | |||||
Chris Nestler | CDR/SHN | 3 | |||
Christian T | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine red | audio - 3 discs; first show without Mickey Hart; some minor flaws throughout. | |
Chris_G | SHN DATA | 2 | |||
Chris_G | CD | 3 | orf | ||
cisconethead | |||||
Claude Kuhnen | CD | 3 | SBD | ||
coachnatebean | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files | ||
Cotsman | SHN | 3 | SBD>MR>PCM>CD>SHN | ||
Craig Strawn | shn | 2 | 7"Betty Board w/dolby | ||
CTDEADHEAD | SHN | 2 | Betty Board Reel | ||
Dan K (Gr8fulDog) | CDA / SHN | 3 | |||
Dan Olson | SHN | 2 | |||
Dan-o | SHN | 2 | |||
Danny | shn CDR | 2 | eTree shns | ||
darkstar1964 | gd71-02-19.sbd.orf.1029.sbeok.shnf_shn | ||||
Darryl Hinko | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); | ||
Dave | SHN | 3 | SBD>MR>PCM>CD>SHN | ||
Dave Wenzel | 3 | SBD:BettyMR>PCM>D>CD | |||
David | 3 | d1, d2, d3 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slig | |||
David Aicher | CDR | 3 | SBD | ||
David P. Finnigan, M.D. | shn | 2 | |||
daze7 | |||||
Dean Thole | SHN | 2 | |||
denance | shn | ||||
Dennis | SHN | 2 | |||
Disco Monkey | CDR & SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips | An ESP experiment show; the second Betty Board; first show without Mickey Hart. | |
DJ Salamon | CDR | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine red | ||
Django | CDR-SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | ||
dms | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); --1971 #01 | ||
Don | |||||
Don | |||||
Don | |||||
Doug Landon | SHN | 2 | |||
Doug Moog | shn | 3 | sbd > reel > pcm > dat | ||
Doug Nawrocki | SHN | 2 | SBD > MR > DAT > CEP > CD-R | ||
doug smith | shn | 2 | |||
Dozin | SHN | 2 | SBD | ||
dps | shn | 2 | 7 | ||
dunhamrc | SHN | 2 | |||
duprees.diamond | shn | 2 | 7 | ||
dustan | CD-R | 3 | |||
Dustin | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | first bird song and deal first show w/o mickey 3wav | |
dustin schnee | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine red | ||
eD | |||||
eD | |||||
Eddie Russell | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed) | ||
edwin | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz>PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >Cool Edit Pro (filtering and sample rate conversion) > SHN data files | ||
elkhartadam | SHN | 2 | 7 | Debut of Bird Song and Deal | |
Engineer's Monkey | SHN | 2 | |||
Eric Horton | SHN | 2 | Grateful Dead Capitol Theatre Port Chester NY February-19-1971 Complete show An ESP experiment show; the second Betty Board; first show without Mickey Hart. genealogy of this recording: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed) | ||
Eric Johnson | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | |||
Eric M. | SHN | 3 | SHN Detail | ||
Eric Richbourg | shn | 2 | |||
Erik | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >Cool Edit Pro (filtering and sample rate conversion) > SHN | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files | |
Erik | |||||
Ernie Dodd | shn | 2 | 7 | Discs aud-3 1st Bird Song, 1st Deal | |
etreewv | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); | ||
evan hoeltge | shn | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files | ||
evas | cdr/data | 3 | |||
Fabio Natalizia | CDR | 3 | |||
Frank Katen | 3 | ||||
Frankie Four Fingers | SHN>WAV | 2 | 7"two track BettyBD reel w/ Dolby A @ 7 1/2 ips>PC | unknown AUD suspected BBD | |
Friedemann Rothfuchs | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > WAV > Cool Edit Pro > SHN | ||
FTLShawn | SHN | ||||
Furious George | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >Cool Edit Pro (filtering and sample rate conversion) > SHN data files | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >Cool Edit Pro (filtering and sample rate conversion) > SHN data files | |
Gabe Tafoya | CDR | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz | ||
Gary | CDR | 3 | SBD>MR>PCM>DAT>CD | ||
Gary Field | 1029 | 2 | SBD | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN | |
GDLIVE | shn | ||||
Gene Rider | WMA | 3 | Complete show An ESP experiment show; the second Betty Board; first show without Mickey Hart. genealogy of this recording: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed) The recording is in mono, and reflects very occasional analog tape flaws such as bursts of flutter. These flaws are from the master. The lineage information available states that Dolby A decoding was not performed, but the sound is nevertheless very good and does not sound compressed. As with the other Port Chester recordings, a slight whine comes and goes throughout the recording. We have applied a very light notch filter as needed. The filtering was accomplished using Cool Edit Pro, and consisted of a sequence of notch filters at and around 8k, approximately 1 kHz wide and only 2 db in depth. The filtering was mainly during the in-between banter but also on the songs where required - more so in the 2nd set. In The Other One there were two short bursts of static that appear to have come from the stage, and these were reduced in level. No other filtering was performed. As indicated in the set list, Bird Song is cut. There are also several cuts on the master during crowd noise before Truckin' starts the first set, but who cares? Indicated timings are of the music, not of the track. The SHN files require two data discs. The audio version is three discs. The SHN files were created from audio files on a PC. No step of DAE (Digital Audio Extraction) from an audio CD was performed. | ||
Geoff MacNaughton | 3 | SBD | |||
George Leroy Tirebiter | SHN | 2 | |||
George Shannon | CD | 3 | etree | ||
George Weiss | CDR | 3 | SBD | ||
Gerald Gorinsky | SHN | 2 | 2 SHN, 3 CDR | ||
ggloyd | cdr/shn | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine red | ||
GHOST | SHN | 2 | SBD | First show without Mickey Hart. | |
Grateful Dad | SHN | 2 | |||
GratefulBrad | flac | ||||
greg archetti | cdr | 3 | sbd | ||
Greg Berberich | CDR | 3 | |||
Greg Carmack | shn | 2 | BBD | ||
Hanf | Shn | ||||
Hannon Hardy | SHN | 2 | Betty Board > RTR > PCM > DAT > CD > AIFF | ||
HIGHnoon | SHN | 2 | |||
Homer Jay {aka DES} | shn | 3 | 7 2-track Betty Reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out >Fostex D5 @ 48 kHz>WAV >Cool Edit Pro>SHN | ||
Hoyt Ledet | CDR / SHN | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz | ESP experiment show | |
Ian | |||||
Ian P. McCullough | SHN | 2 | |||
Itsonlyfractured | SHN | 2 | |||
j | |||||
j4 | CDR | 3 | |||
jakemerc shn list | shn | 2 | SBD. 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz > PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN. | SBD>MR>PCM>DAT | |
James | |||||
James Rini | SHN | 2 | 7" two track BBD reel | ||
Jamie Ippolito | CDR | 3 | |||
Jason Blevins | SHN | 3 | |||
Jason Eckert | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine red | ||
Jason Franke | CDR | 3 | |||
Jason Henning | shn | 2 | |||
Jason Ralph | SHN | 3 | |||
Jason Rothfeld | cdr + shn | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files | ||
Jason Smoliak | Shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | ||
Jason Westerfeld | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>Fostex D5 @ 48 kHz (Dolby not decoded?)>WAV>Cool Edit Pro (filtering and sample rate conversion)>SHN | ||
Jay Flynn | cdr | 3 | BBM>RR>PCM>DAT>EAC>CDR | All | |
Jay Gerland | 2 | 3 | An ESP experiment show; the second Betty Board; first show without Mickey Hart. | ||
Jay Reznik | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips | ||
Jay Thomson | SHN | 2 | 7 | ||
jcroot | |||||
Jeepster | cdr | 3 | Betty | ||
Jeff | SHN | 2 | 7 | Grateful Dead Capitol Theatre Port Chester NY February-19-1971 Complete show An ESP experiment show; the second Betty Board; first show without Mickey Hart. genealogy of this recording: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed) The recording is in mono, and reflects very occasional analog tape flaws such as bursts of flutter. These flaws are from the master. The lineage information available states that Dolby A decoding was not performed, but the sound is nevertheless very good and does not sound compressed. As with the other Port Chester recordings, a slight whine comes and goes throughout the recording. We have applied a very light notch filter as needed. The filtering was accomplished using Cool Edit Pro, and consisted of a sequence of notch filters at and around 8k, approximately 1 kHz wide and only 2 db in depth. The filtering was mainly during the in-between banter but also on the songs where required - more so in the 2nd set. In The Other One there were two short bursts of static that appear to have come from the stage, and these were reduced in level. No other filtering was performed. As indicated in the set list, Bird Song is cut. There are also several cuts on the master during crowd noise before Truckin' starts the first set, but who cares? Indicated timings are of the music, not of the track. SET 1 disc 1 Tuning Truckin' [7:57] Loser [5:50] Cumberland Blues [4:44] It Hurts Me Too [5:46] Bertha [4:52] Playing In The Band [4:48] Dark Hollow [3:01] Smokestack Lightnin' [14:42] China Cat Sunflower [5:14] > I Know You Rider [4:37] SET 2 disc 2 Tuning Greatest Story Ever Told [4:09] > Johnny B. Goode [3:12] Bird Song [6:09#] Easy Wind [8:17] Deal [4:08] Cryptical Envelopment [1:46] > Drums [2:23] > The Other One [11:34] > Wharf Rat [8:33] disc 3 Tuning Good Lovin' [18:29] Casey Jones [4:42] The SHN files require two data discs. The audio version is three discs. The SHN files were created from audio files on a PC. No step of DAE (Digital Audio Extraction) from an audio CD was performed. | |
Jeff MacLaren | shn | 2 | |||
Jeff Martinson | CDR/SHN | 3 | shn archived+audio | ||
Jeff Mitchell | 3 | shn & flac, 3 | |||
Jeremy Workman | CD | 3 | have shns (2) | ||
Jim | cdr | 3 | |||
Jim Bennett | SHN | 2 | |||
jim newcomb | shn | 2 | |||
Jim O'Doherty | shn | 2 | |||
jimmy sellers | 7" two track BBD reel - Updated Version | ||||
Joe | SHN | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | ||
joe m | shn | 2 | |||
Joe Prisco | 1 | single-disc highlight | |||
john acquafredda | shn | ||||
John Clark | shn | 2 | |||
John Paris | CDR | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHzPCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >Cool Edit Pro (filtering and sample rate conversion) > SHN data files | Complete show An ESP experiment show; the second Betty Board; first show without Mickey Hart. | |
John Stroud | fuji | 2 | |||
Jon Murphy | CDR | 3 | Betty Reel > PCM X 2 > DAT > SHN > CDR | ||
Jon Paulk | shn | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files | ||
Jon Pavuk | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine red | ||
Joseph Cahill | SHN | 2 | 7 | ||
Karl | FLAC | ||||
katy miller | shn | 2 | |||
KB Larsen | shn | 2 | Thanks Leigh! 3 audio | ||
Keith | shn | 2 | |||
keith scherer | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | ||
Ken 's Shows | 3 | ||||
Ken Berry | SHN | 2 | |||
Ken Doughty | shn | sbd | |||
Kevin Horrigan | |||||
Kevin Horrigan | |||||
Kevin Horrigan | |||||
Kevin Horrigan | |||||
kevin rowan | shn | 3 | |||
Kevin Spencer | shn | 2 | 7" two track reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 khz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro > shn | ||
Kima | shn | ||||
Koolaid | SHN | 2 | |||
KYHub | SHN | 2 | HD1 | ||
Kyle Milne | SHN/GDLIVE | COMPLETE/ESP EXPERIMENT SHOW/SECOND BETTY BOARD | |||
Lance | CD | 2 | SHN | ||
LarryO | shn | 2 | |||
Lee Rosenbaum | SHN | 2 | ? | ||
Levi Hunt | cdr | 3 | SDB | etree | |
Lincoln and Carolyn | CD-R | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine red | ||
loganco | 3 | SBDMR>DAT>NR>CD | |||
longcreektrailer | .shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | ||
LossLess Legs | CDR | 3 | 7\two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | 09/07/2005 - rj_hythloday 05/02/2006 - E_Z_WIND 05/07/2006 - rj_hythloday | |
Lynn S | CD | 2 | |||
Mac | DVD | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 | |
Marc Deardorff | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN | ||
Marc Pujol | SHN | 2 | 7 | ||
Mark Diamond | 3 | ||||
Mark Gay | 1029 | ||||
Mark Goldey | SHN | 2 | |||
Mark Murgittroyd | CDR | 2 | Soundboard | ||
Mark Wase | SHN | 2 | |||
martin rordam | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN | ||
Marty | CDR | 3 | shn | ||
matt and jennifer | SHN | 2 | SBD | ||
Matt Cechovic | CDR | 3 | BBD>PCM>DAT>WAV>SHN | ||
matt feltz | SHN | 2 | SBD - Orf Seed | ||
Matt Vernon | SHN | 3 | sbd - first shows sans Mickey. Pretty tight. Best songs are: It Hurts Me Too, Dark Hollow, Smokestack (nice guitar lead) Easy Wind and Good Lovin. The remaining tunes are average for solid 71 shows. Vocals are off on Bertha for a large part of it. Summary - pleasant listen, but remove the above noted special tunes and you'd probably only listen to it once. The Good Lovin' I should add is jammed out musically and lacks the humorous Pigpen raps attempting to hook people up or whatever. Its a very good version. Overall, I'd give the nod to this date for my favorite of the 2/71 Capital run, though overall it was average 71. | ||
Matt Xavier | CD-R | 2 | |||
Mattco | Mitsui | 3 | |||
Matthew Hilty | |||||
Matthew Kupchinsky | CDR-SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files | ||
Matty | SHN | 2 | |||
mcjeff | cdr | 3 | sbd | 1st show without Mickey Hart, mono 1st Bird Song, 1st Deal | |
Michael | SHN | 2 | |||
michael gibbs | shn | 2 | |||
Michael Goff | cd | 3 | 71 dvd#1 | ||
Michael McMullan | CDR/SHN | 3 | BBD | ||
Michael Mersand | |||||
Michael Papaleo | CDR | 3 | sbd>SHN->wav->cdr | ||
Michael Urban | cdr-shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers | ||
Mike Cotton | SHN | 2 | 7 | ||
Mike Falzone | |||||
Mike Hurgin | shn | 2 | |||
Mike L. | CDR | 3 | SBD | ||
Mike Pageau | SBD 4 | 3 | |||
Mike Snider | |||||
mikesgroove37 | shn | 2 | |||
Morgan Nelson | SHN/CDR | 3 | 7 | ||
Muddy | CDR | 2 | SBD | Incredible Show!! | |
My Home | Shn | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers) | |||
Nate | SHN | ||||
Nathan Hifko | Discs(shn) | 2 | S:Br:Px2:D:CD:Shn | ||
Nick | cdr | 3 | |||
Nick Knobbe | shn | 2 | |||
Nickhead | |||||
Noam Rosen | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHzPCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed) | Grateful Dead Capitol Theatre Port Chester NY 02-19-1971, Port Chester, NY Complete show An ESP experiment show; the second Betty Board; first show without Mickey Hart. genealogy of this recording: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed) The recording is in mono, and reflects very occasional analog tape flaws such as bursts of flutter. These flaws are from the master. The lineage information available states that Dolby A decoding was not performed, but the sound is nevertheless very good and does not sound compressed. As with the other Port Chester recordings, a slight whine comes and goes throughout the recording. We have applied a very light notch filter as needed. The filtering was accomplished using Cool Edit Pro, and consisted of a sequence of notch filters at and around 8k, approx 1k wide and only 2db in depth. The filtering was mainly during the in-between banter but also on the songs where required - more so the 2nd set. In The Other One there were two short bursts of static that appear to have come from the stage, and these were reduced in level. No other filtering was performed. As indicated in the set list, Bird Song is cut. There are also several cuts on the master during crowd noise before Truckin' starts the first set, but who cares? Indicated timings in [ ] are of the music, not of the track. SET 1 disc 1 Tuning 2:52 Truckin' [7:57] 9:23 Loser [5:50] 7:07 Cumberland Blues [4:44] 6:29 It Hurts Me Too [5:46] 6:10 Bertha [4:52] 6:35 Playing In The Band [4:48] 5:21 Dark Hollow [3:01] 3:50 Smokestack Lightnin' [14:42] 15:42 China Cat Sunflower [5:14] > 5:10 I Know You Rider [4:37] 5:06 SET 2 disc 2 Tuning 1:10 Greatest Story Ever Told [4:09] > 4:11 Johnny B. Goode [3:12] 5:32 Bird Song [6:09#] 8:37 Easy Wind [8:17] 10:17 Deal [4:08] 5:56 Cryptical Envelopment [1:46] > 1:51 Drums [2:23] > 2:23 The Other One [11:34] > 11:43 Wharf Rat [8:33] 8:56 disc 3 Tuning 2:20 Good Lovin' [18:29] 18:40 Casey Jones [4:42] 5:51 The SHN files require two data discs. The audio version is three discs. The SHN files were created from audio files on a PC. No step of DAE (Digital Audio Extraction) from an audio CD was performed. | |
OldNeumanntapr | FLAC | 7" Two-Track BBD Reel w/Dolby A @ 7 & 1/2 ips > PCM 501ES @44.055 kHz | PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN. AUD: (shnid=30230) - via Clinton Vadnais 1st gen reel> Teac A-2300SX> RCA out> Audiophile 2496> Wavelab 4.0 lineage: Wavelab 4.0> CD Wave> MKWact> WAV> FLAC Transfer/Editing: The SBD is from SHN files downloaded from LMA, and the AUD is from FLAC files downloaded from bt.etree.org; both sources were converted to WAV > Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8) | ||
One Man Gathers What Another Man Spills | CDR/SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips | An ESP experiment show; the second Betty Board; first show without Mickey Hart. | |
OutFestin' | CDR | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz > PCM501ES analog out > Fostex D5 @ 48 kHz | ||
Pat | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files | ||||
pat bergschneider | SHN | 2 | Reel > PC | Reel > PC | |
Patrick D | CDR | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed | ||
Patrick Donnelly | CDR | 3 | SBD (Betty Board)>MSR>PCM>D5>CDR | Not a very impressive show. Birdsong is cut on the MSR. I: disc 1: 1. Truckin' 2. Loser 3. Cumberland Blues 4. It Hurts Me Too 5. Bertha 6. Playing In The Band 7. Dark Hollow 8. Smokestack Lightnin' 9. China Cat Sunflower> 10. I Know You Rider II: disc 2: 1. Greatest Story Ever Told> 2. Johnny B. Goode 3. Birdsong// 4. Easy Wind 5. Deal 6. Cryptical Envelopment> 7. Drums> 8. The Other One> 9. Wharf Rat disc 3: 1. tuning 2. Good Lovin' 3. Casey Jones | |
Patrick Hitt | shn | 2 | |||
Patrick M. | SHN | 2 | 7 | ||
Paul Matzerath | SHN | 2 | |||
Paul McFadyen | CDR | 3 | SBD: see SHN link | Audio copy of circulating etree source. Mono source Filler on disc 3 : Dark Star>Sugar Mags 10/28/72 (from GDH) | |
Perry Butler | SHN | 2 | sbd | ||
Pete Cory | 3 | 7" two track BBD reel > ... > SHN | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files | ||
Pete W | shn | 2 | |||
Peter Butts | CDR | 3 | missing Cumberland Blues | ||
Peter Lipscomb | SHN | 3 | SBD > MR > PCM501ES @ 44.055 kHz > Fostex D5 @ 48 kHz > WAV > Cool Edit Pro > SHN | First Bird Song and Deal | |
Peter Nichols | |||||
qiuniu | *****MP3 ONLY***** Grateful Dead February 19th, 1971 Capitol Theatre Port Chester NY 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files Disc One Set I Tuning Truckin' [7:57] Loser [5:50] Cumberland Blues [4:44] It Hurts Me Too [5:46] Bertha [4:52] Playing In The Band [4:48] Dark Hollow [3:01] Smokestack Lightnin' [14:42] China Cat Sunflower [5:14] > I Know You Rider [4:37] Disc Two Set II Tuning Greatest Story Ever Told [4:09] > Johnny B. Goode [3:12] Bird Song [6:09#] Easy Wind [8:17] Deal [4:08] Cryptical Envelopment [1:46] > Drums [2:23] > The Other One [11:34] > Wharf Rat [8:33] Disc Three Tuning Good Lovin' [18:29] Casey Jones [4:42] An ESP experiment show; the second Betty Board; first show without Mickey Hart. genealogy of this recording: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed) The recording is in mono, and reflects very occasional analog tape flaws such as bursts of flutter. These flaws are from the master. The lineage information available states that Dolby A decoding was not performed, but the sound is nevertheless very good and does not sound compressed. As with the other Port Chester recordings, a slight whine comes and goes throughout the recording. We have applied a very light notch filter as needed. The filtering was accomplished using Cool Edit Pro, and consisted of a sequence of notch filters at and around 8k, approximately 1 kHz wide and only 2 db in depth. The filtering was mainly during the in-between banter but also on the songs where required - more so in the 2nd set. In The Other One there were two short bursts of static that appear to have come from the stage, and these were reduced in level. No other filtering was performed. As indicated in the set list, Bird Song is cut. There are also several cuts on the master during crowd noise before Truckin' starts the first set, but who cares? Indicated timings are of the music, not of the track. The SHN files require two data discs. The audio version is three discs. The SHN files were created from audio files on a PC. No step of DAE (Digital Audio Extraction) from an audio CD was performed. | ||||
Queball | SHN | 2 | |||
quimbo | FLAC | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | ||
RamblinBear | DVD | 1 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine red | .1029. | |
Randy | SHN | 2 | |||
Randy Griesman | shn | 2 | 7 | ||
Randy Perkins | CDR | 3 | BBD Source>SHN>CDR | ||
ratskrad | |||||
ravenspace | shn | 2 | |||
Reverend Alex Lagusis | 3 | ||||
Rev_St_Penis | shn | 2 | |||
Rex | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine red | ||
Rich Gaul | CD | 3 | |||
Rich Willis | CDR | 3 | SBD; 1st show without Mickey. | ||
Richard | |||||
Richard Danyko | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | mono | |
Richard Markley | SHN | 2 | |||
Richard Markley | SHN | 2 | DVD476 | ||
Richard Warren | shn | 2 | 1029 | ||
Rick | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz > PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (Seed) | Killer show, killer Betty Board.The recording is in mono, and reflects very occasional analog tape flaws such as bursts of flutter. These flaws are from the master. The lineage information available states that Dolby A decoding was not performed, but the sound is nevertheless very good and does not sound compressed. As with the other Port Chester recordings, a slight whine comes and goes throughout the recording. We have applied a very light notch filter as needed. The filtering was accomplished using Cool Edit Pro, and consisted of a sequence of notch filters at and around 8k, approx 1k wide and only 2db in depth. The filtering was mainly during the in-between banter but also on the songs where required - more so the 2nd set. In The Other One there were two short bursts of static that appear to have come from the stage, and these were reduced in level. No other filtering was performed. As indicated in the set list, Bird Song is cut. There are also several cuts on the master during crowd noise before Truckin' starts the first set, but who cares? | |
Rick Childs | CDR | 2 | |||
rickc | 194 | ||||
ritchiem4812 | 2007 June DVD 16 | ||||
RM's Giant Live Music Archive | FLAC | flac encoded & tagged version of shnid #1029 (EE109) | |||
Rob | .shn | 2 | |||
Rob Berg | SHN | 2 | An ESP experiment show; the second Betty Board; first show without Mickey Hart. | ||
Rob Lecker | CDR | 3 | 7 | ||
Robert Brown | CDR | 3 | SBD>Reel/0>DAT>CD | ||
Robert Goetz | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; shn(2)>cda(3) | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers); shn(2)>cda(3) | |
Ron Hollatz | SHN (2) | 3 | 7 two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > | The recording is in mono, and reflects very occasional analog tape flaws such as bursts of flutter. These flaws are from the master. The lineage information available states that Dolby A decoding was not performed, but the sound is nevertheless very good and does not sound compressed. As with the other Port Chester recordings, a slight whine comes and goes throughout the recording. We have applied a very light notch filter as needed. The filtering was accomplished using Cool Edit Pro, and consisted of a sequence of notch filters at and around 8k, approx 1k wide and only 2db in depth. The filtering was mainly during the in-between banter but also on the songs where required - more so the 2nd set. In The Other One there were two short bursts of static that appear to have come from the stage, and these were reduced in level. No other filtering was performed. As indicated in the set list, Bird Song is cut. There are also several cuts on the master during crowd noise before Truckin' starts the first set, but who cares? | |
Ron K | shn | 2 | |||
Sam Phillips | shn | 2 | |||
samson | SHN | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | An ESP experiment show; the second Betty Board; first show without Mickey Hart.The recording is in mono, and reflects very occasional analog tape flaws such as bursts of flutter. These flaws are from the master. The lineage information available states that Dolby A decoding was not performed, but the sound is nevertheless very good and does not sound compressed.As indicated in the set list, Bird Song is cut. There are also several cuts on the master during crowd noise before Truckin' starts the first set, but who cares? | |
Sandy Cook | SHN | 2 | SBD | ||
Scott | cdr | 3 | my extraction from DAT | ||
Scott Bernstein | CDR | 3 | 7 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed) (10) | |
Scott Hooker | CDR | 3 | |||
Scott Newcomer | cdr | 3 | |||
Scott Ratzmann | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHzPCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >Cool Edit Pro (filtering and sample rate conversion) > SHN data files | ||
Scott Sherman | SHN/CDR | 2 | BBD | ||
ScottR | CDR | 3 | |||
sean hite | SHN | 1029 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers) | |||
Sean McIntyre | CD | 3 | SBD | WBOTB source 7" two track BBD Reel w/Dolby A @ 7 1/2 ips->PCM501ES@44.055khz->PCM501ES analog out->Fostex D5 @ 48 khz->Cool Edit Pro->SHN Data files | |
Sergio Sanchez | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed) | ||
Seth | SHN | 3 | |||
Seymour Young | |||||
Shane L. | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips PCM501ES @ 44.055 kHz PCM501ES analog out Fostex D5 @ 48 kHz (Dolby not decoded?) WAV Cool Edit Pro (filtering and sample rate conversion) SHN data files (seed); mono | ||
Shane M. Rockey | CD-R | 3 | |||
Shawn Williams | SHN | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | ||
Shoreline99 | shn | 3 | |||
Sigmund BoPs | CD-R | 2 | |||
simone | cd | 2 | shn | ||
SIRMick | SHN | 2 | |||
skipalicious | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | ||
Skylab | 2 | ||||
sl1pkn0t | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHzPCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN | ||
SpiralLightofVenus | FLAC | SBD TB12 | |||
Steve Blanchard | SHN | 3 | 7 | ||
Steve Calder | CD | 3 | |||
Steve Sawyer | SHN | 3 | SBD | ||
Steve Sears | SHN | 2 | |||
Steve Swartz | |||||
Steve Tobani | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN | |||
Steven L. | CDR | 2 | |||
Stuart K. | shn | ||||
Summoner | 2shn/3cdr | 3 | MSR 7inch | ||
T Buckley | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN | ||
TangoLetal | CDR | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips | ||
Tanner | |||||
tbone | CD-AUD&SHN | 3 | |||
Ted | shn | 2 | |||
ted hissin | cdr | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files | |||
Terence Keating | shn | 2 | |||
Terrapanda | 2 | ||||
The Genius | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files | ||
Thereminist | |||||
Thomas Key | shn | 2 | |||
thrak | shn | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed) | Betty Board | |
Tim A. | CDR | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz | also SHN | |
Tim Graf | CDR | 3 | SBD | ||
Tim Howell | cd | 2 | Betty Board | 2 80 min discs | |
timl40 | shn | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >Cool Edit Pro (filtering and sample rate conversion) > SHN | ||
Tom Bashara/Eric Linstrom | SHN, Audio | 2 | 7 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed) | |
Tom King | CDR | 3 | Betty Board | ||
tom kunz | shn | 2 | |||
Tom Langdon | cd | 3 | |||
Tom Murphy | shn | 2 | WBOTB | ||
tom murphy | shn | betty board | |||
Tom Snider, Jr. | shn | 2 | |||
Tommy Brame (shn) | SHN | 2 | |||
Tommy Danscuk | shn | 2 | Sbd > Reel | ||
Tony Handmaker | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed) | ||
Torbjörn Olofsson | 3 | ||||
triportweek | cdr | 2 | |||
Tripp Wojohn | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >Cool Edit Pro (filtering and sample rate conversion) > SHN data files | ||
Tripp Wojohn | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >Cool Edit Pro (filtering and sample rate conversion) > SHN data files | ||
TugMcG | CD | 3 | Three From the Vault | ||
tunaguitar | shn | 3 | |||
TunaMan | shn | 2 | |||
Victor Pianello | .shn | 2 | |||
wally-brewing | 3 | d1 | |||
Wes Idell | shn/dvd | 3 | |||
Willy | SHN | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips | ||
winterland121072 | |||||
Yossarian Hunter | shn | 2 | |||
young | shn | 2 | |||
yubah | CDR | 3 | |||
Zach | SHN | 2 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHzPCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >Cool Edit Pro (filtering and sample rate conversion) > SHN data files | ||
Zak Walker | shn | 2 | 7 | sbd | |
ziko | |||||
zowie | cd | 3 | sdb |